“Loud enough for the White House to hear it: Free Palestine! Free Sudan! Free Lebanon!”
The post Turnstile’s Palestine, Sudan, Etc. Benefit Concert At The Washington Monument Drew An Estimated 60,000 People & Raised Over $209,000 appeared first on Theprp.com.
Live Review: Walter Trout + Laura Evans Islington Assembly Hall, October 18th, 2026 Reviewer / Photographer – Paul Dubbelman Concluding a 14-day run of UK shows on his ‘Sign Of The Times‘ tour, Walter Trout delivered a stellar performance at a sold-out Islington Assembly Hall. Across eleven songs, Walter, and the band (Jon Trout – […]
The post Live Review: Walter Trout + Laura Evens – Islington Assembly Hall, October 18th appeared first on ROCKPOSER DOT COM.
In 2014 Prog explored former Cream member Jack Bruce’s third solo album, 1971’s Harmony Row, viewing it from the perspective of a concept album that took him far away from the blues rock he’d prevously been known for.
“I sat at my Blüthner piano and played the thing from top to bottom,” said Jack Bruce, explaining how his third solo album arrived almost fully formed one inspirational afternoon. “The songs just came tumbling out as a complete entity in pretty much the same order as they appear on the album.”
While his 1969 debut Songs For A Tailor had mopped up material originally intended for Cream, with 1971’s Harmony Row he wiped the slate clean and delivered a sequence of songs that took him out of the mainstream.
Several pieces traverse a jazz-rock undertow and utilise unorthodox chords which owed more to classical avant-garde composer Olivier Messiaen than the blues-based rock he helped pioneer, and which he remained associated with.
After working with Eric Clapton and Ginger Baker, and what he called their “big” sound, Bruce wanted something more intimate and personal in nature. He co-opted Chris Spedding (guitar) and John Marshall (drums) from British jazz-rock pioneers Nucleus to flesh out these poetic vignettes alongside his own bass, keyboards and vocals.
“Lyricist Pete Brown had this mad idea that the songs were kind of like a big show on ice – not exactly like an operetta, but a kind of concept album in a way,” said Bruce.
Not unlike an interlinking song cycle rooted in his working-class upbringing, the album title references a tenement block in his native Glasgow, describing drifters, early-morning commuters, grinding poverty, yearning love songs and the yawning possibility of death or rebirth at each sunset.
Harmony Row’s cinematic contrasts provide starkly lit close‑ups during the reflective prelude of Can You Follow?, before rushing into the wide-open vistas of Escape To The Royal Wood (On Ice), bustling with quick-fire time signatures, abrupt vocal jump cuts and layers of processed guitar glistening in spectral reverb.
Meanwhile, on Folk Song, Bruce multitracks his own voice into an ethereal choir to devastating, poignant effect. He recalled: “It was engineer Andy Johns who came up with that idea. It was the only way we could get the kind of texture we were after. We called those voices The Jackettes!”
Harmony Row’s willingness to go beyond expectations highlights Bruce’s interest in experimentation and his contrarian disposition. This is emphatically not the work of the blues bruiser some supposed him to be, but rather a sensitive and sophisticated composer who understands how to box clever, an expert in judging precisely when to hang back and when to hit hard.
Harmony Row is an album of which, understandably, Bruce remained very proud. “All of my early solo albums are really diaries of where I was at musically at the time,” he said. “Listening to it now, I think it still stands up.”
Rise Against and Alkaline Trio – Great Park Live – October 23, 2026
Two great bands were on dance card Friday night in Irvine, CA, but the early star of the show was Mother Nature. The doors to the outdoor venue opened at 5:30pm, and those who arrived early were treated to an amazing sunset. As day shifted to night, a massive black cloud could be seen to the east, seemingly moving at a snail’s pace towards the venue. As showtime got closer, bright flashes of lightning could be seen on the horizon, and the entire sky became eerily dark. Small drops of rain began to fall, and suddenly there was a warning broadcast over the PA system urging people to return to the safety of their cars due to incoming severe weather. I asked a security member near the exit what this meant and he said that the concert had been cancelled. I wasn’t sure if that was true, but others around me were bummed and took his words as gospel – walking to their cars and driving home. I feared it might be true, but dragged my heels leaving the venue in case more information was provided or something changed to cause optimism. Just then, the screens lit up with “Weather Alert!! Due to lightning in the area, we are temporarily evacuating the venue for everyone’s safety.” There was also a message over the PA system telling fans to go to their cars and await further instructions. I wasn’t sure how anyone would be able to hear the further instructions from their cars, but I was happy there was still a possibility the show would happen
Irvine’s Great Park Live is a temporary concert venue in a large park that once housed fields of lima beans and oranges, before being converted to a Marine training base in the immediate aftermath of Pearl Harbor and the impending US involvement in World War 2. It lies in a strange area of Orange County where it is flanked on one side by a large housing development, by industrial warehouses on another, the I-5 Freeway on another, and the remains of a landing strip from the decommissioned Marine base on the other. The venue holds 10,000 people, and is essentially a massive park surrounded by a fence with a large stage at one end. Inside it is very reminiscent of a large-scale music festival – food trucks and vendors surround the grounds in a horseshoe, and a massive, manicured grass lawn stretches from one end to the other – it reminded me of a scaled-down Aftershock Festival.
As I sat in my car sheltered from the rain and lightning while awaiting news that the show might continue, I witnessed hundreds of cars driving past me on their way home. Those that hung in there and didn’t listen to the bad information I’d been given by security, got to witness a fantastic show. The rain was nowhere to be seen by the time Rise Against hit the stage at 10:00pm, but the memory of the storm fueled an amazing set, and the fans who had been through so much to be there fed off the performance – people were REALLY stoked to be there and participated fully.
Prior to Alkaline Trio or Rise Against playing a note, the thousands of people who had been evacuated to their cars had to get back into the venue. I had a great parking spot near the entrance and within visual range of the huge screens. I could see when the evacuation notice was taken down, and I promptly stepped out of my car to try and ascertain if/when we would be allowed back in the venue. Someone had heard that they’d be opening the doors at 8:30pm, so people started working their way to the gate. Thousands upon thousands of people stood outside the venue awaiting a sign that we’d be allowed back in – the good news was that the rain had stopped by this point. Someone in line had the good idea to shout, “Let us in!!”, and the entire crowd picked it up and started chanting it over and over. Finally, the doors opened and we started inching forward – I was in the middle of the pack, and it took me 25 minutes to get back inside.
Rise Against were in Southern California on Friday night as part of the Ricochet 2026 Tour, in support of last year’s Ricochet album – their 10th studio release. They formed in 1999, and have delivered their own brand of rock since their inception – unflinchingly charged lyrics with socially conscious commentary, combined with aggressive but undeniable hooks. There are lots of bands with passionate fan bases, but Rise Against seem to have some of the most ardent. Everywhere you looked in the mass of humanity, people had huge smiles on their faces – people were genuinely excited to be there and sharing a night with their people and their band. Crowd surfers were everywhere, and the mosh pits looked lively on the jumbo screens, but were too hard to get to with cameras wrapped around my neck to see in person. People in the very front row up against the barricade held signs of support, and there were more children in attendance with their parents than any show I can remember. Multiple people I’d talked to had driven for hours to watch their favorite band and revel in the atmosphere, and after the threat of the show being cancelled, the diehard fans had made it their mission to let loose.
Both Rise Against and Alkaline Trio’s sets were shortened to allow for the weather delay and a strict noise curfew due to the nearby housing development, but each band put out extra effort to ensure that things were right with their fans. Tim pulled out the bullhorn for “Make It Stop (September’s Children)” and jumped off the stage during “Give It All”, and spent half the song standing on top of the security barricade to interact with fans and high-five crowd surfers. Fans and band alike were happy to be there to share the evening with each other after the threat of cancellation, and both took full advantage of it. What looked like a disastrous evening at 7:00pm had morphed into a euphoric experience by the time the gates opened at 8:30pm.
Rise Against is:
Setlist:
1) Satellite
2) Make It Stop (September's Children)
3) Give It All
4) Help Is on the Way
5) Under the Knife
6) The Good Left Undone
7) Katy Bar the Door
8) Prayer of the Refugee
9) Swing Life Away (Acoustic)
10) Re-Education (Through Labor)
Encore:
11) Survive
12) Savior
Like Rise Against, Alkaline Trio is from Chicago, forming 30 years ago in 1996. Another similarity is their fanbase, which is also borderline fanatic. Fans were beyond excited to be back inside the venue after the weather event and threat of cancellation…Alkaline Trio’s set was up first, and the fans, many of whom had driven hours to be there and risked missing it due to lightning were ready. People were ecstatic about being there, and when the lights finally came up to reveal the three-piece on stage, the roar from the crowd was deafening. The fact that the set was shortened didn’t matter – people were there to live in the moment, and Alkaline Trio put on an amazingly energized show.
Vocalist/guitarist Matt Skiba is a founding member, and did double-duty on guitars and vocals in Blink 182 from 2015-2022 when Tom DeLonge left that band. Dan Andrian, who alternates lead vocals with Matt and plays bass, joined just after they formed and has been featured on all ten studio albums. Newcommer Tosh Peterson on drums joined earlier this year after the departure of Atom Willard. Despite being in the band less than a year, Tosh was captivating to watch, bringing an Animal from the Muppets aesthetic to the kit, while keeping the train rolling down the tracks. Alkaline Trio was incredibly tight, and delivered a short but passionate set that was exactly what their fans hoped for.
Alkaline Trio is:
Setlist:
1) We've Had Enough
2) Calling All Skeletons
3) Private Eye
4) Is This Thing Cursed?
5) Cringe
6) Oblivion
7) Every Thug Needs a Lady
8) Warbrain
9) Mercy Me
10) Radio
Brooks Robinson is an LA-based concert photographer, and 30+ year freelance camera operator for film, television, and music videos. He has photographed some of the largest film/TV projects in history, and hundreds of music videos in MTV's heyday.
Saffire .
The post Saffire to release new studio album ‘Last Man Down’ on February 19th first appeared on Sleaze Roxx.
As soon as the violin of this great composer and artist begins its first notes, listeners are transported to an expansive, snow-covered plain. The music evokes the image of a pale sun illuminating everything around in a bright white glow. In this serene yet stark landscape, one cannot help but reflect on the fragility of life and the profound mysteries that occupy the human mind.
Sergiy Bolotny’s single “Reflections ‘Oh Human Destiny’” creates an atmosphere ripe for deep contemplation. The notes cut through the air, sometimes like blades and other times like beams of sunlight that warm the soul. This duality of expression is a hallmark of Bolotny’s artistry. He skillfully conveys his most profound emotions through his music, which resonates deeply with listeners, making them ponder the greater questions of existence.
The expressive capacity of Bolotny is extraordinary. He has an exceptional gift for transforming feelings into music, creating a connection that transcends words. Every note serves as a vessel for his emotions, allowing audiences to experience the intensity of his feelings. This is not just a piece to be heard; it is an experience to be felt.
The single invites its audience into a moment of pure classical music, a journey that many will find enriching. Each phrase and each passage seems to articulate questions that are often left unspoken.
Throughout the piece, there is an ongoing contrast between the light and the dark. This duality enriches the listening experience, allowing individuals to engage with the music on multiple levels. Bolotny’s composition urges the listener to confront their own emotions, leading to an examination of one’s own place in the world.
The thematic content of “Reflections ‘Oh Human Destiny’” resonates with anyone who has pondered life’s complexities. It becomes clear that Bolotny’s music serves as a mirror, reflecting the listener’s emotions and thoughts.
Moreover, Bolotny’s profound understanding of the human experience allows him to reach listeners on a deeply personal level. His music invites shared experiences and creates a sense of community among those who listen. This universal nature of his art fosters a bond that draws people together through shared reflections on existence.
“Reflections ‘Oh Human Destiny’” is an exquisite work that stands as a significant contribution to classical music. It honors the magnitude of life’s journey and the myriad thoughts that accompany it. Sergiy Bolotny’s ability to express these themes through the voice of the violin is a remarkable achievement.
Solemn
If you love this music: Discover MoreThe post Sergiy Bolotny Reflections “Oh Human Destiny ” Review appeared first on Edgar Allan Poets – Noir Rock Band.
Following the release of their latest single, “Alter Ego,” we had the pleasure of chatting with Searching Out Solutions vocalist Hale about the new song, her musical background and influences, the band’s evolution since their 2022 debut album, Pieces of the Red Line, and their plans for the future.
Reuel
Hello Hale! It’s a pleasure to chat with you. How are things going for you on the life and band fronts?
Hale Naphtha
It’s a pleasure to chat with you too! I’m doing great, and I’m so happy to finally start a new chapter where I can showcase my band. It means the world to us to finally release what we’ve been working on for so long.
Reuel
This sounds amazing! You released a new single last month! Congratulations!! “Alter Ego” came out, and what a song it is! How are you feeling about the way it was received by your fans?
Hale Naphtha
I’m so glad you like it! I think it’s the best-received song in our band’s history. After taking our time, carefully preparing everything, and recording in the studio at our own pace, I think the announcement that something new was coming after such a long time made people really happy. And of course, it also caught the attention of a lot of new people, which is great.
Reuel
Fantastic! “Alter Ego” explores how people can be fake and deceitful, and your vocals perfectly reflected that pain of betrayal. What inspired this deep and relatable topic, and your great performance?
Hale Naphtha
Thank you so much. Honestly, I think it’s something we’ve all been through at some point. Sometimes it helps to open up about how we feel, and turning those negative emotions into music is something Searching Out Solutions has always done a lot. I think bringing a song like this to life can be a way to find closure. It’s almost cathartic.
Reuel
There’s Phil Collins, there’s Dave Grohl, and there’s you! How has your background as a drummer shaped the way you sing and front Searching Out Solutions?
Hale Naphtha
Wow, those comparisons are incredibly flattering! Honestly, I’ve been singing for as long as I can remember. I used to write my own songs as a little girl, and I started singing in rock bands when I was 12. I learned to play the drums when I was 15, and singing and drumming have been my inseparable companions ever since.
Being able to play drums, guitar, and sing is a huge part of my songwriting process. It allows me to understand a song from different perspectives and figure out what it needs from each instrument. I think it really helps me approach songwriting with a more complete vision of how all the different elements come together.
Reuel
How would you describe Searching Out Solutions to our readers who have never listened to your music before?
Hale Naphtha
I’d describe it as a layered cake. It’s essentially alternative metal, but there’s also a blend of alternative rock and emo running through it. We bring together a refined mix of influences, with heavy seven-string guitar riffs, hard-hitting drums, and highly versatile vocal melodies, topped off with a touch of growls 💅
Reuel
Which musicians would you say have inspired you personally throughout your life and career?
Hale Naphtha
As a frontwoman, I draw inspiration from all kinds of artists, but when it comes to rock and metal, some absolute powerhouses who have always inspired me are Angela Gossow, Alissa White-Gluz, Hayley Williams, Amy Lee, and Tatiana Shmayluk, to name a few.
And even though I’m the vocalist in this project, I’m also a drummer, so I’d love to give a shout-out to some incredible drummers who have influenced me, such as Anika Nilles, Joey Jordison, Mike Portnoy, among others.
Reuel
What comes after “Alter Ego”? Are there any upcoming releases you can tell us about?
Hale Naphtha
Of course, there will be new releases in 2027! We can’t wait to share everything we’ve been working on for so long. And alongside new music, you can also expect some European festival announcements!
Reuel
Sounds exciting! Searching Out Solutions released their debut album in 2022. How has the band evolved since?
Hale Naphtha
“Alter Ego” embodies what you can expect from our upcoming release. We’re really excited to be able to say that Searching Out Solutions has evolved musically. While Pieces of the Red Line (2022) leaned more towards alternative rock and emo pop-punk, with guitars tuned to B♭, this new album sees us diving headfirst into alternative metal without abandoning our roots. Our sound has matured quite a bit over the years, and it’s definitely gotten heavier, to the point where we’ve found ourselves moving into alternative metal.
Reuel
Thank you for your time, Hale! Is there anything else you’d like to add?
Hale Naphtha
Here are my social media links and the band’s!
(mentioned below)
It’s worth mentioning that any support you can give us by sharing our music, streaming our tracks, and engaging with our content means the world to us. You can also support us on Bandcamp and grab some merch. Thank you so much for all your support! It truly means everything to us.
The post Interview with Hale Naphtha (Searching Out Solutions) | “Turning those negative emotions into music is something Searching Out Solutions has always done a lot.” first appeared on FemMetal – Goddesses of Metal.
Judge Smith 2025-2026 Running for cover and looking for refuge, an esteemed English auteur issues a double-barrel of soul-searching missives. Existing as a creator in a class of one’s own doesn’t imply loneliness – there are always friends to support … Continue reading
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