During her 14-year tenure in Nightwish, Floor Jansen became the face of symphonic metal. She led the Finnish theatrics for three albums before abruptly parting ways with them this week; she also launched a solo career in her own right (starting with 2023 album Paragon and continuing with next January’s Hytress) and collaborated with many stars of the heavy music universe. In 2023, Hammer’s sister mag Classic Rock sat the singer down to discover the music which shaped her, from the first album she ever heard to her guilty pleasure and her cult hero.
The first music I remember hearing
I’m not one of those people who have a great memory for childhood things, even though I had a great childhood. But the first band that comes to mind is The Beatles; my Dad used to play a lot of The Beatles, especially on the weekends, on a Sunday. I remember the song Honey Pie. I could not understand it as a child. It’s not great, but it’s definitely memorable!
The first song I performed live
When I was about thirteen or fourteen I joined a high-school musical, Joseph And The Amazing Technicolor Dreamcoat. So it wasn’t one song, it was that musical. I shared the role of the narrator with two other girls. After that I was sold – that’s what I wanted to do. I like that [musical], but musicals are often a bit too sweet for my tastes, even back then. The Phantom Of The Opera, Jekyll & Hyde, those are a little darker.
The guitar hero
I play in a band with him: that’s Emppu [Vuorinen, Nightwish guitarist]. He is an amazing guitar player, but he doesn’t need to fill every gap in the song with meaningless notes. He really keeps the atmosphere [of the songs]. What he plays in Sleeping Sun is beautiful.
The singer
She falls completely out of the spectrum of rock and metal, but if there’s one singer that endlessly amazes me with her sound it’s Celine Dion. I find her music absolutely cheese-bombs, but that’s too bad, because I love her voice. You can feel what she’s singing.
The songwriter
Tuomas [Holopainen, Nightwish]. I don’t know anybody who can write like him. He has been writing music for twenty-five years, had three different singers in his band, and still Nightwish is one of the biggest bands out there. That says something about how good the songs are. I have a special love for Ghost Love Score which is a super-weird song, it’s ten minutes long, but for some reason, it speaks to so many people.
The greatest album of all time
It’s so coloured in time. I’m 42, so what I thought was the best at 16 [won’t be the same now]. I can never answer that question.
My guilty pleasure
I’ll see if there’s anything I listen to that people might think is weird… One of my band members loves nineties disco, and that is so far away from what we do, but I don’t have [anything like] that. I do like to listen to film music when I read books. Usually instrumental. The music depends on what kind of book it is, because you still connect it together. I was listening to the music from Inception when I read Steven King’s Dark Tower series. There are parts of the book that really connect to parts of the music.
The best record I’ve made
You put so much love and energy into every song, that the moment you release the album, that’s the best thing you’ve ever done. It always feels that way because you put everything you’ve learned, all the skills you have, everything you are into your latest work. So for me that would be Paragon, because it’s the latest thing I did.
The worst record I’ve made
Probably the first [Prison Of Desire by After Forever]. I was 18 when I recorded it, so we didn’t know anything about writing, about recording, about singing. But your first is your first. And that also makes it very, very special.
The song that makes me cry
Most music makes me cry! My emotions are very close to the surface. One song is Heartless, from Evergrey. Just some things in his lyrics that are expressed very beautifully.
The cult hero
Anneke van Giersbergen. When I heard [The Gathering’s] Strange Machines on the radio, and then went to see a concert, for me she was like an absolute role model. To sing like that in a metal band, she made me want to do that too. And I loved the way that she did it, her sound and performance and just being this fierce woman among the men.
The best cover version
During the pandemic I started doing cover songs, and some of my favourites I put on YouTube. That was my only connection to the outside world. I have a young daughter, and it’s really hard to get around [the film] Frozen. So I did Let It Go. It’s fun to sing. I wanted to give it a mature sound, a metal twist.
The song I want played at my funeral
I haven’t thought of it yet, to be honest. I’ll cross that bridge when I get there. I just went through cancer, so I’ve just been thinking more about surviving.
Originally published in 2023. Floor’s new solo album, Hytress, is out on January 15.
Charlotte Wessels and her band The Obsession have announced their second full-band studio album, Mute Swan Empire, set for release on 5 February 2027 through Napalm Records. The 15-track concept record arrives as the former Delain vocalist prepares for her first headline tour across the UK and Europe, with Melissa Bonny providing support.
The follow-up to 2024’s The Obsession explores the different ways people respond to a world facing climate breakdown, social injustice and an uncertain future. Each track takes on a different character or archetype, moving between denial, anger, withdrawal, hope and connection.
Charlotte Wessels’ The Obession announces new album Mute Swan Empire
Charlotte Wessels On Mute Swan Empire
Wessels explains that the record’s concept emerged as the songs began to take shape rather than being planned from the outset. “I didn’t set out to write a concept record from the start, but somewhere along the way, I began to realise that all the latest songs I’d written were connected. Each of them seemed to embody a different response to the world we’re living in: denial, complicity, withdrawal, blind obedience, selective empathy, but also hope and connection, and so on.”
She adds: “What fascinates me is how easy it is to recognise these responses in others, and how much harder it can be to recognise them in ourselves. I didn’t want an album that simply points fingers or offers easy answers. I wanted to explore the contradictions, the uncomfortable grey areas, and the possibility that we can change.”
On the band’s musical direction, Wessels says: “Musically, the same freedom to follow wherever a song leads has resulted in a record that moves between some of the heaviest music we’ve made and moments of vulnerability. Despite how varied the record is, I think we’ve never sounded more together like a band.”
The Album’s Influences And Recording
Alongside contemporary themes, Mute Swan Empire draws on poetry, literature and historical writing. In Leta Via includes words by Hildegard von Bingen, while The Hermit Song references Julian of Norwich. Emergency Kit incorporates text from the Dutch Denk Vooruit campaign, and One Day They Will Come For You takes inspiration from Martin Niemöller’s post-war writing. Bells Of Lynn draws on the poem by Henry Wadsworth Longfellow.
Work on the record began before the completion of The Obsession. Wessels has been sharing new music monthly through Patreon since 2020, and an earlier version of “Incantations” first appeared there in March 2024.
Wessels co-produced the album with Joost van den Broek at Sandlane Recording Facilities, where it was also mixed. Elianne Anemaat contributes cello to several songs, while Vikram Shankar provides orchestral and additional keyboard arrangements. The record places a stronger emphasis on the band’s collective sound.
Mute Swan Empire Track Listing
Incubus
In Leta Via
Tempest
After Us The Flood
Good Girl (If You’re Ready To Die)
The Hermit Song
Emergency Kit
One Day They Will Come For You
Weeping Madonna
This Is Not An Opinion
The Villain
Let The Music Decide
Incantations
Starling
Bells Of Lynn
Charlotte Wessels UK Headline Tour Dates 2027
The European headline tour begins in Sint-Niklaas, Belgium, on 4 February 2027, one day before the album’s release, and concludes in Utrecht on 27 February. Melissa Bonny, vocalist with AD INFINITUM, joins as support. The band will also visit Brazil and Argentina in December 2026.
February
Islington Assembly Hall, LondonUpper St, Islington, London N1 2UD
Charlotte Wessels and her band The Obsession have announced their second full-band studio album, Mute Swan Empire, set for release on 5 February 2027 through Napalm Records. The 15-track concept
Event Details
Charlotte Wessels and her band The Obsession have announced their second full-band studio album, Mute Swan Empire, set for release on 5 February 2027 through Napalm Records. The 15-track concept record arrives as the former Delain vocalist prepares for her first headline tour across the UK and Europe, with Melissa Bonny providing support.
Charlotte Wessels and her band The Obsession have announced their second full-band studio album, Mute Swan Empire, set for release on 5 February 2027 through Napalm Records. The 15-track concept
Event Details
Charlotte Wessels and her band The Obsession have announced their second full-band studio album, Mute Swan Empire, set for release on 5 February 2027 through Napalm Records. The 15-track concept record arrives as the former Delain vocalist prepares for her first headline tour across the UK and Europe, with Melissa Bonny providing support.
Charlotte Wessels and her band The Obsession have announced their second full-band studio album, Mute Swan Empire, set for release on 5 February 2027 through Napalm Records. The 15-track concept
Event Details
Charlotte Wessels and her band The Obsession have announced their second full-band studio album, Mute Swan Empire, set for release on 5 February 2027 through Napalm Records. The 15-track concept record arrives as the former Delain vocalist prepares for her first headline tour across the UK and Europe, with Melissa Bonny providing support.
Nightwish have this morning issued a statement that Floor Jansen, who officially joined the band in 2013, have mutually decided to part ways and say they will enter the studio in 2027 to record a new album.
“After careful consideration, we have, in mutual agreement, decided to part ways,” a statement by Nightwish reads. “This decision is necessary and important to us and our future ambitions. Thus, we will now pursue those goals in our own separate ways.
“We wish each other nothing but the very best on our respective artistic journeys. For you, dear listener, and indeed for us, this marks the end of a truly great voyage.
“Nightwish will continue. We will move forward and enter the studio in 2027 to record a new album. As we celebrate 30 years of Nightwish, we couldn’t be more excited about our music and our future.”
“Endings create new beginnings,” Floor said, “and even though it was a hard decision to make, I believe there is a bright musical journey ahead of me.
“I invite you to follow along on this path, as you were with me in all the great years before. Thank you for your support through the rollercoasters of life.
“My solo career will now get all of my attention and gives my new upcoming album Hytress (out 2027) and the tour all space to grow. Hope to meet you on the road again in a near and happy future.”
Color me with your bruises Decorate me with your scars Give me all your misery Take it all out on me
Suffering is a lousy teacher, and some of its most devoted students graduate straight into the business of making everybody else miserable. There is a peculiar human perversity in taking the cruelty once inflicted upon us and turning it into an instrument of authority, as though becoming the executioner might somehow erase the humiliation of having been the victim. Power becomes a cheap substitute for healing, and revenge masquerades as justice. The tragedy is that pain, left to govern the imagination, can make tyranny seem like self-preservation. And so the wounded become the wounders, perpetuating the very misery they sought to escape.
Hailing from Helsinki, Finland, Suzi Sabotage has made something of a career out of examining the less flattering aspects of human behavior, preferably accompanied by enough electronic horsepower to make the examination a public spectacle. Her latest single, Sacrifice, takes aim at the peculiar moral bankruptcy of people who convert their personal traumas into permission slips for cruelty.
“The lyrics were written about how some people’s trauma shapeshifts into sadism,” Sabotage explains. “They seethe in vengeful rage against the wrongdoers, but end up hurting those who never hurt them, because they often make far easier targets.”
It is a disturbing transaction in which suffering becomes authority and innocent people are made to settle somebody else’s emotional debts. Sabotage gives that ugly arrangement a vicious electronic accompaniment, leaving its perpetrators precious little room for excuses. Her sympathies lie with the people receiving the punishment:
“If you have ever felt like the collateral damage of someone’s suffering, this song is dedicated to you. It’s addressed to those, who deliberately take their unhappiness out on people who weren’t the source of it.”
The music makes a persuasive case for confronting this wretched business at 130 beats per minute. A relentless drum machine establishes the pace while serrated sawtooth synthesizers tear through the arrangement with the mechanical precision of factory equipment operating well beyond its recommended capacity. Higher, keening synth figures introduce an almost unbearable tension, their piercing tones climbing above the muscular low end. Sabotage’s voice moves between stern accusation and spectral detachment, occasionally suggesting someone who has become so accustomed to witnessing cruelty that ordinary outrage seems insufficient.
Her affection for 80s electronic music is unmistakable, although the production possesses a contemporary physicality that gives every programmed impact considerable force. The melodic elements provide a strange, almost celestial counterweight to the aggression below, creating an atmosphere in which beauty and brutality occupy the same cramped psychological quarters. One can imagine the track filling a club while half the audience contemplates its emotional implications and the other half enthusiastically contributes to somebody else’s tinnitus.
Sabotage, whose catalogue includes Persona Non Grata, Love at First Bite, and Nazi Goths, Fuck Off, has never been especially interested in making herself agreeable. The latter song subsequently attracted covers from The Cassandra Complex and Tears for the Dying, while her work with British post-punk veterans Ausgang further established her international connections.
Not one to rest on her laurels, Sabotage takes her politics beyond the recording studio. Her Goths For Palestine compilations have raised over $13,500, bringing together artists including A Place to Bury Strangers, Rubella Ballet, and Zanias.
The Finnish symphonic metal band confirmed their Dutch vocalist’s departure earlier today (Tuesday, October 15), offering minimal detail but saying that the split was a mutual decision. They also confirm that they will enter the studio to record their 11th album next year.
They write: “Nightwish and Floor Jansen part ways.
“After careful consideration, we have, in mutual agreement, decided to part ways. This decision is necessary and important to us and our future ambitions. Thus, we will now pursue those goals in our own separate ways. We wish each other nothing but the very best on our respective artistic journeys.
“For you, dear listener, and indeed for us, this marks the end of a truly great voyage.
“Nightwish will continue. We will move forward and enter the studio in 2027 to record a new album.
“As we celebrate 30 years of Nightwish, we couldn’t be more excited about our music and our future.”
Jansen adds in her own statement: “Endings create new beginnings, and even though it was a hard decision to make, I believe there is a bright musical journey ahead of me.
”I invite you to follow along on this path, as you were with me in all the great years before. Thank you for your support through the rollercoasters of life.
“My solo career will now get all of my attention and gives my new upcoming album Hytress (out 2027) and the tour all space to grow. Hope to meet you on the road again in a near and happy future.”
Jansen joined Nightwish in 2012, replacing Anete Olzen. She sang on three albums with the band: 2015’s Endless Forms Most Beautiful, 2020’s Human II Nature and 2024’s Yesterwynde.
Nightwish have been on live hiatus since 2023, but keyboardist/songwriter Tuomas Holopainen told Hammer earlier this year that he had six songs written for their upcoming album. Whether Jansen contributed to the writing sessions remains to be seen.
Jansen launched her solo career in 2023 and Hytress, her second album, will drop in January.
It is rare when I am visiting London that I cannot find some live music to catch rather than tolerate the gathering of colleagues over some overpriced meal. My last work visit prompted the usual scan of the listings, and it was not looking great until the week before when I caught that Maiah Wynne was doing an album launch of her second album, Into The Waves.
Maiah is a multi-instrumentalist who came to my attention when she emerged from the pandemic alongside a certain Alex Lifeson, Andy Curran and Alfie Anabalini. Together they were Envy Of None and released two albums and an EP before Mr Lifeson returned to his day job with Rush.
I had seen Maiah earlier in the year as support to Moving Pictures at the Half Moon in Putney, and she is quite the talent. Elfin like in appearance, she straddles genres although her main base is clearly folk rock and indie rock. Her music is introspective, commenting on world issues and personal events, and is well worth a listen, especially should you fancy something a little less guitar-driven.
Piano is a cocktail bar, but the setting is perfect for the evening. Unsurprisingly, the audience is predominantly male, of a certain age, and a fair few sport Rush shirts. It is undeniable that the Lifeson connection has opened a new audience for Maiah, now based in London and studying music production at Abbey Road.
Maiah Wynne – Piano Smithfield, London – 14 October 2026. Photo: Paul Hutchings/MetalTalk
The set is live-streamed on her Facebook page, so should you be curious, you may well find it there or on YouTube. She is joined by some fellow students on horn, violin and piano, whilst Maiah plays harp guitar, banjo and cigar box.
She is endearing, with a lovable chuckle that masks any nerves. She is great at interacting with the audience, encouraging whoops and boos, especially on the song Monster, “a song about an evil Ex.”
What is impressive is her musical ability. She starts with piano before moving to the stringed instruments. She jokes about losing pieces of equipment and then demonstrates this by losing her capo several times during the set.
Songs from the new album are beautifully delivered, and she tells how Lifeson sent her guitar parts for two songs (Another Step and Don’t Wait) whilst between shows on the R50 tour. She also laughs as she says he continues to send her refined versions, not having the heart to tell him the album is now released.
Maiah Wynne – Piano Smithfield, London – 14 October 2026. Photo: Paul Hutchings/MetalTalk
There are a couple of covers in the set. A mash-up of Maneater and I Was Made for Lovin’ You should not work but does, whilst her stunning version of Creep thrills the assembled audience. This was the track that got Curran’s attention several years ago.
After thanking everyone involved, it is time for the final song, and it is the politically charged Girl Driver that draws the final deserved applause.
Maiah is a true talent, and whilst she is in London, she will no doubt play some more shows. She will also be part of RUSHfest Scotland 2027 in March, spread across the Canadians double date in Glasgow. For a final sign-off, this was as good as it gets.
Iconic punk rock royalty, Blondie are back with “High Noon”, their long-awaited twelfth studio album and first collection of new material in nine years, set to be released February 26, 2027 via BMG. The first single, infectious album opener “Spectral Eyes”is out now. Pre-order/save “High Noon” HERE. Listen to “Spectral Eyes”HERE.
For “High Noon”, Blondie once again open the door to a broad mix of sounds, ideas and collaborators. Rock & roll and punk sit alongside dance music and Latin rhythms, with contributions from Johnny Marr, Glen Matlock, Zach Condon of Beirut, Jess Wolfe and Holly Laessig of Lucius and others woven throughout the album.
“High Noon”also marks the final recording of Blondie co-founding drummer Clem Burke. At the outset of recording, the band had no way of knowing the significance the album would later carry. Following Burke’s passing, the record has taken on additional meaning for the band and serves as a document of one of rock music’s longest-running creative partnerships. “This album is classic Blondie – an amalgamation of all our different influences and eras into something new,” says Debbie Harry. “This music feels grounded in the present, shaped by who we are and how we’re living now.”
“It’s been a long, strange ride, and somehow here we are with another Blondie album,” says Chris Stein. “I’m not sure what the fuck I’m supposed to say at this point, except that we’re incredibly grateful for all your support over the years.”
Leading “High Noon”is the driving “Spectral Eyes”, written by Johnny Marr, who also contributes guitar to the song. The song pairs crystalline riffs with a steady beat and a bright, hypnotic chorus, setting the tone for the album to follow. Energetic, enigmatic and unmistakably Blondie, ‘Spectral Eyes’ finds the band doing what they have always done best: stretching their sound without losing sight of what makes it their own.
Sessions for “High Noon”began in 2022, with the band recording in New York City alongside producer John Congleton [St. Vincent, The War On Drugs, The Killers], who previously worked with Blondie on their critically acclaimed 2017 album Pollinator. Much of the material was tracked together in the same room, reflecting the collaborative approach that has long defined the band. David Wrench [Florence and the Machine, Jamie XX, Frank Ocean, Bon Iver] later joined for additional production and mixing.
The visual world of “High Noon”was conceived by artist and director Rob Roth, who has collaborated creatively with Blondie for more than 25 years, dating back to 1999’s No Exit. For “High Noon”, Roth mixes cinematic imagery, analog textures and contemporary references into a visual language that draws on Blondie’s history without being bound by it. That world will continue to unfold through the album’s visuals, including an upcoming short film created and directed by Roth, featuring music from “High Noon”.
“I wanted to create something unexpected, but something that still feels quintessentially Blondie,”says Roth. ““High Noon” exists in its own world – somewhere between the past, present and future. There are references to different eras and the band’s history, all mixed together to create something that feels both familiar and new.”
That same interplay between past and present also runs through the music itself. Highlights include ‘Heartbreak Kid’, written by Chris Stein with Johnny Thunders in mind, looks back toward the band’s downtown New York roots, while ‘Sleepwalking’, written by Glen Matlock, brings a gritty punk energy.‘Man Who Had No Face’, written by Stein and Harry, pairs pulsating keys and electric guitar with one of Harry’s most vivid lyrics on the record. The band also revisits‘Little Metal Drummer’originally recorded by Blondie co-founding keyboardist Jimmy Destri for his solo debut ‘Heart On A Wall’, with both Harry and Clem Burke having performed on the original recording.
More than fifty years after emerging from New York’s downtown music scene, Blondie continue to reach new generations of artists and audiences, and their influence extends beyond music into fashion, film, art and popular culture. “High Noon”shows why: the band remains as curious and open to new ideas and sounds as they have been from the beginning.
“High Noon”will be available on black vinyl and CD, with a limited-edition crystal clear ecovinyl available at select retailers. The official Blondie stores will also offer an exclusive limited-edition red vinyl and cassette, along with merchandise bundles.
1. Spectral Eyes 2. Heartbreak Kid 3. Come Back Home 4. Tambo Tambo 5. Man Who Had No Face 6. The End 7. Little Metal Drummer 8. Sleepwalking 9. Whistle Into The Wind 10. Antifreeze 11. East of Eden 12. Bad Underwear 13. Ah, Sunflower, Weary of Time
North Carolina is now attracting more Americans from other states than Texas or Florida. Between July 2024 and July 2025, it gained 84,000 more residents through domestic migration than it lost, according to state population figures. That is a lot of people packing up their homes and deciding to start somewhere new.
For someone tired of paying New York prices for a small apartment, the prospect of buying a three-bedroom house with a garden can be tempting. Add milder winters, growing cities, beautiful mountains, and Atlantic beaches, and North Carolina starts looking like a serious alternative.
Of course, not everyone is arriving for the same reason. Some are following job opportunities in Raleigh or Charlotte. Others want a quieter place to raise children, and retirees are interested in spending their later years somewhere with less severe winters.
Housing has become more expensive in popular neighborhoods, and life here comes with expenses that newcomers do not always anticipate. Still, the number of people relocating suggests North Carolina has become one of the most desirable places to settle in America.
North Carolina Is Attracting More New Residents Than Texas And Florida
The North Carolina Office of State Budget and Management reported that the state gained 84,000 residents through net domestic migration between July 2024 and July 2025. Texas gained around 67,000 during the same period, while South Carolina gained 66,000.
North Carolina has gained 477,000 residents through migration from other states since the 2020 Census. Its total population reached 11.2 million in July 2025, making it the ninth most populous state in the country.
Many people are arriving from states where housing costs consume a large share of household income. Someone selling a property in New York, New Jersey, or California may find a house in North Carolina that offers more space without requiring an equally large mortgage.
Employment is another reason. Charlotte has a major financial services industry, while Raleigh and the surrounding Research Triangle have attracted employers in technology, healthcare, pharmaceuticals, and research.
North Carolina also gives people several choices about where to settle. A family can buy a suburban home outside Raleigh, a retiree can choose a smaller town near the mountains, and someone who loves the ocean can look for property around Wilmington.
Unfortunately, the growing population is putting pressure on some of the same things that attract newcomers. Traffic has increased in developing suburbs, popular neighborhoods have become expensive, and some once-small communities have changed considerably.
Raleigh And Charlotte Are Two Of The Biggest Reasons People Move Here
Charlotte’s Lynx Blue Line light rail connects Uptown with South End, NoDa, and the University City area, giving residents an alternative to driving.
Raleigh and Charlotte are roughly two and a half hours apart by car, but they offer very different experiences.
Raleigh Has Jobs, Universities, And Family Neighborhoods
Raleigh is particularly popular with people who work in technology, research, education, and healthcare. North Carolina State University is located in the city, with Duke University in nearby Durham and the University of North Carolina at Chapel Hill completing the famous Research Triangle.
Research Triangle Park has been an important employment center for decades. Companies involved in software, biotechnology, pharmaceutical research, and engineering have offices and facilities in the region.
Families also appreciate having access to parks, shopping centers, restaurants, and suburban neighborhoods. Cary, Apex, and Holly Springs are among the communities that people consider when they want to live near Raleigh without staying in the city center.
However, housing prices in desirable parts of Wake County are substantially higher than the North Carolina average. A family expecting to buy a large house for very little money may need to consider smaller towns farther from major employment centers.
Charlotte Has Big-City Entertainment And Career Opportunities
Charlotte appeals to people who want a busy urban environment but are not interested in the housing costs associated with New York or San Francisco.
Bank of America is headquartered here, and financial services remain an important part of the local economy. The city also has professional sports teams, concert venues, breweries, and a growing restaurant scene.
Residents can attend Carolina Panthers games, watch the Charlotte Hornets, or explore the restaurants and bars in neighborhoods such as South End and NoDa.
Charlotte is also closely connected to NASCAR. Several racing teams and motorsport businesses operate in the surrounding area, especially around Mooresville and Concord.
For music fans, Charlotte attracts touring artists and hosts concerts at venues such as the PNC Music Pavilion and Spectrum Center. Living near a major concert market is an advantage for people who previously had to travel to another city to see their favorite performers.
How Much Does A House Cost In North Carolina In 2026?
A 20% down payment typically allows buyers with conventional mortgages to avoid private mortgage insurance (PMI), potentially reducing monthly housing costs
The statewide figure is below the national typical home value of $366,157, but prices rise considerably in popular cities and suburbs.
Raleigh had a typical home value of $424,663 in September 2026, while Charlotte stood at $389,648. Some established neighborhoods and desirable suburbs cost much more.
Location
Typical Home Value In September 2026
North Carolina
$332,159
Raleigh
$424,663
Charlotte
$389,648
United States
$366,157
A buyer with $350,000 to spend may have plenty of choices in a smaller inland city but a much shorter list in a popular Raleigh suburb.
Housing prices also depend on the type of property. A townhouse with a small outdoor area may cost substantially less than a detached house with four bedrooms, a garage, and a large backyard.
What A $350,000 Home Could Cost Each Month
Suppose you buy a house for $350,000 and make a 20% down payment. You would pay $70,000 upfront and take out a mortgage for the remaining $280,000.
With a hypothetical 30-year fixed mortgage at 6.5% interest, principal and interest would cost about $1,770 per month.
Property taxes, homeowners insurance, utilities, and maintenance would come on top of that payment. Some developments also charge homeowners association fees for shared facilities and neighborhood services.
Buying a larger home for less money than your previous property sounds attractive, but the final monthly expenses are what determine how much you actually save.
North Carolina Has Beaches, Mountains, And Plenty To Do Outdoors
One weekend you could be walking through the Blue Ridge Mountains, and another you could be spending the afternoon on an Atlantic beach. North Carolina has both, along with lakes, rivers, forests, and several attractive small towns.
Asheville And The Blue Ridge Mountains
Asheville is known for mountain scenery, independent restaurants, breweries, and a lively arts and music community.
The Blue Ridge Parkway provides access to scenic overlooks and hiking areas, while nearby towns such as Brevard and Black Mountain appeal to people who prefer smaller communities.
Autumn is particularly popular because the mountain forests turn shades of red, orange, and yellow. Residents who enjoy hiking, photography, and scenic drives have plenty of places to explore.
Mountain living has practical challenges, including winding roads, colder winters at higher elevations, and flood risks in certain valleys.
The Blue Ridge Mountains are part of the Appalachian Mountains, one of the oldest mountain ranges in North America.
Wilmington And The Coast
Wilmington offers a combination of historic streets, waterfront restaurants, and nearby beaches.
Wrightsville Beach and Carolina Beach are popular destinations for swimming, fishing, boating, and spending time near the ocean. Further north, the Outer Banks offer long stretches of coastline and smaller beach communities.
Living near the coast is very different from spending a week there on vacation. Hurricanes, flooding, salt air, and insurance expenses all influence the cost of owning property.
Lake Norman And Other Waterfront Communities
Lake Norman, just north of Charlotte, is attractive to people who enjoy boating and waterfront recreation.
Mooresville, Cornelius, and Davidson have residential areas close to the lake, with restaurants and shopping within reach.
Waterfront properties can be expensive, especially homes with private docks. Even without direct water access, nearby residents can enjoy marinas, parks, and restaurants overlooking the lake.
Some Famous Musicians And Celebrities Have Called North Carolina Home
North Carolina has produced some remarkable musicians, athletes, and entertainers. A few still live there, while others have strong connections through their childhood or careers.
Dale Earnhardt Jr. Lives In Mooresville
NASCAR star Dale Earnhardt Jr. is one of the best-known celebrities with a publicly confirmed home in North Carolina.
According to his official biography, Earnhardt lives in Mooresville with his wife, Amy, and their two daughters.
He won the Daytona 500 twice and became one of the most popular drivers in NASCAR history. Mooresville is a natural home for someone involved in motorsport, with racing teams and related businesses operating throughout the surrounding region.
J. Cole Has Never Forgotten Fayetteville
Rapper J. Cole grew up in Fayetteville, and his hometown has appeared repeatedly in his music.
His album 2014 Forest Hills Drive takes its name from his childhood address, making his North Carolina upbringing a central part of one of his most successful releases.
Cole has also maintained connections to the state through Dreamville projects and the Dreamville Festival in Raleigh. His present primary residence is not publicly confirmed, so his documented association is with his hometown and ongoing professional connections.
Luke Combs Grew Up In Asheville
Country singer Luke Combs grew up in Asheville and attended Appalachian State University in Boone before pursuing his music career.
His rise from North Carolina student to major country music star has kept his upbringing in the public eye.
Combs has also lived and worked in Tennessee, so North Carolina roots should not automatically be taken as proof of current residence.
James Taylor And The North Carolina Music Connection
James Taylor spent much of his childhood in Chapel Hill. His song “Carolina in My Mind” became one of the most recognizable musical tributes to the state.
Other major musicians associated with North Carolina include Nina Simone, who was born in Tryon, and John Coltrane, who grew up in High Point.
North Carolina has contributed to American music across jazz, soul, folk, country, and hip-hop. Its musical history is an attraction in its own right for people who enjoy visiting recording landmarks, museums, and live performances.
Living In A Larger House Can Be Wonderful, But Maintenance Costs Add Up
The National Association of Home Builders estimates that annual maintenance costs tend to increase as homes age, making older properties more expensive to maintain
A bigger house means more cleaning, larger utility bills, and additional repairs. Anyone moving from an apartment to a detached home should consider the cost of maintaining the roof, heating and cooling equipment, driveway, and outdoor areas.
North Carolina summers can be hot and humid, which puts air conditioning systems to work for much of the season. Older equipment may need repairs or replacement, especially in houses that have not been maintained carefully.
Heavy rain can also expose drainage problems. Gutters need cleaning, water should drain away from the foundation, and trees close to the house may require professional trimming.
Before purchasing a home, ask about the age and condition of the roof, HVAC system, and water heater. A house that appears inexpensive can become costly if several major repairs are needed soon after moving in.
Make The Backyard A Place For Barbecues And Relaxing Evenings
One of the pleasures of having more outdoor space is being able to arrange it around the way you spend your free time.
A patio with a barbecue grill, outdoor table, and comfortable chairs is ideal for weekend meals with friends. Shade from a pergola or mature tree can make the space easier to use during hot summer afternoons.
Some homeowners add fire pits, small ponds, fountains, or outdoor kitchens. A pond can look beautiful among plants and stone pathways, although pumps, filters, and water quality need regular attention.
Outdoor lighting can also make a garden more inviting after sunset. Low-voltage path lights and carefully positioned fixtures help illuminate seating areas without flooding neighboring properties with unnecessary light.
Choose plants that suit North Carolina’s climate and the amount of sunlight in your yard. Native plants suited to the local soil and growing conditions can reduce watering and maintenance compared with more demanding ornamental species.
Larger gardens still need attention throughout the year. Grass grows quickly during warmer months, autumn leaves require cleanup, and shrubs need pruning to keep paths and seating areas accessible.
Wildlife Can Also Visit Your Garden
If you live in the Piedmont near Greensboro, Durham, or Chapel Hill, you might occasionally see white-tailed deer wandering through the yard. Watching them can be enjoyable, but they can also eat flowers, young shrubs, and vegetable plants.
Fencing and repellents can help protect expensive landscaping, while professional services such as Deer Control Piedmont Nc offer another option for homeowners dealing with repeated deer damage.
North Carolina Has Milder Winters, But Summers Can Get Very Hot
People arriving from northern states tend to appreciate North Carolina winters. Many areas have fewer days of freezing temperatures than cities in the Northeast or Upper Midwest.
However, summer weather can take some getting used to. Raleigh and Charlotte experience hot, humid conditions, particularly during July and August.
Residents with children or pets may prefer outdoor activities during the morning or evening when temperatures are lower. Gardens also need attention during dry spells, especially newly planted areas.
The weather varies considerably across the state. Higher elevations in the mountains are cooler and receive more winter snow, while the coastal region is exposed to hurricanes and tropical storms.
Before buying a property, investigate local flood risks, storm exposure, and insurance costs. Two houses in the same county can have very different exposure to water damage.
Taxes And Everyday Expenses Are Worth Comparing Before Moving
North Carolina’s individual income tax rate is 3.99% for 2026. Under legislation approved in July 2026, the rate is scheduled to fall to 3.49% in 2027, according to the North Carolina General Assembly.
However, income tax alone will not determine how expensive your life becomes after relocating.
Property taxes vary by county and municipality, and insurance premiums depend on the type of home and its location. Coastal properties may have additional insurance requirements because of storm exposure.
Transportation is another expense. People moving from cities with extensive public transit may discover that living in suburban North Carolina requires one or two cars.
Longer commutes mean additional spending on fuel, insurance, repairs, and vehicle replacement. A cheaper house located far from work can become less attractive after calculating the cost of driving every day.
Families should also compare childcare prices, healthcare access, and school enrollment arrangements before deciding where to settle.
Where In North Carolina Should You Consider Living?
North Carolina has 100 counties, offering newcomers a wide range of urban, suburban, and rural communities to choose from.
Raleigh and Charlotte attract plenty of newcomers, but smaller cities are worth exploring if housing affordability is a priority.
City
What Residents Enjoy
Potential Drawbacks
Raleigh
Technology jobs, universities, restaurants, family neighborhoods
Higher housing costs in popular areas
Charlotte
Corporate jobs, professional sports, concerts, nightlife
Traffic and long suburban commutes
Durham
Healthcare employment, Duke University, restaurants and arts
Expensive housing in desirable neighborhoods
Greensboro
More affordable housing and access to the Piedmont region
Smaller employment market than Raleigh or Charlotte
Winston-Salem
Arts, established neighborhoods, universities
Fewer major-city entertainment choices
Wilmington
Beaches, boating, waterfront restaurants
Storm exposure and coastal insurance expenses
Asheville
Mountains, breweries, music, outdoor recreation
Expensive housing and mountain weather risks
Greensboro and Winston-Salem may appeal to buyers hoping to find more affordable houses while remaining within driving distance of larger cities.
Asheville is attractive to people who enjoy hiking and mountain scenery. Wilmington is a natural choice for those who want access to beaches and boating.
Spending a few days in a neighborhood before purchasing is useful. Visit local supermarkets, explore the streets after dark, and try driving to the places you would use regularly.
Real estate photographs rarely tell you how noisy a road becomes during rush hour or how long it takes to reach the nearest hospital.
Final Thoughts
North Carolina can still offer more living space for the money than many expensive parts of the United States. Someone selling a home in New Jersey or California may be able to buy a larger property and reduce monthly housing expenses.
However, Raleigh and Charlotte have become established destinations, and desirable neighborhoods are no longer inexpensive.
People who want to spend less should also consider smaller cities and towns. Lower purchase prices can make a significant difference, provided local employment, healthcare, and commuting arrangements suit the household.
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The band, featuring Iron Maiden bassist Steve Harris, previously played a five-night residency at the venue in 2025. The forthcoming run follows their extensive UK headline tour and takes them back to a venue closely associated with Iron Maiden’s early history.
“We’re really happy to be coming back to the Cart & Horses for six nights in December,” Steve Harris said. “We’ve had some fantastic shows there over the years, and it’s always great to get back to such an important venue for Iron Maiden’s history. We’re looking forward to seeing everyone there!”
Support comes from Albion, whose line-up features current Jethro Tull guitarist Jack Clark and former Jethro Tull guitarist Joe Parrish-James, who left the group to concentrate on Albion. Harris is a longtime Jethro Tull fan, adding another connection to the six-show bill.
British Lion – London Christmas Residency 2026
December
Cart & Horses, London1 Maryland Point, London E15 1PF
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The
Event Details
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The band, featuring Iron Maiden bassist Steve Harris, previously played a five-night residency at the venue in 2025. The forthcoming run follows their extensive UK headline tour and takes them back to a venue closely associated with Iron Maiden’s early history.
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The
Event Details
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The band, featuring Iron Maiden bassist Steve Harris, previously played a five-night residency at the venue in 2025. The forthcoming run follows their extensive UK headline tour and takes them back to a venue closely associated with Iron Maiden’s early history.
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The
Event Details
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The band, featuring Iron Maiden bassist Steve Harris, previously played a five-night residency at the venue in 2025. The forthcoming run follows their extensive UK headline tour and takes them back to a venue closely associated with Iron Maiden’s early history.
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The
Event Details
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The band, featuring Iron Maiden bassist Steve Harris, previously played a five-night residency at the venue in 2025. The forthcoming run follows their extensive UK headline tour and takes them back to a venue closely associated with Iron Maiden’s early history.
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The
Event Details
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The band, featuring Iron Maiden bassist Steve Harris, previously played a five-night residency at the venue in 2025. The forthcoming run follows their extensive UK headline tour and takes them back to a venue closely associated with Iron Maiden’s early history.
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The
Event Details
British Lion will return to London’s Cart & Horses in Stratford for six consecutive Christmas shows from 13 to 18 December 2026, with Albion joining them as special guests. The band, featuring Iron Maiden bassist Steve Harris, previously played a five-night residency at the venue in 2025. The forthcoming run follows their extensive UK headline tour and takes them back to a venue closely associated with Iron Maiden’s early history.