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  • DS Record Review: Pretty Out “Misery Seed”

    Boston Post Hardcore Emo punks, Pretty Out, are back with their newest EP, a follow-up to their previous record, No Good, All Worries. Continuing with the same emo sounds, their newest record, Misery Seed, comprises four well-crafted songs for a genre whose legacy can sometimes get muddled with specific eras and tonal shifts. While the songs don’t break the mold of either era of Emo, Pretty Out has a strong hold on the genre as a whole and clearly shows reverence for it.

    Opening with “Underside Of Your Head,” Pretty Out starts strong with a song about trying to find the good in the world, but eventually, it will wear you down, likening the resentment to a misery seed that will grow inside of you like a weed if left unattended. Whether this is written about one person in particular or society, the sentiment is the same either way. “Pay No Mind” is a more upbeat venture that expands upon the opening track’s theme of being let down by people, even if the guitars are brighter.

    “Knife to a Flame (From Here I See the Decline)” and “Liquid Zoo” bring down the tempo while keeping the energy. There are plenty of moments where each instrument gets its own little tangent, whether it be a bass intro, guitar riff, or drum fill. The way this album utilizes the energy it creates is a balancing act, and these last two tracks are a good yin to the first two’s yang.

    This record is damn good. Toe-tapping emo that doesn’t cry its feelings, but does present them in a less aggressive tone. While it cycles through the tropes of the genre, it does them well. The album’s four songs have a runtime of fourteen minutes, but they’re never boring and are well-arranged. Pretty Out has done their homework, and it shows. Meditative in spots with thought-provoking lyrics, Misery Seed will leave you wanting more songs.

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    If you paid attention to what’s happening on a modern punk rock scene, then you probably have noticed
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    Some stick with their core sound on these late-career studio projects, while others reflect an incredible evolution over time. Continue reading…
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  • Arroganz – Death Doom Punks Review

    Once, punk ruled my heart as jealously as metal. I loved the heart-in-hand abandon and DIY ethos of acts like Rise Against, Social Distortion, Bad Religion, and Descendants,1 and though I still do metal nonetheless won out as my root genre. But punk and metal have always overlapped, and when the two offshoots of rock tango together, great things can happen.2 German death metallers Arroganz have been carrying out this uneasy marriage since 2008, dropping six testaments of metallic brutality and punkish rebellion over the years. Longtime bassist/vocalist -K- and drummer -T- are joined by the newcomer guitarist -B- for lucky number seven, Death Doom Punks, a declaration of purpose if there’s ever been one. I love the attitude, but an album can’t live by ‘tude alone. Will Arroganz’s infusion of punkish qualities into the death metal elevate Death Doom Punks, or will it merely spell death/doom for these punks?

    Other bands have put death riffs over d-beats before, but Arroganz channel early Immolation/Death through Black Flag/Discharge-like hardcore grime in a way that feels particularly vital on Death Doom Punks. Whether through blistering speeds like on “Pain Forged Armor” or diabolical groove on “Anti-Ideology,” Arroganz’s knack for aggressive and catchy riffcraft keeps a near-constant stankface plastered over my skull. Classic death metal walking riffs meet soaring doom bass leads on “Die for Nothing,” while “Death Doom Punks” marries hardcore and doom into a gloomy, potent combo that reminded me that Caskets Open exists. Songs on Death Doom Punks are brief and intentionally simple, but hear the spider-y basslines on “Earth’s Final Dose,” the gigantic belting and bass-work over “Under Scarred Skin,” or the gnarly death march of “Spirit Arsonist” and know that Arroganz supercharged everything they wrote with everything they had. Simply, Death Doom Punks is what it says it is, and it’s awesome.

    That Death Doom Punks is Arroganz’s seventh album is no surprise, as their chemistry and chops are something else. Rhythmically, Arroganz seamlessly slide into a snarling breakdown one moment on “Arsenic Breath” and throw down thrash stampedes the next on “Incubus’ Veins.” -K- is a beast of a bassist and vocalist, littering Death Doom Punks with nimble and concussive bass riffs and punk-influenced leads while bellowing throaty, acerbic condemnations of society. -B- fits Arroganz like a fingerless glove, clobbering Death Doom Punks with crushing grooves on the title track,3 gnarled and disjointed leads on “Pain Forged Armor,” and entwining leads with -K-‘s bass licks on “Arsenic Breath.” Arroganz play well together, and Death Doom Punk’s organic production and surprisingly dynamic mix make it apparent. The snare pop right, the bass warbles and clicks right, the guitar is crunchy and deep and everything sits just right in the mix. Arroganz may be no-good punks, but Death Doom Punks is clearly the product of adamant professionals and experts of their craft.

    Arroganz’s most critical success is in knowing when to switch something up. Again, Death Doom Punks’ songs are on the simple side, but Arroganz shuffle through riffs, refrains, and bridges often enough to spare the listener from boredom while affording ideas enough time to settle to save themselves from riff salad. Frequent tempo shifts electrify Death Doom Punks further, spinning “Spirit Arsonist”‘s plodding bass riff into a total death metal meltdown and opening “Die for Nothing”‘s relentless show of force in the bridge for a righteous display of bass-forward doom. Conversely, the relatively static one-two combo of “Incubus’ Veins” and “Earths Final Dose” mark Death Doom Punk’s low point. Though -K-‘s screams sound more cutting than usual on “Incubus’ Veins” and “Earths Final Dose” features some slick fills from -T-, they don’t offer as much diversity as the other tracks and feel a bit one-track as a result. But that stretch is an exception to the rule of Death Doom Punks, which is largely a wild ride front-to-back.

    Death Doom Punks sees ass, and it kicks it, no questions asked. I had never heard a lick of Arroganz before diving into Death Doom Punksthe title just sounded funny to me—but they’ve quickly made a fan of me over the weeks. The riffs are relentless. The hooks are huge. Did I mention the bass lines rock? Arroganz are simply a potent entity who know who they are and what they do well, and it comes through on Death Doom Punks. You should know it, too.


    Rating: Very Good
    DR: 7 | Format Reviewed: 320 kbps MP3
    Label: Testimony Records
    Websites: arroganz.bandcamp.com | facebook.com/arroganzgermany | www.arroganz.info
    Releases Worldwide: May 15th, 2026

    The post Arroganz – Death Doom Punks Review appeared first on Angry Metal Guy.

  • “It was obvious that he wasn’t happy.” Why founding Korn bassist Fieldy left the band in 2021, according to guitarist Munky

    Korn guitarist Munky opens up on why Fieldy left Korn for an extended hiatus five years ago, and whether he’s kept in touch since
  • Tár – Dancing On The Event Horizon EP

    Poland has always been a fertile ground for high-quality underground music, and it’s always fascinating to see how