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  • ALBUM REVIEW: Temple Nightside – Cenotaph Severance

    Australian blackened death metal necromancers Temple Nightside return from the catacombs with their fifth album. Set for release via Iron Bonehead Productions on the 30th of October.

    Charnel riffs seep into life like a gaseous form of decay atop rolling tom fills which bludgeon through the menacing strings. Mean vocals snarl with corrosive malign as the serpentine instrumental onslaught combines black and death metal of the most lethal veins into a severe and impenetrable sound. Managing to dance the razor’s edge between that immediate and visceral style of extremity with something atmospheric and expansive. The result is a lumbering, ginormous monolith of morbidity. Along with the supreme riffing, Temple Nightside have some blistering leads with the sharpest of tones to cut through and lacerate while keeping the ancient spirit of death gloriously intact. The addition of guitarist Ignis Fatuus (Portal, Impetuous Ritual, Grave Upheaval etc) certainly is a valuable one to an already strong lineup of seasoned and skilled maniacs. Each section cascades naturally from the last with the most magnificent drum work showcasing enormous dexterity while complementing the riffs, which this band has always excelled at writing. It doesn’t take long to feel the weight of this record which can only grow from here.

    Hearing IV return with such an array of tracks this strong and the subterranean perfection that is this mix, I can only celebrate a return in such triumph. While always present, I feel like the black metal side of things is a bit more present on this album, though their death metal mysticism is absolutely not neglected. Those tarry, drudging tremolo-picked sections still open chasms of abyssal horrors with just as much effect. Only this time distilled with the most wicked, cruel blackened flame burning through. Such a concoction can only be poisonous and if you drink from the liquor of soul defilement, you will surely become possessed. I am impressed by the massive dynamics, which manage to add some very interesting and unique textures to a constrictive style of music. Glistening strings sometimes contrast with an impermeable darkness only for all to invert in the most perverse constellation and form anew. Progressing from gloomy and funereal moments of atmosphere to blasting annihilation and all in between with such effortless and expert execution is something I never tire of hearing this band excel at. Indeed, this album is proving itself to be something fantastic.

    Each monstrous riff forms in a contorted manner from the last with some fascinating drum work always complementing every movement. The discordant but purposeful solos are used just the right amount and each vocal line sits upon the bloody mound of instruments without over-saturating the mix, having plenty of moments where the hypnotic riffs are allowed to bind you uninterrupted. The dominating sound is balanced to give you the ultimate in intensity without pushing things into a murky mess. This weighty approach keeps things sharp and avoids that bloated, sluggish feeling that can ruin a good death metal record. In the more warped moments you can really feel this come through in a way that simply grabs the jugular. Managing to overwhelm in power and yet use subtlety, I think the balance that Temple Nightside have found here is a perfect display of their excellence as musicians and songwriters and they definitely play to these strengths as expertly as ever. This is not an easy listen but it is a profoundly pleasurable and palatable one if you seek time soaking up darkness and dissolution.

    A mighty force of unwavering might in the black / death metal vein. Temple Nightside continue to prove themselves consistent and yet moving ever forwards without looking back. “The Hecatomb” and “Pillars of Damnation” are two of my favourite modern death metal records but “Cenotaph Severance” continues this legacy of extremely intense and high-quality savagery magnificently. Whether a seasoned fan of the band or hearing them for the first time, this record will leave an impression of eldritch horror in your mind that you will find difficult to shake. Fans of the more atmospheric and yet barbaric veins of black and death metal will certainly adore these sepulchral hymns. Revel in the seething dissolve and listen to this juggernaut of total dread and disquiet.

    Rating: 8.5 out of 10.
  • DISMA join Hells Headbangers for long-awaited second album Exitum Profundus

    Nine new tracks and more than an hour of death metal: DISMA have revealed the first details of Exitum Profundus, their long-awaited follow-up to 2011’s Towards the Megalith. The album is scheduled for the first half of 2027 through Hells Headbangers, which has announced the New Jersey band’s signing. Returning artist Ola Larsson will handle […]

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  • BE FADING FAST release Phobophobia, their first album in 15 years

    Fifteen years after Global Attack, Czech death metallers BE FADING FAST have released their third full-length album, Phobophobia. Recorded at Shaark Studio in Bzenec, the record brings together their old-school death metal foundations, thrash influences and hardcore intensity. The road to Phobophobia involved line-up changes, interrupted activity and injuries that repeatedly delayed the band’s progress. […]

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  • The Intemperate Sons Release New Album “Ephemera”

     

    Alt-Rockers Spotlight “Chasing the Shadows of Dragonflies” With Official Music Video

    Vinyl and CD Editions Coming in November

     

    Alt-rockers The Intemperate Sons have released their third studio album, Ephemera, via FRAME|WORK, marking the latest chapter for a band whose music exists at the intersection of atmospheric alternative rock, emotional intensity, and powerful songwriting.

     

     

     

     

    Produced by The Intemperate Sons and Amir Derakh, Ephemera captures the band’s ability to balance expansive, immersive soundscapes with deeply personal and introspective songwriting. The album explores themes of memory, change, relationships, loss, and the fleeting nature of the moments that shape our lives.

     

    Ephemera pushes the band into its darkest and heaviest territory yet, blending gothic atmosphere with driving alt-rock. The album takes its name from the Greek for “lasting only a day,” and its songs circle the fragile, hungry nature of being alive: the body as a borrowed costume, the masks we wear, the light we can’t hold on to, and the things that consume us while we consume them. Previously released singles including “Chew,” “Meat Suit,” and “The One That Eats You” introduced that theme; Ephemera completes it.

     

    At the heart of the album is “Chasing the Shadows of Dragonflies.” The dragonfly preys on things that may only last a day, and the song follows the pursuit of something that can never quite be caught, a shadow mistaken for the real thing.

     

    For collectors and longtime fans, physical editions of Ephemera are also on the way. Vinyl and CD editions are scheduled for release in early November, giving fans the opportunity to own the album in physical formats.

     

    Ephemera by The Intemperate Sons is available now via FRAME|WORK. Vinyl and CD editions arrive in early November.

     

    Stream/Download Ephemera:

    https://onerpm.link/161184545225

    https://linktr.ee/theintemperatesons

    The Intemperate Sons release all their music through the Frame|Work record label at the direction of Amir Derakh and Ryan Shuck. All Intemperate Sons’ tracks are mixed by Amir Derakh at Synthicide in Long Beach, CA.

     

    The post The Intemperate Sons Release New Album “Ephemera” appeared first on Mayhem Music Magazine.

  • Ex-TYPE O NEGATIVE & AGNOSTIC FRONT Players In SILVERTOMB Visualize A Nightmare On “Brain Matter / No God”

    Silvertomb will release its second album, The Interpretation Of Nightmares, on Nov. 13 through Steamhammer. A lyric video for the latest single, “Brain Matter / No God,” is posted below.

    The band is stacked with veterans. Vocalist and guitarist Kenny Hickey and drummer Johnny Kelly both come from Type O Negative and Danzig. They are joined by Joe James (guitar, ex-Agnostic Front), Hank Hell (bass, Sheer Terror) and Aaron Joos (guitar, keyboards, vocals).

    Hickey said, “Brain Matter/No God” was the first song written and opens the record with the heavy, thematic riff that returns in one form or the other throughout the work. The lyrics describe a nightmare in which the dreamer is shot and experiences his own death inside a dream.”

    The record arrives after a long delay. Hickey looked back on the stretch from 2020 to 2024 and said, “Just as things were really beginning to take off for Silvertomb, our hands were suddenly tied for a number of years due to the pandemic and its long-lasting aftermath; on top of that, I had a drinking problem that urgently needed sorting out.”

    That pause came right after the 2019 debut Edge Of Existence, which drew strong reactions from fans and the press. A tour with Monster Magnet was also on the books before the global lockdown froze the world, and the band along with it.

    The new album is billed as a dense, atmospheric doom record that tops its predecessor in several ways. Its first single, “No Way To Live,” is a faster song that plays against the slower, darker material, with lyrics about rejection and pain.

    Silvertomb Lineup:

    Johnny Kelly / Drums
    Hank Hell / Bass
    Kenny Hickey / Vocals and Guitar
    Joe James / Guitar
    Aaron Joos / Guitar, Keyboards, and Vocals

    The post Ex-TYPE O NEGATIVE & AGNOSTIC FRONT Players In SILVERTOMB Visualize A Nightmare On “Brain Matter / No God” appeared first on Sonic Perspectives.

  • Miranda Lambert’s “Velvet Rodeo” to Debut in the National Cowgirl Museum’s New Icons Gallery Opening

     

    MIRANDA LAMBERT’S “VELVET RODEO” TO DEBUT IN THE NATIONAL COWGIRL MUSEUM’S

    NEW ICONS GALLERY OPENING NOV. 7


    Hall of Fame Honoree’s One-of-a-Kind Las Vegas Residency Wardrobe Brings Western Style and Stage Glamour to Fort Worth

     

     

    The National Cowgirl Museum & Hall of Fame will introduce “Miranda Lambert: Velvet Rodeo” as the inaugural exhibition in its new Icons Gallery when the Museum’s expansion opens Nov. 7, 2026. Created in collaboration with Lambert, the exhibition features the one-of-a-kind wardrobe she wore during her Las Vegas residency.

    “When I first visited the National Cowgirl Museum, I was so inspired by all of the amazing Western pieces on display that I sent a bunch of photos to my stylist, Tiffany. We mixed that inspiration with the heyday of Elvis to create the ‘Velvet Rodeo’ wardrobe,” said Lambert. “Seeing these pieces now have a life beyond the stage as part of the Museum’s new Icons Gallery feels really full circle and special.”

    A National Cowgirl Hall of Fame honoree, active mounted shooting competitor and horsewoman, Lambert’s connection to the West reaches beyond her music. The exhibition brings together her identity as a cowgirl and her creative expression as a performer.

    “Miranda’s confidence, determination and independence make her a wonderful representative of the women we honor,” said Pat Riley, Executive Director of the National Cowgirl Museum & Hall of Fame. “Opening our Icons Gallery with this collaboration celebrates her accomplishments while giving visitors a new way to connect with a cowgirl they know and admire.”

    Visitors will have the opportunity to study garments usually seen in motion and under stage lights, appreciating the details that help transform clothing into an essential part of a performance.

    “Miranda’s ‘Velvet Rodeo’ styling was inspired by historic garments from iconic western tailors which she saw on display at the Museum,” said Ashley Kowalski, Curator. “We are honored to give her residency wardrobe a new stage where the collection can be appreciated in its entirety.”

    The Icons Gallery is part of the Museum’s 16,000-square-foot expansion, which introduces new galleries and experiences that explore the accomplishments and influence of women of the West.

    For exhibition and opening information, visit thecowgirl.org.

    The post Miranda Lambert’s “Velvet Rodeo” to Debut in the National Cowgirl Museum’s New Icons Gallery Opening appeared first on Mayhem Music Magazine.