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  • Live Review: And So I Watch You From Afar – Manchester

    Live Review: And So I Watch You From Afar – Academy 2, Manchester

    16th October 2026
    Support: Caspian, Otayonii
    Words: Oli Gonzalez

    Manchester has been host to some quality progressive and post rock this year. Having seen tours from We Lost The Sea, Plini, This Will Destroy You, and many more pass through the city, it was time for another star studded lineup of experimental music. This time, a Friday night at Manchester Academy 2. The line up spearheaded by Pelagic Record’s own And So I Watch You From Afar (ASIWYFA), alongside Caspian and Otayonii in support.

    ‘’Is this the right queue?’’

    The good ol’ bit of confusion whilst waiting outside Manchester Academy and not knowing which line you’re supposed to be in. However, given that one line was full of largely 18-20 year old students and the other full of middle aged men sporting obscure band t-shirts, it was safe to assume which queue was for British boy band The Wanted, and which was for our night of progressive music.

    Once in the correct venue, it was time to get an early vantage point with pints in hand and compare thoughts on tonight’s show, all before the lights went down…

    Well, there’s left field music. There’s crazy music. And then there’s Otayonii!

    How to even categorise this kind of music? ‘Experimental’ seems to be the only word but doesn’t really come close to fully encapsulating how bat-sh*t crazy this was. Here’s an attempt to describe it.

    Try to imagine Lane Shi, a petite Asian woman, on stage by herself. No backing musicians. Just herself. Entertaining the crowd through the medium of interpretive dance, electronic beats and her keytar. This whilst wowing and terrifying the audience in equal measures with vocals ranging from ethereal and haunting, through to straight up violent and blood curdling shrieks! Traditionally, the stage is performers, but she broke that barrier and brought the performance into the crowd just to add to the chaos. Otayonii reminds me of…well Otayonii; there really is nothing like this out there! Sounding like a disorganised secondary school music project that really shouldn’t work, it takes skill to craft compositions that appear so muddled and disorganized whilst having an ineffable glue and cohesion that somehow makes it flow.

    Lane Shi recently joined The Ocean as 1 of 2 lead vocalists…and they have a woman who was simply born to perform on stage!

    Next up from the USA, post-rock legends Caspian and a band who could have easily closed out tonights show. This was loud. Much louder than anticipated! See, when you’re listening at home on Spotify or on vinyl, you’ll find yourself being lulled by the delicate melodies of songs like ‘Hymn For The Greatest Generation’ or ‘Sycamore’. None of these classics made their way into the set tonight. Instead, today marked the release of their brand self-titled album. As such, it came as no surprise that the set was loaded with songs from this, like ‘A Great Fire’ and ‘Remain’. Whilst still melodic, seeing them in the live setting was a completely different animal! With three guitars, a bassist and drummer, this extra beef in the backline shifted the dynamics from indulgent and opulent, to crushing and overwhelming! The good kind of overwhelming though; the kind that provides that atmospheric immersion that you just simply can’t get from listening at home. Despite being fully instrumental, they say more with just their instruments than could ever be said with lyrics. A Caspian set truly is a journey where you’ll ride through multiple waves of emotions. Like some did tonight. It had been two years since they had performed in the UK. Hopefully it won’t be another two years til they return! Surely Damnation and Arctangent festivals will have their eyes on them!

    Almost exactly one year since their last Manchester performance, supporting Coheed And Cambria at the ‘big’ Academy, it was time for the Northern Irish post-rockers And So I Watch You From Afar to take to the stage. They were always going to be up against it and have a hard time following up that solid Caspian set. But they were up for the task. They came out of the blocks sprinting and the pit opened before the last song had finished…hang on, a pit at an ASIWYFA gig? Yes, it seems one of the least likely bands to elicit this kind of reaction. But it was Friday night. Everyone was ready to let loose once they had a few pints in them. Plus their explosive energy, chaotic time signatures, and the sheer walls of sound being pumped out through the PA meant that in some ways, people throwing their bodies around was an inevitable by-product. Especially when the first few seconds of ‘Northcoast Megafauna’ was met with roars of approval from the crowd! Though they slowed the pace down with ‘Mother Belfast’, a song that the band described as being ‘as long and complex as Belfast itself’. They also took the opportunity to thank the crowd and to show gratitude to be playing in ‘a room full of people’. It was pretty busy to be fair!

    The end of the set was nigh, as was the inclusion of fan favourites ‘Set Guitars To Kill’ and ‘Big Things Do Remarkable’, as well as a good ol’ sing along to the latter. ASIWYFA walked off stage. We knew they were coming back. Fooling nobody, they returned and closed out the night with two more to round off a well paced and structured set. It’s been over two years since “Megafauna”. Deep into this album cycle, is it time for new music?

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Review: And So I Watch You From Afar – Manchester appeared first on The Razor's Edge.

  • Live Review: Kris Barras Band – Wolverhampton

    Live Review: Kris Barras Band – KK’s Steel Mill, Wolverhampton

    15th October 2026
    Support: 10 Years
    Words & Photos: Tim Finch

    With the end of the road now firmly in sight, Kris Barras Band brought their farewell tour to KK’s Steel Mill in Wolverhampton for the penultimate show of a chapter in modern rock that has seen the band establish themselves as one of the UK’s most formidable acts. With American alternative rockers 10 Years providing support, fans gathered to give one final send-off to a band that has delivered time and time again.

    10 Years wasted little time making their presence felt, opening with ‘Novacaine’ before launching into ‘Now Is the Time (Ravenous)’. The American outfit brought a welcome dose of alternative metal to the evening, with their sound balancing a hint of late 00’s nu-metal and a more modern heavy style.

    ‘Waking Up’ and ‘Through the Iris’ continued to showcase the band’s ability to shift between brooding atmospherics and heavier, more direct rock. Their take on Nirvana’s ‘Heart-Shaped Box’ offered a unqiue take on this familiar ditty, while ‘Gravity’, ‘Russian Roulette’ and ‘Fix Me’ kept the momentum building.

    The closing run of ‘Shoot It Out’, ‘Wasteland’ and ‘The Optimist’ provided a strong finish to the set, with 10 Years demonstrating exactly why they made for a fitting addition to the bill. Their performance was tight and assured, delivering a varied set that gave longtime fans plenty to appreciate while offering newcomers a worthwhile introduction to their catalogue

    For Kris Barras Band, this was more than just another date on the touring calendar. With only one show remaining after this visit to Wolverhampton, there was an unmistakable sense of occasion surrounding the performance. Opening with ‘Who Needs Enemies’ and ‘Unbreakable’, the band wasted no time getting down to business, unleashing the kind of muscular, riff-driven hard rock that has become their trademark. The energy was immediate, and the response from the crowd made it clear that those in attendance were determined to make the most of the occasion.

    ‘Dead Horses’ and ‘Unspoken’ maintained the intensity, before ‘Monsters We Made’ and ‘Savages’ delivered another dose of the band’s heavier material. Kris Barras has always had a knack for combining hard-hitting guitar work with accessible, memorable choruses, and that balance was evident throughout the set.

    ‘These Voices’ and ‘Devil You Know’ continued the assault, with ‘Watching Over Me’ providing a change of pace and a reminder that the band’s appeal extends beyond sheer volume and aggression. There is a strong melodic streak running through their material, and these moments help give the set some breathing room without sacrificing its momentum. ‘Ignite (Light It Up)’ brought the energy surging back, while the wonderfully titled ‘Jamma Lamma Ding Dong’ added another twist to a set that was moving confidently through the band’s catalogue.

    As the night progressed, ‘Beautiful Lie’, ‘Riot of One’ and ‘My Parade’ kept the crowd firmly engaged, each track adding another layer to a performance that felt increasingly significant with every passing song. With the farewell tour approaching its conclusion, there was plenty of reason to savour these moments, and the band delivered with the sort of commitment that has earned them a loyal following.

    ‘Hail Mary’ brought the evening to a close, giving Kris Barras Band a fitting final statement for last show in the Black Country. With just one final show left to go, Wolverhampton had been treated to a performance that celebrated what Kris Barras Band do best, giving fans with one last chance to appreciate the band in this form before the farewell tour reaches its conclusion.

    Photo credits: Tim Finch

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Review: Kris Barras Band – Wolverhampton appeared first on The Razor's Edge.

  • Live Gallery: Kris Barras Band – Wolverhampton

    Live Gallery: Kris Barras Band – KK’s Steel Mill, Wolverhampton

    15th October 2026
    Support: 10 Years
    Photos: Tim Finch

    We look back at the epic Kris Barras Band show through the eyes of our photographer Tim Finch!

    Kris Barras Band

    10 Years

    Photo credits: Tim Finch

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Gallery: Kris Barras Band – Wolverhampton appeared first on The Razor's Edge.

  • Disrupted (SWE) – Call It Quits

    After 14 years of existence and three album releases, death metal battalion Disrupted (SWE) has decided to disband.
    Read more…
  • Bloedmaan – Launch New Track

    Black metal act Bloedmaan are streaming another new song, “Spell Of Thralldom”, in preview of their soon-to-be-released full-length effort Circle Of The Moon.
    Read more…
  • Staff Infections- October 2026

    Howdy, folks. It’s time for Staff Infections. It’s also time to talk about another death in the metal community. Cronos, founding vocalist and bassist of Venom has, presumably, passed through the seven gates of Hell at age 63. I was too young to appreciate Venom in its pioneering early days, but I got into the band fairly early in my metal journey because bands like Metallica and Slayer cited the trio as an influence. My first exposure was through a best-of compilation put out by, I believe, Relativity records. At the time I didn’t know how to take the band’s over-the-top blasphemy. I wasn’t sure if it was a joke or not, but the riffs were no joke to my ears, and that’s all I ever really needed. Joke or not, I really learned to appreciate Cronos’s delivery. I’m not sure how to describe his appeal, but if Cronos was a rapper, I’d say he had good flow. Few could spew out a bunch of satanic bullshit with such conviction and swagger. As for his playing, I couldn’t tell you if he was a good bassist or not, but his bass tone was fucking nasty. I’ve always loved his sound; the breakdown in 1,000 Days of Sodom gets me every time. Good bye to a true father of extreme meal. Rage in Hell, Cronos.

    Let’s see what we’ve been listening to. It’s not a big month for convergent listening habits, but we do have winner for album of the month and a runner-up. Second place goes to avant-garde black metal band, Krallice with its latest album, Scour Order. Our winner is the legendary Godflesh, with what I can only assume is another uplifting folk-pop record in the recently released Decay. Actually, such an assumption is unnecessary, as Admiral Zachbar has a review for us right here.

    That’ll just about do it for this month, but, before we go, have a listen to the staff-curated playlist below, and give us your own playlist in the comments. While you’re at it, if you will, give us your favorite Venom song. Mine is “In League with Satan”. Until next time, you all take care.

    Playlist

    • Andrew Edmunds
      Godflesh – Decay
      Europe – Come This Madness
      Rush – Permanent Waves
      Nunslaughter – Hell’s Unholy Fire
      Sex Prisoner – Cautionary Tale
      Gets Worse – No Bones
    • Zach Duvall
      Godflesh – Decay
      Dream Theater – Images and Words
      Earth, Wind & Fire – That’s the Way of the World
      Parliament – The Clones of Dr. Funkenstein
      Pantera – Vulgar Display of Power
      Fates Warning – Parallels
    • Captain
      Artificial Brain – Antillia
      Insomnium – Netherworlds
      Forsaker Of The Throne – Exhion
      Tantric Bile – Pyrphoros
      Rosetta – Temporal Lapse
      Ride – Nowhere
    • Wolf Rambatz
      Godflesh – Decay
      Polymoon – Mariposa Magic
      Amy Mills – I Think We’ve Met Before
      Krallice – Scour Order
      The Tubs – Hard Life
      Iron Linings – Urban Abyss
    • Danhammer Obstkrieg
      Thy Catafalque – XIII: Sárga Erdo
      Gorement – The Ending Quest
      Thorn Wych – Aesthesis
      The Keening – Devotion
      Draconian – In Somnolent Ruin
      Ivo Perelman & Matthew Shipp – Duologues 7: Distillation
    • Lone Watie
      The Ocean – Solaris
      Mindwork – Adrift
      Sigh – Goh-Ka
      Miscreance – Reminiscence
      Ozric Tentacles – Harmonic Mind
    • Isaac Hams
      Ana Roxanne – Poem 1
      Tove Lo – Estrus
      Lumsk – Einsemda
      Kristoffer Gildenlow – Humanised
      Triosphere – Oceans Above, Stars Below
      Autumnfall – The Archaic Sins
    • Spencer Hotz
      Krallice – Scour Order
      Electric Light Orchestra – Electric Light Orchestra
      Green Carnation – Light Of Day, Day of Darkness
      Effluence – Necrobiology
      Wailin Storms – The Arsonist
      Iron Maiden – Iron Maiden
    • Jeremy Morse
      Venom – Welcome to Hell
      Ripping Corpse – Dreaming with the Dead
      Chainsword – Blightmarch
      Darkthrone – Pre-Historic Metal
      Trouble – Psalm 9
      Arch/Matheos – Winter Ethereal

    The post Staff Infections- October 2026 appeared first on Last Rites.

  • Complete List Of Hank Williams Songs From A to Z

    Hank Williams

    Hank Williams Sr. remains one of country music’s most influential singers and songwriters. Born in Mount Olive, Alabama, on September 17, 1923, he learned guitar as a boy and built his reputation performing around Montgomery. His plainspoken lyrics, emotional delivery, and gift for memorable melodies helped shape modern country music. Williams first recorded commercially for Sterling Records before moving to MGM in 1947. Songs such as “Move It on Over,” “Lovesick Blues,” “Cold, Cold Heart,” and “Hey, Good Lookin’” established him as a leading artist. He wrote about heartbreak, loneliness, faith, humor, and everyday struggle, often giving familiar subjects an

    The post Complete List Of Hank Williams Songs From A to Z appeared first on ClassicRockHistory.com.

  • Eivør – Tungl: Haunting Beauty And The Power Of Emotion | Album Review

    Eivør - Electric Brixton, London - 23 September 2025. Photo: Ash Nash/MetalTalk

    Faroese artist Eivør proves that music does not need crushing guitars or blast beats to deliver an emotional punch. On her new album, Tungl, haunting vocals, hypnotic rhythms and atmospheric soundscapes create something both delicate and immensely powerful. Daryl Soar discovers an album that takes its time but leaves a lasting impression.

    Eivør – Tungl

    Release Date: Out Now

    Words: Daryl Soar

    Tungl opens with synthesised drums from the ’90s, ethereal chords, and a folk vocal writing a cheque the average Metal listener had better be able to cash. It is a bold start.

    By track two, Drekafljóð (Dragon Maiden), the crushing still has not begun. Good job the music is good. The tension drifts away, and the music flows. I am used to having my angst smashed out of me by blast beats and vocal fry. Eivør takes another route.

    Trip-hop beats and hypnotic vocals over soft keyboard pads, with carefully crafted songs that develop naturally. Death Metal it is not.

    Eivør released Tungl LP on 16 October 2026 via Nuclear Blast Records.
    Eivør released Tungl LP on 16 October 2026 via Nuclear Blast Records.

    There is something in the way the songs are put together that makes them Metal-adjacent without the need for massive guitars, emotive screams and breakneck speed. It is in the tonal makeup, the tension and release as the vocals move.

    The words? Well, the words are not English, so all that is left is the emotion, unless you are lucky enough to speak Faroese. Unless you are listening to Healer, and then it is.

    The album is a journey to be savoured. It never runs, but it will move you with the force of a glacier. In the words of Eivør, “Tungl explores the ever-changing cycles of life. Its songs move between moments of tenderness and heartache, love and loss, and the emotional tides that shape us. Like the moon that inspired its title, Tungl serves as a gentle guide through life’s darker passages, illuminating the beauty, resilience, and transformation found along the way.”

    Healer stands out for me. It reaches a zenith of powerful emotion that drew me in more than the other tracks. When listening to slower-paced music, it is hard to find a cathartic outlet, but Healer hits the mark. Maybe it is the language, but I got this feeling from the song before I realised it was in English.

    Tann tú saknar / The One You Long For ups the tempo and adds new depth to the composition. As the eighth song on the album, you might say it’s about time. I would say it is the perfect time.

    Ending with Everyone But Me, Eivør’s vocals really shine. It is a slower, more melodic track, luckily in English, that sticks the landing. Then it’s time to start again.

    Listen to Healer and get your chill back with the Nordic phenomenon Eivør. This album is a pleasant change of pace and worth your time. Add a little depth to your music collection with Tungl.

    Eivør released Tungl LP on 16 October 2026 via Nuclear Blast Records. For more details, visit eivor.bfan.link/tungl. Eivør will be undertaking an extensive headline tour across North America later this year, and across Europe and the UK into 2027. Tour details and tickets are on eivor.com/shows.

    07mar7:00 pm11:00 pmEivør – LondonO2 Forum Kentish Town Event Organized ByEivør

    Eivør - 2027 European Tour poster
    Eivør – 2027 European Tour poster
    The post Eivør – Tungl: Haunting Beauty And The Power Of Emotion | Album Review first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Judas Priest: Sad Wings of Destiny 50th Anniversary Review

    Judas Priest’s masterpiece album from 1976 – Sad Wings of Destiny – has a half century reissue which is restored from the original master tapes and has the tracklisting in the order the band originally wanted. I’m probably not too far wrong if I say that you may well be familiar with this album. It […]

    The post Judas Priest: Sad Wings of Destiny 50th Anniversary Review first appeared on New Wave of British Heavy Metal.