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  • Classic Rock’s Tracks Of The Week: June 29, 2026

    This week in the World Cup of rock, Parker Barrow romped to victory at the top of the group, while Alex Henry Foster and Beth Hart both went through to the knockout stage. What’s more, VAR wasn’t required once. So congratulations to all of them.

    This week, another eight teams will take to the field, and that’s the last laboured football analogy you’ll hear from us. Keep hydrated, y’all.

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    Pieces Of Molly – Alligator

    Kiwi rock’n’rollers Pieces Of Molly are back with another single from their upcoming album, and hallelujah. For Alligator is a masterclass in no-fucks-given chaos, careening along in a righteous, headlong rush towards damnation, a trail of spent pistons in its wake, gang vocals giving the chorus a degree of singalong friendliness at odds with the pandemonium elsewhere and an utterly savage guitar solo. A word of caution: the video is not vegetarian-friendly.

    Green Lung – Necropolitan Line

    Doomy heavy metal Londoners rock the bejeezus out of this rip-roaring cut from their forthcoming album, Necropolitan. One of the punchiest tracks on said record, which promises to offer the most fun you can have in the name of historic cemeteries (seven noted sites in London, to be precise). Plus they look and sound like they’re having a total blast in this artfully, lovably lo-fi video – all swirling psychedelic backdrops and face-melting performances. Nice.

    Bad Nerves – Network

    Midway through a breakneck year, in which they’ve pogoed between continents at a phenomenal pace – as both headliners and support band – Essex’s finest power-pop punks release their heaviest track yet. Still fast, still furious and now with a darker heart, guitars are newly beefed up and stretched out over three turbocharged minutes, without losing the lightness of touch that made them such a charismatic prospect in the first place.

    These Wicked Rivers – Horse To Water

    And now for a lovely summery, loose-limbed barrelful of southern rock’n’roll by way of Derby – complete with stylishly granny-chic helpings of paisley, lampshades, bolo ties, serious hats and various other visual accoutrements of the TWR miniverse. Imagine rocking up at a BBQ with Blackberry Smoke, armed with a cooler of beers, at sunset, and you’re in the right space for Horse To Water.

    The Meffs – Where Did It All Go Wrong?

    Perhaps our favourite slice so far of the Essex punks’ second album, Business (coming out in September), Where Did It All Wrong? rides on a rolling tide of powerful, light-footed drums and buzzsaw guitars. Catchy and appetisingly enraged, with a voice to match – courtesy of peroxide-headed singer/guitarist Lily. Going to one of the Joan Jett & The Blackhearts UK shows this week? Get there early and catch these guys, who’ll be supporting.

    Radio Everything – Ignoramus Stupidatus

    This came out on one of the hottest days of the year so far, and it offered the sort of bright, zingy boost equal only to a freezerful of Fab lollies. Or some quality time in a supermarket chiller aisle. But yes, the latest tune from Chris Catalyst’s gleefully daft cartoon robot metal side project thing is a banger – light, bright pop rock with the expansiveness and urgency of Devin Townsend and lyrics full of incisive disenchantment at the world today. And what says ‘happy summer!’ more than that?

    Bywater Call – Is This Thing On?

    Built on delicate acoustic guitars, percussive beats and cascades of strings punctuated by lead fiddle touches, the Canadian rock n’ soul ensemble’s latest is stripped-back without sacrificing the lushness that seems to imbue all their work. Fancy more of that soulful Americana, with healthy echoes of Tedeschi Trucks Band in its sound and overall spirit? Their new album, Broken Souvenirs, comes out in July.

    Return to Dust – Sweet Escape

    This year, we’ve heard a lot of new music from bands whose sound seems almost entirely informed by bands that peaked in the first half of the 1970s, but LA rockers Return To Dust are not among them. Instead, Sweet Escape sounds like it emerged from the Puget Sound murk in the early 90s, with moody Alice in Chains riffing matched by a vocal from Matty Bielawski that could go head-to-head with Layne Staley at his most dramatic. The band’s debut headline London show next month is already sold out, and grunge, it would appear, is very much back.

  • Police Investigating Dead Newborn Found In Porta-Potty At EDM Festival Electric Forest

    Heartbreaking news out of Electric Forest: A newborn baby was found dead in a portable toilet at the Rothbury, Michigan EDM festival, sparking a police investigation.

    The post Police Investigating Dead Newborn Found In Porta-Potty At EDM Festival Electric Forest appeared first on Stereogum.

  • “I’d look at this mysterious fog in the ceiling. It looked like God was up there in Heaven. The ‘fog’ was tobacco smoke”: Roy Harper’s son Nick on growing up around folk rock icons Pentangle

    Raised in a musical household, singer-guitarist Nick Harper – son of Roy –soaked up the music and influence of Pentangle from an early age. He tells Prog about the experience.

    “I devised a show years ago to celebrate the incredible fortune of being a toddler in the room with acoustic folk legends who’d come round to our flat in northwest London to jam with my dad, Roy.

    These incredibly gifted young people were part of a magnificent little pivotal moment in music history in London. I couldn’t help but be influenced by them and play their songs. I named the show 58 Fordwych Rd, and in 2025 I put the recordings I had in the can with new recordings and cashed in with an album.

    Bert Jansch and John Renbourn lived a couple of streets away from us, so were around a lot. While they played, I’d look up at this mysterious fog in the ceiling; it looked like God was up there in Heaven. The ‘fog’ was tobacco smoke.

    In the 90s I became friends with Bert and supported him at his residency at the [then] 12 Bar Club in Soho. I got to find out what a beautiful, humble man he was and how his focus was music.

    He was totally unconcerned with any trappings either side of playing that guitar and doing the gig, portraying those songs the best he could. He had to speak his truth and have his vision confirmed. That was a great inspiration to me; I could never be someone I’m not.

    I met Danny Thompson even later through being friends with Jakko Jakszyk, who was Danny’s great friend. We played a couple of shows together – one time I broke a string and went offstage temporarily. Danny stepped up with some genius improvisation, and I wished I could have watched him all night and not had to go back on.

    When Pentangle formed, they were a new thing. There was no one else like them and they were all brilliant – the vocals, the interplay.

    Politics was in there, such as the feminist angle in Willy O’Winsbury or Let No Man Steal Your Thyme. But the musicianship was so special – truly artful in that totally improvised section on the Jack Orion epic. That’s artists being free, letting themselves go and seeing what comes out, just like Hendrix.

  • Monday Morning Video – Golden NYC

    There’s a lot to celebrate when Golden Everything and Danny Golden come to Groove on July 9th for a Twangville showcase. Golden Everything’s Down Time drops July 17th — an EP recorded in a single afternoon, just acoustic guitar and two voices. They made it in the middle of another project, with day jobs and […]
  • KING PARROT To Headline Inaugural Festival THE BIRD FROM HELL

    Northern Horizon Music proudly presents the first explosive edition of Northern Horizon Festival: The Bird From Hell, taking place at Crowbar Sydney on Saturday, 28 November 2026. Tickets officially on sale: https://shorturl.at/JTEwr Headlining the inaugural event is Melbourne’s own King Parrot, one of Australia’s most ferocious and internationally acclaimed heavy acts. Known for their relentless […]
  • Monolord at Nova PDX on June 17, 2026: An Exhibition of Identity (Concert Review)

    The atmosphere began to charge with new breath. Intermission had ended, and the audience inhaled towards the stage with anticipation. Eyes searched amidst the fog for movement, and every inch of the stage’s edge was filled with white-knuckled hands. 

    Touring on the heels of the release of their sixth full studio album, Monolord is on a trek that will help determine the enduring reception of Neverending. Paving the way for Monolord, the opening act is Mizmor, a figurehead of blackened doom. Five years since Monolord’s last LP, fans have not only waited, but have witnessed an evolutionary shift in the band’s style. With Sylvia Massy engineering and producing the album, fans are listening to something that, at its core, is still Monolord, but carries a redefined sound. Monolord has returned, but who are they? 

    Tonight, we’re at Nova PDX in Portland, Oregon. With this being the seventh show of the tour, Monolord has likely hit their stride with plenty of energy to expend. Additionally, it is the homecoming show for Mizmor–a uniquely spirited crowd can be expected throughout, with a smooth cadence of excitement spanning both acts. While no two shows are the same, tonight is arguably one of the best opportunities to experience the pure essence of what Monolord has become. 

    Portland will be the proving grounds.

    …

    Credit: Jacob Greenslade
    Credit: Jacob Greenslade

    …

    Doors opened not unlike other shows of this caliber. A handful of ticketholders eager to grab merch, hit the venue bar without competition, or secure a spot center-stage trickled through the security and up the stairs into the multi-floored and 119-year-old venue. Over the next hour, the floor gradually grew into an oscillating mass. 

    Just after 8:00 PM, the lights dimmed, and the venue’s music tapered to allow just the quiet murmuring of the crowd to break the silence. Calmly and without words, Mizmor entered from stage right, and musicians quietly settled into their places. Instruments were collected, tuning pegs were tested, and sticks came to a rest-at-ready. With a nod from frontman A.L.N., the venue softly came to life.

    …

    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade

    …

    Mizmor was formed by A.L.N. in 2012 as a medium for self-expression amidst a crisis of faith. With a style that flows against the grain, Mizmor shapes a haunting wave of careful orchestration. The wave draws back just long enough to allow the listener to catch a breath before being washed over again–but something about Mizmor’s message and originality creates captivation, a desire to return. As Mizmor performed, the crowd responded with a mix of emotions. Some let their bodies absorb the music, animating their bones. Many simply bore witness to the performance, appreciating the poetic composition. 

    …

    Credit: Jacob Greenslade
    Credit: Jacob Greenslade

    As A.L.N. and his live ensemble spooled cables and ferried equipment off-stage, the crowd relaxed and dissipated slightly as many took to the bar and restrooms. Smiles grew on faces as listeners beamed in conversation. Some were high on the performance, others eager for what was next. Mizmor, a contrasting but complementary project to Monolord, was a potent shift from the headliner’s range.

    Monolord’s tours have been opened in recent history with Firebreather, Blackwater Holylight, Dorthia Cottrell, and Red Fang. These bands capture a variety of sub-genres, including metallic edges in sludge, shoegaze, folk, and hard-rock. All else being equal, Mizmor brings to the list a severe and blackened edge. Following the West Coast tour, Monolord will pair with Khemmis, a heroic and melodic shift from the stifling yet purgative impact of Mizmor. While it may be easy to argue that Monolord pairs well with all metal genres, it is more productive to highlight the effect. Mizmor’s act emotionally dismantled the listener and prepared them to fully embrace what would come next. Were Monolord to have a parallel sound leading up to their own, the listener would become deaf to the details due to the constant flow. Mizmor had succeeded in interrupting this.

    …

    Credit: Jacob Greenslade
    Credit: Jacob Greenslade

    A light appeared from the darkness as Thomas Jäger, Mika Häkki, Esben Willems, and Per Wiberg humbly walked to their instruments on the modest stage. Without fanfare or public address, the energy of the room quietly grew with the instrumental build of Neverending’s opening track, “Iodine”. With the kick came a sudden catharsis of years of waiting – but the catharsis wasn’t from seeing the band, but from the opportunity to seek proof of life. 

    …

    Including “Iodine”, Monolord played an 11-song setlist capturing a diverse collection spanning 12 years of metamorphosis, with Vænir being the only LP not represented. Prudently, the largest representation of songs hail from the band’s latest release, demonstrating what the essence of what the band has become. The performance shouldered the plodding and weighty rhythm of “Your Bastard,” immediately followed by the foreboding and resolute cadence of “Oozing Wound.” “Empress Rising” reminded the enthralled congregation of the Monolord that arrested their hearts, only to be succeeded by “The Last Leaf” to remind them of the band’s proven flexibility. At the show’s conclusion, Monolord’s heartbeat resounded through the unyielding pulse of “Inside a Collider.” 

    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade
    Credit: Jacob Greenslade

    …

    With Monolord’s exit, the cheering faded, and the crowd slowly dissolved. Speakers were quiet, and the floor no longer vibrated, but eyes were bright with liberation. The release of a divergent album may be a sign that Monolord has changed, but it is an assurance that the Swedish doom band is growing. Perhaps more importantly, their performance is a sign of the band’s self-awareness. Nearly their entire discography was represented at Nova PDX, with careful attention to cult classics like “The Last Leaf” and “Rust,” while capturing new releases without feeling overbearing. This is the proof of life fans have been waiting for. Neverending is a bridge. 

    …

    Neverending is available now via Relapse Records

  • Hannah Wicklund Announces New Album ‘War On Women; Calling All Good Men’

    Hannah Wicklund has announced the release of her fourth studio album ‘War On Women; Calling All Good Men‘, out on August 28th via Strawberry Moon Records. The album is available to pre-order now here and every album pre-order comes with an instant access digital download to Vol.1 of the ‘The Strawberry Moon Tribune‘. Hannah has […]

    The post Hannah Wicklund Announces New Album ‘War On Women; Calling All Good Men’ appeared first on ROCKPOSER DOT COM.

  • Testament Singer Reacts to Memoir Contributions From Metal Vets

    Testament singer Chuck Billy speaks with Full Metal Jackie about his new memoir, 'Holding My Breath: The Two Testaments of Chuck Billy.' Continue reading…
  • News: DBA, ANN WILSON, PETER HAMMILL (July 2026)

    Downes Braide Association (DBA)Downes Braide Association (DBA) (pictured) will release their sixth studio album ‘Trauma’ on September 25 through Cherry Red Records. Van der Graf Generator’s Peter Hammill will release his new album, ‘Tears In Time’, through Esoteric Antenna Records on September 25. Ann Wilson … Continue reading →

    The post News: DBA, ANN WILSON, PETER HAMMILL (July 2026) appeared first on Get Ready to ROCK!.