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The second single from his Zachary Baker project has debuted.

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Haste The Day’s first new album since 2015 will be out this May.

The post Haste The Day Enlist Silent Planet’s Garrett Russell For Their New Single “Liminal” appeared first on Theprp.com.

This was one of the few times in the early '80s when Pete Townshend shared a truly great track with the band. Continue reading…

Ten Years After’s I’m Going Home was 11 minutes of blues-rock euphoria

Out with the bandana and in with the eye shadow?

The post Beartooth’s Caleb Shomo Embraces Liberation With “Free” Music Video appeared first on Theprp.com.

Knife Emoji’s Doppelgang is a feverish alt-folk/rock spiral that blurs identity and instinct in equal measure. Built on jagged guitar lines, thunderous drums, and streaks of swirling synths, the track feels both confrontational and hypnotic. There’s a theatrical intensity in the delivery—half confession, half confrontation—as if staring down your own reflection and daring it to blink first.

The production walks a tightrope between chaos and control, letting distortion breathe without losing melodic grip. As a preview of their debut album (out March 20), Doppelgang signals a band unafraid of excess, tension, and dark self-examination. Bold, abrasive, and strangely addictive.

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Half Shadow’s Fruit unfolds like a fragile incantation whispered at dawn. Balancing experimental folk textures with a primal pop pulse, the track feels intimate and elemental—finger-picked guitars rattling gently beneath Jesse Carsten’s hushed, poetic delivery. Lyrically, it’s a meditation on endurance and renewal, tracing the slow thaw after a season of mental unrest.

“There’s patience in the soil,” the song seems to suggest, even when the field lies fallow. Rather than dramatizing struggle, Fruit leans into quiet resilience, envisioning warmth and self-love on the horizon. A bare-skinned, searching piece that blossoms gradually, rewarding listeners with its understated emotional depth.

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Those Saint Were Sailors craft a slow-burning instrumental meditation with alone, in the middle of the ocean. True to its title, the track drifts with patient restraint, favoring atmosphere over climax. Guitars (or synth textures) swell and recede like tides, while subtle rhythmic pulses echo the steady, isolating heartbeat of open water.

There’s no dramatic crescendo—only immersion. The beauty lies in its quiet tension, that suspended feeling of searching for land that never quite appears. It’s cinematic yet intimate, evoking emotional distance without excess. A contemplative piece that trusts mood as its compass, navigating solitude with grace and understated depth.

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A music video for “All For You” is now available.

The post Atreyu’s New Album, “The End Is Not The End” Due In April: “It’s Our Heaviest, Most Metal Record We’ve Made” appeared first on Theprp.com.

Joe Jackson returns with Fabulous People, a sharp, piano-driven reminder of his enduring wit and melodic sophistication. True to form, the track pairs buoyant arrangement with subtly barbed lyricism, observing modern characters with a raised eyebrow and a knowing grin. There’s a theatrical flair woven into the rhythm, echoing his fondness for classic songcraft while keeping one foot firmly in contemporary commentary.

Fabulous People feels playful yet precise—satirical without turning cynical. Jackson once again proves that intelligence and pop sensibility can coexist beautifully, crafting a tune that’s as musically elegant as it is lyrically incisive. Timeless craftsmanship, effortlessly delivered.

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