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Yimes’ Evening Creek unfolds with a quiet grandeur, a cinematic post rock piece that breathes rather than speaks. Warm guitar swells and drifting piano lines move in slow currents, gradually revealing a landscape shaped by patience and emotional depth. Subtle details, including the delicate touch of Wilco’s Pat Sansone, add a human warmth to its expansive core. The track builds without urgency, reaching a gentle yet powerful release that feels earned rather than imposed.

Evening Creek exists somewhere between memory and horizon, a reflective, slow-burning journey that lingers long after it fades.

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Sphirus’ Abyssal Drift unfolds like a slow descent into the unknown, guided by hypnotic rhythms and a carefully sculpted sense of depth. Layers of atmospheric textures emerge and recede with quiet precision, creating a fluid motion that feels both weightless and heavy. The track balances tension and calm with subtle control, never rushing, always evolving. There is a haunting stillness at its core, as if suspended in a vast, endless space.

Abyssal Drift does not demand attention, it gradually absorbs it, pulling the listener deeper into its immersive, shadow-lit world.

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The post William Shatner to team up with Rob Halford for reimagined version of “You’ve Got Another Thing Comin’” first appeared on Sleaze Roxx.

MNTN GOAT’s The Witch crawls out of the shadows with a thick, swampy presence, where fuzz-drenched riffs coil around a hypnotic, ritualistic groove. The track feels less like a song and more like an invocation, driven by raw, unfiltered energy and a sense of looming tension. Guitars snarl and smolder while the rhythm section locks into a slow-burning pulse that refuses to break. There is something primal at its core, equal parts menace and seduction.

The Witch thrives in its own darkness, pulling listeners into a hazy, nocturnal trance that lingers long after the final note.

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Tommy Douglas Keenan’s Rockinghorse feels like a faded myth replaying in slow motion, a mock cowboy epic where illusion and self-perception quietly blur. Ghostly vocals hover above spacious, drifting guitars, creating a sense of distance that is both cinematic and deeply personal. There is a playful irony embedded in its core, yet it never undercuts the emotional weight beneath. The track sways between sincerity and subtle satire, like a lone figure romanticizing their own reflection.

Rockinghorse lingers as a hazy, offbeat tale where nostalgia, humor, and quiet melancholy coexist.

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Last month, Sylosis released their career-defining record The New Flesh. The album is a towering testament to destructive riffing, incisive melody and refined brute force. The band’s seventh full-length offering is a powerful showcase for the state of Sylosis in 2026: lethal, uncompromising, and avowedly metal as all hell. Now they have released the live […]

Maxton Hunter’s Dhara Drone unfolds like a slow horizon, expansive and deeply immersive, where time feels stretched and softened at the edges. Rooted in a glowing D major tonal space, the piece blends gentle field recordings with the aching beauty of Joe Harvey-Whyte’s pedal steel, creating a fluid dialogue between earth and atmosphere. There is no urgency here, only gradual transformation, as textures drift, overlap, and dissolve into one another.

The result is quietly transportive, a meditative passage that invites stillness while subtly reshaping your sense of space and presence.

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Lucie Antunes’ Parkour is pure motion translated into sound, a restless, pulse-driven composition that never stands still. Built on hypnotic arpeggios and tightly wound percussion, the track evolves like a body in constant movement, shifting, accelerating, recalibrating. There is a cinematic tension running throughout, a sense of urgency that feels both mechanical and instinctive. Dark electronic textures flicker in and out, adding depth and a subtle retro-futuristic glow.

Parkour surges forward, capturing the thrill of momentum and the beauty of controlled chaos in a finely tuned sonic rush.

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Portrayal of Guilt have toured the world over, creating their own musical eco-system and released three seminal full-length albums that have seen the Austin trio consecutively reinvent themselves. They’ve done it in a manner that avoided compromise, welcomed free experimentation and avoided labels outside of “menacing,” “compelling” and “must hear.” …Beginning of the End, their […]

Beloved Ohio emo veterans Hawthorne Heights have announced local supports for their return to Australia next month to celebrate 20 years of their seminal album If Only You Were Lonely. Alternative rockers Heaven//Alone will open festivities in Perth, before passing the baton to post-hardcore band Tapestry, who will warm crowds in Adelaide, Melbourne, Sydney and […]