German black-thrash trio Witching Hour return later this month with their fourth LP, Descending… Where Time Has Ceased to Exist, but Decibel has an early stream of the album. Clocking in at five tracks, with an instrumental intro, Descending sees the band refine the sound developed on their first three records. Noticeably, there’s more of a heavy metal focus, giving songs like “The Graves Yearn for the Dead” a more epic feel.

“Descending… Where Time Has Ceased to Exist is likely the album we have invested the most time and effort into,” Witching Hour tell Decibel. “Our riffing and songwriting have evolved, reflecting the broad musical spectrum the three of us share. Ranging from classic heavy metal to NWOBHM, thrash and black metal, the album brings together all our influences and showcases our most complex and intense songs to date.”

You can hear the whole thing below. Descending… Where Time Has Ceased to Exist is out on May 22 via Dying Victims Productions.

The post Full Album Stream: Witching Hour – “Descending… Where Time Has Ceased to Exist” appeared first on Decibel Magazine.

(written by Islander) We’re about to share with you is a beautifully illustrated lyric video for a truly remarkable song, one that invites listeners to enter the valley of the dead and to commune with the frightening and yet seductive spirits who dwell there, to experience their gloom and sorrow, as well as their frantic […]

The post AN NCS VIDEO PREMIERE: PSICORRAGIA — “SOMBRAS LUMINOSAS” appeared first on NO CLEAN SINGING.

Garrett Anthony Rice The Coastal Walls (the shame of everyone) Review

A beautiful strumming of guitar opens this single, signaling a profound and introspective journey. Musically, it evokes a sense of freedom that compels listeners to imagine taking a motorcycle ride, drifting along winding roads. However, the lyrics reveal an entirely different narrative. They confront the harsh reality of the American slave trade, spanning from 1619 to the present. This stark contrast creates a juxtaposition that adds weight to the listening experience.

The rhythm of “The Coastal Walls (the shame of everyone)” carries a vintage essence. It draws inspiration from the classic rock sound of the 1970s. This influence enables listeners to connect with a sense of nostalgia while engaging with the message. The song’s construction is sophisticated. It showcases the artist’s ability to craft music that resonates on multiple levels.

There are echoes of Bob Dylan’s folk storytelling and John Mellencamp’s heartland rock woven into the fabric of the song. This blend provides a rich backdrop for the themes explored. The way Rice articulates complex phrases and vocal lines reveals a high level of songwriting ability. His mastery shines through in the delivery, making the poignant messages even more impactful.

The Coastal Walls (the shame of everyone) – Sound and Atmosphere

The lyrical content is significant, as it urges African Americans to reflect on the pitfalls of pursuing material wealth. This wealth often emerges from the suffering of their ancestors. The song’s essence compels listeners to pause and consider historical truths often overlooked. Rice’s approach positions him as a provocative voice in today’s musical landscape. He demands recognition, accountability, and a commitment to repair historical injustices.

Musically, the track maintains a balance between heavy subjects and an inviting composition. The initial brightness of the guitar contrasts with the weight of the lyrics. This dissonance creates a space for reflection and dialogue. Listeners are invited to confront unspoken truths, propelling the song’s emotional gravity.

The lyrics avoid sensationalism, opting instead for a raw and honest portrayal of history. Rice’s ability to convey this urgency through melody is remarkable. He does not shy away from the uncomfortable aspects of the American experience, instead illuminating them with clarity. The intricate lines of the song challenge listeners to grapple with uncomfortable realities.

The Coastal Walls (the shame of everyone) – Performance and Production

The work stands as a significant artistic statement. It connects personal narratives to collective history, demanding that listeners engage with both. Through his lyrics, Rice acknowledges the lasting impact of the historical trauma experienced by previous generations. He skillfully crafts a narrative that is both personal and universal, inviting empathy and reflection.

Rice’s voice carries an almost prophetic quality, drawing listeners into the heart of his message. Each note and lyric is intentional, creating a cohesive and thought-provoking experience. Listeners are left with a deep sense of introspection and awareness. The musical arrangement complements the emotional weight carried by the lyrics.

In a landscape where many artists shy away from difficult discussions, Rice emerges as a necessary voice. He encourages a collective reckoning, urging society to confront its past. This single serves as a powerful reminder of the need for dialogue, empathy, and action.

The overall production encapsulates the essence of the song well. It reinforces the themes without overshadowing them. The careful layering of instruments supports the vocal lines beautifully. Every element of “The Coastal Walls (the shame of everyone)” contributes to its powerful message.

“The Coastal Walls (the shame of everyone)” is a masterfully crafted single. It highlights the importance of understanding and addressing painful legacies. Garrett Anthony Rice is undoubtedly an artist to watch as he continues to raise important issues in his music.

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Find Garrett Anthony Rice here:
Spotify | Instagram

For fans of:

Bob Dylan • John Mellencamp

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The post Garrett Anthony Rice The Coastal Walls (the shame of everyone) Review appeared first on Edgar Allan Poets – Noir Rock Band.

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Smashing Pumpkins released their blockbuster double album Mellon Collie And The Infinite Sadness in 1995, so if we’re being sticklers here, last year would have been the year to head out on a 30th anniversary tour. But I’m not going to complain about the Pumpkins doing it in 2026. They put on an amazing show when they toured arenas in 2018 focusing on their output from 2000 and earlier (before the CIA got involved and/or Zwan happened). I expect this outing to be similarly entertaining.

The post Smashing Pumpkins Announce <em>Mellon Collie And The Infinite Sadness</em> 30th Anniversary Tour appeared first on Stereogum.

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Devin Townsend goes all out on new double-single ‘Prepare For War / The Big Snit’

Taken from ambitious, orchestral-metal opus ‘The Moth’

“The Moth is about the journey—but it is also about arrival” 

Canadian metal maverick Devin Townsend is set to release his ambitious, orchestral-metal opus ‘The Moth’, on the 29^th May 2026 via InsideOutMusic.

An album over a decade in the making, it existed in the back of Devin Townsend’s mind as his “life’s work”. Then, about six years ago, after an acoustic show in Amsterdam, Townsend was approached by the head of the North Netherlands’ Orchestra and Choir with an offer; and with that moment The Moth stopped being an idea and began to become a reality.

Today he is pleased to reveal another part of The Moth narrative in the shape of the visceral and heavy double-single ‘Prepare For War / The Big Snit’. Watch the video, directed by Studio Sparks, here: https://youtu.be/wdhwXKtVBR0

Devin comments: “This is a track that essentially acts as a ‘soundtrack for an unmade movie’ …if you think of it as a ‘song’ it’s not really going to work, but if you think of it as a cinematic ‘experience’ that is representative of the final moments before a ‘fundamental change’, it’s a cool adventure.

Either viewed from the lens of the ‘war’ being that of two warring factions whose actions have culminated in a ‘final battle’, or the same thing being essentially a metaphor for an internal struggle, it works in the same light. The battle itself can be representative of a decision, loss, change, or whatever. But sitting with the difficulty of life and our natures can often be violent work, so ‘the fastest way out is through’ and this piece of music represents that process. The ending is meant to be a representation of a sort of personal awakening.

The name ‘The Big Snit’ was taken from a short cartoon from the Canadian national film board by the same name I grew up with. If you get a chance, look it up on YouTube … I guess my version here is simply a kind of heavy metal version of that :)”

Stream the single here: https://dvn.lnk.to/PrepareForWarTheBigSnit

The Moth constitutes 3 distinct parts across its release. In addition to the main album, The Moth – The Afterlife highlights the grandeur of the orchestra & choir, in what might be considered a more pure version of The Moth experience. The Moth – The War is a recording of the live musical debut that took place in March 2025 in The Netherlands, showcasing the raw emotion of performing The Moth for the very first time. Pre-order now here: https://dvn.lnk.to/TheMoth

The full track-listing is as follows:

1.     Semi-prologue

2.     War Beyond Words

3.     The Moth

4.     Ode To My Eye

5.     Enter The City

6.     Covered By Causes

7.     Lexin

8.     Runaways

9.     A Proxy For God

10.  The Mothers

11.  Orion

12.  Stay There

13.  Home At Night

14.  Intermission

15.  Lexin Returns

16.  The Clergy

17.  Prepare For War

18.  The Big Snit

19.  Silver Princess

20.  A Life in Review

21.  Metamorphosis

22.  Stained Hearts

23.  Let Go

24.  We Don’t Deserve Dogs

Devin also recently announced his return to touring, with the 23-date UK & Europe ‘Metamorphosis’ solo tour. Tickets are on sale now. Full list of dates below:

Tue 1 Sep – BIRMINGHAM – GLEE CLUB

Wed 2 Sept  – BATH – KOMEDIA

Thu 3 Sep – SOUTHAMPTON – 1865

Fri 4 Sep – EXETER – PHOENIX

Sun 6 Sep – LONDON – UNION CHAPEL

Mon 7 Sep  – OSLO – SENTRUM SCENE

Wed 9 Sep – GOTHENBURG – PUSTERVIK

Thu 10 Sep – STOCKHOLM – NYA CIRKUS

Sat 12 Sep – HELSINKI – FINLANDIA TALO

Tue 15 Sep – HAMBURG – MARKTHALLE

Wed 16 Sep – WARSAW – STODOLA

Fri 18 Sep – VIENNA – SIMM CITY

Sun 20 Sep – ZURICH – VOLKHAUS

Tue 22 Sep – PARIS – LE BATACLAN

Wed 23 Sep  – MARSEILLE – LE SILO

Sat 26 Sep – MUNICH – WERK 7 THEATRE

Mon 28 Sep – COLOGNE – STADTHALLE

Tue 29 Sep – UTRECHT – TIVOLI GZ

Thu 1 Oct – BRIGHTON – OLD MARKET

Fri 2 Oct  – CARDIFF – THE GATE

Sun 4 Oct –  GLASGOW – ORAN MOR

Mon 5 Oct – MANCHESTER  – RNCM

Tue 6 Oct  – LEEDS – HOWARD ASSEMBLY ROOMS

If The Moth has a central gravitational theme, Townsend names it plainly: true self-acceptance. Something sturdier than slogans, closer to a practiced willingness to face what is uncomfortable without turning away. As Devin explains: “The most obvious metaphor for change within the concept of this project was a moth: from caterpillar to an entirely different creature—one so drawn to the light that it burns itself away. What remains is immutable—only the spirit.”

At the hardest moments, when abandoning the project might have seemed rational, Townsend points to the team as the decisive factor. A host of incredible musicians and contributors participated throughout the course of this process, as well as the North Netherlands Orchestra & Choir and orchestrators Joseph Stevenson & Niels Bye Nielsen. Long time band members Darby Todd, Mike Keneally, James Leach played a huge part, as well as guests including the Steve Vai, Anneke van Giersbergen, Lynn Wu (Ou), and artists Travis Smith & Eliran Kantor, plus key creative consultation from Mike St-Jean. The technical teams that worked tirelessly included co-mixer Chris Edrich, recording engineers Ben Searles & Jacob Hermann, Atmos mixer Ron Searles, Mastering engineer Troy Glessner, choirs in various countries throughout the world, and peripheral individuals that helped land this behemoth of a plane.

DEVIN TOWNSEND online:

http://www.hevydevy.com

http://www.facebook.com/dvntownsend

http://www.omerch.com

https://www.patreon.com/cw/DevinTownsend

https://twitter.com/dvntownsend

https://www.instagram.com/dvntownsend/

www.tiktok.com/@dvntownsend

https://www.youtube.com/user/poopynuggeteer/featured

http://twitch.tv/devin_townsend

INSIDEOUTMUSIC online:

www.insideoutmusic.com

www.youtube.com/InsideOutMusicTV

www.facebook.com/InsideOutMusic

www.twitter.com/insideouteu

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It was only a year ago when Sabrina Teitelbaum released her previous Blondshell album If You Asked For A Picture. A few months after its release, she shared an expanded edition featuring contributions from artists like Conor Oberst, Samia, John Clacier, and more. What if I told you a new Blondshell album is already coming? We…

The post Blondshell – “Heart Has To Work So Hard” appeared first on Stereogum.

The Smashing Pumpkins will hit the road this fall for a North American tour marking the 30th anniversary of Mellon Collie And The Infinite Sadness.

The run, titled The Rats In A Cage Tour, will cover 27 dates across the U.S. and Canada. According to the announcement, the band plans to perform “two unique sets” each night. One set will feature Mellon Collie And The Infinite Sadness performed in full, while the second will pull material “from nearly four decades of unruly hits and dark treasures.”

Led by Billy Corgan, The Smashing Pumpkins are set to launch the tour on September 30 in Columbus, Ohio. The final show is scheduled for November 12 at the Kia Forum in Inglewood, California.

Fans looking to secure tickets early will have several pre-sale options. Citi cardmember and Verizon Access pre-sales begin Tuesday, May 19 at 10:00 a.m. local time. A Live Nation All Access pre-sale follows on Wednesday, May 20 at 10:00 a.m. local time.

General ticket sales start Thursday, May 21 at 10:00 a.m. local time here.

The post THE SMASHING PUMPKINS Announces “The Rats In A Cage Tour” appeared first on Sonic Perspectives.