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  • NYC Synthpop Quartet Book of Love to Release 40th Anniversary Edition of Self-Titled Debut

    Some 80s synthpop records do more than withstand their era; they remain a vital part of club culture long after their debut. Forty years after its release, Book of Love’s self-titled album is returning in a special anniversary edition. With the band’s songs still spun by DJs worldwide, and the album’s breakthrough single “Boy” finding fresh attention after its appearance in the 2025 film Companion, the timing feels especially apt.

    Rhino Records will release the remastered 40th Anniversary edition of Book of Love’s self-titled debut on June 26 as a clear-vinyl pressing, marking the first official vinyl reissue of the album since its original release. The set will include refreshed artwork created with original art director Nick Egan, a four-page insert featuring outtakes from Michael Halsband’s original photo session, and new liner notes by music historian Kurt B. Reighley.

    Originally issued on April 1, 1986, Book of Love introduced the New York synth-pop quartet’s mix of drum-machine propulsion, crystalline hooks, and emotionally charged songwriting with tracks including “Boy,” “I Touch Roses,” and “You Make Me Feel So Good.” The band’s trajectory changed after a demo reached DJ and producer Ivan Ivan, who passed it on to Sire Records founder Seymour Stein, leading to the group’s recording contract and placing Book of Love among the era’s emerging synthpop vanguard.

    The group — Susan Ottaviano, Ted Ottaviano, Jade Lee, and Lauren Roselli — soon found itself in bigger rooms, opening for Depeche Mode in 1985 and again in 1986 during the Black Celebration era, a pairing that helped cement Book of Love’s place in the wider synth-pop conversation on both sides of the Atlantic.

    The anniversary edition has been remastered by original engineer Ted Jensen. Rhino says the release also features updated packaging created in collaboration with Egan to mark the album’s 40th birthday, along with new reflections on the record’s making and legacy drawn from interviews with founding members Susan Ottaviano and Ted Ottaviano.

    A new remix of “Boy” by Grammy-winning producer Dave Audé is out now to coincide with the announcement. Written by Ted Ottaviano, “Boy” remains one of the album’s defining songs, centered on a bright, bell-like chime motif that gives the track its buoyant, almost weightless feel. Beneath that glow, however, the song sketches a quiet emotional imbalance: a narrator reaching toward someone who remains just out of grasp, romantically and emotionally out of step.

    In later interviews, Ottaviano explained that “Boy” was inspired by Boy Bar, the exclusive gay club in Manhattan’s East Village, giving the single a specific New York cultural anchor beneath its broader ache of longing. That friction between brightness and hurt helped make the song an underground club touchstone, particularly among LGBTQ+ listeners, and remains central to the album’s lasting appeal four decades later. Its recent appearance in Companion has only added another layer to that afterlife, placing the song before a new generation of listeners.

    Marking 40 years since the release of their self-titled debut, Book of Love said they were especially happy to see Rhino issue the newly remastered album on vinyl as well as digitally, adding that the record has never sounded better.

    They added: “Working with Rhino on this anniversary vinyl edition has truly been a labor of love. This album has always had a life of its own, and it’s been incredibly meaningful to revisit it. We’ve been fortunate to reunite much of the original creative team for this special release. We’re so grateful for the love this record has received over the years and are excited to celebrate this milestone with all of you. Stay tuned, more to come!” – Susan, Ted, Jade, and Lauren

    The 40th anniversary edition of Book of Love is due out June 26 via Rhino Records. Pre-order here.

    Dave Audé’s remix of “Boy” is available now. Listen here.

    Follow Book of Love:

    The post NYC Synthpop Quartet Book of Love to Release 40th Anniversary Edition of Self-Titled Debut appeared first on Post-Punk.com.

  • NEVERMORE Is Back On Stage and Supporting JUDAS PRIEST this September

    Storming ahead into their next chapter, NEVERMORE has solidified their new line-up with their first live show in over fifteen years. The legendary act performed for a sold out IF Performance Hall Beşiktaş audience on April 1 in Istanbul, Turkey, the home country of their new vocalist Berzan Önen and birthplace of bassist Semir Özerkan.

    An event eagerly awaited by fans was cemented as a night to remember. While honoring the band’s well-established history, NEVERMORE look to the future with a passionate vigor for the next evolution. Following the success of yesterday’s show, NEVERMORE will join JUDAS PRIEST this September for the final seven shows of their Faithkeepers Tour. Tickets available HERE!

    Tour Dates:
    Sept 11 – Bern, Switzerland @ Festhalle Bern
    Sept 12 – Strasbourg, France @ Zenith
    Sept 14 – Lyon, France @ LDLC Arena
    Sept 15 – Bordeaux, France @ Arkea Arena
    Sept 17 – Paris, France @ Arena Zenith
    Sept 18 – Brussels, Belgium @ Forest National
    Sept 21 – London, UK @ Eventim Apollo

    Over the summer months, ahead of their run with JUDAS PRIEST, NEVERMORE are set to appear at shows and festivals in Latin America and across Europe.

    Explore dates and purchase tickets here: https://nevermoreofficial.com/tour.

    Apr 24th – Santiago, Chile – Teatro Cariola
    Apr 26th – São Paulo, Brazil – Bangers Open Air
    Apr 28th – São Paulo, Brazil – Carioca Club Pinheiros
    Jul 26th – Plovdiv, Bulgaria – Hills of Rock
    Jul 28th – Rasnov, Romania – Rockstadt Extreme Festival
    Jul 30th – Budapest, Hungary – BARBA NEGRA Blue Stage
    Aug 1st – Wacken, Germany – Wacken
    Aug 3rd – Pratteln, Switzerland – Z7 Open Air
    Aug 5th – Jaromer, Czechia – Brutal Assault
    Aug 8th – Derbyshire, United Kingdom – Bloodstock Open Air
    Aug 9th – Kortrijk, Belgium – Alcatraz Festival
    Aug 11th – Warsaw, Poland – Progresja [with SAVATAGE]
    Aug 12th – Leipzig, Germany – Parkbühne [with SAVATAGE]
    Aug 13th – Bonn, Germany – KUNST!RASEN [with SAVATAGE]
    Aug 15th – Carhaix Plouguer, France – Motocultor Festival

    An esteemed powerhouse in heavy metal, NEVERMORE recently unveiled their signing to Reigning Phoenix Music and introduced new members Jack Cattoi on guitar, Semir Özerkan on bass, and vocalist Berzan Önen in a documentary directed and produced by Ola Englund. The film provided an enticing insight in the band’s rehearsals, and open discussion by guitarist Jeff Loomis and drummer Van Williams on their decision to bring NEVERMORE back. Watch here: https://www.youtube.com/watch?v=bhW3rdcyip4. 

    NEVERMORE enters 2026 with purpose, fire, and a clear sense of who they are. Forged in the aftermath of Sanctuary, the band carved out a sound defined by precision musicianship, fearless songwriting, and emotional intensity. From their self-titled debut in 1995 through landmark releases such as Dead Heart in a Dead World and This Godless Endeavor, NEVERMORE built a global following and a reputation as one of modern metal’s most distinctive voices.

    After years apart, the spark that first ignited the band has returned with renewed focus. For Van Williams, the timing feels natural. “It’s been brewing for quite a while and has just started to manifest itself into the now. So what better time is there to kick things off than now?”

    Source: C Squared Music

  • Kiko Loureiro Suggests Arch Enemy Copied His Song — Their Response Isn’t Subtle

    kiko-loureiro-michael-amott

    Did Arch Enemy Copy Kiko Loureiro’s Song?

    No — Arch Enemy says demo recordings from 2022 prove the melody existed before Kiko Loureiro’s 2024 release, calling any similarity coincidental.

    TL;DR:

    Arch Enemy has rejected Kiko Loureiro’s copyright implication over “To The Last Breath,” releasing early demos they say prove the melody predates his track. The band insists the overlap is accidental — and backed by documented evidence.

    This lands at a moment where public accusations travel faster than verification — and once something like this hits social media, it rarely stays contained.

    How This Started

    The situation began when Kiko Loureiro — known for his work with Megadeth and Angra — pointed out similarities between Arch Enemy’s “To The Last Breath” and his composition “Talking Dreams” from Theory Of Mind (2024).

    Instead of making a direct legal claim, he framed it publicly: “Just helping to promote the new song by @archenemyofficial… you’re welcome.”

    That line did what it was meant to do — it pulled attention in without needing to say more.

    Loaded Radio Recommends – All 13 Arch Enemy Albums Ranked From Weakest To Absolute Peak

    The Band’s Response Focuses On Timing

    Arch Enemy didn’t argue interpretation. They focused on timeline.

    According to the band: “Anyone familiar with our creative process knows that we document extensively. Demos, drafts, and iterations are part of how we build our sound, and in this case, that documentation unquestionably establishes the timeline.”

    They’ve released demo material from 2022 showing the melody already in place — well before Loureiro’s track surfaced.

    That shifts the conversation away from similarity and toward origin.

    Michael Amott Addresses It Directly

    Guitarist and primary songwriter Michael Amott didn’t leave much room for interpretation.

    “Hey Kiko, sorry to disappoint you and your lawyer, but as you can see and hear, I had the melody back in 2022 already, 2 years before you released your song. Any similarities are purely coincidental. Enjoy the video and good luck with your music, I will continue to not listen to it. Cheers!”

    That’s not a neutral response — it’s a direct dismissal of the claim.

    Management Pushes Back On The Approach

    Former vocalist and current manager Angela Gossow took a different angle, questioning why this played out publicly at all.

    “To be honest, I’d never heard Kiko’s music before. So, three notes are the same? Well, I guess that happens quite often in music. I’ve heard many Arch Enemy notes in other songs, but I would never accuse the other band of plagiarism… on the contrary, I would probably feel honored to inspire others. It’s sad to read a post like this from a guitarist we all respected. What’s the point of it? If you really think you have a case, get in touch and discuss it professionally, don’t make a post like this. Respectfully, the management team, who are used to dealing with this type of allegation and prefer to handle things carefully.”

    That response reframes the issue — not just whether the claim holds, but whether it should have been made this way in the first place.

    Check This Out – Angela Gossow Considered An Arch Enemy Return: Says She’s Open To One-Off Shows While Introducing New Singer Lauren Hart

    arch-enemy-2026

    This Could Get Awkward In Person

    Both sides are about to share the same stage environment.

    Bangers Open Air in São Paulo features:

    • Arch Enemy headlining April 25
    • Loureiro performing with Angra on April 26

    Situations like this usually cool off quickly — but timing like this tends to keep them alive longer.

    Where Arch Enemy Stands Now

    “To The Last Breath” already carried weight before this.

    It marks the first recorded material with new vocalist Lauren Hart, stepping in after Alissa White-Gluz.

    The band has already:

    • launched a China tour in March
    • lined up a European run titled Back To The Root Of All Evil

    They’re clearly moving forward — regardless of how this plays out.

    Why This Situation Doesn’t End With Proof

    Melodic overlap isn’t rare — especially in metal.

    What separates coincidence from infringement usually comes down to:

    • timing
    • documentation
    • intent

    Arch Enemy is leaning heavily on the first two.

    But here’s the real tension point:

    Even if the timeline clears them, does that fully close the conversation — or does it just shift it?

    We Also Recommend – Arch Enemy Reunion Shock? Angela Gossow Teasers Spark Full-Circle Return Speculation

    FAQ

    What is the dispute about?
    Kiko Loureiro suggested similarities between his track “Talking Dreams” and Arch Enemy’s “To The Last Breath.”

    Did Arch Enemy admit copying anything?
    No. They denied the claim and presented demo recordings from 2022 as proof of original authorship.

    What did Michael Amott say?
    He stated the melody existed two years prior and called any similarities coincidental.

    Will this lead to legal action?
    No confirmed legal action at this time.

    About Arch Enemy

    Arch Enemy formed in 1995 and has remained one of the most consistent names in melodic death metal. Led by Michael Amott, the band has evolved through multiple lineup changes while maintaining a strong global presence across touring and recorded output.

    The post Kiko Loureiro Suggests Arch Enemy Copied His Song — Their Response Isn’t Subtle appeared first on Loaded Radio.

  • Arch Enemy Respond to Kiko Loureiro’s Copyright Claim

    Arch Enemy issue video response to Kiko Loureiro claims of similarity with their recently released single. Continue reading…
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  • DS Show Review: MESS – Live at Characters Sports Bar, Pomona, CA (3/26/26)

    Drama with a promoter caused a wave of bands to drop out of CY Fest and their scheduled preshows, leaving a lot of fans disappointed. But some of the touring bands refused to let the trip go to waste. MESS, traveling from Mexico, booked a last‑minute show at Characters Sports Bar in Pomona, playing alongside Bomber and Broken Cuffs. For anyone still hungry for great live music that weekend, this show delivered.

    The Venue

    If you’ve never been to Characters, it’s a rad spot. The building is a big brick structure with a spacious outdoor patio. Inside, you’ll find a long bar running along the right side and a few billiards tables to the left. The bands set up outside under a tented patio area, which actually gives the space surprisingly good acoustics – clear enough to hear everything without blowing out your ears or needing earplugs.

    I walked in right at the 9 p.m. start time.

    Broken Cuffs

    First up was Broken Cuffs, a three‑piece punk band from Palmdale, CA. They had some tech issues that delayed the start and caused the singer’s mic to cut out for half a second here and there, but it wasn’t enough to ruin the set. Once they locked in, they delivered a solid, energetic performance.

    Setlist:

    • Police Brutality
    • Cultura
    • Uniform
    • Quarantine
    • Murphy’s Law
    • Fight
    • Media Takeover
    • New song (title uncertain; lyric included “I don’t care what you think about me”)
    • These Boots (dedicated to the working class)

    Bomber

    Second up was Bomber, a newer four‑piece made up of veteran LA musicians who’ve been playing punk, rock’n’roll, and Oi! since the ’90s. I’m not sure how many of their members are originally from the UK, but the singer definitely was – and he also handled bass duties, which is always cool to see.

    This band absolutely ripped. I walked in without really knowing their music and walked out a fan. The pit had English punks and LA locals mixing it up, and the energy was infectious. I noticed a Chelsea F.C. bag near the stage during setup, and later, when the crowd broke into big anthemic chants, it all made sense; anthems are engrained throughout many areas of English culture. The songs were raw, catchy, and built for shouting along.

    Not all of their tracks are available on streaming yet, so a few titles are based on lyrics.

    Setlist:

    • We Don’t Trust You (title uncertain)
    • Choose Your Fate
    • We Won’t Fight No One (title uncertain)
    • System
    • He’s a Skinhead (title uncertain)
    • Hard Working Man
    • Big Business (title uncertain)
    • Fuck Ice, Fuck You Too (new song released March 25)
    • Bomber Rules O.K.

    I wanted to grab their EP or a shirt to support, but by then I had already bought a MESS LP, a MESS shirt, and two other LPs from a vendor with an incredible vinyl selection – records from the UK, Australia, the U.S., even Brazil.

    MESS

    Closing out the night was MESS, an Oi! punk band from Guadalajara, Mexico. Frontman Abraham Vilchis has a killer raspy, gritty voice that cuts through everything. The crowd was fully locked in from the first song to the last. Standout moments for me were Revenge, Falso Poder, Leave Me Alone, and Street Boys.

    Setlist

    • Revenge
    • Traidores
    • Leave Me Alone
    • Fire, Fire, Fire
    • Sal de Revolver
    • Dolor? (title uncertain)
    • Falso Poder
    • My Own Game
    • Street Boys
    • True Love
    • Sospecha