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  • Gnod: Chronicles of Gnowt (Vol 2) – Album Review

    More weird and wonderful psychedelia from the UK’s premier offbeat label. Gnod, Salford’s greatest export since Ewan MacColl, continue to cut a path of noise-based poetry through an increasingly standardised musical landscape. MK Bennett settles in. Despite its clumsy name, the principle of urban folk horror/urban wyrd, where the ancient druidic dread of rural isolation […]

    The post Gnod: Chronicles of Gnowt (Vol 2) – Album Review appeared first on Louder Than War.

  • Triggerfinger are huge in Europe, and some people say they sound like sex

    Triggerfinger are massive in mainland Europe, once replacing Foo Fighters at Pinkpop without a squeak of protest. While their UK footprint doesn’t quite measure up, Ruben Block (vocals/guitar) and Mario Goossens (drums) could yet cross over, with sixth album Tarmac evoking a continental Queens Of The Stone Age.

    Lightning bolt page divider

    Some musicians compare releasing an album to giving birth. Is that your experience?

    Mario Goossens: Actually, it is, because you live with it for such a long time. We started writing Tarmac in 2023. You become so attached to it. It’s addictive. Then suddenly it’s not yours any more. It’s out there in the world, and everyone has an opinion about it.

    What’s the significance of the title?

    Ruben Block: This album is not a one-trick pony. We write about life, the joyous and tragic events. Taking care of your parents and them passing away. Having kids of your own who start finding their way in life. That’s why we thought Tarmac was a good title. It’s both a landing place and a place to depart from.

    What’s the number-one rule on the Triggerfinger tour bus?

    MG: Don’t have a shit. But that’s the rule on every tour bus.

    Ever broken it?

    MG: We didn’t, but we had a band member before who probably did.

    RB: Breaking rules was his number-one goal when he got up in the morning.

    That was your late bassist Paul Van Bruystegem. Can we ask what happened to him?

    RB: Paul was someone who lived very intensely. He was a big guy, so he could take more of everything than a regular person. He could take six or seven instead of one. He lived at two hundred miles an hour, and it was pretty exciting to be in his slipstream. But he basically used everything up, starting with his own body.

    His death last year must have hit you hard.

    MG: Of course. But he chose it. Even when he quit the band – before he got really ill – he told us: “I’m gonna go for it, even if it costs me two years of my life.” So what could we say?

    You don’t like to name Triggerfinger’s influences. Why is that?

    RB: Because I usually don’t know where it comes from. And I don’t want to know. You listen to music, watch movies, read books or articles, you put all of it in your backpack. It’s also a bit dangerous to start by saying let’s make a song like Bowie, or Howlin’ Wolf. It would demotivate me right away, because that music is so great.

    A number of people say your music sounds like sex.

    RB: Well there are worse things that music can do to you.

    What did you learn from opening for the Rolling Stones?

    RB: I was amazed at how light they played. They started the show and Charlie’s playing was so light and bouncy, and Mick’s shoulders are moving… It was amazing to hear how groovy it all is. Even the loudest bands we like, they also have the roll, y’know? Even if you listen to the early Slayer records, it’s frickin’ groovy stuff, man. So that’s what we go for.

    Tarmac is released on September 18 via Sony Music/Hufter.

  • Kim Kay: Animal – Single Review

    There is a particular kind of pop song that only makes sense once you know what it cost to make. Kim Kay has spent the past year releasing a run of them, culminating in her latest release, pulsating dance track Animal. Eileen Shapiro tells the remarkable story of a woman who struggled with health setbacks […]

    The post Kim Kay: Animal – Single Review appeared first on Louder Than War.

  • Alice Cooper – The Man Behind The Monster | Devil On My Shoulder, London

    Alice Cooper – Devil On My Shoulder - The Palladium, London. Photo: Manuela Langotsch/MetalTalk

    “I love playing him because I don’t have to be him”. If one sentence sums up the relationship between Vincent Furnier and Alice Cooper, this is it, the legendary rockstar having spent the past fifty-eight years switching between the two personalities.

    Alice Cooper – Devil On My Shoulder Book Tour

    The Palladium, London

    Words: Paul Monkhouse

    Photography: Manuela Langotsch

    With his brand new book on the shelves, this was Alice/Vincent at his most confessional and true, the tour to promote the tome reaching the stage of one of the most famous theatres in the capital, Arthur ‘Fire’ Brown hosting the evening in his own unique style that thankfully kept the flaming headpiece away from the red velvet curtains that adorn the place.

    Alice Cooper – Devil On My Shoulder - The Palladium, London. Photo: Manuela Langotsch/MetalTalk
    Alice Cooper – Devil On My Shoulder – The Palladium, London. Photo: Manuela Langotsch/MetalTalk

    Whilst Brown may have been a little hesitant at times, the same cannot be said of Cooper, and the master of the macabre is on fine form, stories coming thick and fast. At his own admission, some of his tales are embroidered and refined so much as to totally remove them from reality, but nonetheless, they are hugely entertaining, and the book purports to be a more honest and factual run-through of his life.

    Part of the fact of the previous flights of fancy when regaling adventures of the past comes down to the simple fact of recall, Cooper rightly saying, “Who remembers what they said forty years ago?”

    It is a good point, but given the life he has led, there is plenty of fascinating material from which to draw. 

    Alice Cooper – Devil On My Shoulder - The Palladium, London. Photo: Manuela Langotsch/MetalTalk
    Alice Cooper – Devil On My Shoulder – The Palladium, London. Photo: Manuela Langotsch/MetalTalk

    Born out of a love for theatrics, Alice Cooper the band has a fascinating genesis, and the growth of the character himself saw them go from opening act to The Yardbirds, the guitar playing of Jeff Beck jaw-dropping, to headlining arenas all over the globe.

    Wielding a sword belonging to Errol Flynn and basing his make-up on Bette Davis in Whatever Happened To Baby Jane?, Cooper was always going to make an impression, and ironically a peace festival was something of a turning point, the singer remarking of the line-up that “there were plenty of Peter Pans but no Captain Hooks.”

    Given the incendiary atmosphere and look around the band, the unfortunate death of a chicken during their set at the event, Alice Cooper soon became the notorious bad boys of rock ‘n’ roll, a chance meeting with THE Colonel Saunders a little later causing Cooper to ask, “This guy kills six billion chickens, and I kill one, and I’m the villain?”

    Alice Cooper – Devil On My Shoulder - The Palladium, London. Photo: Manuela Langotsch/MetalTalk
    Alice Cooper – Devil On My Shoulder – The Palladium, London. Photo: Manuela Langotsch/MetalTalk

    The whole show is littered with such wit and incidence, stories of Keith Moon, including a hilariously salacious one where The Who drummer was part of the cast of a Mae West film with Cooper, a telling and heartbreaking story about meeting Elvis Presley “his life was a prison” and his falling in and recovery from the drink and drug pitfalls of ’70s rock ‘n’ roll lifestyle.

    As well as the wild tales of excess, there were plenty of deeper and personal details of his life, his relationship with his parents, his strong Christian faith and his determination to make music his career from his very first nascent days, going from being a track star at high school to forming Beatles pastiche The Earwigs and beyond.

    Whilst Alice Cooper is a character, the man himself states, “I designed Alice to be my favourite rock star” and “Alice is a separate character and a tool,” the two have become so intertwined for almost six decades that the public perception blurs the lines, whilst Furnier himself gleefully reports that he can happily be organising a golf game with guitarist Tommy Henrickson before and after a show, but the second the lights drop and he walks onstage, he becomes that figure.

    Alice Cooper – Devil On My Shoulder - The Palladium, London. Photo: Manuela Langotsch/MetalTalk
    Alice Cooper – Devil On My Shoulder – The Palladium, London. Photo: Manuela Langotsch/MetalTalk

    Touchingly, at one point he brings both his wife and daughter onstage to share the spotlight, and the separation between legendary rock villain and loving family man becomes crystal clear.

    The book is a fascinating read and the show an illuminating one, the man behind the mask revealed in wonderful and vibrant life. When he states, “I never lost the love of rock ‘n’ roll”, you know he means it.

    Alice Cooper – Devil On My Shoulder - The Palladium, London. Photo: Manuela Langotsch/MetalTalk
    Alice Cooper – Devil On My Shoulder – The Palladium, London. Photo: Manuela Langotsch/MetalTalk

    One of the biggest and best characters in music, we can but bow in his presence and, like Wayne and Garth, declare “We are not worthy”.

    Brain surgery’s loss is our gain.

    Devil On My Shoulder, the definitive autobiography of Alice Cooper, is out now via Ebury Spotlight. For more details, visit lnk.to/AliceCooper.

    Devil On My Shoulder, the definitive autobiography of Alice Cooper, is out now via Ebury Spotlight.
    Devil On My Shoulder, the definitive autobiography of Alice Cooper, is out now via Ebury Spotlight.
    The post Alice Cooper – The Man Behind The Monster | Devil On My Shoulder, London first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • DORO Releases ‘You R Not Alone’ From ‘Wild At Heart’

    Just in time for the start of her ‘Winter Magic Tour‘ on December 11, 2026, metal queen Doro Pesch brings the rock world a red-hot work full of new killer tracks with her special release ‘Wild At Heart‘. The first perfect foretaste was provided by ‘Rock You 2 Death‘, the first new single (out: 18.09.). […]

    The post DORO Releases ‘You R Not Alone’ From ‘Wild At Heart’ appeared first on ROCKPOSER DOT COM.

  • Miguel Montalban and The Southern Vultures Release New Single & Announce 2027 UK Tour

    Chilean-born and London-based guitarist, vocalist and songwriter Miguel Montalban & The Southern Vultures is very pleased to announce the band’s new single ‘Redline’, the second single from the upcoming new album released in 2027 following the release of the track ‘Stoneburn’. The as-yet-untitled new album will be available on Vinyl, CD, Cassette and Digital formats […]

    The post Miguel Montalban and The Southern Vultures Release New Single & Announce 2027 UK Tour appeared first on ROCKPOSER DOT COM.

  • Gig Photos: These Wicked Rivers – Octagon Hall, October 10th

    Gig Photos: These Wicked Rivers Octagon Hall, Buxton –  October 10th Photographer – Christine Morgadinho Setlist: The Healing Horse to Water Ain’t No Smoke Love to Love Sing Another Song Rise Brother oh Brother Better Man Woodland Queen Stories The Family When the War is Won Black Gold Don’t Pray for Me ©All photographs are […]

    The post Gig Photos: These Wicked Rivers – Octagon Hall, October 10th appeared first on ROCKPOSER DOT COM.

  • Zorn – A Drunk Malmsteen Jerking Off To Fantasy Metal | The MetalTalk Lowdown

    Zorn from Swedish Symphonic Extreme Metal band Zornheym takes on The MetalTalk Lowdown.

    Known for his past work with Sweden’s Black Metal giants Dark Funeral, as well as Aktiv Dӧdshjälp, Devian, and Suicidal Seduction, Zorn is these days best known for his most recent undertaking, the Symphonic Black Metal concept band Zornheym. From riding ski lifts while hammered to being compared to a drunken Yngwie Malmsteen, Zorn has a rather unusual collection of stories.

    In this edition of The MetalTalk Lowdown, he recalls the band’s first live show, reveals his unexpected fondness for Eurodisco and explains why recognition might be the best route to both riffs and royalties.

    And somewhere along the way, we discover how to move mountains with a forklift.

    What’s the most Metal thing you’ve ever done off stage?
    Going up a ski lift absolutely hammered with a guitar between my legs. Of course, the lift stopped a couple of times on the way up.

    What’s the worst gig you’ve ever played, and why?
    Probably one of those where you arrive at the venue, and all they have is some kitchen pots and a broken practice amp, and think that counts as a full backline. And they also ask, “You didn’t bring a PA?”

    What’s the best gig you’ve ever played, and why?
    There have been so many great shows, but Zornheym’s first show ever was a very special one, at Motorcultor in France. We expected nothing and got the warmest welcome ever.

    Would you choose a platinum record or one perfect, legendary live show?
    A platinum album would help me put on legendary shows, so I would choose that.

    What’s your greatest fear?
    My kids and wife dying while I’m getting decapitated, at the same time as Zornheym disbands and the world ends in a nuclear holocaust.

    What’s the trait you most deplore in yourself?
    Being too patient and too messy. 

    What’s the trait you most deplore in other musicians?
    Being big-headed and thinking they are the center of the universe.

    Describe yourself in three words.
    Dedicated. Creative. A fixer.

    What’s your guiltiest pleasure?
    A well-deserved after-work drink with Dr Bettelheim.

    What does a great riff feel like to write?
    Magic. You cannot stop headbanging.

    What’s the worst thing a fan has ever said to you?
    Oh, I don’t know. We once had someone complaining that our stage clothes did not match our music. I think it is up to us to decide. 

    What’s the worst thing a critic has ever said to you?
    When I was younger, I got a review that I sounded like a drunk Malmsteen jerking off to fantasy Metal. I took it as a compliment, though. I mean, even a drunk Malmsteen plays great.

    If you were not in music, what would you be doing?
    Playing too many video games, eating pizzas and probably planning to write an epic book series.

    What’s one album outside your genre you secretly love?
    I enjoy some E-Type’s, especially Made In Sweden. A bit of Eurodisco, every now and then when I am driving with my wife.

    When did you last cry, and why?
    I had tears in my eyes when I heard the final mix of the new album. It has been such a long adventure, and we have been lucky to get so much help from amazing people.

    What keeps you awake at night?
    The unreasonable deadlines set by Dr Bettelheim.

    Riffs, royalties or recognition, if you had to choose?
    Recognition, because then I have the riffs and will get the royalties.

    How do you want to be remembered?
    As someone who tried his very best and moved mountains with a forklift.

    What’s the most important lesson the road has taught you?
    Probably to appreciate every opportunity you get. And never take for granted the people who show up to support you.

    What happens when the music stops?
    The universe is about to implode and start all over again.


    Zornheym released Descending Into Madness on 2 October 2026 via Nobel Demon. You can read our review here. For more details, visit music.nobledemon.com/madness.

    Enjoyed this Lowdown? Explore more from the series, featuring Toby Jepson, Vanessa Warwick, Baz Mills, Krusher Joule and Howard H Smith, with Skindred’s Arya Goggin coming soon. Same questions. Very different people. Read more MetalTalk Lowdowns here.

    The post Zorn – A Drunk Malmsteen Jerking Off To Fantasy Metal | The MetalTalk Lowdown first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • ISVIDD’s debut “Iron Nocturne” is complete

    Stockholm-based atmospheric and melodic black metal project ISVIDD has completed its debut album, Iron Nocturne. Ahead of the full release, founder Björn is introducing the project through independent singles, with the released track “By the Other Side of Midnight” accompanied by a lyric video. ISVIDD operates as an independent studio project, with Björn writing the […]

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