Blog

  • Album review: CREDO – We the Disconnected

    credoGargoyle Records [Release date 23.10.26] Credo are back with their fourth studio album and their first new release in 15 years. It is a double-CD album, written by all the band members Tim Birrell (guitar), Mark Colton (vocals), Gerald (Mully) … Continue reading →

    The post Album review: CREDO – We the Disconnected appeared first on Get Ready to ROCK!.

  • Complete List Of Thomas Rhett Songs From A to Z

    Thomas Rhett songs

    Thomas Rhett Akins Jr. emerged from a musical household and built one of country music’s most recognizable careers of the 2010s and 2020s. Born in Valdosta, Georgia, on March 30, 1990, he grew up around the Nashville music business through his father, country singer and songwriter Rhett Akins. His own recordings eventually combined country storytelling with pop melodies, rock guitars, rhythm and blues, and dance-oriented production. Rhett first made his name as a Nashville songwriter before reaching country radio as a recording artist. The 2012 Thomas Rhett EP introduced early songs such as “Something to Do with My Hands” and

    The post Complete List Of Thomas Rhett Songs From A to Z appeared first on ClassicRockHistory.com.

  • Watch Tetrarch’s Diamond Rowe shred Metallica in front of 70,000 NFL fans

    Diamond Rowe, guitarist of Atlanta, Georgia nu metal four-piece Tetrarch, got to tick off one hell of a bucketlister on Sunday night (October 11), as she was invited to perform in front of 70,000 people at her hometown football stadium.

    Taking to the pitch at the Mercedes-Benz Stadium ahead of the NFL Sunday night football game between the Atlanta Falcons and Baltimore Ravens, Diamond played a special rendition of hallmark Metallica anthem Enter Sandman, providing a perfect full circle moment for the guitarist, who not only grew up in the city, but actually watched Metallica themselves play that very same stadium on their M72 world tour only last year.

    “What’s pretty crazy is that the NFL / Falcons contacted me about it out of the blue,” Diamond tells Hammer. “Apparently they heard about me and the band last year and had been trying to find the perfect game to have me out for. It’s crazy that they settled on a Sunday Night Football game but I was so honoured. I’m also the first artist that the Falcons have allowed to walk out of the players tunnel, which is even sicker!

    “Considering they built that stadium after I moved to LA, I have only ever been in it one other time and that was to see Metallica,” she continues. “Being invited to come back and play in that same stadium full of 70,000 people and being able to pay homage to Metallica – the band that started it all for me – is just an insane full circle moment. I will forever be thankful to the NFL and Falcons for asking me to be a part of something so special.”

    Watch footage of Diamond’s performance below.

    Sadly for Diamond’s fellow Atlantans, the Falcons were unable to overcome the Ravens, falling behind in overtime to suffer defeat with a final score of 30-23 in Baltimore’s favour.

    Regardless, Diamond will now be focusing on Tetrarch’s next steps, with the band aiming to have a brand new studio album out in 2027.

    “We actually go back into the studio in two weeks to work on some new music,” she reveals. “Everything is sounding killer! We’re hoping to have something new out for everyone soon, but other than that, we’ll do as much touring as we can in 2027. We have a lot of cool announcements coming in the coming weeks.”

  • NOAHFINNCE Shares Stark New Track ‘WONKY’

    NOAHFINNCE has shared a new track, made in collaboration with As It Is’ Patty Walters and Ben Langford-Biss, which explains why it is so honest and revealing.

    Acoustic-led and vulnerable, the song is the sort of campfire confessional that comes from a desire to explain to those you care about why you are the way you are. The sort of affirmations that so many of us fight internally every day, it’s a track that really hits home hard.

    But in stating such things, there is power to be had, and by its dramatic conclusion, brimming with strings, there is clarity and confidence. We may be wonky, but that doesn’t stop us from doing what we love.

    Noah had this to say:

    “This is my first fully acoustic song since Asthma Attack came out 8 YEARS AGO and woweee this is very much another NOAHFINNCE song to cry to. Patty asked the question, ‘Why have you never written the classic acoustic emo song?’ This is what came out of it. It’s about accepting being different/a little bit fucked up and letting go of the idea that you need to change in order to be worthy.”


    It follows on from ‘TOO SENSITIVE’, which sounds a lot like this:


    NOAHFINNCE is set to hit the road across the UK next week . Here are all the dates you can catch them at:

    OCTOBER

    22 – CARDIFF Y Plas, Cardiff
    23 – BIRMINGHAM O2 Institute
    24 – LEEDS Stylus
    26 – NOTTINGHAM Rescue Rooms
    27 – LONDON Electric Ballroom
    29 – GLASGOW Saint Lukes
    30 – NEWCASTLE Newcastle University
    31 – MANCHESTER Academy 2

    And Noah was also recently a guest on Rock Sound 7of30, which you can catch up with below:

    The post NOAHFINNCE Shares Stark New Track ‘WONKY’ appeared first on Rock Sound.

  • The Summertimes – Luminous


    The Summertimes, an Australian pop group I enthusiastically reviewed in 2023, are back with a new EP that picks up where their excellent debut album left off. Out on Golden Robot Records, Luminous puts on a master class in jangling, melody-driven guitar pop. Led by two exceptionally talented songwriters in David Beniuk and David Challenger, The Summertimes also feature Stephen O’Brien (Tumbleweed), Steve Bull (ICEHOUSE), Marco Forlano (The Mustard), and Ashley Naylor (The Church, Paul Kelly) in their lineup on this EP. Amanda Brown of The Go-Betweens makes a guest appearance, and five-time ARIA Award winner Paul McKercher returns as producer. With all that talent involved, you know the musicianship and production on this record are going to be immaculate. But as usual, it’s the songwriting that shines the brightest. The two Davids are in fine form on these five tracks — crafting lovely, hook-laden songs that live on the more sophisticated, easygoing side of power pop. I put them in similar company with a longtime favorite of mine, Nick Piunti (who also has a new EP that I’ll have something to say about very soon). Every song is a keeper, which is exactly the way it ought to be on a five-song EP. 

    When it comes to bands like this, I’m sometimes at a loss for what else to say beyond talking about the sheer excellence of the songwriting. But perhaps there’s not much more that needs to be said. A band like The Summertimes isn’t trying to reinvent guitar pop or usher in a new era in music. But what the Davids do so well is to work within a timeless style of music and execute it so splendidly that you wouldn’t tire of it in a thousand years. Writing “simple” pop songs is one of the toughest things to do in music, but The Summertimes make it seem effortless. They excel at crafting melodies that soothe the ears, choruses that linger in your head, and lyrics that say something meaningful about life. A lot of pop bands have the sound, but not all of them have songs. The Summertimes have songs all day long. “Save You Now” and “Luminous” bookend the new EP in quintessential guitar pop style. In between, “Horses,” “See Me,” and “Falling” are marvelous deep cuts that stretch the band’s signature style in gently elegant fashion. With the longest track barely eclipsing three-and-a-half minutes, The Summertimes remain a pop-rock band through and through. However, their ability to make every song sound distinct and memorable puts them in a rare class. If “power pop for adults” is a real genre of music, “Horses” and “Falling” epitomize it. 

    If you are already a fan of The Summertimes or a fan of ’80s & ’90’s inspired indie power pop in general, Luminous ought to be on your must-buy list. It’s a wonderful little EP chock full of radiant melodies and gorgeous guitars. As good as the album was, this set is even better — yet another feather in the cap of a remarkable year for guitar pop.

  • Boneyard Ride Into the Wild West With New Video ‘Hanging Tree’

    anadian hard rock and heavy metal outfit Boneyard has released their third single and video, ‘Hanging Tree‘, taken from the forthcoming sophomore album ‘Black Static‘, due out on October 23rd, 2026. ​ Following the powerful first single ‘Before the Fall‘ and the high-seas battle anthem ‘Compass Points to War‘, Boneyard returns with a completely different side of […]

    The post Boneyard Ride Into the Wild West With New Video ‘Hanging Tree’ appeared first on ROCKPOSER DOT COM.

  • Charlotte Wessels’ The Obsession Announces New Album, ‘Mute Swan Empire’

    Dutch artist Charlotte Wessels and her band, now dubbed The Obsession, will release their second full-length, full-band studio album, ‘Mute Swan Empire‘, on February 5th, 2027, via Napalm Records. It’s a character-driven concept album in which each of its 15 tracks inhabits an archetype that emerges at the end of the Anthropocene, exploring how different […]

    The post Charlotte Wessels’ The Obsession Announces New Album, ‘Mute Swan Empire’ appeared first on ROCKPOSER DOT COM.

  • Nightwish – Part Ways With Singer Floor Jansen

    Symphonic metallers Nightwish have just announced some big news. They have parted ways with longtime Dutch singer Floor Jansen. She’s been in the band since 2012. According to the statement, it was a mutual agreement, but no further details were given. The band also confirmed that they’re entering the studio next year to record a new album. For now, no replacement has been announced.
    Read more…