Blog

  • The Get Alongs Returns with A new single Wrapped in a Lollipop.





    Photo Credit: Michael Selby


    Edited by Anselm Anderson


    Toronto’s The Get Alongs return with their first single “Come On,” from their upcoming album, Second To None, which is due out on June 19, 2026 via Having Fun / We Are Busy Bodies. It’s dose of  jangly,  guitar rock leans towards The Brian Jonestown Massacre and early Oasis.



    The track is being released using bone conduction technology, which transmits vibrations through the skull. You can enjoy the experience by sucking on a limited-edition lollipop. Come On,” can only be heard while sucking on it The song plays directly inside a user’s head using vibration technology. It works by transmitting audio vibrations through the teeth and jawbone to the inner ear, bypassing the eardrum entirely. That means that the song travels straight through your jaw and into your skull, bypassing the usual distance between listener and sound. All quite interesting like a Science class!




    Formed in 2017, the four-piece consists of Harrison Pickernell (vocals, rhythm guitar), Rory Pickernell (lead guitar), Eric Wood (bass), and Tristan Catenacci (drums),  who have spent the better part of a decade refining a sound that pulls from 60s garage, 70s power pop, and 90s psyche. With Second To None, that same DNA is still there, just sharpened. The edges are cleaner, but the intent hits harder, the hooks land heavier, and the band knows exactly when to let things breathe and when to push it just past the point of comfort.

    Second To None was tracked at Holy Mountain Sound in Montreal with producer Clayton Dupuis, across a series of focused sessions that saw the band stepping away from their usual environment and fully committing to the process. Living and working out of the studio, they traded distraction for detail, dialing in tones, tightening performances, and pushing arrangements further than before. Additional contributions from Dupuis, Shallow’s AJ Krome, and Josh Campos help round out the record’s expanded palette without losing its core identity.






    Order The Get Alongs’ Music and Merchandise



    That balance, between instinct and intention, is what defines The Get Alongs right now. The raw, anything-goes energy that shaped their early work hasn’t disappeared, it’s just been tightened up and aimed straight ahead. What you get on “Come On” is a band that still knows how to kick up dust, but now does it with intent. You can picture exactly where it lives, a half-finished Labatt 50 sweating on the stage at the Horseshoe, amps humming, cables tangled, the room filling in slow while someone fiddles with a busted pedal. Flyers peeling off the walls, boots sticking to the floor, that low-end thump settling into your chest before the first chord even hits. Second To None leans into that space, a band locking in without sanding off the edges, pushing forward without losing the reason they started in the first place.


    Formed in 2017,the Toronto-based quartet were founded by brothers Harrison and Rory. They were soon joined by best friends Tristan and Eric over their love of jangly pop rock.


    The Get Alongs Online



    INSTAGRAM | SPOTIFY | BANDCAMP | FACEBOOK | APPLE MUSIC



  • Winter Storm Warning Announced as 5 Feet of Snow, 30-Degree Temperature Drop Approach

    A winter storm warning has been issued for areas of the U.S., while nearly 100 million Americans brace for record-breaking cold weather.

    The post Winter Storm Warning Announced as 5 Feet of Snow, 30-Degree Temperature Drop Approach appeared first on Audio Ink Radio.

  • U.K. Charity Cuts Ties With Osbourne Over Anti-Immigration Rally

    U.K. homelessness charity Centrepoint has severed ties with Sharon Osbourne following her support for far-right activist Tommy Robinson's "Unite the Kingdom" rally. Continue reading…
  • Fortune Teller drop stellar new pop punk anthem “Lucid State”

    South Wales’ own pop punk powerhouse, Fortune Teller, (who we spoke to a bit over a year ago) have officially unleashed their latest single, “Lucid State”. Following the massive success of their debut EP, Premonitions (which bagged a 9/10 from PowerPlay Magazine and picked up airplay on Kerrang! Radio) the five-piece are back with a … Continue reading Fortune Teller drop stellar new pop punk anthem “Lucid State”
  • Escuela Grind Tap Jake Sanders as New Drummer; Finish New Album

    Escuela Grind

    East Coast grindcore kids Escuela Grind have basically had a circle pit version of music chairs going on with their lineup lately, with quite a few of their members shifting to different positions to fill slots. It seems like everyone’s found their true seat though, with the addition of their new drummer Jake Sanders.

    With Sanders now behind the kit, former drummer Jesse Fuentes will take one guitar duties, since their current guitarist Tom Sifuentes has left the band again. As a reminder, Sifuentes originally exited the band back in 2024 after speaking up about some concerns he had about his hearing. They’re on good terms, with Escuela Grind hoping to welcome Sifuentes back at some point along with a third guitarist.

    Along with announcing the addition of Sanders, Escuela Grind also said they’ve finished recording their next album. They made a post on their socials yesterday (Saturday, April 17), saying:

    “The next chapter of Escuela Grind

    “It’s time to introduce you all to our new drummer! @jrs.drms blast beats are on another level. We look forward to sharing the stage with him for our upcoming tour in Europe.
    We are excited to announce this as our drummer & key songwriter Jesse will be joining Justin & Krissy on guitar duty.

    “We appreciated Toms return to guitar over the last year & hope he can join us for third guitar madness in the near future. We have officially wrapped up recordings for the next EG release and we cannot wait for everyone to hear what is coming next!”

    Welcome to the family, Jake! Seems like you’ll fit right in.

    The post Escuela Grind Tap Jake Sanders as New Drummer; Finish New Album appeared first on MetalSucks.

  • SHADES OF BLACK: DUIR, LORN, TYRANNUS, HAJDUK, BANSHEE MOON, LIVIDUS

    (written by Islander) I mentioned yesterday that I had collected 69 new songs or complete releases as a starting point for deciding what to recommend in this weekend’s usual columns. After yesterday’s selections that magic number had diminished, but not enough to make today’s choices any easier. Still, choices must be made. I can’t identify […]

    The post SHADES OF BLACK: DUIR, LORN, TYRANNUS, HAJDUK, BANSHEE MOON, LIVIDUS appeared first on NO CLEAN SINGING.

  • The Strokes End Coachella Set With Video Condemning US Actions In Iran And Gaza

    The Strokes had a powerful ending for their Coachella Weekend 2 set last night. On the main stage of the festival — just ahead of headliner Justin Bieber — the band closed with “Oblivius,” a song from 2016 that they hadn’t performed since that year. The screen behind them displayed a video montage accusing the CIA of overthrowing various foreign regimes throughout the past few decades, including Mohammed Mossadegh of Iran, Patrice Lumumba of the Congo, and more. The montage ended with some footage of US attacks on Iran and Israeli attacks on Gaza, particularly pointing out the universities that have been destroyed.

    The post The Strokes End Coachella Set With Video Condemning US Actions In Iran And Gaza appeared first on Stereogum.

  • The Keefs – "Fleshbomb"


    Hey! There’s a new Keefs single out in the world! The Keefs, the Delaware/Philly-based band that released some of the most essential punk rock ‘n’ roll cuts of the early 2010s, have brought back “Fleshbomb,” an oldie but goodie from their live set. This track features a lineup of Dave, Kenn, Vince, and Andy along with one of America’s most preeminent rock keyboardists, Mr. Kris Rodgers. If you like The Keefs, well this is vintage Keefs. It’s a straight-forward rocker with gritty vocals, melodic guitars, a hooky chorus, and a powerful sound. It was recorded by Arik Victor at Creep Recording Studio in Philly, and it sounds absolutely crackling. The Keefs were literally featured on Day One of this blog (June 9, 2011), so it’s always a pleasure when new music from these guys shows up online. “Fleshbomb” is a total scorcher and a must for your spring/summer “turn it up loud!” playlist!

  • Hallows Eve’s Tommy Stewart Talks New Music, Old School Roots, and Keeping It Real on The Zach Moonshine Show – @thebeast

    Hallows Eve’s Tommy Stewart Talks New Music, Old School Roots, and Keeping It Real on The Zach Moonshine Show
    The latest episode of The Zach Moonshine Show on Metal Devastation Radio delivered exactly what underground metal fans live for… a raw, unfiltered conversation with a true lifer. Tommy Stewart of Hallows Eve, Black Doomba Records, and Tommy Stewart’s Dyerwulf joined the show for a deep dive into his latest work, his process, and a lifetime in heavy music.
    Right out of the gate, the conversation had that classic “figuring out the tech while talking shop” vibe… the kind of real-world chaos that makes live interviews feel alive. From Discord confusion to audio setups running through mixers and compressors, it was a reminder that even seasoned veterans are still navigating the ever-changing digital landscape. No polished corporate nonsense here… just two guys making it work and getting straight to the good stuff.
    The Meaning Behind “My Politics Are My Own”

    The centerpiece of the discussion was Dyerwulf’s new single, “My Politics Are My Own.” And here’s the kicker… despite the title, it’s not about politics in the way people assume.
    Stewart made it clear: the song is about not engaging in the noise. In a world where everyone’s shouting opinions online, he’s choosing the opposite lane. Keep it private. Keep it personal. No flag-waving, no debates, no soapbox.
    That message, ironically, stirred up mixed reactions. Some playlists rejected the track purely based on the word “politics” without digging deeper. That says more about the current climate than the song itself. Stewart leaned into it though. If anything, the reaction proved the point.
    At its core, the track is about drawing a line. Not taking sides… just stepping out of the circus entirely.
    A Raw Recording Process That Hits Hard

    If you’re expecting overproduced, polished-to-death modern metal… this ain’t that.
    The recording process for the track was as stripped down as it gets. Stewart laid down what was meant to be a scratch bass track… and ended up keeping it. One take. Full force. So aggressive it literally tore up his fingers mid-recording.
    From there, drummer Joseph Dingle stepped in and nailed his parts in a single take as well. No endless rehearsals, no overthinking. Just musicians who know their craft showing up ready to deliver.
    Even the vocals followed that same instinct-driven approach. Lyrics written on the fly, recorded with minimal passes. Stewart described it like pulling something already written out of the air… one of those rare moments where everything just clicks.
    Bass-Driven Doom With a Twist

    Dyerwulf continues to carve its own lane with a bass, drums, and vocals setup. No guitars. No filler. Just thick, heavy low-end and rhythm.
    To shake things up, Stewart brought in Caleb Riser of Black Moon Cult to handle a lead bass section. That’s right… lead bass. And it works.
    Instead of competing for space, the two bass styles complement each other. One holds down the foundation, the other adds texture and chaos on top. It’s unconventional, but that’s the whole point.
    Old School Mentality Meets Modern Reality

    One thing that stood out through the entire conversation… Stewart doesn’t chase trends. Never has.
    He sees his entire career as one long songwriting journey, whether it’s Hallows Eve, Dyerwulf, or anything in between. The names change, the lineup changes, but the core stays the same.
    That mindset carries into how he handles business too. Contracts aren’t about control… they’re just agreements. Plans. Clarity. Simple and old-school.
    And while the industry keeps evolving with new platforms like Discord, Twitch, and beyond, Stewart approaches it with curiosity instead of resistance. He’s learning, adapting, but not losing himself in the process.
    The Atlanta Scene and Those Classic Warehouse Days

    The conversation took a nostalgic turn diving into the Atlanta scene. Back in the day, rehearsal spaces were packed with bands who would eventually become major names.
    We’re talking about shared walls with bands like Mastodon, The Black Crowes, and Jackyl… all grinding it out in the same buildings, feeding off each other’s energy.
    That kind of environment shaped the sound and the attitude. Loud, competitive, and full of personality. If your band was too loud for the room next door… that was a badge of honor.
    Vinyl, Collecting, and Letting Go

    Like any true lifer, Stewart has a deep connection to vinyl. Not just for listening, but for collecting.
    But here’s the twist… he’s also lost massive collections more than once. Walked away from everything during a breakup. Lost another chunk to a flood. And his attitude?
    It’s just stuff. You can always get more.
    That perspective hits different in a world where people obsess over collecting. For Stewart, the music matters more than the object… even if he still appreciates a rare pressing when it shows up.
    Festivals, Label Work, and What’s Next

    Outside of recording, Stewart’s staying busy with Black Doomba Records, supporting multiple festivals, and working on upcoming releases… including new material from Megaton Communion.
    Dyerwulf’s next full-length is in progress, with a target window somewhere down the line. No rush. The focus is on making it right, not just making it fast.
    Final Thoughts

    This wasn’t just another interview… it was a snapshot of what it means to stick with metal for the long haul.
    No gimmicks. No trend-chasing. Just honesty, experience, and a willingness to keep evolving without losing your roots.
    And if there’s one takeaway from the whole thing, it’s this… you don’t have to shout the loudest to be heard. Sometimes the strongest move is stepping back and letting the music speak for itself.
    Crank it loud.
    Full Track List: 
    Battle Of The Bands Top Six Winners:
    1 – ANTIPOPE – Doors of the Dead
    2 – Severed Sun – Complex
    3 – Another Demon – Drawn and Quartered feat. James Murphy (Testament, Death, Obituary)
    4 – Weak13 – Me to Be
    5 – Mistress – Terrified eyes
    6 – Ru_Bass – Time
    The Zach Moonshine Intro
    7 – Iommi – Who’s Fooling Who – Featuring Ozzy
    8 – Rob Zombie – The Black Scorpion
    9 – Immolation – Bend Towards The Dark
    10 – Phantom – Summoned to Kill
    11 – Hallows Eve – Metal Merchants
    Tommy Stewart – Interview featuring My Politics Are My Own
    12 – Black Moon Cult – At The Mountains of Madness
    13 – Burnt Witch – Bastard
    14 – IATT – Walk Amongst
    15 – Nicarus – Vegan
    16 – BRAINMAZE – Nightmare & Reality
    17 – Sins of Shadows – Tell Me Why
    18 – We All Rise – Crown
    19 – MENTAL ANGUISH – The Repugnant Void
    20 – Far From Refuge – Circuits II; Timelines

    The Interview segment is also available on Youtube, Spotify, Apple and more! 



    Super huge shout out to the 206,251 metal maniacs from around the world that tuned in to the live broadcast Friday night!

    Check out the music video!
  • How Thomas Dolby Is Updating His ‘80s Past

    The synth legend also tells UCR about working with Jerry Garcia and Bob Weir. Continue reading…