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  • What Is the Purpose of U2 Right Now?

    On “The Interview,” Bono and the Edge talked about what has kept U2 going, 50 years after the band came together at a Dublin high school.
  • The Edge and Bono on Their First Memories of Each Other

    The members of U2 met as teenagers at Mount Temple Comprehensive School in Dublin. The Edge talked about his fondness for explosives and his early impression of Bono on “The Interview.”
  • 50 Years In, What’s the Point of U2? Bono and the Edge Have Answers.

    Bono and the Edge speak with David Marchese about their long working relationship, friendship and what their band U2 still means — both to them and to the world.
  • A View From The Quest: Quest Fest 2026 (Matt Bladen)

    Quest Fest, KKs Steel Mill, Wolverhampton, 10.10.26



    There are certain events that you look forward to, certain ones that you want to go to and then there are events that totally consume you, representing everything you first loved about music when you discovered your own taste and not the ones inherited from parents and family members. 

    I’ve mentioned before about my love of stoner and doom but in the flip side of that I discovered power metal in my early teens and bands like Stratovarius, Sonata Arctica, Hammerfall, Dragonforce and many other were given regular rotation, and they still do today.

    There’s nothing quite like the feeling of a galloping beat, intricate basslines, shreddy guitars, histrionic vocals and songs about fantasy, mythology and sci-fi, it’s music for fun. 

    No overt politics (not that there’s anything wrong with that), just for escapist enjoyment, through the things we love as children, be it witches and warlocks, knights, vikings and even dinosaurs, there’s something for everyone.

    It’s also the genre that is perhaps most overlooked in the UK. Go to continental Europe, there’s power metal bands touring every country and major city. In the UK? London, if we’re lucky!

    Thank whatever deity you want for Quest Fest, formerly known as Power Metal Quest Fest, the UK’s premier showcase of power/prog/symphonic metal, nearing its tenth anniversary.

    Amie and her dedicated team have put together a totally inclusive, slickly run, celebration of this genre which has been growing in stature and impact since its early days in Birmingham’s Asylum to its current home in KK’s Steel Mill. 

    It doesn’t matter who you are, what you are dealing with outside these hallowed halls, once you get your wristband, you’re questing collectively with every other enthusiast in the room. 

    Whether you’re there for the music or the countless other side quests available, such as Guitar Hero Tournaments, Table Top Gaming, Magic The Gathering, Crafting or just enjoying the vibe, catching the wandering bard and soaking up being in place where everyone is united by what they love, then you will love every moment of your Quest.

    I do. 2026 is my fifth year attending and I always have a massive smile on my face the counting down the days until the festival before it begins and then for the entire day. 

    While I’m not a gamer, or a crafter, Quest Fest has exactly what I want in a festival, a collection of bands performing sets between 30 minutes and an hour, a lot of whom I have never seen before and who I never thought I would see.

    This is what makes Quest Fest special for me, it’s being able to finally watch Masterplan or Myrath or Serious Black live while also witnessing some of the UK’s best flaunt their skills and even getting a few surprises throughout the day. It’s given me some of my favourite bands (Hello Tiberius) and ticked off a tonne from my ‘must see’ list.

    I unfortunately missed the pre-show at The Giffard Arms this year, but I know all three bands smashed it, I hope this becomes a regular thing as starting the party early is always a good idea.

    However I was there bright and early for doors, into the new layout configuration for KK’s this year which saw the second stage as an actual stage, the main stage more enclosed for a bit more intimacy with the bands and host of stalls, bars and food outside that in the main concourse. I can’t say enough about KKs as a venue as I think it’s one of the best in the UK.

    Anyway to the band’s and getting us started were Crown Solace (8) who are a unique prospect in the world of power metal as they feature soaring clean and harsh vocals, but unlike their influences such as Epica and Nightwish their mixture of symphonic and modern metal moves away from the norm with both male screams and male soprano vocals, which as a tenor myself impressed the hell out of me.

    Weaving classical training with modern metal crunch, the Scots took a lot of the crowd by suprise, still relatively but I’m expecting them to have gained a tonne of new fans with this performance, myself being one of them.

    Next it was Fortune Teller (8) a relatively new band but with some experienced musicians of the British metal scene within its ranks. Most notably former Metaprism vocalist Theresa Smith who’s vocals have always been mate for this style rather than in a modern metal act in my opinion. So it was brilliant to hear her unleash those pipes on the Quest Fest stage.

    The band delivered some mighty symphonic metal as keyboard player Meyrick De La Fuente brings the orchestrations and some co-lead and backing vocals to the stage but it’s the twin guitars of band founder Ross McLennan and Ian Rockett, that manages to pair melodic metal with proggy modernity.

    This group of veterans have momentum behind them and clutch of muscular power metal, you will see more of them soon, however after it was two newbies brought into the family, we had the return of a band that last took to the Quest Fest stage at The Asylum.

    There it was leather and chains, here the neon glow of 80’s retroism as Battle Born (8) stormed the stage with some classic Euro power metal. Widdly guitars, macho posturing and huge vocals, Battle Born lead everyone through some Elder Scrolls inspired heavy metal with might and magic along with a storming cover of Electric Eye by Judas Priest.

    The irony of playing a Priest cover co-writen by the founder of the venue was not lost on me or anyone else probably as this is an educated, refined crowd. It was also quite numerous early on so Battle Born they took the chance of the state of the art surroundings of KK’s to record a music video for their new single which got the right response ensuring that horns, fists, inflatable swords and at least one plush shark was in the air.

    Battle Born start a party right and from here it was into two German bands founded by the same person but only one actually featured that person. Let me explain as the first band Serious Black (8) took to the stage. Co-founded by bassist Mario Lochert and ex-Helloween guitarist Roland Grapow in downtime from his other projects.

    Since then they’ve had many changes in members as Grapow moved on to other projects (more later) but with they’re still led by Mario who has ecently recovered from a stoke, meaning that they take to the stage as four piece of two guitarists Dominik Sebastian and Maurus Mayer, drummer Christian Schictl and vocalist Nikola Mijic who British audiences may know as the vocalist of Eden’s Curse.

    Serious Black play very straightforward style of Teutonic metal with some emotive lyrics and some balladry that got lighters aloft. Now relegated to sound desk, but absolutely killing it Mario, came on stage for three songs (as many as his doctor allowed) and played with his band.

    This made for lovely moments but a slightly disjoined set from Serious Black, though seeing them for the first time was a great experience for someone like me that has followed them from their debut album.

    Next though it was Mr Grapow himself, with another band he founded and another tick off the list from me as I FINALLY was able to see Masterplan (9) live!

    Formed when Roland Grapow dropped from Helloween Masterplan too has been through line up changes, with former singer Jorn Lande now more at home with the Midlands own Tony Iommi, the current line up, since 2012, features Rick Altzi on vocals along with a who’s who of the European metal scene as members have featured in At Vance, Stratovarius, Almanac and Gamma Ray.

    At Quest Fest there was a sense of reverence as they took to the stage, they’re bonafide legends, from some of the most influential acts in power metal and leaving most of their progressive tendencies at the door they treated Wolverhampton to a power metal masterclass.

    Melding tracks from their recent record and some older nuggets of gold, you’d be hard pressed to find anyone who didn’t have their fist/sword/shark in the air during their set of Teutonic heavy metal (despite only two members being German).

    A rapturous applause for Masterplan, the presents from this year’s Quest Fest better than any Christmas and they just kept coming as next it was a band who I’ve followed from their debut and thought I’d never get the chance to see after the issues they had at Bloodstock 2016 where they had to pull from the bill due to outside factors.

    No such shenanigans at Quest Fest and to a packed house Myrath (10) took to the stage with the Middle Eastern influenced melodic metal that is both incrediblly slick and emotionally powerful. Myrath have it all, the songs, the performance, the style, shout out to their feathered keyboard player, it’s no wonder that there’s always been such a buzz about this band.

    The set, quite rightly was taken from their most recent release Wilderness Of Mirrors including Les Enfants Du Soleil, with a few such as Dance from Shehili and even throwing back to Legacy with Believer, it was mainly the last three records that were played but the crowd didn’t mind, these are the ones that have opened up Myrath to a wider audience and performed live they feel almost exactly like the record.

    A virtuoso performance from the entire band I will of course highlight, the incredible vocals of their front man Zaher Zorgati as Myrath brought “blazing desert metal” to a dreary Wolverhampton. Well worth the wait and I already want some more.

    Ther fun didn’t stop there though, we had one more act to go and while Myrath offered all the poise and precision of a headliner, the last band of the day brought it all back to how much of the power metal scene started, muscular blokes singing about battle. Be it Manowar, Virgin Steel, Hammerfall or Heavy Load, if you get a load of dudes in leather singing about heavy metal it’s going to go down a storm at a power metal festival.

    Amie and the team know this so All For Metal (9) closed the day out perfectly. Another band I’d not seen and one that I’ll admit I wasn’t particularly looking forward too as I thought it might be a bit of joke. However I was very wrong as from the first notes this was macho heavy metal with it’s tongue in cheek but a mighty fistful of fantasy metal anthems.

    Delivered by a masked rhythm section, a statuesque guitarist (Dawid Wieczorek) and two burly frontmen who trade off low booms and shrieking highs, All For Metal’s current form (they’ve had a few) seems to be the closest to the likes of Manowar, they even have bass solo section that built into frenzy just shy of ripping out the strings.

    The vocals are shared by Tim Schmidt of Asenblut (low) and Amerigo Vitiello (high) and these are the focal point of the band, leading the Epic Fest choir in sing-alongs, call and response and more, treating their headline set like this was an arena and they were the invading Vikings, ready to pillage the town with pure heavy metal machismo!

    With the last growl and the shriek it was over another Quest Fest complete, the audience exhausted but elated, gathering their coins and trophies as they look forward to the next chapter of this special festival, built by fans for fans and curated brilliantly every single time.

    The next chapter promises to be even more special. 

    A 10th Anniversary party that already has Rattlesnakes, Power Paladin, Frozen Crowd and Firewind (From Greece!) confirmed to join the Quest. Prepare yourself for more might, majesty and metal in 2027 as Quest Fest continues to be the most inclusive heavy metal celebration of the year!
  • Canadian Modern Metal Band OSYRON Release Powerful New Single “Telos”

    [Photo Credit: Angela Ambrose]

    Stream “Telos” here: https://osyron.rpm.link/TelosPR

    Pre-sale: https://osyron.rpm.link/osyron

    Canadian modern metal band OSYRON presents their new single offering, “Telos.” The track lands ahead of the self-titled, full length album, Osyron, scheduled for release on November 27, 2026, via Distortion Music Group (DMG) – Powered by Reigning Phoenix Music.

    On “Telos” OSYRON comment, 
    “‘Telos’ is about recognizing that we’ve allowed external forces (society, institutions, manipulation, addiction, and manufactured desire) to dictate the course of our lives. After losing ourselves in those systems, we recognize the cyclical trap we find ourselves in and decide to reclaim our identity, agency, pride, and ultimately our own purpose. We are all human, trying to live the best we can under the circumstances and environments we are born into and, in turn, shape new and sometimes trying experiences and obstacles into learned lessons for ourselves throughout life. This song is the anthem to those who wish to break free, rise up, conquer their dreams and pursue their ultimate telos.”

    Not only is “Telos” the opener of the forthcoming full length, it embodies the core ideas that run through Osyron‘s track list. Telos is the Greek concept of an ultimate purpose or end goal. In this song, and across the album, OSYRON examine what happens when identity and purpose are challenged, imposed upon or even stripped away – and what it takes to reclaim them. Juxtaposing ferociously rhythmic passages with powerful melodic intensity, “Telos” balances light and shade throughout the relentless musical arrangement.

    Watch the music video here: https://youtu.be/d5e_JsCvf1Y

    OSYRON is a Canadian modern metal band known for powerful lyrics, complex melodies, soaring clean vocals, and carefully placed contrasting vocal styles. Originally formed in 2012, the band currently features vocalist Reed Alton, guitarists Krzysztof Stalmach and Bobby Harley, bassist Tyler Corbett, and drummer Cody Anstey.

    [Giannis Nakos (Remedy Art Design)]

    Connect With OSYRON:
    Official Website: https://www.osyron.com

    Bandcamp: https://osyron.bandcamp.com

    Facebook: https://www.facebook.com/osyron

    Instagram: https://www.instagram.com/osyronband

    Spotify: https://open.spotify.com/artist/5bBK2zUbVtvkvbtVBjchFB

    Source: C Squared Music

  • American Mafia Release First Single/Video From ‘Partners in Crime’

    Through the power of AI, American Mafia brings the past and present together in the first official single/video from their imminent release, ‘Partners in Crime‘, released via Good Time Music on October 30th. The remastered OG-Holy Water-era ‘I’m Not Worried Anymore‘ features the man with the golden voice, David Knight (RIP) on vocals, and is […]

    The post American Mafia Release First Single/Video From ‘Partners in Crime’ appeared first on ROCKPOSER DOT COM.

  • Hair – Monarch



    Hair is a four-piece rock band from Los Angeles blending blues, prog, folk, and psychedelic rock influences. Their new song, “Monarch”, is a dark anthem of industrial decay, false gods, and a blood moon rising, exploring both corrupt power and humanity’s endless hunger for more.

    What really stands out is the unmistakable 70s vibe mixed with a more modern Stoner feel. The riffs are huge, the energy is relentless, and the rhythm section drives the song forward with real force. It’s powerful and heavy while remaining melodic throughout (check out the chorus!), creating a track that feels both classic and fresh.

    Give it a go by clicking on the Spotify player below and follow Hair if you like what you hear.

    https://www.instagram.com/hairtheband/

  • Metal Hammer’s Tracks Of The Week: October 16 2026

    Talk about a dramatic week in metal. From the retirement of Judas Priest’s Ian Hill to the departure of Floor Jansen from Nightwish, it feels like we’re hitting a serious period of change as we head inexorably towards the end of the year. But, the new releases keep coming.

    So let’s start with the results of last week’s vote! The announcement of a new Trivium album helped them sail into third place, while Calva Louise excited us with new music in the form of La Promesa. But the overall winners for the week were sludge metallers Black Royal, proving there are more than a few Extremophiles in the world.

    As ever, we’ve hunted far and wide to find you the best new music around this week. Tarja Turunen has released a brilliant new song with Apocalyptica, and we’ve got a nu metal bop from Blackgold, but further afield there’s Indian prog metal from Fallen Letters, Japanese post-hardcore (with a decidedly blackened bent) in Heaven In Her Arms and some seriously nasty extreme songs out there too (hello, Underdark). Don’t forget to vote for your favourite below, and have an excellent weekend!

    A divider for Metal Hammer

    Tarja – Tango (ft. Apocalyptica)

    Talk about timing. Floor Jansen’s departure from Nightwish has made major headlines this week, but Tarja Turunen continues to prove there’s life after playing in symphonic metal’s biggest band with her latest single Tango. Teaming up with fellow Finns Apocalyptica, it’s a typically grandiose and elegant track, Tarja’s voice soaring atop with those inimitable almost operatic intonations. Taken from Frisson Noir, which came out over the summer, it’s a gorgeous track well worth your time.

    Nordjevel – Unbound In Death

    Taking a headlong leap off the other end of the metal spectrum, Nordjevel’s Unbound In Death is pure sonic anarchy. Screeching high notes, relentless blast beats and blackened snarls make for a vicious assault on the senses, the Norwegians hewing close to the sound that put their country on the metal map whilst also not mindlessly following old formulas. New album Damnous is out December 11, though we won’t hold our breath for a Christmas number one.

    Heilung – Læknisgaldr

    While it was no secret Heilung were back in the studio after a break, we’ll admit we’re amazed their new record is arriving this side of 2027. Sagas + Ambient is out December 11, and lead single Læknisgaldr finds the Nordic folk group on typically ethereal form, Maria Franz’s voice providing much of the thrust of the song with its haunting tones. We’re not sure what the band mean that Sagas… is an “in between” album, but we look forward to whatever they’ve got planned next.

    Blackgold – Killaz (ft. Woes)

    And now, for something completely different. We’re still waiting on a major breakout star for the nu metal revival (one that isn’t just one of the OGs, at least), but Blackgold never fail to excite. Teaming up with US rapper Woes, the British band have produced a straight-up, bop-your-head banger. Riffs might be in short supply, but if you love the rock-friendly hip hop crossover vibes of Cypress Hill, that main beat is irresistible.

    Tortured Demon – Apocalypse

    Trivium, but make it more thrash. That’s the vibe we’re getting from the UK’s Tortured Demon, the thrashers chucking snarls and a reverence for old school metal that brings to mind the Florida band’s first couple of records, Apocalypse brimming with an enthusiasm and knowledge of what makes a great tune with a big, sing-along chorus that doesn’t dial back on the intensity. With a new album expected in 2027, we’re looking forward to hearing what else the band can come up with.

    Fallen Letters – Hiraeth

    If you’re looking for something a bit more intricate, we reckon you can’t go wrong with Indian prog metallers Fallen Letters. On new single Hiraeth the band evoke a sense of melancholy that is utterly gorgeous and captivating, bringing to mind the likes of Porcupine Tree or Opeth (whom the band supported earlier this year), with an oh-so-satisfying saxophone solo slotting in elegantly around the three-and-a-half-minute mark. Fallen Letters released their debut album last year, so we’re now keenly looking ahead to 2027 and hopefully more music to come.

    Heaven In Her Arms – The Moon That Falls Only Here

    Named for a song on Converge’s Jane Doe, Heaven In Her Arms are post-hardcore veterans from Japan. But for their first album in almost a decade, there’s also an almost post-black-metal sense of despair infused into the track, the elegant piano lines and explosive riffs of The Moon That Falls Only Here bringing to mind Harakiri For The Sky. It’s a seriously ambitious track, and comes from new album The End Of Purification, out November 13.

    Reliqa – Serum

    Australia has its own ecosystem when it comes to “-core” suffix bands. Even so, Reliqa feels like something very different to what we’ve come to expect from down under, new single Serum very sparing with its metalcore parts in favour of making something altogether more atmospheric and loose, though when it drops the breakdown there’s something very 2010s tech metal about it all. If this is their bid to shift towards more prog territories, you can colour us very interested.

    Brightshade – Modern Horrors

    Firing off like colossal pistons, there’s a bouncy groove in the riff to Brightshade’s Modern Horrors that ends up leaping in some surprising directions as they traverse alt. metal, nu metal and metalcore. It’s got a killer hook and brings its own gravitas, spelling good things for next year when the band play Radar Festival in the UK.

    Nika – Circles

    Returning to Australia’s fertile metal scene, Melbourne’s Nika are making an oh-so-satisfying racket on Circles. Hefty, djenty riffs meet buoyant vocal melodies that feel primed for radio. There’s no major, ascendant hook but that helps the song not feel like its running along a pre-set track, offering something fresh and familiar at the same time.

    Grymheart – Demon Of Dreams

    Trying to nail down Grymheart’s Demon Of Dreams to a single subgenre might just give you an anyeurism. Jaunty guitars lend the track a folk metal-ish air (though there’s no panpipes in sight), and there’s also something decidedly trad metal about the song’s composition. But when those throaty snarls come in, you know we’re in the realms of blackened… well, something, not quite black’n’roll, but also definitely not in the usual realms of blackened thrash, death metal etc. either. Fun probably isn’t the best word to associate with it, but we won’t deny it made us want to launch around – and new album Wake Not The Beast is out November 20.

    Underdark – Death Of A Toolmaker

    If jaunty, blackened energy isn’t your thing, perhaps you’d be better served by an unstoppable tidal wave of pure extreme metal horror. Underdark have announced their new album O Come Forth Annihilation for a November 6 release with the impressively bleak Death Of A Toolmaker, a track which sees the UK band embrace their darkest, most vicious impulses to create something properly disquieting.

  • Toby Jepson – “Somebody Who Was Useful” | The MetalTalk Lowdown

    Bernie Fest All Stars - Toby Jepson - Steelhouse Festival 2024. Photo: Manuela Langotsch/MetalTalk

    From headlining Hammersmith Odeon with Little Angels to sharing stages with some of rock’s biggest names, Toby Jepson has accumulated more than a few stories over his career. But perhaps none quite like the night a punk at a South Wales working men’s club brought a Little Angels performance to a rather painful halt.

    In this edition of The MetalTalk Lowdown, Toby looks back on the gigs that shaped him, explains why he has little time for the idea of being a rock star, and reflects on the importance of honesty and creativity. Along the way, there are unexpected confessions about Madonna, romantic comedies and his ambitions as a guitarist, before one beautifully understated answer to how he would like to be remembered.

    What is the most Metal thing you’ve ever done?
    Perform with Saxon. I’m good mates with Biff and the lads. A number of times he asked me to join them on stage. It was fantastic. I was in Dio’s Disciples, and I threw the horns many, many times from the stage when I was singing Long Live Rock ‘n’ Roll and other Dio classics.

    What’s the worst gig you’ve ever played?
    The worst gigs are often the smallest. I can remember a gig where I played to about 15 people, and they were right in front of me. I didn’t mind doing this show, but it’s extremely off-putting when you can see every single pair of eyes looking at you.

    The worst thing that ever happened to me at a gig was the Tonypandy Naval Club, and this is a legendary story. I was playing with Little Angels, and we were just about to break in the Don’t Pray For Me album period.

    It was a working man’s club. The stage was only about six inches high. The place had sold out, and everyone was sat around the tables. The thing about that place was if they liked you, they banged their glasses on the table.

    Somebody got up from the back of the hall and walked towards me. A punk, and I’m sure he had a mohawk. He stood in front of me, staring as I was trying to sing Don’t Pray For Me. He punched me in the bollocks, and I hit the deck like a sack of spuds. I was doubled up with absolute pain. I was dragged unceremoniously off the stage nursing my tender bollocks.

    What’s the best gig you’ve ever played?
    Wembley Stadium with Bryan Adams in 1992 on his Waking Up The Neighbours tour. Absolutely unbelievable to play the old Wembley. There are two others that might just pip it. We opened for Guns N’ Roses at the Marquee Club in 1988. That was unbelievable. I mean, the whole atmosphere of that. Nobody knew who Guns N’ Roses were at the time. They were a new band coming through, but they were astounding. We also played very well, and it was just great to be part of that.

    But I think the one that really ranks at the top is when we first headlined Hammersmith Odeon, back in 1991. Just an extraordinary gig. Sold out. We used to drive past that venue on the way to South Wales, having done some tiny little club in London. We used to dream, looking out our van window, and used to say to ourselves, we will play there one day.

    Would you choose a platinum record or one perfect legendary live show?
    I’ve done a lot of what I would consider in my own head legendary live shows, so I think I would go for the platinum record. That would mean a lot. That would mean the band had gone that extra mile.

    It’s not the actual accolade on the wall. It is what it represents. It means you have reached a lot of people, and you have the ear of a huge audience.

    What’s your greatest fear? 
    Apart from being burnt alive? I always think of it artistically. If I fell into the situation where I was making music by numbers? I’ve never done that. Never. Every single song I have written, even if they’ve been rubbish, I have done with heart and soul and with wanting it to be the greatest song ever written. I think my greatest fear is losing the fire in my guts about creative music. 

    What’s the trait you most deplore in yourself?
    I can be very impatient. I wouldn’t say I deplore that in myself. But I can be pretty impatient, usually to my detriment. So yes, I suppose that’s pretty deplorable. 

    What’s the trait you most deplore in other musicians?
    Lack of authenticity. The inability to just be truthful about yourself. I think the key thing about being a musician that stands most people in good stead for a career in music in terms of your entire life is honesty.

    Whether that means just honesty in the songs that you write, or whether it’s honesty in the way that you behave. Because I think there’s a lot of bad behaviour in the rock ‘n’ roll business, and I’ve always tried to be a very normal person.

    I don’t believe in the idea of being a rock star for a start. I think it’s ridiculous. But I do recognise the idea of being a musician. My audience is the most important people to me. So the way you treat other people and the way that you behave is extremely important.

    I think that’s a lot to do with honesty about who you are and being authentic. If you can find your authentic self and you can be a musician, then you’ve probably got a future. 

    Describe yourself in three words.
    Passionate, I think, is a really good one for me. Loyal. I am loyal to a fault. I would like to believe that I was honest. I know those are all good traits. I have built my life off the back of being honest, and I think the reality is sometimes it does not serve you correctly in the entertainment business, sadly. But I don’t care about that. I am glad that I have been OK.

    What’s your guiltiest pleasure?
    I love rom-com movies. I’m a huge movie fan, and I work in the movie industry as well. I can quite happily sit watching Four Weddings And A Funeral and bawl my eyes out, no problem. 

    What does a great riff feel like to write?
    Oh my goodness me. When you discover a great riff under your fingers, and it connects, and it clicks, it is a fantastic feeling without a doubt. I always wanted to be a guitar player. I wanted to be Jimi Hendrix. He was my big hero. First poster I bought and the first direction I wanted to go in.

    But I was so useless at learning the guitar because I’m so impatient. I ended up giving up trying to be a great guitar player. I decided if I couldn’t be Jimi Hendrix, then I was going to learn enough to write songs. It gave me a sense of invention and of what a great riff is. Inventing something that you’ve never heard before.

    So the very fact that I am not a very good guitar player, but I always try my hardest, it tends to mean that I tend to do things that other guitar players wouldn’t do. Bruce John Dickinson always says to me, ‘How did you come up with that?’ I said I don’t know. I was just messing around. He is trained. He’s learned how to play guitar properly.

    A good example would be Hero, the new single. I came up with that riff, and it was my attempt to rewrite the She’s A Little Angel riff. But because I couldn’t do that, I ended up coming up with my own version of it. It worked. For me, it’s an inventive moment that you have to let happen. I think it’s great. I’ve always been a singer who just about plays guitar. 

    What’s the worst thing a fan has ever said to you?
    Once I came off stage and I was bedraggled. My hair was all wet. I came to the backstage door, and this fan said to me, ‘Oh, you don’t look very good’. I asked what they would expect me to look like.

    ‘I don’t know, really. You’re a rock star, aren’t you?’ They went off on this big tangent about how I look terrible.

    What’s the worst thing a critic has ever said to you?
    There’s been quite a few. I don’t tend to read a lot of what the critics say. There was a critic from the NME. When we first got signed to Polydor, we said to them, why can’t we get the NME involved?

    Polydor managed to get the NME to come to Scarborough. This journalist turned up to interview us and seemed like quite a nice chap. But the interview that appeared in the NME was an absolute hatchet job. The headline was Seaside Sausage Rockers.

    It was a kind of complete and utter piss-take about the fact that we were from Scarborough and were a bunch of flossy-haired idiots. They said everything was a sexual innuendo in our songs, which wasn’t true. It really hurt us. We thought he was a nice bloke.

    But we were the enemy that they hated. They hated Heavy Metal and hard rock. We were foolish to even want to have the interview. Seaside Sausage Rockers.

    If you were not in music, what would you be doing?
    I would be in the film industry. I wanted to be a cinematographer. My whole plan, whilst I was learning, or not learning, to play the guitar and trying to be in a band, was that I wanted to go to film college and learn to be a cinematographer. That was my whole approach. I was determined to do that. But the music industry happened first, the band took off and the rest is history. 

    What’s one album outside your genre that you secretly love?
    Like A Virgin by Madonna.

    When did you last cry and why?
    Probably watching one of my rom-com films. It always brings a lump. I think they have done their job very well if I’m sat there blubbing about something romantic. I spend a lot of time crying, actually. I’ve got no problem crying.

    What keeps you awake at night?
    The fear of any of my family getting hurt. I have a very close family. I’m a very family-oriented person.

    Riffs, royalties or recognition, which would you choose?
    That’s like between the devil and the deep blue sea, isn’t it? I think probably recognition. My dearest wish has always been to progress as a songwriter, and I still think I’m learning every day. Every record I make that I’ve written the songs for is as if I’ve started again in lots of ways. Recognition as a songwriter, more than anything else, would be an absolute dream. 

    How do you want to be remembered?
    Somebody who was useful. 

    What’s the most important lesson the road has taught you?
    Don’t believe the hype. It’s not all it’s cracked up to be. It’s very hard work dragging yourself around the countryside and around the world in planes, trains and automobiles. It is difficult and not what you think it is when you first start out wondering what it’s like to be on a tour bus.

    Because believe me, being on tour buses ain’t that much fun. I believe that being on the road is a means to an end. The only reason to do it is to get on those stages and to entertain people. 

    What happens when the music stops?
    My ears will keep buzzing. I’ve got terrible tinnitus. But when the music stops, I do something else. I found out a long time ago that you need a number of strings to your bow. You’ve got to be able to get away from the thing that you do as a creative person.

    I am a professional screenwriter as well as a professional musician, so I balance between writing for film and songwriting. That freshens my palate. When I’ve done enough of that, I’ll go back to writing some music. But the other thing is I read a lot, and I watch a lot of films. I think that’s what I do when the music stops. I find some other medium to entertain myself with.


    Little Angels will release Big Bad & Back on 6 November 2026, their first new material since 1994 and their first new music in 32 years. The five-track EP arrives as the band reunites for the Big Bad & Back UK and Ireland tour, with new single Hero (That Was Then, This Is Now) out now.

    More information is available at LittleAngelsOfficial.com. Pre-orders on CD and Vinyl are available here. You can pre-save the EP at slinky.to/BigBadBackEP.

    November

    09nov7:30 pmLittle Angels, DublinDepot Event Organized ByLittle Angels

    10nov7:30 pmLittle Angels, BelfastDepot Event Organized ByLittle Angels

    12nov7:30 pmLittle Angels, GlasgowO2 Academy Event Organized ByLittle Angels

    13nov7:30 pmLittle Angels, ManchesterO2 Ritz Event Organized ByLittle Angels

    14nov7:30 pmLittle Angels, LeedsO2 Academy Event Organized ByLittle Angels

    16nov7:30 pmLittle Angels, NorwichUEA Event Organized ByLittle Angels

    17nov7:30 pmLittle Angels, NewcastleO2 City Hall Event Organized ByLittle Angels

    19nov7:30 pmLittle Angels, OxfordO2 Academy Event Organized ByLittle Angels

    20nov7:30 pmLittle Angels, NottinghamRock City Event Organized ByLittle Angels

    21nov7:30 pmLittle Angels, WolverhamptonKK’s Steel Mill Event Organized ByLittle Angels

    23nov7:30 pmLittle Angels, CardiffDepot Event Organized ByLittle Angels

    24nov7:30 pmLittle Angels, LiverpoolO2 Academy Event Organized ByLittle Angels

    26nov7:30 pmLittle Angels, BristolO2 Academy Event Organized ByLittle Angels

    27nov7:30 pmLittle Angels, BournemouthO2 Academy Event Organized ByLittle Angels

    28nov7:30 pmLittle Angels, London ** SOLD OUT **O2 Shepherds Bush Empire Event Organized ByLittle Angels

    29nov7:30 pmLittle Angels, London ** NEW DATE ** (Copy)O2 Shepherds Bush Empire Event Organized ByLittle Angels

    Little Angels - Big Bad & Back Tour Poster
    Little Angels – Big Bad & Back Tour Poster

    Enjoyed this Lowdown? Explore more from the series, featuring Vanessa Warwicke, Baz Mills, Krusher Joule and Howard H Smith, with Zorn and Skindred’s Arya Goggin coming soon. Same questions. Very different people. Read more MetalTalk Lowdowns here.

    The post Toby Jepson – “Somebody Who Was Useful” | The MetalTalk Lowdown first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Heart & Lung Share “I Hate The Sun” Video

    The Cleveland punk quartet Heart & Lung declares war on the sun with a new video. Their three-song