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  • Zebra Celebrates First New Album in 23 Years With Tour Dates

    Randy Jackson tells UCR about their newest work, including the first single, which he wrote with Paul Stanley. Continue reading…
  • ZZ Top’s Billy Gibbons on his first meeting with Prince

    From the day in 1978 that he released his debut album For You, on which he wrote and produced every song, played every instrument, and sang every melody and harmony, it was evident that Prince was a special, singular talent. But ZZ Top’s Billy Gibbons has a crystal clear memory of the moment that he realised that the multi-talented Minneapolis-born superstar was also a guitar hero for a new generation.

    That epiphany came on the evening of March 15, 2004, when Prince joined Tom Petty, Steve Winwood, Jeff Lynne, Dhani Harrison and more to honour Harrison’s father George at the Rock and Roll Hall of Fame induction ceremony at the Waldorf Astoria Hotel in New York. Three-and-a-half minutes into the all-star band’s tribute performance of The Beatles‘ While My Guitar Gently Weeps, Prince stepped up to play a guitar solo: three minutes later, when he finished playing, jaws were on the floor.

    “He just burned it up,” Tom Petty later recalled. “You could feel the electricity of, Something really big’s going down here.”

    Petty wasn’t the only one blown away by Prince’s performance.

    Recalling that night in an archive interview with legendary broadcaster Dan Rather on AXS TV, Billy Gibbons said, “I had become a fan of Prince. I admired his showmanship, I considered him a world class entertainer. It was only until he appeared with the Rock and Roll Hall of Fame closing jam session, when he picked up a guitar and tore it up, lit the stage on fire with his technical dexterity [that I recognised] Prince to be that accomplished as a guitarist. A great dancer, a great singer, a great composer [and] I knew he held a guitar, but I didn’t really see him play it much.

    “And that one appearance at the close of the Rock and Roll Hall of Fame induction awards really caught me off guard,” the Houston-born guitarist continued, “and I I started listening intently.”

    Not long after that memorable night, Gibbons was in New York himself, seeking out a post-show meal in Manhattan after discovering that his usual late night haunt in the Meatpacking District was closed for renovations. After arriving at the shuttered restaurant, the guitarist noticed that a bar across the street was loud and lively, and decided that he’d call in there instead.

    “No sooner had I crossed the threshold,” he told Rather, “than a large guy came up and tapped me on the shoulder. He said, ‘Somebody wants to speak to you.’ And I said, Okay. And he pointed, and sitting in this little horseshoe banquette all alone, there sat Prince.

    “I took a seat,” Gibbons continues, “and he said, ‘Yeah, sit down.’ He said, ‘I just would like to talk guitar.’ And I said, Well, you’ve come to the right place. And I said, Now knowing you as a guitarist, which I had not known before, let’s peel the onion. And we sat for a good two hours talking about how to do this,and how to do that.”

    Gibbons recalls that his conversation with Prince carried on until around 5am, and at its conclusion, he asked the younger musician if he would teach him how to play the guitar intro to his classic 1984 single When Doves Cry.

    He said, ‘I fell into it by accident’,” Gibbons says. “He said, ‘I haven’t been able to play it like that ever since… Let’s go learn it.”

    “Prince,” Gibbons concludes, “was a prince.”

  • Hayley and The Crushers – "Crash"


    I can’t decide if reviewing a cover song is the easiest thing I’ve ever done on this blog — or the hardest. It would be simple enough to say, “Hayley and The Crushers have covered one of the greatest pop songs ever written and made it their own,” direct you to the music video, and point in myself in the mirror in appreciation of a job well done. But what fun would that be? We’re talking about Hayley and the freaking Crushers — who are on my Mt. Rushmore of present-day bands. I can’t phone this one in! 

    So let’s start with the obvious: covering the utter perfection that is The Primitives’ 1988 single “Crash” is a gutsy move, but would you expect anything less from a band that has previously had at The Ramones’ “Teenage Lobotomy” and X’s “Los Angeles”? There is no fear in the Crusherverse. You can acknowledge a song is unfuckwithable and still put your signature on it. The band points out that it has always loved “songs that feel like candy with a switchblade tucked inside,” so “Crash” was a perfect candidate to be properly Crusher-ized. This cover has the original’s spirit, but it’s a little louder, a little punchier, a little more glittery, and a lot punkier. Of course you’re starting with majestic material. But the band’s own DNA is all over this track. This is music that energizes and uplifts, music that has you shouting “Yeah!” as soon as the song starts. In a world full of “meh” music, we need a lot more “Yeah!” And the music video has me in stitches. I can’t say much more without spoiling it, but man, I just about choked on my Cheerios. You want bands with humor and personality? Well here you go. Dr. Cain deserves an Oscar!  

    With a new album releasing on Kitten Robot Records in 2027, Hayley and The Crushers have been nice enough to give us a little taste of what’s to come with the singles “Jewel Case” and “Cringeworthy,” both of which are gold-certified bangers. And now “Crash” amps up the excitement even more. I’ve made so much about how great this year has been for new music, but who says next year can’t be even better? Drive safely, kids! 

  • Wisconsin Anger Team – True Spleen


    Bands like Wisconsin Anger Team are the reason why I never lose the fire for writing about music. In a world where (perhaps by necessity) many bands have to put as much effort into self-promotion and a social media presence as they put into their music, Wisconsin Anger Team lets its music speak for itself. It doesn’t do social media. It’s not all over the streaming sites. In very old school fashion, the band communicates with fans and friends via email. The focus is on making really great albums and releasing them without fanfare via Bandcamp. 

    True Spleen is the band’s sixth full-length album in six years. Like the previous five, it’s extraordinary. It contains 14 powerful tracks in a style reminiscent of the melodic punk, pop-punk, and louder indie rock of the ’80s and ’90s. Yet this is not just punk rock — this is art. Every song is essentially a poem, short story, or the first page of a novel you’d never want to put down. I’m blown away by the amount of time and effort that must have been invested into bringing every one of these songs to life. And the fact that the band includes the lyrics on Bandcamp tells you how much they mean. Every word was carefully considered. Every song title was an artistic decision. But those lyrics aren’t there to overshadow the music. They’re part of the music. You push play, and you can feel the energy, heart, and guts of what Wisconsin Anger Team has captured on tape. And then you start reading the lyrics and get the deeper meaning of each song. At a time in which so much music being released into the ether is just “content” meant to go in one ear and out the other, this band is making records that demand your time and attention. This is music, visual art, and literature all in one package. This is an album that you ought to experience the way you’d experience a movie or a book. How can you not appreciate a band that oil-paints a digital album cover on a canvas board? Yet there’s nothing even slightly pretentious about this album. As smart and literate as it is, above all else, this is music full of feeling and life. 

    In some better, alternate version of the universe, True Spleen would be a vinyl release and be selling like hotcakes. It almost seems too good to be true: How is music this good available for a free download? But if you feel that guilty about getting it for free, you can pay whatever you like. Most importantly, Wisconsin Anger Team has puts its heart and soul into making a record, and it deserves to be heard. We live in an odd time where the “cost” of listening to new music is often just the opportunity cost of not doing something else. You have podcasts to listen to and Reels to watch and reality shows to stream. I get it. So here I am, week after week, year after year, pounding the table for bands I think are more than worth your time. If you are a regular viewer of this blog, you most likely gravitate to a certain type of music. Wisconsin Anger Team plays that certain type of music at an exceptionally high level of quality. Again I pound the table. One of these days I might make my knuckles bleed. It will be a reasonable sacrifice for the cause.

  • Bad Company – New Video/Single ‘Bad Company’ From ‘Live In London’

    Iconic rock band Bad Company drops new single and accompanying music video for ‘Bad Company‘, off their upcoming album ‘Live in London‘. Set for release on November 13th, ‘Live In London‘ – which is being released for the first time! – is available now to pre-order and will be available on blue-colored vinyl, CD, and […]

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  • Album review: WILL PIKE – Elevator

    Will Pike - ElevatorThe Elastic Stage Store [Release date 13.10.26] Will Pike’s ‘Elevator’ is an impressive art rock and ambient concept album. It’s glued together by amoeba like soundscapes with a proggy undertow, and interestingly it’s an instrumental album with a sense of … Continue reading →

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  • Carmine Appice & Cactus Release New Video For ‘300 Pounds Of Joy’

    Carmine Appice and Cactus have released a new video for the track ‘300 Pounds of Joy‘, taken from the new Cactus album ‘Temple Of Blues II‘ out now on Cleopatra Records. The track and video feature the amazing talents of Ty Tabor and Artie Dillon, alongside Carmine Appice. Order on  CD/vinyl – here Order digital – here […]

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