(written by Islander) At the end of this week, just two days from now, the Hungarian band Hænesy will have their third album released in cooperation with Fractions of Life Records. Its name is Esentia, and we have lots of thoughts about it, but most important we have a full stream of all the music […]
Italian technical death metal act Gory Blister have joined forces with Dusktone for the release of their upcoming eighth studio album in 2027. Read more…
Last month, progressive trailblazers Enslaved officially announced their forthcoming studio album, Mið, set for release on October 30 via Nuclear Blast Records. Throughout their 35-year journey, across 17 albums, the Norwegian vanguard have continually redefined the boundaries of progressive black metal, weaving Old Norse histories and sacred traditions into complex modern soundscapes. With their latest offering, Enslaved turn their gaze toward the fundamental concept of the axis: the middle, the origin, and the infinite reach of the present moment.
Building on the momentum of their latest tracks “Solar Will” and “Spirit Helper” (feat. Kevin KickingWoman), the band have now unveiled the album’s next captivating single, “Tales Of Trees”. The song uses the majesty and fragility of the natural world as a mirror for the human condition. Through a blend of complex progressive structures and searing black metal atmosphere, the band draws a poignant parallel between Mother Nature and the psyche.
Voicalist / bassist Grutle Kjellson states: “”Tales of Trees” is indeed tales about trees, but perhaps not first and foremost in a botanical sense. Trees can grow, shine, and flourish, but they can also wither and burn. They need to be tended to and looked after in one way or another, and thus serve as a fitting parallel to the human mind, let alone humanity as a whole. Trees as symbols of something more than mere botanical creatures have appeared throughout history, both in mythological tales and in folklore. So, I think this tale is a fitting accompaniment the the heavy and yet dynamic tunes of this composition”
Guitarist Ivar Bjørnson adds: “‘Tales of Trees’ can be both a tribute to our wooden relatives on this planet – who have had rather a lot of patience with us; and a metaphor for so much more. The winding time signatures of folk music and the adventurous spirit of classic prog are natural ingredients in my songwriting, and they feel particularly at home here.There is something about our kinship with trees that is both deeply familiar and wonderfully strange: everyday encounters with something we barely understand. That sense of recognition and mystery is at the heart of this song, opening another path into the world of Mið.”
To celebrate the arrival of Mið, Enslaved will hit the road across the UK and Europe in February 2027 as a co-headline with Iceland’s Sólstafir, with support coming from Norway’s Gaahls Wyrd. Tickets will go on-sale on September 25 here.
Back in May, Charli XCX released “Rock Music,” the big-statement lead single from her new album Music, Fashion, Film. Upon arrival, the track felt like a giddy, provocative goof: “I think the dancefloor is dead, so now we’re making rawwwwwwwk music.” Madonna, on the brink of releasing her own dancefloor-centric album, briefly took exception, but the beef didn’t last long, and now Charli is about to appear on Madonna’s “Danceteria” remix, due Friday. Meanwhile, Show Me The Body have taken “Rock Music” and turned it into rock music.
Spanish heavy/power/thrash metal band IN VAIN have announced their seventh studio album, Architects of Mayhem, due out on November 5, 2026, through Fighter Records on CD and digital formats. The first single, “Spit on the Dead,” is available now, alongside the album’s artwork and complete tracklist. The song introduces the Madrid band’s latest material with […]
US power metal veterans Sacred Oath are pleased to announce the release of their next full-length instalment, Don’t Be Afraid, on December 4, 2026 worldwide via The SRG ILS Group/Virgin Music on CD/LP (November 20, digitally). Read more…
Louisa Livingstone, the woman depicted on the cover of Black Sabbath's 1970 debut album, has created a rock opera based on 'Alice in Wonderland' and AI. Continue reading…