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  • Interviews + Photos – ‘Back to the Beginning’ L.A. Film Premiere

    Loudwire was on the "purple carpet" at the premiere of the 'Ozzy & Black Sabbath: Back to the Beginning' film premieres at the Orpheum Theatre in Los Angeles. Continue reading…
  • A generation’s anger fuels TORTURED DEMON’s “Apocalypse”

    A bleak future, political frustration and the anger of a generation unwilling to accept what lies ahead provide the driving force behind “Apocalypse”, the new single from British thrash metal outfit TORTURED DEMON. Accompanied by an official music video, the track marks the band’s first release through BLKIIBLK, the Frontiers Label Group imprint that will […]

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  • Roger Waters launches astonishing attack on James Hetfield over past political statements

    Ex-Pink Floyd bassist/vocalist Roger Waters has delivered a fiery rant against James Hetfield, after the Metallica frontman seemingly told an audience at The Sphere that his band did not want to sway listeners with political statements.

    The heavy metal singer/guitarist, 63, continues to face backlash after saying at Las Vegas’ multimedia venue on Saturday (October 10), “Metallica is not here, like some other entertainers, to influence you with their bullshit.”

    Though it remains unclear to whom Hetfield was referencing, the comment came a few weeks after Macklemore was removed from a tour supporting Ed Sheeran for saying “Free Palestine” onstage.

    Earlier this week, Waters, 83, appeared on a new episode of the podcast The Katie Halper Show, where the host, an American left-wing commentator, guided the musician through some of Metallica’s past politically conscious lyrics, including those on 1986’s Disposable Heroes and 1988’s …And Justice For All.

    Halper then showed Waters an interview Hetfield gave in 2007, around their performance at the climate change charity concert Live Earth, where he said “politics drive me crazy”.

    She went on to revisit the time in 2008 when Hetfield reacted to Metallica’s music being played during the US torture of Iraqi prisoners (he explained in a separate interview that he was partially “bummed” about it and didn’t want the band “being attached to some political statement”).

    After this whistle-stop tour of Hetfield’s political history, Waters is asked for his reaction. “He’s just showing that he’s a complete prick,” he states. “He’s got an IQ of about three, and why we’re talking about him, I don’t even know, because he’s a nobody. He may have a few hundred million dollars or whatever, but he’s a prick.”

    Waters then goes a step further and blasts Hetfield’s musical ability, stating his belief that the frontman is “no musician”: “I heard them playing acoustic instruments and it was appalling.” Rolling Stone named Metallica’s Fade To Black, where Hetfield plays an acoustic guitar, as the 35th-best metal song of all time in 2023.

    Hetfield isn’t the only heavy metal figure for whom Waters has had harsh words. Following the death of Ozzy Osbourne in July 2025, the bassist said that he “couldn’t give a fuck” about the Black Sabbath singer. Ozzy’s son Jack told Waters “fuck you” via social media and the Osbournes briefly released a shirt mocking Waters. During an interview with Piers Morgan in January, Waters doubled down, asking, “Do I have to like every rock group that ever was or people who bite the heads off bats?”

    Metallica have yet to respond to the controversy around Hetfield’s words at The Sphere. The band will take the stage at the venue once again tonight (October 15) and conclude their residency there in March.

    Metal Hammer has approached Metallica’s representatives for comment on Waters’ word.

  • ANDY CURRAN Announces Limited Edition “Rockaholic” Collector’s LP

    Featuring two brand-new songs, “Rockaholic” and “Lookin’ for Love,” plus newly remixed and remastered versions of his Top 10 Canadian rock radio hits “No Tattoos” and “License to Love”.

    For rock fans who remember the ’80s and early ’90s, Andy Curran needs little introduction.

    Now, the founding member and lead vocalist of Coney Hatch is revisiting his solo legacy while adding two brand-new songs with the release of Rockaholic, a limited-edition collector’s LP that connects Curran’s past with where he is today.

    The first 100 copies purchased will receive a set of handwritten lyrics autographed from Andy’s personal archives

    The Rockaholic EP is the first of three vinyl releases planned from Curran‘s archives on Vault Press. Two additional releases, Caramel and Leisureworld, are scheduled to follow in 2027.

    Recorded at Metalworks Studios in Toronto, Halo Studios in Hamilton, and Noble Street Studios in Toronto, Rockaholic was mixed and co-produced by Juno Award-winning Vic Florencia and mastered by Grammy-winning engineer Harry Hess at HBomb Mastering.

    Curran’s history with Canadian rock runs deep. As a founding member and lead vocalist of Coney Hatch, he helped establish the band as one of the country’s most respected hard rock acts. Coney Hatch shared stages with Judas Priest, Iron Maiden, Cheap Trick, Peter Frampton, Ted Nugent, and others, while the band’s self-titled debut album went Gold in Canada and produced rock radio favourites including “Devils Deck” and “Monkey Bars.”

    Curran subsequently launched a solo career, with his self-titled debut producing three Top 10 Canadian rock radio hits: “No Tattoos,” “License to Love” and “Let Go.” These songs became staples of Canadian rock radio and MuchMusic, while Curran embarked on an extensive touring schedule that included shows with Rush, Kim Mitchell, Glass Tiger, and Rik Emmett.

    Curran‘s musical résumé also includes co-founding Envy of None with Rush guitarist Alex Lifeson, further cementing his place in the history of Canadian rock.

    Now, Curran is bringing the music from his solo years back to the stage in 2027 along side April Wine.

    “This is the first time since 1992 that I’ll be playing some of this material,” Curran explains. “Songs we’ll be performing are ‘Nickels & Dimes,’ ‘Whiskey & the Devil,’ ‘License to Love,’ ‘No Tattoos’ – plus the new song ‘Rockaholic’ and selected Coney Hatch favourites.”

    Curran will be joined onstage by Sean Kelly, James Naro, and Dave Ketchum. Kelly and Ketchum are also Curran‘s Coney Hatch bandmates, while Naro is the son of the late Phil Naro, best known for his work with Talas. For more information, check here.

    With Rockaholic, Curran isn’t simply looking back. The release offers a snapshot of where he came from, where he is now and what remains to be discovered in his archives.

    As Curran states: “I wrote this song about my bandmate, Sean Kelly, but I think deep down everyone has a little ‘Rockaholic’ in them.”

    The post ANDY CURRAN Announces Limited Edition “Rockaholic” Collector’s LP appeared first on Sonic Perspectives.

  • Grief and damnation collide in two new NOROTH and MORTUAL tracks

    Two different visions of death metal emerge from the latest premiere by American trio NOROTH and Costa Rican quartet MORTUAL. The bands have unveiled “Sepulchre ov Hollowed Eyes” and “Crown of Unbeing” through Mystification, offering another opportunity to explore their forthcoming split release, scheduled for 30 October 2026. The seven-track record brings together six original […]

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  • SCATTRBRAIN Share The Track “Setbacks”

    Just as Sgt. Pepper’s Lonely Hearts Club Band was to The Beatles, or Derek and the Dominoes was to Eric Clapton, Scattrbrain is to established Atlanta rapper Grip. The project is an art-punk full-band alter ego built for chaos, catharsis and longevity. True to the project’s name, Scattrbrain and the Unwavering Self-Doubt might go against […]
  • ORPHAN PRODIGY Share New Track “Another Planet For Granted”

    Another Planet For Granted is the latest single from Orphan Prodigy, the musical project of songwriter, producer, and multi-instrumentalist Ian Keller. Blending introspective songwriting with expressive, rhythm-driven production, the track explores feeling like an outsider, struggling with self-acceptance, and navigating the constant noise of modern life. Inspired in part by Keller’s experiences with rejection and […]