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  • Patti LaBelle & The Bluebells’ British tours of the 1960s

    Hailing from Philadelphia, lead singer Patti LaBelle first toured Britain with her backing group The Bluebelles featuring singers Nona Hendryx, Sarah Dash and Cindy Birdsong in January 1966. The tour was arranged by promoter Roy Tempest.

    For this first British tour, Patti LaBelle & The Bluebells were backed by northwest London group Bluesology who featured a very young Elton John known as Reg Dwight at the time on keyboards.

    It’s not clear whether Bluesology backed them on all the gigs, so we’d welcome any further information on this.

    At the time, Bluesology comprised Stu Brown (guitar/vocals); Reg Dwight (keyboards/vocals); Rex Bishop (bass); Pat Higgs (trumpet); Dave Murphy (sax); and Mick Inkpen (drums)

    Melody Maker’s 8 January 1966 issue, page 4 lists, gig dates and TV appearances

    Melody Maker, 8 January 1966, page 4

    Gig list

    5 January 1966 – Scotch of St James, Mayfair, central London (Melody Maker)

    6 January 1966 – Cue Club, Praed Street, Paddington, west London (Melody Maker)

    8 January 1966 – Oasis, Manchester with The Check Points (Manchester Evening News & Chronicle)

    9 January 1966 – Flamingo, Wardour Street, Soho, central London (Melody Maker) Billed as Patti La Belle & Her Belles

    11 January 1966 – Cromwellian, South Kensington, west London with Bluesology (Melody Maker)

    14 January 1966 – ITV’s Ready Steady Go with The Kinks, Pretty Things and Fontella Bass (Melody Maker)

    14 January 1966 – The New All-Star Club, Artillery Passage, Bishopsgate, east London (Melody Maker) Billed Patti LaBBelle and The Blue Bells

    14 January 1966 – Flamingo All-nighter, Wardour Street, Soho, central London with The Gass (Melody Maker)

    15 January 1966 – Dungeon, Nottingham (Melody Maker) Billed as Pattie La Belle & Her Blue Bells

    15 January 1966 – King Mojo, Sheffield, South Yorkshire with Fontella Bass, The Stormsville Shakers, Bluesology Inc and The Just 5 x 2 (Sheffield Star) Billed as Patty La Belle & Her Belles

    16 January 1966 – Plaza, Birmingham, West Midlands (Melody Maker) Possibly Handsworth

    19 January 1966 – Dancing Slipper, West Bridgford, Nottinghamshire (Nottingham Evening Post) This lists Wilson Pickett’s backing group as support who would have been The Links

    22 January 1966 – Starlight Ballroom, Boston Gliderdrome, Boston, Lincolnshire with Pinky & The Phellows, Bluesology Incorporated and The Triads (Lincolnshire Standard)

     

    Melody Maker’s 30 April 1966 issue, page 4, announces that Patti LaBelle & The Bluebelles return for a second tour (including TV appearances), organised again by Roy Tempest.

    For this second tour, Patti LaBelle & The Bluebelles were once again backed by Bluesology. It’s not clear, however, whether Bluesology backed them on all the gigs, so we’d welcome any further information on this.

    By this time, the line-up had changed slightly to feature Stu Brown (guitar/vocals); Reg Dwight (keyboards/vocals); Freddy Gandy (bass); Pat Higgs (trumpet); Dave Murphy (sax); and Paul Gale (drums)

    Gig list

    4 May 1966 – Birdland Club, central London (Melody Maker)

    4 May 1966 – Scotch of St James, Mayfair, central London (Melody Maker)

    5 May 1966 – Ram Jam, Brixton, south London (Melody Maker) Billed as Patti La Belle & Her Belles

    6 May 1966 – Ricky Tick, Windsor, Berkshire (Melody Maker) Billed as Patty LaBelle & Her Belles

    7 May 1966 – Assembly Hall, Aylesbury, Bucks with The Bystanders and The Dark Ages (Bucks Advertiser) Billed as Patty La Belle & Her Belles

    7 May 1966 – New All-Star Club, Artillery Passage, Bishopsgate, east London (Melody Maker) Billed as Patti La Belle & The Blue Bells

    8 May 1966 – Oasis, Manchester with Polecatz (Manchester Evening News & Chronicle)

    9 May 1966 – Tiles, Oxford Street, central London with Steve Darbyshire & The Yum Yum Band (Melody Maker) Billed as Patty La Belle & Her Belles

    9 May 1966 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker) Billed as Patty LaBelle & The Belles

    11 May 1966 – Orchid Ballroom, Purley, Surrey (Chris Broom’s book Rockin’ and around Croydon)

    13 May 1966 – Flamingo (two sets including all-nighter), Wardour Street, Soho, central London with Gass (Melody Maker) Billed as Patti La Belle

    14 May 1966 – King Mojo, Sheffield, South Yorkshire with Alan Bown Set and Buddy’s Blues (Sheffield Star) Billed as Pattie LaBelle & Her Belles

    14 May 1966 – Twisted Wheel, Manchester with The Ram Jam Band (Manchester Evening News & Chronicle)

    15 May 1966 – Dungeon, Nottingham (Nottingham Evening Post) Billed as Patty La Belle & The Blue Belles

    17 May 1966 – Marquee, Wardour Street, Soho, central London with The Clayton Squares (Melody Maker)

    17 May 1966 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker) Billed as Patti LaBelle & The Belles

    19 May 1966 – Rocky Rivers’ Top 20 Club, Conservative Club, Bedford with Bluesology and John Williams & Tomorrow’s People (Ampthill News & Weekly Record) Billed as Patti La Belle & Her Belles

    21 May 1966 – Rhodes Centre, Bishop Stortford, Hertfordshire with Blues Ology and The Ultimates (Herts & Essex Observer) Billed as Patti La Belle & Her Belles

    21 May 1966 – Cue Club all-nighter, Paddington, west London (Melody Maker) Billed as Patti LaBelle & Her Belles

    22 May 1966 – Jigsaw, Manchester (Manchester Evening News & Chronicle)

     

    In 1967, Cindy Birdsong left to join The Supremes and the group continued as a three piece.

    Melody Maker’s 22 June 1968 issue, page 4, lists a British tour opening on 3 July

    Melody Maker, 6 July 1968, page 3

    Melody Maker’s 6 July 1968 issue, page 3, provides more detail on the venues and dates

    It’s not clear who provided support on this third tour and we’d welcome any further information.

    Gig list

    3 July 1968 – California Ballroom, Dunstable, Bedfordshire with supporting groups (Dunstable Borough Gazette and Luton Journal/Melody Maker/http://www.california-ballroom.info/gigs/) Amended to 5 July. Billed as Patti LaBelle & The Belles

    3 July 1968 – Cue Club, Praed Street, Paddington, west London (Melody Maker) Amended to 5 July. Billed as Patti La Belle & The Bluebells Show

    6 July 1968 – New Century Hall, Manchester (Melody Maker)

    6 July 1968 – Carlton Club, Warrington, Cheshire (Melody Maker) Amended to 7 July

    7 July 1968 – Britannia Rowing Club, Nottingham (Melody Maker)

    8 July 1968 – Golden Torch, Tunstall, Staffordshire (Melody Maker)

    8 July 1968 – Club Cedar, Birmingham (Melody Maker)

    11 July 1968 – Brave New World, Eastney, Portsmouth, Hants (Melody Maker)

    12 July 1968 – White Lion, Edgware, north London (Melody Maker)

    12 July 1968 – Sybilla’s, Swallow Street, central London (Melody Maker)

    13 July 1968 – 76 Club, Burton on Trent, Staffordshire (Melody Maker)

    13 July 1968 – Gig in Sutton Coldfield, West Midlands (Melody Maker) Possibly the Belfry, Wishaw

    14 July 1968 – Cue Club, Praed Street, Paddington, west London (Melody Maker) Billed as Patti La Belle & Her Bells

    17 July 1968 – Gig in Stevenage, Herts (Melody Maker) Possibly the Locarno

    18 July 1968 – Sybilla’s, Swallow Street, central London (Melody Maker)

    19 July 1968 – Mistrale Club, Beckenham, south London with Purple Dream (Coulsdon & Purley Advertiser/Beckenham & Penge Advertiser/Melody Maker) Billed as Patti La Belle & The Bluebells

    20 July 1968 – Clockwork Orange, Chester, Cheshire with Chris Shakespeare Globe Show and The Executives (Chester Chronicle) Billed as Patti La Belle & Her Bluebells

    20 July 1968 – Nantwich Civic Hall, Nantwich, Cheshire (Melody Maker)

    22 July 1968 – Orchid Ballroom, Purley, Surrey (Beckenham & Penge Advertiser) Billed as Patty La Belle & Her Bells

    We’d like to hear from anyone who can provide more information in the comments section below

     

  • “It was a craving for something new.” Meet The Scratch, the metal misfits who might just be the missing link between The Dubliners and Metallica

    Anyone walking down Grafton Street in Dublin eight or nine years ago might have been stopped in their tracks by the sight of four long-haired buskers playing traditional-sounding Irish music on acoustic instruments with the energy of a metal band.

    “We busked pretty much solely for the first two or three years this band existed,” says Conor ‘Dock’ Dockery, guitarist with The Scratch, the former buskers in question. “We realised we were making more money than we’d ever made in our old band.”

    The Scratch’s recently released third album, Pull Like A Dog, captures that raucous unlikely collision of two worlds. The Dublin four-piece – completed by drummer/singer Daniel ‘Lango’ Lang, bassist Cathal McKenna and guitarist Gaz Regan – are the missing link between The Dubliners and Metallica, a bunch of metal kids who hit on what Dockery calls “this weird little sound”.

    The Scratch’s roots lay in Red Enemy, a knotty progressive metal band who released a couple of EPs and a self-titled album in the first half of the 2010s before splitting around 2016.

    “We just got a bit jaded with that whole scene,” says Dockery, who founded The Scratch with ex-Red Enemy bandmates Lang and guitarist Jordan O’Leary (the latter left in 2024, replaced by Regan). “It felt like it wasn’t really serving us creatively.”

    The Scratch was a complete left turn. They were aware of traditional Irish music, but only in so much as it’s ever-present in the background for anyone who grew up in the country.

    “We were discovering that whole side of music for the first time,” says Dockery. “It was a craving for something new.”

    Those early busking performances, with the band lined up around Lang as he banged on a makeshift box drum, captured The Scratch’s exhilarating energy. Viral videos of them playing on the street during the annual Rory Gallagher Festival in 2017 boosted their profile. “We could tell it was connecting with people in a way that we’d never experienced with the old band,” says Dockery.

    Live, they bring the party every time – Dockery recalls the band sparking an unlikely ‘wall of death’ melee at a Belgian festival a couple of years ago. And the three albums they’ve made – the new one plus 2020’s Couldn’t Give A Rats and 2023 follow-up Mind Yourself – bottle their humour and pirate charisma. But there’s a depth of emotion to The Scratch’s music that makes them more than just the soundtrack to sinking 12 pints of Guinness in quick succession.

    “We’re not doing this just to be a party band,” says Dockery. “We’re not trying to be cool or mysterious. We’re just trying to be ourselves and create a space for people at our gigs where they can be themselves too.”

    Pull Like A Dog is out now via Music For Nations.

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