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Interview by Angela Croudace With their recent ninth studio album Another Miracle, Of Mice & Men stepped boldly into their next era—one defined by emotional depth, creative freedom, and an unshakeable bond with their fans. A band who have never shied away from the unconventional, Of Mice & Men continued on their own trajectory, unbound […]

Reverends’ Jesus on Day 3 is a gritty, driving slice of alt-rock that blends grunge weight with a stoner-tinged haze. Fueled by thick, distorted riffs and a relentless rhythmic push, the track carries a raw, confrontational energy reminiscent of Helmet. Beneath its heavy exterior lies a reflective core, grappling with fractured relationships and emotional dissonance in turbulent times. The band balance abrasion with atmosphere, letting moments of clarity cut through the noise. It’s a powerful, unpolished statement—urgent, immersive, and steeped in tension.

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Pretty Baby’s 8:25pm Greenwich thrives on tension, pairing slowcore stillness with bursts of noise rock intensity. It opens in a hushed, fragile space, letting atmosphere do the heavy lifting before gradually tipping into something far more abrasive. When the shift comes, it hits hard—distorted guitars and raw energy cutting through the calm with purpose. The track’s strength lies in that contrast, balancing restraint and release without overplaying either.

It’s a tightly controlled emotional surge, where quiet moments feel just as powerful as the explosive ones.

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David Laborier’s Owl Skewl is a groove-heavy instrumental that fuses jazz, rock, and old-school hip-hop into a tight, rhythm-driven package. Built on crisp interplay between guitars, bass, and drums, the track moves with confidence and clarity. A lively horn section adds punch and color, especially during a standout interlude that connects the shifting sections seamlessly. There’s a playful yet controlled energy throughout, with each element serving the groove without excess.

The result is a smooth, engaging piece that balances musicianship with feel, keeping things fresh from start to finish.

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Ok Goodnight’s 22 is a dynamic, genre-blurring cut that fuses progressive rock precision with emotional intensity. The track shifts seamlessly between delicate, atmospheric passages and heavier, more explosive moments, showcasing the band’s knack for contrast and control. Intricate instrumentation and soaring vocals create a sense of constant evolution, keeping the listener engaged from start to finish. Beneath its technical flair lies a reflective core, capturing the uncertainty and urgency tied to its titular age. 22 is both ambitious and heartfelt—a finely crafted piece that balances complexity with genuine emotional weight.

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Brisbane-based darkwave duo A Delicate Murder unveil the chilling official film clip for their latest track, 3AM, a hypnotic descent into shadows, obsession, and the thin veil between dreams and nightmares. Directed by Christopher Lee Sun and shot by Kyle Sun, the music video for 3 AM unfolds inside a brooding gothic house where reality […]

Iron Maiden’s much-heralded Burning Ambition film will hit cinemas on May 7 – and the band are on the cover of the new issue of Classic Rock

Fulton Lights’ Best World is a bold, full-bodied indie rock statement that blends existential reflection with explosive musicality. Driven by pounding drums, swirling guitars, and punchy horn arrangements, the track carries a restless energy that feels both urgent and expansive. Beneath its sonic intensity lies a contemplative core, questioning time, change, and what we choose to hold onto. The gang vocals add a communal weight, turning introspection into something almost anthemic.

Best World thrives on contrast—chaotic yet purposeful—delivering a powerful reminder to find meaning in the present moment.

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Loose Buttons tap into indie culture’s most persistent inside joke with Come To Brazil, turning it into something unexpectedly sincere and anthemic. Built on jangly guitars and a steadily rising momentum, the track walks the line between self-awareness and genuine longing. Its repeated hook feels playful at first, but gradually reveals a deeper reflection on connection, validation, and the pursuit of meaning. As the song builds toward its explosive finale, irony gives way to belief, delivering a cathartic payoff.

It’s catchy, clever, and emotionally resonant—indie rock with both heart and a knowing wink.

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“Gore Nest” is the new single from New Jersey deathcore outfit NIGHTS OF MALICE. The band’s latest bruiser comes by way of their punishing Chaos Exordium full-length, set to drop on June 4th through Bleeding Art Collective and Blood Blast Distribution (Nuclear Blast Records/Believe).

Comments vocalist Brendan McGrath, “‘Gore Nest’ is super bouncy and fun. It still maintains the sonically heavy tone of the album, but it brings a different kind of energy than the rest of the songs. That’s why the video was a party! It’s also the first time [guitarist] Josh [Kuhn] has written with us. Even before he became an official member, we wanted him to have a solo on the record since we’d been jamming with him for a long time already. This is also the second song I’ve written about DOOM lore. The last one, ‘Void Bearer’ (2021) was about the Icon Of Sin. ‘Gore Nest’ is about Hell’s invasion of Earth from an overall perspective.”

Watch NIGHTS OF MALICE’s “Gore Nest” video, directed by Eric DiCarlo of SquareUp Studios, HERE.

Watch the band’s previously release video for “Ex-Mortis” HERE.

With a sound that is synonymous with razor sharp technical death metal riffing, monolithic groove, and rapid-fire vocal phrasing, as is signature with acts such as Psycroptic, Whitechapel, Aborted, and Archspire, NIGHTS OF MALICE is a triumphant example of the quality of acts that have emerged from the Garden State scene.

Chaos Exordium – Track Listing:

1. Reject The Host
2. Ex-Mortis
3. A Message In Blood
4. Stitched [Feat. Bobby Yagodich of Verminoth]
5. Riches To The Conjurer [Feat. Chaney Crabb of Entheos]
6. The Hand Of Death
7. Gore Nest
8. To Live Undead
9. The Inhuman Experience

Since the band’s inception, the band has worked with the outstanding team of Carson Slovak and Grant McFarland at Atrium Audio, who have produced albums from bands such as Black Crown Initiate, August Burns Red, Rivers Of Nihil, The Ghost Inside, and many more. NIGHTS OF MALICE has once again teamed up with Atrium Audio for Chaos Exordium.

“The whole album started to really come together once we wrote [lead single] ‘Ex-Mortis,” reflects McGrath on the creation of Chaos Exordium. “We felt like that was the song that fully encompassed the current era of our sound and from there, it was easier to pick and choose which of our ideas were going to be on the album, to sort of map out the pacing of it.”

“Our goal was to make the heaviest, most intense NIGHTS OF MALICE album ever. We’ve experimented with our sound in a lot of different ways, but one thing we all agree on is that we are at our best when we’re riffing all over the place. Our writing process always starts with guitar, so it comes naturally to us most of the time.”

“For the production,” he continues, “we knew we were going to go back to Atrium. We love working with Grant and Carson; we’ve been working with them for ten years now. They have always been an integral part of bringing our vision to life and they’ve given us our best sounding mix yet. It’s a very guitar-heavy mix since the riffs are the driving force behind this record.”

Chaos Exordium features album artwork created by Andriy Tkalenko and guest vocals by Bobby Yagodich of Verminoth on “Stitched” and Chaney Crabb of Entheos on “Riches To The Conjuror.”

Stand by for preorders to be announced in the weeks to come. 

NIGHTS OF MALICE Chaos & Misery Tour w/ My Own Will:
6/04/2026 Dingbatz – Clifton, NJ
6/05/2026 Capital City Music Hall – Harrisburg, PA
6/06/2026 Lurking Class Skate Shop – Salisbury, MD
6/09/2026 Growlers – Memphis, TN
6/10/2026 Cobra – Nashville, TN
6/11/2026 The Brickyard – Marietta, GA
6/12/2026 The Reverb Room – Warner Robins, GA
6/13/2026 My Sisters House – Orlando, FL
6/14/2026 Oscura – Bradenton, FL
6/16/2026 Propaganda – Lake Worth, FL
6/17/2026 Hard Love – Jacksonville, FL
6/18/2026 Handlebar – Pensacola, FL
6/19/2026 Ground Zero – Spartanburg, SC
6/20/2026 Riffhouse Pub – Chesapeake, VA

NIGHTS OF MALICE:
Joe Capasso – drums
Xavier Quiles – guitars
Brendan McGrath – vocals
Josh Kuhn – guitars

https://www.facebook.com/nightsofmalice

https://www.instagram.com/nightsofmalice

https://youtube.com/@nightsofmalicemusic

https://www.bleedingartcollective.com

Source: EARSPLIT PR