Finnish doomsters Spiritus Mortis are ready to return with their sixth long player, No Human Contact, on January 15th 2027 via Svart Records. Recorded by Kari Lavila / Sound La Vila & Kimmo PerĂ€mĂ€ki. Mixed by Sami Jormanainen / AMS) and mastered by Kimmo PerĂ€mĂ€ki. The album’s first single and opening track, “The Hairy Tree”, is available for streaming together with an official music video.
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Andy Williams, former guitarist of New York metalcore innovators Every Time I Die and professional wrestler, has died aged 48, it has been reported. Williams collapsed while performing in a wrestling match at an event in Pennsylvania yesterday, Saturday September 5, according to TMZ. No official cause of death has been confirmed.
A founding member of Every Time I Die upon the band’s formation in Buffalo, New York in 1998, Williams and his bandmates would emerge as one of the most influential forces in 21st century metalcore. Williams served as the the band’s rhythm guitarist throughout their entire time together right up until their surprising implosion in 2022.
Every Time I Die produced nine studio albums, the most recent of which, Radical, was released in 2021 to critical acclaim.
Williams was also a longtime professional wrestling fan and harboured ambitions of becoming a wrestler himself. He realised that dream after making his professional debut on the independent wrestling circuit in 2015, taking on the moniker of ‘The Butcher’ and forming a tag team with Jesse ‘The Blade’ Guilmette. The duo would receive international recognition upon appearances with powerhouse company All Elite Wrestling from 2019 onwards.
In a 2022 interview, Williams compared his career in music with his wrestling endeavours, telling ReneĂ© Paquette’s podcast: “I don’t know how to read music. I just picked up a guitar and it just made sense. To me, it was more like Tetris than anything. I would just make these shapes up in my head and I would play these shapes.
“If I wrote out music, it would only make sense to me and the dudes I was in the band with. A lot of it is like X’s and O’s, or I’ll use squares for certain things and triangles for certain things. It really turned into more of, like, a video game to me than making music.”
“Wrestling, to me, is like writing a song,” he added. “Once I kind of understood how to write that ‘song’, it was like, ‘Oh, ok, that’s cool – there’s an intro, there’s an outro, there’s a chorus.’ It really does work like that.”
