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  • Iron Maiden’s Nicko McBrain recalls meeting Ozzy Osbourne – and how the Prince Of Darkness saved his life

    Semi-retired Iron Maiden drummer has recalled the moment he met Black Sabbath’s Ozzy Osbourne, and the late singer’s claim that he once saved McBrain’s life.

    Talking exclusively to Metal Hammer, the drummer, 74, says that he first met the Prince Of Darkness on a boat crossing the English Channel. He doesn’t remember much of what happened next, but the next time he and Osbourne came face-to-face, Osbourne alleged that he saved McBrain’s life by stopping him from falling into the sea that day.

    “I thought there was no way Ozzy would remember meeting me for the first time,” McBrain says. “He came into my room while we were on this boat with all these drugs falling out his hands. But he did, crystal clear when we ran into each other again later.

    “He said, ‘Do you remember me saving your life?’ I was like, ‘No?’ He said I was so out of it, I was stumbling towards the railing and he grabbed me before I went over. All I remember was it was a rough crossing, going over the Channel. But apparently he’d saved me!”

    Osbourne, who was fired from Black Sabbath in 1979 and pursued a massively successful solo career, and Iron Maiden were two of the biggest heavy metal artists of the 1980s. McBrain isn’t the only member of the band to have an unhinged, inebriated encounter with the Prince Of Darkness. In an interview with Jeremy Clarkson in 1999, frontman Bruce Dickinson revealed that he and Osbourne once drunkenly conspired to steal a taxi together.

    “He had a couple beers and said to me, ‘Let’s nick a taxi,’” Dickinson remembered. “I asked, ‘How you gonna do that?’ He said, ‘Well, you call it and I’ll distract him – no, you distract him and I’ll hit him over the head! Can you drive?’ When I said yes he went, ‘Good, I can’t.’”

    McBrain joined Maiden in 1982, replacing Clive Burr, and retired from the metal legends’ live lineup in December 2024, almost two years after suffering a transient ischaemic attack (TIA, or mini-stroke) which paralysed his left side. The drummer regained his ability to play in time for the band’s Future Past world tour in June 2023, but his abilities remain limited.

    Talking to Hammer, McBrain reveals that he could only feel “70 percent” of his hand during the Future Past shows: “It was incredible to get any use back out of it at all … Like, I couldn’t do the drum fill in the intro of [1983 single] The Trooper, so I had to adapt it. Steve [Harris, bassist/bandleader] and the band were so supportive, but my body just wasn’t bouncing back.”

    Simon Dawson replaced him on the road, but McBrain is still officially Maiden’s drummer. He says that, should the band enter the studio to make another album after 2021’s Senjutsu, he’d be “delighted” to contribute. However, his condition means the material would have to be “more simple”.

    McBrain will release his autobiography, Hello Boys And Girls, on October 22 via Harper NonFiction. The publisher calls it “a thrilling, hilarious and deeply personal autobiography” that “takes readers behind the scenes of one of Britain’s biggest-ever bands”. He’s currently touring the US with his Maiden cover band Titanium Tart.

    Maiden are also in the States, continuing their 50th-anniversary Run For Your Lives world tour. The setlist features songs from their first nine albums, 1980’s Iron Maiden up to 1992’s UK chart-topping Fear Of The Dark. They’re reissuing the same albums in a vinyl box set on December 11.

  • Rose Tattoo – Frontman Angry Anderson Dies At 79

    Australian rock legend and Rose Tattoo frontman Gary “Angry” Anderson has died at the age of 79.
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  • GWAR – Beyond Hell: A Bloodied Return To The Band’s Chaotic Rock Opera

    GWAR – Beyond Hell: A Bloodied Return To The Band's Chaotic Rock Opera

    I know several GWAR fans. They are amongst the most devoted, if slightly unhinged, music fans in the universe. Travelling great lengths to see the band, there is a bond between the musicians who populate the Slave Pit Inc collective and those who spend most of their time covered in various liquid offerings during live shows. An experience that must be done once in your lifetime for sure, being blooded in the front row of a GWAR show is quite a shock.

    GWAR – Beyond Hell

    Release Date: 25 September 2026

    Words: Paul Hutchings

    But on record? In a world of so much music, I have never quite understood why you would devote much time to listening to what is, in essence, rabble-rousing punk rock that does not seem to have progressed in quality since those early days when the band spewed forth from their alien shores.

    Having said that, I reviewed 2022’s The Dark Ages and found it enjoyable enough, although I can honestly say I have not returned to it. But with the 20th anniversary re-release of tenth album Beyond Hell, I thought I would dip back into the bloodied waters for another listen. 

    GWAR - Download Festival 2023.
    Placebo – Download Festival 2023. Photo: Andy Shaw/MetalTalk

    Available for the first time ever on vinyl, Beyond Hell has been remastered by Paul Logus (Anthrax, KSE) and does sound crisp and clean, whilst retaining some of the muck that lurks under the fingernails.

    With the inclusion of the previously unreleased outro track from the original sessions, this album was originally produced by Devin Townsend, who no doubt helped in shaping the direction. 

    A concept album, it is a rock opera which describes the band’s journey to Hell as they escape from the armies of humanity and their battle with the Devil. This extract from GWAR.Net explains further.

    “[Beyond Hell] concerns Gwar’s epic journey into the tunnels and caverns that honeycomb your world, a journey not only to escape their earthly prison ‘from within’, but also to find and confront this so-called “Satan“, who seems to think that he is a bigger bad ass than Oderus.

    “Along the way, Gwar encounter a bevvy of demonic dickheads and hapless victims, all ready to die for your entertainment because they’re all a bunch of assholes.”

    There are some interesting bits in a story that is chaotic from start to finish. Tormentor features some searing lead work, and bizarre harmonies of Devin which contrast to the usually rugged delivery of Dave Brockie (Oderus Urungus – RIP).

    I Love The Pigs does not need much description, although it does reference a corrupt policeman who serves as Hell’s resident cop. Eighth Lock sees the band enter the prison in Hell, which houses some of the nastiest, a scene on previous tours where the baddies are released to fight GWAR. 

    The music is rudimentary at times, but I think that is part of the charm of GWAR. They have never proclaimed to be anything incredible, but they bring their own style and sound, which appeals to many.

    There are a couple which are particularly enjoyable. The One That Will Not Be Named has some chunky riffs and is the conclusion of the story as Satan (Jewcifer) fights GWAR to the death. Back In Crack sees the band receive a 9-ton crack boulder from manager Sleazy P Martini and, with it, some of the finest guitar work on the album. 

    A quick message to one of the fans I know revealed that Beyond Hell is not a fan favourite. I was quite surprised by this, as GWAR fans love a concept and a story.

    It may be that this album is just a little disjointed and does not flow as well as previous releases. But as you read more about the ludicrous story, Beyond Hell does at least allow you more appreciation of the crazy world these guys inhabit.

    It is not a brilliant album, with the cover of Schools Out at the end adding little. But underneath it all, you can appreciate that for over 40 years GWAR has provided many hours of joy for their fans, and that allows some flex.

    GWAR release the 25th Anniversary edition of Beyond Hell on 25 September 2026. For more details, visit lnk.to/GWAR_beyondhell.

    GWAR - US Tour Poster
    GWAR – US Tour Poster
    The post GWAR – Beyond Hell: A Bloodied Return To The Band’s Chaotic Rock Opera first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Rose Tattoo Frontman Gary ‘Angry’ Anderson Dies Aged 79

    Rose Tattoo, Islington Assembly Hall. July 2022

    Gary ‘Angry’ Anderson, the unmistakable voice of Rose Tattoo, has died aged 79. From the Sydney pub circuit to stages around the world, his gravelly vocals and fierce presence helped make songs such as Rock ‘N’ Roll Outlaw and We Can’t Be Beaten Australian rock anthems. Anderson remained the face of the Tatts for five decades and leaves a lasting mark on hard rock.

    “It is with great sadness we announce the passing of Gary ‘Angry’ Anderson on the eve of Monday 21 September 2026, surrounded by his loved ones here in Australia,” a statement from Anderson’s family and Rose Tattoo said.

    “Angry was a devoted father, and much-loved member of his friends, bandmates and the wider music and entertainment community. His loss will be deeply felt by all those who knew and loved him both here in Australia and overseas.

    “The family and band members are asking for privacy at this difficult time and will not be giving interviews. We kindly ask that their wishes are respected as they come to terms with this devastating loss and take time they need to grieve.

    “We thank everyone for their prayers and messages of love and continued support.

    “With love, The Anderson family and Rose Tattoo Band.

    “Stay young, grow strong.”

    Rose Tattoo, Islington Assembly Hall. July 2022
    Rose Tattoo, Islington assembly Hall. Photo: Trudi Knight/MetalTalk

    Anderson kept the Rose Tattoo flag flying right to the end. “Classic, timeless, bristling with attitude and soaked in soul, Rose Tattoo are still the ultimate hard-rocking bar band and long may they continue,” was how MetalTalk saw their Islington Assembly Hall show we covered.

    “These are the real bad boys for life.”

    Angry gave those words their meaning, and his voice will remain at the heart of Rose Tattoo’s legacy.

    Rose Tattoo, Islington Assembly Hall. July 2022
    Rose Tattoo, Islington assembly Hall. Photo: Trudi Knight/MetalTalk
    The post Rose Tattoo Frontman Gary ‘Angry’ Anderson Dies Aged 79 first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Fatal Vision Release New Video ‘Run With Me’

    Canadian melodic rock band Fatal Vision present the official video for ‘Run With Me‘, taken from their latest studio album ‘Four Sides To Every Story‘, released worldwide via Escape Music. ‘Run With Me‘ is another strong melodic cut from ‘Four Sides To Every Story‘, capturing the band’s love for the classic sound of Survivor, Journey, […]

    The post Fatal Vision Release New Video ‘Run With Me’ appeared first on ROCKPOSER DOT COM.

  • Northlane – New Song Premieres

    In wake of their next studio album release Anemoia, due out on October 30th, metalcore collective Northlane have debuted the third single titled “Crucified “.
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  • DRAGONFORCE – Ανακοίνωσαν το ομώνυμο δέκατο άλμπουμ τους

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  • Nonpoint – Confirm 30th Anniversary Shows In Florida

    To celebrate 30 years of existence, Nonpoint have announced three headline shows in Florida scheduled in late January 2027. Joining them on these dates as support will be Aurorawave and Afterlife.
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  • Album Review: Werewolves – You’re Weak And You Know You’re Weak

    Album Review: Werewolves – You’re Weak And You Know You’re Weak

    Reviewed by Sam Jones

    Seven years. Seven albums. The rate at which these guys churn out material is incredible. Formed in 2019 out of Melbourne, Australia, Werewolves have made a reputation for being ruthlessly uncompromising given their black/death metal attack that generates utterly searing, flesh-ripping music. With early records like The Dead Are Screaming, What A Time To Be Alive and From The Cave To The Grave, Werewolves rapidly established themselves as a devastating extreme metal force. As time has gone on they have only moved from strength to strength, and once again with Back On Black Werewolves plan You’re Weak And You Know You’re Weak for an October 9th release date. Featuring the same uninterrupted lineup across every record Werewolves are poised for round seven, and if past releases are anything to go by this new opus will be another flurry of carnage. It’s always a treat to see these guys release new material and thus I was hyped to dive in once more.

    Werewolves have never shown mercy to their audience and the opening seconds remind just what makes them such an appealing extreme metal band; vicious vocals paired with songwriting assured to strip the flesh off your bones. What gives Werewolves their edge has been their longstanding insistence on quality production; doing so enables their riffs and blast beats and developing songwriting to hit you when they most desire. In addition, the production herein amplifies the strength and bass thrown about by the bass drums and resonance conjured upon these blast beats ceasing.

    The band’s black-and-white, nigh juvenile approach to black/death subject matter means they don’t need to write lyrics or music that tries appealing to some avant-garde or intellectual quality. Since the band pay no illusions towards what their sound is, nor what their audience approaches them for, it gives them freedom to truly cut loose and make each track as heinous and rampant as they wish. It’s pure carnage and bloodlust in sonic form since Werewolves never slow down for more brooding sequences; there are times where their songwriting steadies itself for riffs and licks moderately, but then the tempo drastically reasserts itself as does the intensity as does your heartbeat. If Werewolves aren’t imbuing you with cardiovascular difficulties it wouldn’t be a Werewolves record.

    This record, now the band’s seventh full length release, really drives home just how much they truly want to reduce their audience to protozoan plasm given how unyielding and relentless their sound is. Other than a handful of instances across the record they’re dishing blast beats out with every second you’re glued to it. It’s nice to acknowledge the drums here beat the jug the fun and chaos the riffs throw out as the entire kit is nicely audible across the record’s duration and is a strong aspect as to why Werewolves have retain such sublime consistency. Knowing the band’s lineup has remained unchanged since their inception has allowed them to refine their sound with chemistry that clearly works between the three of them.

    There’s also the album’s length as well. In nine tracks Werewolves pour themselves into thirty-three minutes of unbridled slaughter with you strapped to the table amidst every instrument the band have in their arsenal primed and sharpened and ready to go. There’s a lot being thrown at you at once and they manage to pack it all into tracks roughly three minutes a-piece, which makes for some rapid fire listening. There can be that sensation of thinking you’ve missed so much since that initial listen will blindside you so much with how much aggression Werewolves throw at you but, that makes repeat listens so worth it.

    In conclusion, You’re Weak And You Know You’re Weak is Werewolves at their most belligerent and unfiltered. They do not care what anyone thinks of them and that attitude is strongly reflected in their sound. Thirty-three minutes of unmitigated murder aimed solely for your heart as the band beat on your chest with rapacious vigour. It’s nothing new concerning Werewolves’ typical output nor has the intensity differed from what their yearly releases would otherwise suggest but when you dip your head into a Werewolves record you’ll come away with a bloodied stump, for they’ll shred it from your vertebrae with ease. It’s always a great time with these mad Aussies.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Album Review: Werewolves – You’re Weak And You Know You’re Weak appeared first on The Razor's Edge.

  • Fate Unburied – Unleash ‘Expecting Nothing’ Track

    Less than a month prior the release of their sophomore record Neraspeme, death metallers Fate Unburied stream a music video for the newly released song in preview “Expecting Nothing”.
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