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First North American Headliner Beginning Friday, March 13

With Nekrogoblikon + Enterprise Earth As Support

Ticket Info HERE

 

t’s a great day to be a HANABIE. fan! The rising Harajuku-core quartet have today released their latest EP ‘HOT TOPIC’ (via Sony Music Japan), the band’s latest body of new music since 2024’s ‘Bucchigiri Tokyo’ EP. When asked about the release, vocalist Yukina commented: “We’ve put together another EP packed with a wide variety of songs this time around. With our new tracks “ICONIC” and “Tokimeki about you” I’d love it if everyone sang along and jumped around during the chorus—I can already picture the scene in my head! I can’t wait to perform these live at our shows. “GIRL’S TALK” is a song that captures who we are right now, just as we are. “Spicy Queen” looks back to our early days and reflects that original spirit. Both of these have already been released as singles, but they’re absolutely essential in bringing color and balance to ‘HOT TOPIC’. As has become something of a tradition for us, we let ourselves go all out with one playful track on an album or EP—this time, it’s “Theme of hanabienchan”. I’d love to see the confused looks on everyone’s faces when this song comes on after listening to the other four tracks! Please enjoy this EP to the fullest.” Guitarist and vocalist Matsuri shared: “An EP perfectly suited to kick off 2026 is finally complete! This EP includes three new tracks. “ICONIC” and “Tokimeki about you” are punchy tracks that is simple x electronic with playful elements. By embracing a side that is different from usual, we feel that a new side of HANABIE. was born. “Spicy Queen” bursts with initial full-throttle impulse. “GIRL’S TALK” is a glamorous, danceable track. Closing out ‘HOT TOPIC’ is “Theme of hanabienchan”. This EP delivers many different expressions of HANABIE., so please enjoy listening to it from start to finish!” Bassist Hettsu added: “The new EP ‘HOT TOPIC’ features 5 tracks—3 brand‑new songs plus the already released “GIRL’S TALK” and “Spicy Queen”. Among the new songs “ICONIC” and “Tokimeki about you”, we challenged ourselves with song structures and genres unlike anything we’ve done before. “Tokimeki about you” is our first-ever straightforward love song as HANABIE., and a key feature is the groovy sound of the instrumental section. It’s a track that we feel is great to move along to, so we hope everyone who comes to our live shows will enjoy it ♪ The fifth track, “Theme of hanabienchan.”, is the theme song for HANABIE.’s unofficial character, “Hanabienchan”. As our wild-card track that is in every EP or album, it finally makes its appearance here! There might just be a second installment if there is a good response…?? With our 10th-anniversary track “Spicy Queen”, a more mature side of HANABIE. in “GIRL’S TALK”, and three brand-new tracks with fresh styles, we feel this EP displays a new side of HANABIE.” HANABIE. drummer Chika also shared: “Three out of the five tracks on this EP are brand-new! The third track, “Tokimeki about you”, is my personal favorite as the drummer. I focused on creating contrast and dynamics in the drum arrangement. I especially love the moment in the first chorus where the cymbals drop out, and the strength of the rhythm section throughout the song. The fifth track is a special one—I think it will get stuck in your head once you hear it. The first track “ICONIC” also has a music video, so be sure to check that out as well. Please also notice how there is a difference on the girl’s face between the left and right sides. We put a lot of effort into all aspects of this EP, from the songs to the cover art!” North American fans will also have their chance to see the band’s high-energy, inimitable live show on their first North American headliner beginning Friday, March 13 with Nekrogoblikon and Enterprise Earth as support. ‘HOT TOPIC’ is available now on all streaming platforms at the link here, and be sure to get your tickets here before they’re all gone.

HOT TOPIC HANABIE. Tracklisting: 1. ICONIC 2. Spicy Queen 3. Tokimeki About You 4. GIRL’S TALK 5. Theme of Hanabiechan

WATCH: Official Music Video for “ICONIC”

HANABIE. 2026 North American Headliner with Nekrogoblikon + Enterprise Earth Fri Mar 13 – Boston, MA – Big Night Live Sat Mar 14 – Brooklyn, NY – Brooklyn Bowl Sun Mar 15 – Silver Spring, MD – The Fillmore Silver Spring Tue Mar 17 – Montreal, QC – Théâtre Beanfield Wed Mar 18 – Toronto, ON – The Danforth Music Hall Fri Mar 20 – Pittsburgh, PA – Roxian Theatre Presented by Citizens Sat Mar 21 – Philadelphia, PA – Theatre of Living Arts Mon Mar 23 – Raleigh, NC – The Ritz Tue Mar 24 – Atlanta, GA – Buckhead Theatre Wed Mar 25 – Orlando, FL – House of Blues Orlando* Fri Mar 27 – Cleveland, OH – House of Blues Cleveland Sun Mar 29 – Detroit, MI – Saint Andrew’s Hall Mon Mar 30 – Chicago, IL – House of Blues Chicago Wed Apr 01 – Minneapolis, MN – The Fillmore Minneapolis Fri Apr 03 – Dallas, TX – House of Blues Dallas Sat Apr 04 – Houston, TX – House of Blues Houston Mon Apr 06 – Austin, TX – Emo’s Austin Tue Apr 07 – Phoenix, AZ – The Van Buren Thu Apr 09 – San Diego, CA – House of Blues San Diego Fri Apr 10 – San Francisco, CA – August Hall Sat Apr 11 – Los Angeles, CA – The Belasco *No Nekrogoblikon

The post HANABIE. Release New EP ‘HOT TOPIC’ appeared first on Mayhem Music Magazine.

AEROSMITH CELEBRATE FIVE DECADES OF GROUNDBREAKING SELF-TITLED DEBUT ALBUM WITH NEW AEROSMITH (LEGENDARY EDITION) OUT MARCH 20, 2026

ORIGINAL ALBUM NEWLY REMASTERED AND REMIXED

FEATURING PREVIOUSLY UNRELEASED TRACKS, NEW ARTWORK, PHOTOS, LINER NOTES, EXTRAS, & MUCH MORE

 

Multi-GRAMMY® Award-winning Rock and Roll Hall of Fame® inductees Aerosmith have announced the release of their forthcoming Aerosmith (Legendary Edition) on March 20, 2026. For the first time, the Boston rock legends (Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford and Joey Kramer) have assembled the definitive version of their multiplatinum self-titled debut, Aerosmith, originally released in 1973. In an effort to finally present their unfiltered vision now, Aerosmith Co-Founders Steven Tyler and Joe Perry have newly mixed the original recordings and tapes alongside GRAMMY® Award-nominated producer and mixer Zakk Cervini [blink-182, Halsey] and GRAMMY® Award-winning producer Steve Berkowitz. As such, this fresh 2024 Album Mix of the record is the crown jewel of the robust Legendary Edition collection.

Aerosmith (Legendary Edition) will be available via Capitol Records / UMe in multiple configurations, outlined in detail below, including a 5LP Box, 4LP Slipcase, 1LP Black / 1LP Color, 3CD, 1CD, and Digital. Exclusive merchandise will also be available. Pre-order/Pre-save HERE on the group’s official store.

To celebrate its arrival, Aerosmith just shared “Mama Kin (2024 Mix)” as an instant grat track, kicking the energy of the original into high gear and giving fans a taste of what to expect from the newly-mixed version of the record.

The various album configurations include the limited-edition Aerosmith (Legendary Collector’s Edition). Housed in a stunning 5LP Deluxe Box Set, it boasts the Original Album now remastered on 180g Clear Vinyl, the brand-new 2024 Album Mix pressed on 180g translucent Red Vinyl, a highly sought-after live performance from Paul’s Mall back in 1973 on 180g Black Vinyl, a host of recently unearthed and unheard studio tracks on 180g Black Vinyl, and an exclusive clear UV cloud-effect 12” vinyl with “Dream On” (2024 Remaster) and “Dream On” (2024 Mix) placed atop a printed sky-blue slipmat. With creative direction and iconic images by renowned photographer Ross Halfin, the package documents the genesis of Aerosmith with a very special hardback book featuring never-before-seen photos. Penned by author and veteran music writer Rick Florino, the liner notes tell the story of Aerosmith in the band’s own words with new interviews with all five original members as well as perspectives, thoughts, and adoration from the likes of Dolly Parton, Corey Taylor of Slipknot, Mike McCready of Pearl Jam, Jerry Cantrell of Alice In Chains, Chris Robinson of The Black Crowes, Slash of Guns N’ Roses, Sully Erna of Godsmack, and more. The package also features an exclusive fold-out 24” by 36” poster and sticker sheet. The box itself unfolds into a 3D Aerosmith popup Diorama.

Additionally, two exclusive fanpacks are available for purchase. The Aerosmith – Legendary Collector’s Edition Fanpack features the 5LP Deluxe Box Set and a satin bomber jacket, and Aerosmith – Legendary Edition Fanpack includes the Translucent Red Vinyl as well as a brand-new band T-Shirt.

Aerosmith (Legendary Deluxe Edition) consists of 4 LPs pressed on 180g Black Vinyl packaged in a premium slipcase with the remastered Original Album, the 2024 Album Mix, Live At Paul’s Mall and the unearthed and unheard studio tracks on 2LPs accompanied by a book with the new liner notes, photos, and more.

Then, there’s the 3CD Aerosmith (Legendary Expanded Edition). It comprises the remastered Original Album, 2024 Album Mix, Live at Paul’s Mall, and the unearthed and unheard studio tracks. The 16-page booklet features new photos.

The Legendary Edition CD arrives with a 12-page booklet complete with photos, while the Legendary Edition LP is pressed on 180g Black Vinyl or limited-edition Translucent Red Vinyl encased within a numbered premium tip-on jacket.

Beyond the new mixes, the collection boasts a slew of hidden gems—which even Aerosmith’s most ardent faithful have never experienced until now. Among those, listeners will uncover the “Harmonica Bass Jam Jelly,” an unfiltered rehearsal and alternate take of “Make It,” and the almost six-minute epic “Joined At The Hip.” The latter jam illuminates their off-the-cuff chemistry in the early days and even previews the nascent “Sweet Emotion” lick on the bridge.

Aerosmith first released their self-titled debut, Aerosmith, on January 5, 1973. They had notably recorded it in the heart of Boston at Intermedia Studios on Newbury Street, cutting future classics “Make It,” “Mama Kin,” and, of course, “Dream On” during the sessions. The record’s success would be one of rock ‘n’ roll’s most famous slow-burn underdog stories. Upon its release, the quintet had hit the road hard for the next two years until “Dream On” finally took flight in the latter half of 1975. It eventually climbed into the Top 10 of the Billboard 200 and has persisted as arguably one of the most popular rock ‘n’ roll songs in history, landing on Rolling Stone’s “500 Greatest Songs of All Time,” gaining induction into the GRAMMY® Hall of Fame in 2018, and even eclipsing 1.5 billion streams on Spotify to date.

Later certified 2x-Platinum by the RIAA, the album finds the band at their rawest, packing a one-two punch of lean distorted riffing, bluesy grooves, and seismic vocals and effectively setting the template for not only the next 50 years of their career, but rock ‘n’ roll at large.

Before all of the accolades, sold-out stadiums, and expansive catalog of classics, Aerosmith is where it all began…

Most recently, Aerosmith just collaborated with YUNGBLUD on the acclaimed new One More Time EP. It catapulted to #1 on the Billboard Top Rock & Alternative Albums Chart and #9 on the Billboard 200, making history and enshrining Aerosmith as “the second group—and fifth act overall—to notch a Top 10 in each of the last six decades,” according to Billboard. Not to mention, the EP has amassed tens of millions streams already.

TRACKLISTING

CD1 – “Aerosmith” Original Album Remastered 2024

1. Make It (2024 Remaster)

2. Somebody (2024 Remaster)

3. Dream On (2024 Remaster)

4. One Way Street (2024 Remaster)

5. Mama Kin (2024 Remaster)

6. Write Me A Letter (2024 Remaster)

7. Movin’ Out (2024 Remaster)

8. Walkin’ The Dog (2024 Remaster)

CD2 – “Aerosmith” Original Album Remixed 2024

1. Make It (2024 Mix)

2. Somebody (2024 Mix)

3. Dream On (2024 Mix)

4. One Way Street (2024 Mix)

5. Mama Kin (2024 Mix)

6. Write Me A Letter (2024 Mix)

7. Movin’ Out (2024 Mix)

8. Walkin’ The Dog (2024 Mix)

CD3 – Paul’s Mall Live Performance March 20, 1973 + Bonus Tracks

1. Introduction (Live at Paul’s Mall, 1973)

2. Make It (Live at Paul’s Mall, 1973)

3. One Way Street (Live at Paul’s Mall, 1973)

4. Somebody (Live at Paul’s Mall, 1973)

5. Write Me A Letter (Live at Paul’s Mall, 1973)

6. I Ain’t Got You (Live at Paul’s Mall, 1973)

7. Mother Popcorn (Live at Paul’s Mall, 1973)

8. Movin’ Out (Live at Paul’s Mall, 1973)

9. Walkin’ The Dog (Live at Paul’s Mall, 1973)

10. Train Kept A Rollin’ (Live at Paul’s Mall, 1973)

11. Mama Kin (Live at Paul’s Mall, 1973)

Bonus Tracks

12. Train Kept A Rollin’ (Session Take)

13. Make It (Rehearsal Take)

14. Make It (Alternate Take)

15. Write Me A Letter (Alternate Take)

16. Harmonica Bass Jam Jelly (Session Take)

17. Joined At The Hip (Aerojam)

Official Website

Facebook / Instagram / YouTube / Spotify / Apple / TikTok

The post Aerosmith To Release Legendary Edition of Their Debut Album in March appeared first on Mayhem Music Magazine.

Mom, musician, and Lilith Fair founder Sarah McLachlan, turns 57 today. Here are our favorite 10 songs from the Canadian siren.

The post Top 10 Favorite Sarah McLachlan Songs appeared first on Rockmommy.com.

Credit: Blguunee Hiroshi

L-R: Enkush (vocalist, horse head fiddle), Jaya (vocalist, wind instruments),

Galaa (vocalist, horse head fiddle), Temka (vocalist, tovshuur)

Edited by Anselm Anderson

Later this summer, The HU will perform alongside Iron Maiden at Knebworth Park in the U.K. on July 11. They will be joined by The Darkness, Airbourne, and The Almighty as part of the “Run For Your Lives” tour stop. Additionally, The HU will participate in the U.S. tour “Freaks On Parade” with Rob Zombie and Marilyn Manson, along with Orgy. This tour is set to kick off on August 20 in West Palm Beach, FL. Below is the full list of dates. Tickets are available now on The HU’s website.







Thu 8/20 West Palm Beach, FL iTHINK Financial Amphitheatre

Fri 8/21 Tampa, FL MIDFLORIDA Credit Union Amphitheatre

Sun 8/23 Alpharetta, GA Ameris Bank Amphitheatre

Mon 8/24 Charlotte, NC PNC Music Pavilion

Wed 8/26 Holmdel, NJ PNC Bank Arts Center

Thu 8/27 Mansfield, MA Xfinity Center

Sat 8/29 Burgettstown, PA The Pavilion at Star Lake

Sun 8/30 Buffalo, NY Darien Lake Amphitheater

Tue 9/1 Toronto, ONT. RBC Amphitheatre

Wed 9/2 Cuyahoga Falls, OH Blossom Music Center

Fri 9/4 Clarkston, MI Pine Knob Music Theatre

Sat 9/5 Tinley Park, IL Credit Union 1 Amphitheatre

Sun 9/6 Noblesville, IN Ruoff Music Center

Wed 9/9 St. Louis, MO Hollywood Casino Amphitheater

Thu 9/10 Kansas City, MO Morton Amphitheater

Sat 9/12 Englewood, CO Fiddler’s Green Amphitheatre

Mon 9/14 Salt Lake City, UT Utah First Credit Union Amphitheatre

Thu 9/17 Auburn, WA White River Amphitheatre

Fri 9/18 Ridgefield, WA Cascades Amphitheater

Sun 9/20 Concord, CA Toyota Pavilion at Concord
























Find The HU online at:
Website | Instagram | Twitter | Facebook | YouTube |

Spotify | Apple Music | Amazon | Deezer | Pandora

Drumeo has released a new playthrough video spotlighting Dream Theater drum icon Mike Portnoy, this time featuring his performance of “Midnight Messiah”. The track comes from the band’s most recent studio album, Parasomnia, and gives viewers a close look at Portnoy’s approach behind the kit on newer material from the band.

The video continues Drumeo’s series of high-profile drummer features, offering fans a detailed view of Portnoy’s technique, timing, and musical choices as he works through the song. It also marks another moment of connection between Portnoy and Parasomnia, an album that has already drawn attention for its ambitious scope and modern edge.

In related news, Dream Theater have announced plans for a 40th Anniversary tour across Latin America, scheduled for April and May 2026. As part of the celebration, the band will perform Parasomnia in full during each show.

In addition to the complete album performance, the setlists will also include the epic track “A Change Of Seasons”, marking the song’s 30th anniversary. The tour is set to honor both the band’s latest chapter and a major milestone from their past, bringing together multiple eras of Dream Theater for fans across the region.

The post MIKE PORTNOY Plays “Midnight Messiah” In Latest Drumeo Playthrough appeared first on Sonic Perspectives.

Powerwolf have released the fourth single from their upcoming live album, Wildlive (Live At Olympiahalle), due out February 13 via Napalm Records. The band continues to tease the release with a fiery performance that captures the scale and intensity of their recent live shows.

The latest single, “1589”, originally appeared on Powerwolf’s 2024 chart-topping studio album Wake Up The Wicked. On the live release, the track stands out as one of the most striking moments, elevated by an elaborate stage setup and dramatic pyrotechnics. The accompanying live video puts viewers directly inside the spectacle, going beyond a standard concert experience. Filmed in Munich during the band’s sold-out Olympiahalle show on the 2024 Wolfsnächte Tour, the footage reinforces Powerwolf’s reputation as a dominant live force.

Reflecting on the release, Powerwolf shared their thoughts on Wildlive (Live At Olympiahalle), saying: “We always knew that no words or short recap videos could truly capture what we experienced together during the Wolfsnächte 2024 tour. Every night was its own kind of magic – still, we wanted to find a way to hold on to those memories and share them in the most powerful way possible. That’s why we decided to record the full, massive, sold-out show at the Olympiahalle in Munich – to preserve just a piece of what we all felt on this tour. Wildlive (Live At Olympiahalle) is more than a live release. It’s a tribute and manifestation to the moments we created together.”

Formed in 2004 as an unconventional project, Powerwolf have since grown into one of the most successful metal acts worldwide. Wildlive (Live At Olympiahalle) documents that rise, presenting a performance that feels closer to a theatrical production than a typical metal concert. From a fire-breathing church organ and massive pyrotechnics to dark, operatic storytelling and constant crowd engagement, the show leans fully into heavy metal theater. The release will be available across multiple formats, including Blu-ray, DVD, CD, vinyl, and a range of collector-focused editions with exclusive bonus material.

Throughout Wildlive (Live At Olympiahalle), each song is paired with shifting digital backdrops, timed visual effects, and dramatic staging. Elements such as torch-bearing monks, falling snow over a burning piano, and a fiery execution scene add to the atmosphere. Songs like “Army Of The Night”, “Amen & Attack”, “Armata Strigoi”, and “Demons Are a Girl’s Best Friend” take on an even larger presence, while more emotional moments like “Alive or Undead” create a powerful contrast. The interaction between frontman Attila Dorn and organist Falk Maria Schlegel gives the performance a ritualistic feel from start to finish.

Rather than simply revisiting past highlights, Wildlive (Live At Olympiahalle) also signals a new phase for the band. Powerwolf continue to push beyond genre labels, turning their concerts into communal events built on metal, emotion, and spectacle. With this release, they underline once again that what they create is meant to be experienced as something larger than music alone.

Wildlive (Live At Olympiahalle) will be available in the following formats:

• – 4-LP Vinyl Box Marbled Sun Yellow/Red: 2-LP Gatefold (Live At Olympiahalle) + 2-LP Gatefold (Live In Oberhausen 2022) – Napalm Records mailorder only (strictly limited)
• – 2-LP Gatefold Silver (Live At Olympiahalle) – Napalm Records mailorder only (strictly limited)
• – 1 x Blu-ray + 1 x DVD + 2-CD Mediabook (48p) (Live At Olympiahalle)
• – 2-CD Digipac (24p) (Live At Olympiahalle)
• – 2-LP Gatefold Black (Live At Olympiahalle)
• – 1 x Blu-ray + 1 x DVD + 4-CD Earbook (96p) (Live At Olympiahalle + Live In Oberhausen 2022)
• – Digital album

Pre-orders for Wildlive (Live At Olympiahalle) are available now.

The post POWERWOLF Shares Official Live Video Of “1589” From Upcoming Live Album “Wildlive (Live At Olympiahalle)” appeared first on Sonic Perspectives.

Disclaimer: I received this product in exchange for my honest review. The Metalverse is an independent website, and all opinions expressed are our own with no monetary incentive. We thank the team at UJAM for giving us this opportunity.

When legendary film composer Hans Zimmer co-founded UJAM and granted access to his personal orchestral library, the result was Symphonic Elements, a suite of virtual instruments that promises Hollywood-grade sounds without requiring orchestration expertise. But does this phrase-based approach deliver professional results, or does it sacrifice too much control for convenience?

What is Hans Zimmer's Symphonic Elements?

Hans Zimmer's Symphonic Elements is a collection of four virtual instrument plugins developed by UJAM: STRIIIINGS, BRAAASS, DRUMS, and PERRCS. Each plugin features recordings from Zimmer's multi-million dollar personal library, captured at Remote Control Studios by world-class musicians. Rather than traditional sample libraries requiring detailed orchestration knowledge, these instruments use a phrase-based performance engine that transforms simple MIDI input into cinematic orchestral arrangements. Each of the four instruments is priced at $249 USD or $499 for the entire bundle.

The series is built around UJAM's philosophy of making professional instruments accessible to producers who don't play traditional orchestral instruments. You won't find solo instruments or granular control over articulations here. Instead, the focus is onpre-programmed phrases, rhythmic patterns, and intelligent playback that responds to your chord progressions and tempo.

Symphonic Elements Bundle Key Features

Style-Based Phrase Engine

Each plugin centers on a style selection system where choosing a style loads a complete set of musically coherent phrases. STRIIIINGS offers 60 styles with over 200 presets, BRAAASS provides 78 styles with 468 phrases, DRUMS includes 53 styles with over 1,200 phrases, and PERRCS features 74 rhythm styles with 17 playable phrases each. Every phrase automatically syncs to your DAW's tempo and includes variations, intros, fills, and endings.

The engine interprets your MIDI input musically, meaning you can play simple chords or single notes, and the plugin will trigger appropriate ensemble responses. This approach works particularly well for producers who need cinematic elements quickly but lack formal orchestration training.

Dual-Layer Architecture

All four instruments share a consistent interface design featuring high and low sections that can be controlled independently. In STRIIIINGS, this means separating violins and violas (high strings) from cellos and double basses (low strings). BRAAASS divides into high brass (trumpets and horns) versus low brass (tubas and bass trombones). DRUMS splits into high drums (snares and toms) and low drums (bass drums and timpani). PERRCS similarly separates percussion into high and low frequency ranges.

A crossfade slider lets you blend between these layers seamlessly, and each layer has its own Character effects, Motion FX, and EQ controls. This separation provides surprising flexibility for shaping your orchestral sound while maintaining the simplified workflow.

Character and Motion FX

Each layer includes two dedicated effect buses. Character effects offer 30 different options for tonal shaping, while Motion FX provides rhythmic and textural variations. These aren't just standard reverbs and delays – they're purpose-built processing designed specifically for orchestral material, ranging from subtle enhancements to dramatic transformations.

Finisher Effects Section

The custom Finisher section provides one-knob sound design capabilities with dozens of modes per instrument. This single control can transform pristine orchestral recordings into gritty, distorted textures suitable for electronic music, or add shimmer and space for more traditional scoring applications. It's surprisingly powerful for such a simple interface.

MIDI Mapping and Performance Control

All parameters can be MIDI-learned for hands-on control. This matters for live performance and expressive tweaking, allowing you to map the crossfader, effects parameters, and style selections to your controller.

Sound Library

The recordings themselves represent the plugin's greatest asset. These sounds are actually from Hans Zimmer's personal collection, recorded at one of the world's premier scoring stages with top-tier musicians and equipment. The room tone, dynamic range, and tonal quality reflect decades of refinement in Zimmer's workflow.

STRIIIINGS delivers lush, emotional string performances with the "big" cinematic sound that comes from premium recording environments. The legato transitions feel natural, and the dynamic response captures the subtle nuances of ensemble playing.

BRAAASS provides powerful brass fanfares and rhythmic stabs with impressive clarity across the frequency spectrum. The high brass has the bright, noble quality expected from film scores, while the low brass delivers substantial weight without muddiness.

DRUMS offers thunderous low-end percussion that sits perfectly in modern mixes. The timpani and bass drums have genuine depth and impact, while the snares and toms cut through with appropriate attack and sustain.

PERRCS fills the often-overlooked high-frequency percussion range with shakers, sticks, daikos, wood blocks, surdos, triangles, and anvils. These elements add rhythmic detail and cinematic sparkle that complement the other three instruments naturally.

The sound quality across all four plugins is consistently excellent. Since everything was recorded in the same space with the same attention to detail, the instruments blend cohesively when layered together.

However, it's important to understand what you're not getting. You cannot program intricate orchestral passages with detailed control over bowing techniques, breath attacks, or individual note performances. These tones aren't designed to be used for fast lead melodies, but instead, deep, realistic orchestral and percussive sounds that create an evolving, life-like sound. The phrase-based approach means you're working within the musical framework that UJAM has programmed, albeit a very extensive one.

Interface & Usability

UJAM has designed an interface that prioritizes speed and inspiration. The layout is immediately understandable–style selection, layer controls, effects, and the mixer occupy clearly defined sections. Even first-time users can achieve usable results within minutes.

The style browser displays descriptive names that help you find appropriate patterns quickly. When integrated with certain DAWs, style and phrase descriptions appear directly in the piano roll, streamlining your workflow further.

One notable design choice is the emphasis on performance rather than programming. You're encouraged to play phrases in real-time, use the crossfader expressively, and tweak effects on the fly. This makes the plugins feel more like instruments than preset boxes, which suits some workflows better than others.

The preset system deserves particular mention. With hundreds of presets per instrument, and each preset containing multiple performance phrases and variations, you're looking at thousands of musical starting points. The presets represent distinct musical characters with appropriate phrase selections and effect chains.

From a workflow perspective, the plugins load quickly, CPU usage is reasonable, and the interface responds without noticeable latency. The small installation footprint means you're not sacrificing massive amounts of storage for these sounds.

The primary limitation is also inherent to the design philosophy–if you need precise control over every orchestral element, or if you want to compose complex counterpoint with independent voice leading, these tools don't offer that. They're built for producers who value speed and musicality over granular control.

The relatively modest system requirements make these plugins accessible to producers with mid-range systems. The small footprint compared to comprehensive orchestral libraries (which often require 100+ GB) is notable, though this reflects the phrase-based approach rather than extensive multi-sampling.

Value for Your Money

Individual Plugin Pricing:

• STRIIIINGS: $249
• BRAAASS: $249
• DRUMS: $249
• PERRCS: $249

Bundle Pricing:

• Complete Bundle (all four instruments): $499
• Drums & Percussion Bundle: $349

The value proposition depends entirely on your workflow and expectations. At $249 per instrument or $499 for the complete bundle, these aren't budget tools. However, they're significantly less expensive than comprehensive orchestral libraries from competing companies, which often cost $500-$1,500+ for comparable coverage. For any musician or producer who wants easily accessible, phrase-based orchestra and percussion, Symphonic Elements is an easy choice and its sound quality is incredible. If you prefer a non-phrase orchestra workflow, then you may want to consider other options.

The bundle pricing provides substantial savings over individual purchases. If you anticipate using more than one instrument, the complete bundle at $499 represents better value, cutting the cost in half compared to buying all 4 individually.

Crossgrade options also exist for owners of other UJAM products, potentially reducing the entry cost.

Preset Examples

To understand what these instruments can do, let's examine some representative preset categories and their practical applications:

STRIIIINGS

• Emotional Sustains: Long, swelling string pads perfect for building tension or supporting melodic content
• Rhythmic Ostinatos: Driving eighth-note or sixteenth-note patterns that create momentum
• Dramatic Crescendos: Building phrases that start soft and swell to powerful conclusions
• Textural Atmospheres: Shimmering, ethereal backgrounds with motion and movement

BRAAASS

• Epic Fanfares: Bold, triumphant brass declarations suitable for trailers and action sequences
• Rhythmic Stabs: Short, punchy accents that emphasize beat subdivisions
• Noble Sustains: Long, majestic brass chords for heroic themes
• Aggressive Clusters: Dissonant, aggressive brass for tension and chaos

DRUMS

• Thunderous Impacts: Single hits and rhythmic patterns emphasizing low-end power
• Rolling Tension: Building tom and timpani rolls that increase intensity
• Rhythmic Foundations: Steady percussion grooves that anchor the mix
• Sparse Accents: Carefully placed hits for punctuation rather than constant rhythm

PERRCS

• Shimmering Textures: High-frequency sparkle from shakers, triangles, and bells
• Rhythmic Detail: Intricate patterns on wood blocks, sticks, and hand drums
• Dramatic Accents: Single hits and short phrases for emphasis
• Sustained Motion: Continuous rhythmic activity that adds energy without dominating

Each preset works as a complete musical idea rather than just a sound. You're not selecting a basic "violins sustain" and then programming every note – you're selecting "Emotional Build 3" which includes appropriate phrase choices, rhythmic patterns, and effects settings. This fundamentally changes how you interact with the instruments.

Final Verdict

The sound quality is unquestionably professional – these are Hans Zimmer's actual recordings, and they sound appropriately cinematic. The interface is well-designed and efficient. The preset library is extensive and genuinely useful. The price point is quite reasonable for what you receive.

If you want a massive, ready-to-go collection of orchestral sounds, this will be a dream come true. If you want to play every note and program individual sections, Symphonic Elements won't provide this option.

I think overall that most producers and musicians will certainly benefit from Hans Zimmer's Symphonic Elements and it is a very impressive and easily accessible plugin that will cover most people's uses very well.

The Symphonic Elements series isn't trying to replace comprehensive orchestral libraries. It's offering a different approach that trades exhaustive control for immediate usability. For most, that's an excellent trade-off.

---

Technical Specifications

System Requirements

Operating Systems:

• Windows 10 – Windows 11
• macOS Monterey (12) – macOS Tahoe (26)
• 64-bit only
• Supported on Intel Macs and Apple Silicon Macs (both Rosetta and native)

Minimum Requirements:

• RAM: 4-8 GB (varies by instrument)
• Display: 1280 x 768 px
• Internet connection required for download and authorization

Disk Space:

• STRIIIINGS: Approximately 6 GB
• BRAAASS: 6.31 GB
• DRUMS: 4.7 GB
• PERRCS: 1.5 GB
• Complete Bundle: Approximately 12 GB (when purchasing all four)

Plugin Formats:

• VST 2
• VST 3
• AU 2 (Logic Pro X and newer only)
• AAX

Installation & Authorization:

• Automated installation via UJAM App or downloadable installer files
• Quick authorization through UJAM App or email/password within the plugin
• Sample content stored as .blob files
• SSD recommended if moving samples to external drive to prevent dropouts

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Former Mötley Crüe vocalist and current The Dead Daisies frontman John Corabi is set to release his first full-length solo album, New Day, on April 24, 2026 via Frontiers Music Srl. Along with the announcement, Corabi has unveiled an official visualizer for the album’s second single, “When I Was Young”, offering another early glimpse into the project.

Discussing the new track, Corabi explained its emotional core and personal perspective, saying:
“‘When I Was Young’ is a lyrically poignant song about an aging man looking back and reminiscing in a conversation with his son, about the ups and downs of his life. A beautiful look at life blended with acoustic and electric guitars, mandolin, with an uptempo ‘Maggie May’ vibe!!!”

The album rollout began last month with the release of the title track, “New Day”, which arrived alongside an official music video. That song set the tone for the record, leaning into reflection while maintaining an optimistic edge.

Built around a sense of nostalgia, “New Day” moves between stripped-down acoustic passages and fuller rock arrangements. The song draws from classic rock traditions while weaving in touches of soul and blues, with melodic influences reminiscent of early Boston and Queen.

Sharing his thoughts on the lead single, Corabi said: “‘New Day’ is a positive, upbeat song with a message of enjoy life!!! Stop whining and complaining about how unfair life is, and enjoy the ‘little beautiful things, life offers’ and make the changes you need to make your life better!!! Change happens WITHIN…”

New Day represents Corabi’s first complete solo album of original material. The record was tracked in Nashville during the summer of 2025 and produced by multi-platinum songwriter and producer Marti Frederiksen, known for his work with Aerosmith, Ozzy Osbourne, and Buckcherry. Sonically, the album blends classic ’70s rock with soul and blues influences, resulting in a sound that feels both familiar and personal.

The tracklist also includes previously released songs “Così Bella (So Beautiful)” from 2021 and “Your Own Worst Enemy” from 2022, now placed within the broader context of the album. Across the record, Corabi is joined by a strong supporting cast, including Marti Frederiksen on backing vocals, guitars, piano, and percussion; Evan Frederiksen contributing drums, bass, B3 organ, electric guitar, mandolin, and programming; Richard Fortus of Guns N’ Roses on lead guitar; Paul Taylor of Winger and Steve Perry on piano, organ, and clavinet; and Charlie Starr of Blackberry Smoke delivering guitar solos. Together, the musicians create a natural, performance-driven feel centered on melody and groove.

In support of the album, Corabi has a European tour scheduled for February and March 2026, with additional dates planned through late spring and summer. The shows are expected to highlight both the new material and the emotional connection behind it.

Reflecting on the project as a whole, Corabi shared his excitement with fans, stating: “I’m very excited for everybody to hear this new collection of songs! I wanted to put together an album of eclectic, organic songs that are reminiscent of the music I grew up listening to, and I truly believe the mission was accomplished! This is a 60’s-70’s sounding classic rock and roll record…Turn it up, and enjoy!!!”

The post JOHN CORABI Shares Official Visualizer For “When I Was Young” From Upcoming “New Day” Solo Album appeared first on Sonic Perspectives.

Legendary vocalist and 2024 Rock And Roll Hall Of Fame inductee Lou Gramm, widely recognized as the iconic voice of Foreigner, has revealed “Young Love”, the first single from his upcoming solo album Released. The track delivers a straight-ahead rock sound rooted in classic AOR, pairing Gramm’s unmistakable vocal power with driving guitars and an emotional edge that reflects the rush of early romance.

The full album, Released, is scheduled to arrive on March 27, 2026, with CD editions issued through HNE Recordings and Cherry Red Records, and vinyl versions released via Friday Music. The record features ten original songs co-written by Gramm and his former Black Sheep bandmate Bruce Turgon. While the material draws heavily from the era that helped define Gramm’s career, the album also carries a strong sense of reflection and closure. A promotional tour is planned for later this summer, with full headlining dates expected to be announced soon.

Speaking about the project, Gramm explained the origins of the material and why it was important to finally share it. He commented: “My new album Released is a collection of unreleased songs that were recorded in the 1980s during the production of my three previous solo albums. These are powerful, heartfelt songs with a great vintage sound taken right from my old multitrack tapes. This new album was a long time coming and it’s a real nostalgia trip. When I pulled these songs out of the vault, I knew I had to finish them for my fans around the world, so they can experience what I did when I first heard them after all these years. It means a lot to me to finally see this album released, to be taken back in time when I hear this music again, to remember working with all these great musicians, and to feel that my catalog is now complete.”

Produced by Lou Gramm himself, Released features contributions from a notable lineup of musicians. Tony Franklin appears on bass for “Long Gone”, while Vivian Campbell of Def Leppard delivers guitar work on the opening track “Young Love”. Longtime collaborators are also part of the project, including Ben Gramm, Lou’s brother, on drums. The finished album balances a timeless rock feel with a personal, reflective tone that connects directly to the period when Gramm became one of rock’s most recognizable voices.

Physical editions of Released—including standard CD and limited-edition Ruby Red vinyl—are currently available for pre-order here.

The post Legendary FOREIGNER Singer LOU GRAMM Shares Latest Single “Young Love” From Upcoming Solo Album “Released” appeared first on Sonic Perspectives.

Minnesota metalcore group Reflections are now operating with a reduced lineup following the departures of two longtime members, with tensions reportedly tied to differing views on ICE, the United States Immigration and Customs Enforcement agency. The situation appears to have escalated as debates around immigration enforcement and ongoing unrest in Minneapolis became impossible to ignore within the band.

The internal divide became public on Monday, January 26, when bassist Francis Xayana and guitarist Patty Somoulay announced their exits and directly criticized vocalist Jake Wolf over what they described as his support of ICE. Their statements quickly drew attention online, placing the band in the middle of a highly charged political conversation.

Somoulay first hinted at the conflict in a message shared through his Instagram account, explaining his decision to step away from the band. He wrote: “I am no longer a part of Reflections. A lot of stuff happening in life lately where it just does not feel okay to continue on with this myself. Also f**k ICE. This isn’t the country my family wanted to risk their lives to come to.”

Xayana followed with a more detailed explanation via his Instagram Stories, directly addressing his issues with Wolf and the band’s internal dynamics. He shared: “Jake has always had control of the band. There’s a reason Patty left even though he is the primary writer. Jake is an ICE apologist and I will not fuck with someone like that. I don’t give a flying fuck what we’ve been through. I cannot trust a person who thinks this is necessary. And honestly fuck you if you support this ICE shit. You’re a fucking bitch. And instead of getting into your fucking feelings y’all should have been listening to Black voices this entire time. Now when a white person is killed in the same form they’ve experienced for centuries, we are at end game. There is no going back. This is the beginning of the end if people continue to turn a blind eye. He’s going to kill anyone who opposes him”.

As of press time, Wolf had not issued a public response, and Reflections had not addressed the departures through their official social media channels. The band’s most recent Instagram post highlights plans to perform at the 2026 Euroblast progressive music festival in late September, with no additional tour dates currently listed until the fall.

Both Xayana and Somoulay had been part of Reflections since the band’s formation in 2010, making their exits particularly notable. Over the years, the group released five studio albums, most recently 2022’s The Fantasy Effect Redux.

Jake Wolf has yet to comment publicly on the situation, leaving the future direction of Reflections uncertain as the band moves forward without two of its founding-era members.

The post Band Fallout Turns Political: REFLECTIONS Loses Two Members Amid ICE Dispute appeared first on Sonic Perspectives.