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Swarming with sonic haymakers, looming melodies, sharp narratives and astonishing dexterity, today Melbourne’s The Gloom In The Corner ascend into a brand new era with the release of their hotly-anticipated new studio album Royal Discordance, out now via SharpTone Records. A record that could readily soundtrack an Anime epic, a Netflix smash series, or a […]

There’s a moment, right before a remix takes flight, when you can feel the air shift. The lights dim a notch. The floor tightens. Someone, somewhere, leans closer to the speakers. On Traitrs’ reimagining of Toronto post-punk duo Modele’s You Are My Sin, originally on Pleasures Of The Holy, that shift happens almost immediately. A low throb rolls in, patient, predatory, and suddenly the chapel of the original becomes a midnight club with stained-glass windows rattling in the bass.

Traitrs always understand atmosphere the way some bands understand hooks. They don’t rush the ritual; the beat lands with intent: steady, stalking, edged in ice. Synth lines stretch longer here, darker in hue, turning the song’s devotional ache into something more dangerous. Where Modele’s version glowed with ceremony, Traitrs lace it with a more restrained tension. The space between notes feels charged, like a held breath shared by a roomful of strangers.

You Are My Sin is about the collision of faith and flesh; pleasure braided with guilt, desire dressed in incense. In this remix, that collision feels physical. The drums hit harder, the low end digs deeper, and the chorus rises like a confession whispered into a mic at 2 a.m. Huggett’s vocal floats above the mix with a new urgency, less sermon and more surrender. Each line lands like a vow made under red lights.

There’s something cinematic in the way Traitrs rebuild the track. They let it simmer, then slowly widen the frame. The bass swells, the synths gleam, sharp as chrome in a dark room. The sacred and the profane spin together under a mirror ball that feels just slightly cracked. Traitrs never overcrowd the arrangement. They carve space with care, letting the tension coil and release in measured waves. The altar has been carried onto the dancefloor, and the incense has mixed with dry ice. Somewhere between the kick drum and the last echo of that chorus, devotion becomes motion. You step back into the night air changed, pulse steady, the echo of that beat still ticking under your ribs.

Listen to You Are My Sin (Traitrs Remix) below and order the single here.

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The post Toronto Post-Punk Duo Modele Share Traitrs Remix of “You Are My Sin” appeared first on Post-Punk.com.

Liverpool’s club circuit in the early 1960s gave The Swinging Blue Jeans their runway, and the group’s sound and look quickly aligned with what became known as Merseybeat. They are identified as a four piece 1960s British Merseybeat band, and they became best known for hit singles released on the His Master’s Voice label, including “Hippy Hippy Shake,” “Good Golly Miss Molly,” and “You’re No Good,” all issued in 1964. The band’s later single activity did not match that early impact, although their 1966 recording of “Don’t Make Me Over” did reach the UK Singles Chart at number thirty one.

The post Top 10 Swinging Blue Jeans Songs appeared first on ClassicRockHistory.com.

Winter (at least after Christmas,) is a bloody horrible time to live in Britain. I mean, it's not the happiest place on Earth generally but the weather's at its worst, everyone's extra miserable and half the football matches get cancelled every week. There is one thing over the last few years that has made it worth getting through to the end of Win… Read More/Discuss on Metal Underground.com

Limp Bizkit’s Wes Borland was also recently in the studio for a project with Elfman.

The post Danny Elfman Teases New Studio Session With Guns N’ Roses Guitarist Slash appeared first on Theprp.com.

Wicked .

The post Wicked drop new single “Go Rebel” from upcoming self-titled album first appeared on Sleaze Roxx.

Lost Society’s Samy Elbanna filled in for the late Alexi Laiho.

The post Watch Children Of Bodom Reunite For Their First ‘A Celebration Of Music’ Show appeared first on Theprp.com.

Paul McCartney: Man On The Run spotlights the trials and triumphs of the post-Beatles 70s

I was the wound — now I’m the blade

Built from the scars that you made
 

There is a moment, just before dusk, when the air shifts and everything feels fractionally charged, as though the day has exhaled and something older is preparing to speak. REBEL MUSE, the new album from Los Angeles artist MISS TREZZ, inhabits that charged threshold. And her latest single, Fade Into The Black, moves with ritual intent, drawing from industrial pop’s iron spine and dark electronic music’s nocturnal pulse, yet aiming squarely at something more elemental: self-possession wrestled from the wreckage.

Built on a bed of low-slung synths and deliberate percussion, the track unfolds with patient control. Producer Travis Bacon keeps the arrangement taut and spacious, allowing each element to breathe. The electronics hum and the rhythm stalks as her vocal steadies itself – cool at first, then gradually edged with steel. You can hear the recalibration happening in real time;  a consciousness shifting from containment to command.

The accompanying video, self-directed and shot by cinematographer Steven Anthony Roe, deepens that transformation. Set against open meadowland and elemental imagery, MISS TREZZ appears as a warrior queen in motion, symbolic of reclamation. What begins as a confrontation evolves into a ceremony. Nature becomes both witness and instrument of metamorphosis. The past is summoned, faced, and finally offered up, lending the song a sense of composure that suggests hard-won authority.

Across REBEL MUSE, MISS TREZZ inhabits sovereignty without spectacle. The record stands, steady and deliberate, insisting that autonomy can be both tender and unyielding…and that power, once reclaimed, need not shout to be felt.

Watch Fade Into The Black below:

MISS TREZZ frames her latest LP in stark terms: “The Rebel Muse is the rebel who creates art through defiance and a refusal to conform, and the muse who inspires the transmutation of pain into power. Together, the Rebel Muse awakens the courage to create from your unapologetic, authentic self.” There’s a clarity to that statement that courses through the record. These songs feel lived-in rather than theorised, as though each line has been tested against experience before being set loose.

Her stated intent cuts cleanly through the production: “This album is about rebelling against anything that doesn’t resonate with authenticity,” she explains. “It’s about not apologizing for who you are, not conforming to the patriarchy, and not allowing the past to govern who you become.” In lesser hands, such rhetoric might curdle into a slogan, but here it feels embodied. The mantra “REBEL. REVOLT. RESIST.” functions less as branding and more as practice; a rhythm that underpins the album’s emotional architecture.

Listen to Fade Into The Black below and order REBEL MUSE, out now via Re:Mission Entertainment, here.

Follow MISS TREZZ:

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The post Industrial Pop Muse MISS TREZZ Explores Love, Loss, and Liberation in Video for “Fade Into The Black” appeared first on Post-Punk.com.

Robbie Williams will front that musical tribute featuring Ozzy’s former bandmates.

The post Ozzy Osbourne To Be Honored With Lifetime Achievement Award & Musical Tribute At The 2026 BRIT Awards appeared first on Theprp.com.