False Reality & Roman Candle will be out with them on the latter.
The post Split Chain Announce Deluxe Edition Of “Motionblur” & UK Headlining Tour appeared first on Theprp.com.
False Reality & Roman Candle will be out with them on the latter.
The post Split Chain Announce Deluxe Edition Of “Motionblur” & UK Headlining Tour appeared first on Theprp.com.
The Rolling Stones are rolling out their new album Foreign Tongues, but as of now they aren’t supporting it with a tour. Last year the band reportedly scrapped plans for 2026 live shows because Keith Richards couldn’t commit to touring. According to a new interview, all hope may not be lost for those who hope to see the rock legends onstage again. Speaking to the AP recently, Mick Jagger said, “I would love to tour the album. I absolutely would love to, so I hope to do it as soon as that’s possible.” Richards was less enthusiastic: “Yeah, yeah, possibly, you know, I mean, at the moment, we’re just sort of saying, ‘We finished the record, let’s do this.'” He added, “Not this year.”
The post The Rolling Stones Talk Tour Plans, Get De-Aged In Their “In The Stars” Video Starring Odessa A’zion appeared first on Stereogum.

Having arrived in Britain on 1 December 1965 for TV appearances only, including performing on BBC’s Top of the Pops, ITV’s Ready Steady Go and TWW’s Discs as Gogo, US soul singer Fontella Bass returned to Britain in the first week of January 1966 for a two-week tour.
Judging by the article from Melody Maker below, she was backed by seven-piece Surrey outfit, The Just Five for all of the gigs, although keyboard Alan Reeves says The Krew did back her for a one-off gig at the Scotch of St James.

Tour dates (see pic above for more details)
8 January 1966 – Market Assembly Hall, Carlisle, Cumbria with Just Five, Checkmates and The Dawnbreakers (Carlisle and Cumberland Journal)
9 January 1966 – Oasis, Manchester (Manchester Evening News & Chronicle)

11 January 1966 – Britannia Rowing Club, Nottingham (Nottingham Evening Post)

12 January 1966 – Blue Moon, Cheltenham, Gloucestershire with The Quiet Five (https://garagehangover.com/blue-moon-cheltenham-gigs-july-1965-may-1967/)
13 January 1966 – Oldham Astoria, Oldham, Greater Manchester (Manchester Evening News & Chronicle)
14 January 1966 – ITV’s Ready Steady Go with The Kinks, Pretty Things, Patti LaBelle & Her Belles and Lee Dorsey (Melody Maker)

15 January 1966 – Astoria Ballroom, Rawtenstall, Lancashire with The Just Five, The Rogues and The Beatroots (Accrington Observer/Lancashire Evening Telegraph)

16 January 1966 – Flamingo All-nighter, Wardour Street, Soho, central London with The Chessmen (Melody Maker)

18 January 1966 – Marquee, Wardour Street, Soho, central London with The Action (Melody Maker) Missed due to food poisoning

19 January 1966 – Mecca Pavilion Royal Pier, Southampton, Hants with The Just Five (Southern Daily Echo)
We’d welcome any further information on this tour in the comments below
In a parking lot no less.
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Posted on May 14th 2026, 4:30p.m.
When one thinks of Long Island, stoner doom may not be the first musical variant that comes to mind. Restless Spirit have been out to change that since 2015, dropping several EPs and 3 long players of massive, weighty music with toes in the pools frequented by Mastodon, C.O.C., and The Sword. 2023s Afterimage was a great album crushed beneath a disastrous production that made enjoyment nigh impossible. Now comes their self-titled 4th album and a bit of a course correction. It’s a lighter, more rocking effort with a sense of brightness and wistfulness embedded in the burly, beefy sound. It’s still something entirely well-suited for a biker bar, but what Restless Spirit does is put them in the same ballpark as acts like Clutch, Fireball Ministry, and Freedom Hawk, and just in time for summer sun and outdoor beer drinking. How could that be a bad thing?
The things I love about Restless Spirit are still here, as opening track “The Burning Need” ably illustrates. It’s slick, bluesy, hard rock in the vein of C.O.C. with big riffs and feedback backing up Paul Alosio’s big, soulful bellows. It’s groovy, crunchy stuff with balls aplenty and a chorus that really pops and sticks in the craw, and you’d be forgiven for thinking this came from some southern crew rather than 3 guys from New York. The goods keep coming on “Hallowed,” which is a bit more spacey and moody, but the hooks are there, and the riffs do most of the talking, as they should. There’s a vintage Monster Magnet vibe in its DNA, and the guitar work is quite agile and interesting, with moments of introspective melancholy effectively stirred into the brew. “Desolations Wake” is a big moment, taking a rocked-out, rowdy approach to entertainingly punchy places with hard-charging guitar work that reminds a lot of Freedom Hawk. It’s got enough machismo to put extra hair on your nethers and make you want to punch a boulder. This one is heading right to my fun in the sun playlist with a bullet.
Unfortunately, not everything Restless Spirit attempts is a home run, and while nothing here is bad, cuts like “Red in Tooth and Claw” feel a bit more generic and safe. While the nearly 7 minutes of “Time and Distance” pass pretty well thanks to the powerhouse guitar work and forceful vocals, it does feel a bit overlong by the end. The nearly 9-minute closer, “Phantom Pain,” features a 70s psych-rock flavor that reminds me of Wino’s solo material, and the laid-back, emotive guitars pair well with the rougher, heavy riffs. But the length isn’t entirely justified, and by the 6th minute, things start to feel too stretched out. At just over 40 minutes, tracks like these make Restless Spirit feel longer than it really is, despite a good amount of interesting ideas and solid performances across the board. On the good side, the production is vastly better than last time, feeling warm and bright. The guitars have the proper weight, and the drum sound is satisfyingly deep.

The center of the Restless Spirit universe is Paul Alosio. His riffs and emotive fretboarding provide the foundation for everything, and he’s quite adept at crafting powerful, sinuous leads that grab your attention. Since this kind of music lives and dies by the riffs, he’s the prime mover, and move you he will as he dabbles in 70s rock and borrows from the expected wellsprings like Black Sabbath and Kyuss. He pairs his leads with an effectively rough but melodic vocal approach, and he’s at his best here, delivering with gravitas and soul. Marc Morello backs him up with thick, fat basslines that rumble and quake in all the best ways, while kitman Jon Gusman pounds away with abandon and a keen sense of groove. This is a talented trio, but their mostly good works get partially undermined by occasionally inconsistent writing and a bloat outbreak on the album’s ass-end.
Restless Spirit is a lesser creature than Afterimage and Blood of the Old Gods, but when it hits the mark, it will leave a deep impression on your ears. It’s worth checking out though, and I’m still a big believer in what the future holds for Restless Spirit. Talent abides, and spirits lurk endlessly, after all. Hail the Isle of Long!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Magnetic Eye
Websites: restlessspirit.bandcamp.com | facebook.com/restlessspiritny | instagram.com/restlessspirit
Releases Worldwide: May 8th, 2026
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