Blog

They’ve also announced an April 03rd show.

The post Breaking In A Sequence Readying New Album “Inanimate” appeared first on Theprp.com.

Greek symphonic extreme metal practitioners W.E.B. are pleased to present their live video of “Morphine For Saints” from Darkness Alive, their first ever live album, released last week via Metal Blade Records. W.E.B.‘s music has earned high praise for its “drama, extremity and bloodthirst in equal parts… energetic and unhinged.” The formidable symphonic extreme metal lineup is best […]

Source

What Is Tron Ares: Divergence And Why Did Nine Inch Nails Release It Now?

It’s a 20-track companion release to last year’s Tron Ares soundtrack, collecting unreleased material and bold remixes from major electronic artists.

TL;DR

• Nine Inch Nails surprise-release Tron Ares: Divergence on February 27
• Companion piece to the GRAMMY-winning Tron Ares soundtrack
• Includes unreleased tracks plus remixes by Arca, Boys Noize, Mark Pritchard, Chilly Gonzales and more
• Features multiple reinterpretations of “As Alive As You Need Me To Be”
• Expands Trent Reznor and Atticus Ross’ cinematic industrial universe

No rollout. No teaser campaign. No cryptic countdown.

Nine Inch Nails just hit publish.

Tron Ares: Divergence arrives as a full 20-track companion to last year’s Tron Ares soundtrack — the project that marked the band’s first major release in several years and earned a GRAMMY Award for Best Rock Song with “As Alive As You Need Me To Be.”

But this isn’t a simple remix EP.

It’s a reconfiguration.

Get Your 2026 Nine Inch Nails Tickets Here

Not A Deluxe Edition — A Mutation

Where the original Tron Ares score leaned cinematic and immersive, Divergence fractures that world open.

The album opens with the explosive “Converge,” setting the tone immediately. From there, the project swings between unreleased atmospheric instrumentals and radical reinterpretations from some of electronic music’s most forward-thinking names.

Arca delivers a haunting, destabilized take on the GRAMMY-winning centerpiece. Boys Noize contributes a three-track remix assault — reworking “A Question Of Trust,” “Ghost In The Machine,” and “What Have You Done?” into harder, club-driven mutations.

Mark Pritchard reshapes “I Know You Can Feel It.” Chilly Gonzales twists “100% Expendable.” Danny L Harle brings unexpected lift to “Who Wants To Live Forever?” featuring Judeline.

This isn’t nostalgia.

It’s deconstruction.

Loaded Radio Recommends – Rob Halford Unmasked: 13 Surprising Facts About The Judas Priest Metal God

The Reznor And Ross Blueprint Still Holds

Trent Reznor and Atticus Ross have built a second career in cinematic scoring that rivals their industrial legacy.

The original Tron Ares soundtrack proved they could step back into the spotlight without losing edge. Winning a GRAMMY for “As Alive As You Need Me To Be” only reinforced that their songwriting instincts remain intact — even inside a digital dystopia.

Divergence feels like them handing the blueprints to the next generation of sonic architects.

Lanark Artefax, Jack Dangers, Pixel Grip, The Dare, Schwefelgelb and Working Men’s Club all contribute, each bending the source material in unpredictable directions.

The result is industrial, electronic and cinematic — but also restless.

If you’ve been paying attention to how heavy music and electronic culture are colliding again lately, this fits that shift perfectly.

Full Tracklist

• Converge
• I Know You Can Feel It (Mark Pritchard remix)
• Godmode
• A Question Of Trust (Boys Noize remix)
• Operand
• Zero State
• Empathetic Response (Lanark Artefax remix)
• 100% Expendable (Chilly Gonzales remix)
• Who Wants To Live Forever? (Danny L Harle remix) (feat. Judeline)
• Infiltrator (Jack Dangers remix)
• A Framework
• Ghost In The Machine (Boys Noize remix)
• What Have You Done? (Boys Noize remix)
• As Alive As You Need Me To Be (Pixel Grip remix)
• The First Betrayal
• I Know You Can Feel It (Working Men’s Club remix)
• Shadow Over Me (The Dare remix)
• Terminal
• Forked Reality (Schwefelgelb remix)
• As Alive As You Need Me To Be (Arca remix)

Why This Drop Matters

Nine Inch Nails don’t operate on hype cycles anymore.

When they release something, it’s intentional.

This surprise drop signals movement — not just in film scoring, but in how Reznor and Ross are positioning the Nine Inch Nails identity going forward.

Is this a bridge toward another full band release?

Or is this the new blueprint — cinematic industrial that lives between worlds?

Either way, the machine is running again.

Check This Out – Top 13 Goth Rock Songs Ranked (1979-1995): The Definitive Anthems of the Shadow Era

 

FAQ

What is Tron Ares: Divergence?
A 20-track companion release to the Tron Ares soundtrack featuring unreleased tracks and remixes.

Did Nine Inch Nails win a GRAMMY for Tron Ares?
Yes. “As Alive As You Need Me To Be” won a GRAMMY Award for Best Rock Song.

Who remixed tracks on Divergence?
Arca, Boys Noize, Mark Pritchard, Chilly Gonzales, Danny L Harle, Lanark Artefax and others.

Is this a new Nine Inch Nails album?
No. It’s an expansion of the Tron Ares soundtrack.

Band Bio

Nine Inch Nails, founded by Trent Reznor in 1988, became one of the defining forces in industrial rock. In recent years, Reznor and longtime collaborator Atticus Ross have built an acclaimed film scoring career, earning multiple Academy Awards and GRAMMYs. Their work blends industrial textures, cinematic composition and electronic experimentation.

The post Nine Inch Nails Just Dropped a New Album Without Warning appeared first on Loaded Radio.

PinkPantheress is about to be named Producer Of The Year at Saturday’s BRIT Awards. Ahead of that honor, here’s another: Her Fancy That heater “Illegal” has been remixed by her fellow British production great, Four Tet. Kieran Hebden’s crisp, uptempo rework is built for the club, so throw it on next time you want to…

The post PinkPantheress – “Illegal (Four Tet Remix)” appeared first on Stereogum.

On April 30th internationally, BlackSeed Productions is proud to present The Great Observer‘s striking debut album, Loss of Transcendence, on CD and vinyl LP formats. Driven by a shared longing for boundless expression, Daniele Z. (guitar and vocals, ex-Night Gaunt) and Luca E. (drums and vocals, ex-Demonomancy and ex-Thulsa Doom) came together in a rehearsal room in Rome in […]

Source

I’ve kicked off this year with a good old-fashioned death binge. My putrid immersion has taken me around the world so far: first to Chile, then across the Pacific to Australia, and now back across continents to Sweden. Next up is Stockholm-based duo Harrowed. Consisting of dual-threat drummer and vocalist Adam Lindmark (ex-Morbus Chron) and guitarist/bassist Tobias Alpadie (VAK and former live guitarist for Tribulation), the pair linked up through a past project to pay homage to the SweDeath sounds of olde. With only a demo and a split to their name, their debut album, The Eternal Hunger, unleashes Harrowed’s fetid disposition upon the world with a fresh edge, proving these Swedes are more than just HM-2 clones.

But rest easy—no HM-2 pedals were harmed in the making of The Eternal Hunger. Instead, Harrowed delivers enough primitive-drenched filth to satisfy any SweDeath devotee craving the crunch. Alpadie’s serrated tremolos and lacerating riffs cut like rotary blades, while Lindmark’s feverish blasts and tribal tom rolls drench highlights like “Blood Covenant” and “The Cold of A Thousand Snows” in a heavy layer of cavernous abrasion, tearing through the speakers with surgical precision. The Stockholm sound’s hardcore punk DNA is also front and center, as the duo rips through tracks like “Ultra Terrene Phantasmagoria,” “Bayonet,” and “The Reins” with high-octane skank beats and wailing dirges. Lindmark’s vocals are a caustic mix of barbaric regurgitations, adding formaldehyde-infused dressing on Harrowed’s cadaver sandwich. Tied together by a punchy production that preserves the weight of the muddy sound of yore while also maintaining a modern, nimble edge, every disgusting note on The Eternal Hunger lands with maximum impact.

The Eternal Hunger channels the spirit of ’90s-era Entombed, yet Harrowed also weaponizes influences from far beyond Swedish borders. The duo frequently abandons standard old-school formulas to explore a diverse palette of unbridled savagery. On “Blood Covenant,” Lindmark’s stampeding, guttural-punctuated rhythms and turbulent transitions coalesce with Alpadie’s blazing fretwork, leaning closer to classic thrash than typical SweDeath. Pivoting from there, “Ultra Terrene Phantasmagoria” and “The Cold of A Thousand Snows” embrace a blackened speed identity where icy tremolos, demented double-bass attacks, and progressive ride patterns imbue a sinister edge outside typical HM-2 purism. Harrowed also pulls from the American scene. “The Eternal Hunger” mirrors the swampy, gore-soaked roots of early Autopsy and Death, while the haunting, clean arpeggios driving the title track and “The Haunter” resurrect Slayer’s “Seasons in the Abyss.” Strategic moments of suspense, where the duo strips away the distorted crust in favor of suspenseful intros and bridges, only make the final blows feel more devastating as hammering half-time grooves (“Blood Covenant”) and esoteric patterns (“Formaldehyde Dreaming,” “The Reins”) work well to keep the listener off-balance.

While Harrowed’s varied songwriting is largely airtight, certain songs reveal minor cracks. “The Reins” suffers from a disjointed bridge that briefly stalls the track’s momentum, though Lindmark’s technical drumming and visceral vocal attack do well to anchor the chaos. There are also occasional moments when tracks feel like retreads, suggesting Harrowed may have hit the bottom of their bag of tricks. “Formaldehyde Dreaming,” for instance, relies on a riff set strikingly similar to those found in “Bayonet” and “The Cold of A Thousand Snows,” while the clean intro of “The Eternal Hunger” echoes “The Haunter.” Furthermore, the title track’s brooding build-up fails to deliver a proportional payoff, indicating the track would have benefited from more editing. Despite these slip-ups, however, The Eternal Hunger remains 36 minutes of grime-soaked efficiency that favors memorable songwriting over high-concept filler.

Harrowed successfully pays homage to the Swedish spirit without merely exhuming its grave. By channeling a wide-reaching spectrum of influences and pushing them through a modern SweDeath filter, they’ve created a record that is easy to like and refuses to grow stale. Much of The Eternal Hunger’s success stems from Harrowed’s balanced and varied songwriting, with Lindmark and Alpadie both pulling their weight equally to flex their creative muscle and produce material that sounds both familiar and surprisingly fresh. A debut with this much power is impressive, especially coming from only two people. If this is what the new wave of SweDeath sounds like, I’m on board—and you should be too.

---

Rating: Very Good!
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Dying Victims Productions
Websites: dyingvictimsproductions.bandcamp.com/album/the-eternal-hunger | facebook.com/harroweddeathmetal
Releases Worldwide: February 27th, 2026

The post Harrowed – The Eternal Hunger Review appeared first on Angry Metal Guy.

The song was previously a hidden bonus track on the Australian CD release of “As The Kingdom Drowns”.

The post Psycroptic Digitally Release Their Cover Of Little River Band’s “Falling” appeared first on Theprp.com.

THE MOON AND THE NIGHTSPIRIT reveal the new track ‘Odyssey Limen‘ as the next advance single taken from their forthcoming album. “Seed of the Formless” has been chalked up for release on April 17, 2026. Pre-sale link: https://spkr.store/collections/the-moon-and-the-nightspirit THE MOON AND THE NIGHTSPIRIT comment: “The song ‘Odyssey Limen’ represents our new album’s most intense and dynamic peak – a relentless, metallic journey that mirrors the ultimate spiritual […]

Source

Is Rob Zombie Reuniting White Zombie?

No — Rob Zombie has made it clear that a White Zombie reunion is not happening, despite revisiting the band’s material live.

TL;DR

• Rob Zombie says White Zombie will not reunite
• He revisited Astro-Creep: 2000 during a special anniversary set last year
• Internal tension and personality conflicts led to the band’s 1998 breakup
• Zombie says he moved on intentionally when forming his solo band
• He will only retire when he can’t deliver shows at the level fans expect

There are reunion rumors that never die.

White Zombie is one of them.

Nearly three decades after the band imploded, Rob Zombie is once again shutting the door — and this time it doesn’t sound like a marketing tease.

It sounds final.

Get Your 2026 Rob Zombie Tickets Here

The Astro-Creep Anniversary Didn’t Mean What Fans Thought

When Zombie performed Astro-Creep: 2000 in full at Louder Than Life last year — backed by his current solo band — it reignited hope.

That record, released in 1995 at the height of industrial metal’s mainstream explosion, remains White Zombie’s defining statement. Double multi-platinum. Cultural timestamp. The soundtrack to a specific era.

But behind the scenes, the band was already fracturing while making it.

Zombie admitted he knew during the recording process that it would likely be the final album. Personality conflicts and internal strain were eroding everything.

“I knew as we were making that record that it would most likely be the last one,” he said in a recent talk with Revolver. “The band was falling apart.”

That context changes how you hear that album.

It wasn’t a triumphant peak.

It was a controlled detonation.

Loaded Radio Recommends – The Great Satan Approaches: Rob Zombie Albums Ranked From Worst To Best

Why The Breakup Stayed Permanent

White Zombie officially dissolved in 1998.

And unlike most legacy acts from the ‘90s, they never circled back for a cash-in run. No festival reunion. No anniversary tour. No “one last time.”

That’s not accidental.

Zombie made it clear that when he built his solo band — starting with 1998’s Hellbilly Deluxe — he did so with intention.

No internal drama. No ego wars. No chaos.

He specifically chose collaborators he could trust long-term, including Mike Riggs and Blasko, saying those tours were the best time he’d ever had on the road.

That’s a pointed comparison.

When someone finds a better situation, they rarely go back to a worse one.

Nostalgia Doesn’t Override Reality

Zombie still performs White Zombie staples live.

He respects the music. He’s proud of Astro-Creep: 2000. He calls it a strong record to end on.

But he also says he’s moved on.

And that’s the part fans don’t want to hear.

There’s a difference between honoring your past and resurrecting it.

White Zombie belongs to a very specific chapter in his life — and by his own admission, not one he’s eager to revisit structurally.

When Will Rob Zombie Retire?

Interestingly, Zombie was far more open about stepping away from the stage entirely than about reuniting his old band.

He says he thinks about it often.

But the decision won’t be driven by age or nostalgia — it will be driven by standards.

“If I don’t think we’re capable of delivering the show at the level it should be delivered… I will just walk away.”

That’s the line.

He won’t fade out.

He won’t coast.

He’ll exit when he feels the energy is gone.

Until then, the curtain stays up.

Just don’t expect White Zombie to rise with it.

Check This Out – 13 King Diamond Facts Every Fan Should Know: The Shocking Truth Behind the Master of Horror

FAQ

Is White Zombie reuniting?
No. Rob Zombie has made it clear that a reunion is not happening.

Did Rob Zombie perform Astro-Creep: 2000 live recently?
Yes. He performed the album during a special anniversary set backed by his solo band.

Why did White Zombie break up?
Internal tension, personality conflicts, and strained relationships led to the band’s dissolution in 1998.

Is Rob Zombie planning to retire?
Not currently. He says he will step away only if he feels he can’t deliver high-level live performances anymore.

Band Bio

White Zombie formed in 1985 and became one of the defining industrial metal acts of the 1990s, culminating in the double multi-platinum success of Astro-Creep: 2000. The band disbanded in 1998. Rob Zombie launched his solo career the same year with Hellbilly Deluxe, which established him as a long-term force in heavy music and later film.

The post White Zombie Reunion? Rob Zombie Finally Addresses The Rumors appeared first on Loaded Radio.

Testimony Records proudly announce that SPACE CHASER have signed with the label. We gladly welcome these Berlin thrash metal maniacs to our roster! SPACE CHASER will release their fourth studio album via Testimony Records in the near future. SPACE CHASER comment: “We are very happy to join forces with such a respected and well-established label, and we can hardly wait to unleash […]

Source