Blog

A five-song set captured this past March.

The post Persefone’s In-Studio Session At Audiotree Now Streaming appeared first on Theprp.com.

Yet another anniversary for them to celebrate.

The post The Smashing Pumpkins Release “Gish” 35th Anniversary Vinyl & Merch Capsule appeared first on Theprp.com.

The second single of the year from the masked industrial metal band.

The post Drift Mothership Premiere New Single “Stranger” appeared first on Theprp.com.

Doug Shaw, a veteran of New York’s underground indie scene, has died. His Gang Gang Dance bandmate Lizzi Bougatsos confirmed his death on social media today, in addition to fellow indie musician Angel Deradoorian, who wrote on Instagram, “Our music community will not be the same without you.” He was 43.

The post Doug Shaw (Highlife, Gang Gang Dance, Janka Nabay) Dead At 43 appeared first on Stereogum.

In your shadow I saw
Everything you hid
I see through the slogan
Cold as conviction

There are many ways to tell the story of political collapse, but Denver outfit Deth Rali has chosen one of the more pleasantly strange routes: a ten-song synth opera about an extraterrestrial influencer whose celestial sales pitch curdles into worship, coercion, and cultural breakdown. Their new album, The Fall of Neon, frames the old machinery of power through a newer, slicker apparatus: the screen, the slogan, the follower count, the promise that redemption may yet be available with the right branding.

The project began as the solo work of songwriter and producer Jay Maike, who founded Deth Rali after the dissolution of his long-running psych-rock project King Eddie. Moving away from guitars as the center of gravity, Maike began building songs from synthesizers, drum machines, and electronic production, drawing from darkwave, goth, synthpop, and cinematic pop. The early release Light Levels introduced that shift: a move toward cooler surfaces, stranger architecture, and pop forms seen through tinted glass.

By late 2022, Deth Rali had expanded into a live band, growing into a collaborative Denver project that brought in drummer Nathan Rodriguez, guitarist Eliza Neiman-Golden, bassist Hunter Bates, vocalist Jamie Fox, and additional contributors from the city’s music community. Their second album, Ruby’s Castle Island, widened the scope, building a fantasy world informed by Studio Ghibli, childhood adventure, 1980s synthpop, shoegaze, and indie pop. It was grand in outline but personal in texture, a record concerned with wonder, danger, and the odd little kingdoms people build to survive their own imaginations.

With The Fall of Neon, the band turns from fantasy toward dystopian sci-fi and political satire. The album imagines a charismatic extraterrestrial figure who descends less as a savior than as a perfect media product, selling deliverance with the polished confidence of someone who knows the crowd wants to be conquered, provided the conquest comes with good lighting and a slogan. Throughout the record, Deth Rali examines power, populism, public devotion, and the cult of personality as forms of mass entertainment.

The quirky and rhythmic Germicide is a mordant pandemic-age fever dream, turning public-health panic into black comedy as bleach, bedtime phones, doom-scrolling, and invisible contagion blur into one sleepless spiral. The song treats fear as civic duty and mass delusion, catching a culture holding its breath while staring into the abyss together, terrified, online.

The shimmering and melodic Coup d’Etat lays out the premise with blunt theatrical menace, landing somewhere between campaign chant, club prophecy, and alien press conference, turning authoritarian spectacle into a hook with a smile too wide for trustworthiness.

The playful new wave groove of Animal sharpens the record’s populist panic into predator language, with Neon casting himself as hunter, fear, savior, and retribution all at once. Its repeated call to “say the quiet part loud” turns cruelty into permission, coaxing the animal inside the crowd to come out and mistake appetite for destiny.

The slow, dreamlike synthpop lament The Architect plays like the villain’s origin myth, following a down-on-his-luck figure who decides he would rather design the world than be kicked around by it. The song’s bright lights, summer rain, gambler’s nerve, and wizard-cap delusion trace the moment ambition becomes self-mythology, then curdles into collapse.

For listeners drawn to synthpop indictments of greed and authoritarian glamour, and theatrical underground pop with a political bite, The Fall of Neon offers a strange broadcast from a planet uncomfortably close to our own. Like those predecessors, Deth Rali understands that pop can carry a warning without turning into a pamphlet. New Order translated civic anxiety and post-punk dislocation into sleek motion; Midnight Oil made environmental collapse, corporate power, and colonial violence impossible to ignore; Heaven 17 turned the dance of consumer capitalism into something chic, sinister, and satirical. Deth Rali pick up those charges and send it through a 21st century sci-fi lens, making a record about control disguised as charisma, devotion dressed up as taste, and the terrible ease with which a crowd can mistake spectacle for salvation.

Listen to The Fall of Neon below and order the album here.

Follow Death Rali:

• Instagram
• Facebook
• YouTube
• Website

The post Denver’s Deth Rali Fuse New Wave, Post-Punk, and Synthpop in Satirical Sci-Fi Collage “The Fall of Neon” appeared first on Post-Punk.com.

A nü resurgence.

The post Future Palace Tap Into Nü-Metal With “Resurge”, July Release Set For New Album “Resurgence” appeared first on Theprp.com.

Hatebreed are excited to announce that they will headline the second leg of ‘The Summer Slaughter Tour’. Support on the road will provide Terror (USA-LA), Incantation, Torture and Creeping Death.
Read more…

The Swedes Beseech have shared a music video for “Hesitation”, the third single from their upcoming studio record Future Present Past.
Read more…

Billy F Gibbons has joined forces with Keith Urban for a brand new single, “Brown Paper Bag.”

The ZZ Top guitarist and vocalist announced the release on social media, introducing the track to fans and revealing that Urban contributes guitar work to the song. Gibbons described Urban as his “good buddy” and highlighted his playing on the new collaboration.

“Brown Paper Bag” delivers plenty of gritty attitude, built around crunchy, fuzz-drenched guitar tones and a driving groove that blends Gibbons’ trademark Texas swagger with Urban’s rock-infused country style. The track showcases both guitarists trading riffs and bringing their distinct approaches together on a hard-hitting blues rock number.

The release marks Gibbons’ latest solo offering following a string of standalone singles in recent years. While no new album has been announced, the arrival of “Brown Paper Bag” has sparked speculation that more new music could be on the way from the legendary guitarist.

Gibbons remains one of the busiest performers in rock music, balancing an active touring schedule with ZZ Top and his solo projects.

“Brown Paper Bag” is available now on streaming platforms.

The post Billy F Gibbons teams with Keith Urban on new single appeared first on Blues Rock Review.

UK’s Fen have revealed details and first single in connection with their new album announcement. Dubbed Elemental Part One: Mourning Earth, it will see the light on the 21st of August, 2026 via Prophecy Productions.
Read more…