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  • ANVIL Pounding The Past 2026 USA & Canada | Dates, Cities & Venues Listed

    Anvil Pounding The Past Tour/USA & Canada 2026
    Performing all the favorites from their first Four Classic albums! Midnite Hellion supports.

    6/03 – Rochester, NY @ Pineapple Jack’s

    6/04 – Lakewood, OH @ The Foundry

    6/05 – Chicago, IL @ WC Social Club

    6/06 – St. Louis, MO @ Off Broadway

    6/07 – Lawrence, KS @ Bottleneck

    6/10 – Austin, TX @ Come And Take It Live

    6/12 – El Paso, TX @ Rockhouse

    6/13 – Tucson, AZ @ Club Congress

    6/14 – Las Vegas, NV @ The Tuscanny

    6/17 – San Diego, CA @ Brick By Brick

    6/18 – Los Angeles, CA @ The Moroccan Lounge

    6/19 – Palmdale, CA @ Transplants Brewing

    6/20 – Santa Rosa, CA @ Arlene Francis Center

    6/21 – Sacramento, CA @ Cafe Colonial

    6/24 – Portland, OR @ Dante’s

    6/25 – Seattle, WA @ El Corazon

    6/26 – Chilliwack, BC @ The Chill House

    6/27 – Vancouver, BC @ Astoria

    6/28 – Victoria, BC @ The Phoenix

    7/01 – Calgary, AB @ Palomino

    7/02 – Edmonton, AB @ The Dive Bar

    7/03 – Saskatoon, SK @ Black Cat Tavern

    7/05 – Winnipeg, MB @ The Park Theatre

    7/08 – Minneapolis, MN @ 7th St Entry

    7/09 – Madison, WI @ Crucible

    7/10 – Indianapolis, IN @ Black Circle

    7/11 – Toledo, OH @ Frankies Inner City

  • Vinnie Vincent Is Selling His New Album For $2 Million And The Terms Are Wild

    vinnie-vincent-2026

    Is Vinnie Vincent Really Selling His New Album For $2 Million?

    Yes. Vinnie Vincent has announced that the new Vinnie Vincent Invasion album Guitarmageddon is available for purchase — but only as a complete master package priced at $2 million.

    TL;DR

    • Vinnie Vincent has announced his long-awaited Guitarmageddon album.
    • The full album is being sold for $2,000,000 in master format.
    • Buyers receive master recordings, artwork files, and packaging materials.
    • Individual songs can also be purchased for $200,000 each.
    • The album marks the first new Vinnie Vincent Invasion music since 1996.

    A $2 Million Album Is Turning Heads Across Rock And Metal

    There are expensive deluxe box sets — and then there’s whatever this is.

    Former Kiss guitarist Vinnie Vincent has revealed that his long-awaited new album Guitarmageddon is finally available, but fans won’t find it on streaming platforms or record store shelves.

    Instead, Vincent is offering the entire album as a master-format purchase priced at $2,000,000.

    According to Vincent, the buyer would receive the final mastered recordings along with the album’s complete artwork and packaging materials.

    What Buyers Actually Get For $2 Million

    The package includes 10 fully mixed songs in master format, along with a variety of production materials tied to the album.

    Vincent says the purchase includes:

    • All master recordings of the ten songs
    • Final artwork files and promotional materials
    • Posters and visual assets
    • Ten separate vinyl and CD packaging designs

    The buyer would also receive a perpetual license to use the brand names “Vinnie Vincent” and “Vinnie Vincent Invasion” for the life of the album.

    However, Vincent clarified that the purchase does not automatically include ownership of copyrights or trademarks, which would require a separate negotiation.

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    Rock Guitarist Vinnie Vincent

    Individual Songs Can Also Be Purchased

    If two million dollars feels a bit steep, Vincent has also outlined a second option.

    Each individual song from Guitarmageddon can be purchased separately for $200,000, under essentially the same terms as the full album deal.

    According to Vincent’s announcement:

    • Payment is expected via PayPal
    • Buyers will receive a hard drive containing the master files
    • The files will ship within two weeks of purchase
    • The sale operates under a “no refunds, no returns” policy

    Vincent also retains approval over any marketing plans if the buyer decides to release the material publicly.

    The Album Has Been Decades In The Making

    Vincent described Guitarmageddon as a project he has been developing for a long time.

    “It’s been a long time in the making,” he said while announcing the album. “I am very proud of this very special album.”

    The release is notable because it represents the first new music from the Vinnie Vincent Invasion since 1996.

    That year saw the band release the Euphoria EP, which remains their last official collection of new material.

    The Announcement Comes After Another Pricing Controversy

    This isn’t the first time Vincent’s recent releases have sparked debate among fans.

    Earlier this year he defended the price of his single “Ride The Serpent,” which was offered for $225.

    That move generated considerable backlash online, with some fans criticizing the price point for a single track.

    Now, with Guitarmageddon priced at $2 million, the conversation has only grown louder.

    Why The Album’s Price Is So Unusual

    Music history has seen plenty of strange release strategies — from ultra-limited vinyl runs to experimental digital launches — but Vincent’s approach pushes things even further.

    Rather than selling the album traditionally, he’s essentially offering it as a master recording investment, allowing a buyer to control how and when the material is released.

    It’s an unusual hybrid between an art sale, a licensing agreement and a music release.

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    Fans Are Divided Over The Strategy

    Reaction online has been mixed.

    Some longtime followers of Vincent’s work see the move as a bold attempt to control his own catalog and distribution.

    Others view the pricing as unrealistic and disconnected from how music is typically released today.

    Either way, the announcement has done something very effectively — it has people talking about Vinnie Vincent again.

    And in the modern music landscape, attention can be just as valuable as sales.

    So the real question is this: Is this a genius marketing move… or the strangest album release strategy in rock history?

    And if you have 2 million laying around and want to purchase said album for yourself, simply go to this location.

    Vinnie Vincent Invasion – Guitarmageddon tracklisting

    1. Invincible (Master Series)
    2. Heavy Metal Poontang (Master Series) 
    3. Cockteazer (Master Series)
    4. Rocks On Fire (Master Series Version 1) 
    5. Youngblood (Master Series) 
    6. Euphoria (Master Series) 
    7. Full Shredd (Master Series) 
    8. Get The Led Out (Master Series) 
    9. Wild Child (Master Series) 
    10. Ride The Serpent (The Master Series)

    vinnie-vincent-invasion-guitarmageddon

    FAQ

    What Is Vinnie Vincent’s New Album Called?

    The album is titled Guitarmageddon and is credited to the Vinnie Vincent Invasion.

    How Much Does The Album Cost?

    The full master package is priced at $2,000,000.

    Can Individual Songs Be Purchased?

    Yes. Each song from the album can be purchased separately for $200,000.

    When Was The Last Vinnie Vincent Invasion Release?

    The band’s previous release was the Euphoria EP in 1996.

    Vinnie Vincent Bio

    Vinnie Vincent rose to prominence in the early 1980s as the lead guitarist for Kiss during the band’s transition into its non-makeup era. After leaving Kiss, Vincent formed the Vinnie Vincent Invasion, releasing several albums that became cult favorites among hard rock fans.

    The post Vinnie Vincent Is Selling His New Album For $2 Million And The Terms Are Wild appeared first on Loaded Radio.

  • MONSTROSITY Presents “Banished to the Skies” Video

    “A strong contender for the title of Death Metal Album Of The Year!” – Rock Hard Germany “Seven and a half years after The Passage Of Existence, MONSTROSITY are as aggressive as ever: their blast beats pound, doom passages shake you to your core, and riffs cut deep.” – Metal Hammer Germany “MONSTROSITY are doing the aging […]

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  • French Metal Force, SINS OF SHADOWS, Releasing ‘The Last Frontier’ in May!

    French Heavy Metal band, Sins of Shadows, are set to release their third full-length album! The Last Frontier, which features Tasos Lazaris on vocals, will be released on May 5. More direct and heavier than its predecessors, the album reflects the band’s evolution toward a sharper, more dynamic, yet still melodic sound, but with a renewed sense of urgency. A […]

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  • GODSTICKS – “Void” (Album Review)

    British quartet Godsticks have been a major part of the modern heavy/crossover prog rock scene since they first emerged nearly 20 years ago. With their distinctive rhythmic peculiarities, biting guitarwork and unmistakably world-weary singing and songwriting, it’s not hard to hear why their initial full-length records have been so widely embraced. Unsurprisingly, their seventh LP – VOiD – fits neatly into their catalog by maintaining what’s worked so well thus far (debatably to a fault).

    Billed as their “darkest, heaviest, and most uncompromising album to date,” VOiD focuses on “a disillusionment with a world increasingly defined by division, ideological rigidity, and the loss of nuance.” It also “documents a conscious withdrawal from the noise – a retreat into a personal void,” and interestingly, it marks the debut of Francis George (who replaces longtime bassist Dan Nelson). However moderate those changes and additions may be, though, the record generally offers more of the same (so your mileage may vary).

    It’s no wonder why “M.I.A.” was chosen as both the opener and lead single of the sequence, as it’s one of Godsticks’ most engaging and abrasive tracks in quite some time. Fueled by djent-esque rhythms and demoralized contemplations, its examination of the nagging “voice in your head that goes under various guises such as ‘inner critic’ or ‘inner monologue’” (as frontman Darran Charles explains) is immediately likeable and relatable. It’s especially strong lyrically, and poetic sentiments such as “Why can’t I remove them / I need to repair / I don’t want the sorrow / They’re giving me to share” will certainly strike a chord with anyone who’s plagued by self-doubt.

    By and large, the collection sticks to the band’s fluidly flowing in-your-face attitude until the end, yet most tracks offer something to keep things at least a bit fresh. For instance, the gruff “Hold Back” and “Torn Again” double down on hyperactively sharp guitarwork in interesting ways; “Can’t Withstand” emphasizes electronic accentuations and rich backing vocals; and “Watch It Burn” borders on the illustrative progressive metal fury of, say, Dream Theater and Symphony X.

    Although there are no wholly gentle songs included in the set, a few pieces are considerably lighter and overtly multilayered.

    Specifically, “Master of a Plan” approaches the moodier and more dynamic side of The Pineapple Thief and Porcupine Tree (in the 2000s, at least). The highlight of the whole album – and perhaps of the group’s entire history – is the two-part suite “Talking Through Walls.” A deeply engrossing odyssey bolstered by haunting harmonies and anxiety-inducing soundscapes, it’s a triumph of pacing as well because of how it evolves from quiet tension to tumultuous yet cathartic jam.

    Compared to its predecessors, VOiD arguably unfolds with extra cohesiveness and nuances to discover with deeper listening. Nevertheless, it’s basically the same Godsticks you’ve been hearing – and presumably enjoying – since 2015’s Emergence (which kickstarted their move away from warmer psychedelic/folk tapestries and toward colder and more chaotic arrangements). Consequently, it’s nearly impossible not to feel like you’ve heard VOiD several times before.

    As previously mentioned, your enjoyment of VOiD will depend almost entirely on how fresh or overly familiar you find Godsticks’ current formula. If the prior few records appealed to you, there’s no reason to think that this one won’t as well (and maybe even a bit more); if you’re not as keen on them, this one probably won’t bring you back to the camp, and regardless of how enjoyable it is in its own right, VOiD proves that Godsticks really need to shake things up when the return in two or three years.

    Release Date: March 27th, 2026
    Record Label: Kscope
    Genre: Heavy / Crossover Progressive Rock

    Musicians:

    • Darran Charles / Vocals, keys
    • Tom Price / Drums
    • Gavin Bushell / Guitar
    • Francis George / Bass

    Void Tracklist:

    1. M.I.A.
    2. Hold Back
    3. Watch It Burn
    4. Master of a Plan
    5. Torn Again
    6. Can’t Withstand
    7. Ruthless Coward
    8. Talking Through Walls Pt. 1
    9. Talking Through Walls Pt. 2
    10. Hope Is Burning

    Order the album here.

    The post GODSTICKS – “Void” (Album Review) appeared first on Sonic Perspectives.

  • Unearth Confirm Their Summer 2026 European Tour

    Including shows with In Flames, Of Mice & men, The Ghost Inside & more.

    The post Unearth Confirm Their Summer 2026 European Tour appeared first on Theprp.com.

  • FATE UNBURIED – Italian prog death metal outfit unveil “Not Allowed” single

    Following the first glimpse offered by “Drain”, progressive death metal outfit FATE UNBURIED unveil their new single “Not Allowed,” the second track taken from the upcoming album “Neraspeme”, set for release this October via Time To Kill Records. The song moves through shadowy atmospheres and underlying tension, exploring the weight of unspoken words and silence as a form of mental confinement. Musically, “Not […]

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  • Avenged Sevenfold, Good Charlotte and A Day to Remember to Play One-Off Show in LA

    Avenged Sevenfold 13

    Move over, Hot Topic! We’ve got some new for the elder scene kids to cream over. Earlier today, a shared post on Avenged Sevenfold and Good Charlotte‘s Instagram pages revealed a throwback lineup for a seemingly one-off show worthy of drooling—it’ll be the two of them, along with A Day to Remember, though allegedly there will be more bands on deck.

    The post included this info on getting tickets in the caption:

    “A7X & GC Rewards Members with Early Access TicketPass & DBC can unlock exclusive access to request tickets, Tuesday, from 10AM – 10PM PT. Artist email list pre-sale starts Thursday, March 19, at 10AM PT. General on sale is Friday, March 20, at 10AM PT.”

    This Avenged Sevenfold, Good Charlotte, and A Day to Remember show will take place August 30 at the BMO Stadium in Los Angeles. Make sure you get tickets, because I’ve got a strange feeling that all the semi-retired scene kids (like myself) will be eating these tickets up once they go on sale.

    The post Avenged Sevenfold, Good Charlotte and A Day to Remember to Play One-Off Show in LA appeared first on MetalSucks.

  • Enter to Win Signed Vinyl + Concert Tickets From the Black Crowes

    We have your chance to win signed vinyl and concert tickets from the Black Crowes! Continue reading…
  • Blackened Death Metallers HEBEPHRENIQUE Release Decathexis Through Apocalyptic Witchcraft

    Australian blackened death metal band Hebephrenique tore their way into the underground consciousness with their 2024 EP, Non Compos Mentis – described by Noob Heavy as an “unflinchingly horrifying listen”. The band wasted no time in building on this shocking assault and in 2025 unveiled their full-length debut album, Decathexis – released in their homeland by Gutter Prince Cabal and Brilliant […]

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