Blog
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Night In Gales – Present ‘Emberfield Veil’ Single
In wake of their forthcoming studio album release Bitter Harvest, melodic death metallers Night In Gales stream a Simon Bossert-created lyric video for the first single called “Emberfield Veil”.
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Sorry Darling – Only Sky
Brooklyn-based rock outfit Sorry Darling unveiled their new EP, Mirrors, on 6 October, alongside a string of UK dates that will introduce audiences to the band’s evolving sound. Blending the melodic appeal of power pop with the edge and emotion of alternative rock, the four-piece have steadily built a reputation for crafting songs that are both deeply personal and instantly memorable.
At the heart of Mirrors lies the idea of projection, perception and emotional reflection. Named after the many ways a mirror can reveal, distort and redirect what we see, the three-track collection explores the challenge of truly understanding yourself and your place within a relationship. More than a thematic statement, the EP represents a significant creative turning point for the band.
Recorded with producer Mike Dwyer at The Bunker in Cairo, New York, Mirrors was born during the band’s first upstate recording retreat. Moving away from their familiar Brooklyn routine allowed the group to immerse themselves fully in the creative process, resulting in a record that captures a period of transformation both musically and personally.
According to the band, the EP serves as a bridge between their past and future. While earlier material often began as near-complete songs brought in by either Liz Wagner Biro or Steve Bailey, the writing process behind Mirrors became a far more collaborative affair. This shift has opened new creative possibilities and pushed the band’s sound into fresh territory.
That evolution is most evident on standout track “Only Sky.” Built around a haunting guitar and bass motif that draws from post-punk and gothic rock influences, the song combines atmospheric tension with an expansive, anthem-like vocal performance. The result is a darker, more forceful sound that hints at the direction of future releases while retaining the band’s gift for memorable hooks.
Listening to Mirrors, what stands out most is the band’s ability to balance accessibility with artistic growth. The hooks remain strong, but there is a newfound maturity in the arrangements and songwriting. “Only Sky” combines brooding textures with soaring melodies in a way that feels both ambitious and natural. The EP’s themes of reflection and self-examination are matched by a sound that is richer, darker and more dynamic than before. I love the pace and the mood of the song, with fantastic bass lines and a no-frills structure. Catchy, amazingly performed by the band and with the right sound for the genre. The song is part of the playlist Rock Rotation.
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Childhood Myths We Accepted as Absolute Fact (and Maybe Still Do)
Wishing at 11:11, lifting your feet over railroad tracks, and fearing Bloody Mary: the childhood myths and rituals we swore by. Continue reading… -
Icarus Fell – The Righteous Ones
Born from Detroit’s thriving underground music scene, Icarus Fell delivers a sound that is both powerful and deeply authentic. Blending hard-hitting Alternative Rock with the raw edge of their roots, the band refuses to chase passing trends, instead forging a distinctive identity all their own.
Their latest track, “The Righteous Ones”, showcases everything that makes Icarus Fell stand out. Driven by inspiring guitar work with a truly outstanding tone, memorable vocals, and a nostalgic rock spirit, the song balances high-energy performances with plenty of melody. Expert musicianship and a polished production elevate the track even further, making it an engaging listen from beginning to end.
“The Righteous Ones” is featured in the Rock Rotation playlist. Hit play on the Spotify player below and, if you enjoy what you hear, be sure to follow the band for more great music.
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Ghost’s Tobias Forge Resurrects Death Metal Band Repugnant After 20 Years—And Fans Can’t Believe Who’s on Vocals

Tobias Forge has brought Repugnant back from the dead, and he’s handed the microphone to someone else. The Stockholm death metal band the Ghost frontman formed in 1998 and buried in 2004 has released a new recording of ‘Premature Burial’, with a video Forge directed, for the horror anthology V/H/S Mixtape, now streaming on Shudder. Three original members are on it.
The vocalist is Erik Danielsson of Watain, the Swedish black metal band whose live shows involve actual blood, and Forge, who sang the original, is behind the camera instead of behind the mic.
STREAM THE METAL BREAKDOWN DAILY NOW:Scott Penfold breaks down the latest hard rock and metal news on today’s Metal Breakdown Daily. Download the free Loaded Radio App on Apple iOS and Google Play and stream the show now.
What Repugnant Just Released
The new ‘Premature Burial’ is Repugnant’s first new recording in two decades: a re-cut of a 2004 song, made for V/H/S Mixtape, with Gustaf Lindström on bass, Thomas Daun on drums, Gottfrid Åhman on guitar, Erik Danielsson on vocals, and Tobias Forge directing the video.
V/H/S Mixtape is the latest instalment of the found-footage horror franchise, and the song sits inside it; the video, credited to Forge as director on YouTube, is the band’s first since the reunion. The original ‘Premature Burial’ dates to 2004, the year Repugnant split, and it was Forge’s voice on it then. Lindström, Daun and Åhman are all former Repugnant members, and Lindström also played bass in an early version of Ghost, which makes this as close to the 2004 lineup as you can get without Forge singing.
Danielsson is the surprise. Watain are one of the bands that defined modern black metal’s extremity, on stage and off, and the idea of their frontman singing for the man who wrote ‘Mary On A Cross’ is the kind of Stockholm-scene crossover that makes sense only if you know both of them came up in the same rooms twenty-five years ago. He sounds right. That’s the part fans are arguing about.
LIVE & LOUD: Stream the World’s Hardest Radio Station 24/7Why Repugnant Matters To Ghost Fans
Repugnant are the band Forge was fronting before Ghost existed: formed in 1998, a run of singles and EPs, a split in 2004, and a posthumous album, Epitome Of Darkness, in 2006 that became a cult record in Swedish death metal.
Forge sang and played guitar, under a name that wasn’t Papa Emeritus yet, and the music was old-school Stockholm death metal in the Entombed and Nihilist line: buzzsaw guitars, no theatre. If you’ve only heard the Ghost catalogue, it’s startling. If you’ve heard the heaviest death metal records of the era, it fits right in. He briefly reformed the band in the early 2010s and shelved it again when Ghost took off.
He’s been candid about why it didn’t last the first time. ‘I don’t know if we were good enough or whatever,’ he said in a recent interview, before landing on the real reason: at 21, ‘I wasn’t mature. I wasn’t thinking. I wasn’t there yet.’ Twenty years and a string of arena albums later, he’s there now, and he’s chosen to direct rather than sing. That’s a man who knows exactly what Repugnant should sound like and has decided it isn’t him anymore.

The Death Metal Project Everyone Keeps Hinting At
Ghost are on hiatus, Forge is reportedly recording a death metal album, and Earache Records says it has signed a ‘connected-to-Ghost death metal band’; nobody has confirmed those three things are the same thing, but they’re hard to keep apart.
The hints have been stacking up since the summer. In June, Hammerfall drummer Johan Koleberg said he was helping Forge prepare drums for unspecified new music. Earache boss Digby Pearson then said the label had signed a ‘connected-to-Ghost death metal band’, adding that ‘apparently, he’s doing a death metal album, as well.’ Now a Repugnant song appears with three original members and a Forge-directed video. A full comeback hasn’t been announced, and the band hasn’t said whether this is a one-off for the film or the first thing from a record.
Read the pieces together and the shape is obvious, which is probably the point. Ghost’s break was always going to have something in it, and Forge has never been a man who rests; the Mary On A Cross story alone tells you how long he sits on ideas before he uses them. Whether the Earache signing is Repugnant, a new band with the same people, or something else entirely, Forge is making death metal again, and this song is the proof of concept.
The Take: The Mask Comes Off, And It’s The Right Call
Forge not singing is the smartest decision in this story, because Repugnant with Papa Emeritus on vocals would be a Ghost side project, and with Danielsson it’s a death metal band.
Here’s the counter-argument: fans wanted to hear Forge scream again, it’s his band, and handing the mic to someone else makes the reunion feel like a tribute act. Fair. But Forge’s voice in 2026 is the most recognisable clean voice in arena metal, and the moment it appears on a death metal record every review becomes about Ghost. Danielsson gives the song a frontman with no theatre to shake off, from the one genre that’s never needed a mask, and lets Forge do the job he’s actually best at, which is building the thing and pointing the camera.
It also tells you how seriously he takes it. Ghost’s whole identity is costume, and Forge has spent fifteen years controlling every frame of it. Taking himself out of the frame here, on the band he was too young to get right the first time, is the opposite of a vanity project. If the Earache record is this lineup, it’ll be the first Forge release in two decades that nobody can call Ghost. Good.
TL;DR
- Tobias Forge has revived Repugnant, the Stockholm death metal band he fronted from 1998 to 2004, with a new recording of ‘Premature Burial’ for the horror anthology V/H/S Mixtape, streaming on Shudder.
- The vocalist is Watain’s Erik Danielsson, not Forge, who sang the 2004 original and directed the new video; original members Gustaf Lindström, Thomas Daun and Gottfrid Åhman play on it.
- Ghost are on hiatus, Forge is reportedly recording a death metal album, and Earache says it has signed a ‘connected-to-Ghost death metal band’; a full Repugnant comeback is unconfirmed.
- Forge on the original band: ‘I don’t know if we were good enough… I wasn’t mature. I wasn’t thinking. I wasn’t there yet.’
FAQ
Who is singing for Repugnant now?
Erik Danielsson, frontman of the Swedish black metal band Watain, sings on the new ‘Premature Burial’. Tobias Forge, who sang the 2004 original, directed the video rather than performing vocals. The lineup also features original Repugnant members Gustaf Lindström (bass), Thomas Daun (drums) and Gottfrid Åhman (guitar).
What is Repugnant?
Repugnant is the Stockholm death metal band Tobias Forge formed in 1998, before Ghost. They released singles and EPs, split in 2004, and their only album, Epitome Of Darkness, came out posthumously in 2006. Forge briefly reformed the band in the early 2010s before focusing on Ghost.
Where can I hear the new Repugnant song?
The new ‘Premature Burial’ appears in V/H/S Mixtape, the latest V/H/S horror anthology, streaming on Shudder, and the Forge-directed video is on YouTube. It’s a re-recording of a 2004 Repugnant track.
Is Tobias Forge making a death metal album?
It’s reported but not confirmed by Forge. Ghost are on hiatus; Hammerfall drummer Johan Koleberg said in June he was helping Forge with drums for new music, and Earache Records says it has signed a ‘connected-to-Ghost death metal band’. Whether that is Repugnant hasn’t been announced.
Is Ghost breaking up?
No. Ghost are on a hiatus following the Skeletá album and tour cycle, and Forge has not indicated the band is over. The Repugnant release is a side project during the break.
Watch the new ‘Premature Burial’ above, then tell us on the Loaded Radio app whether you’d rather hear Forge or Danielsson on a full Repugnant record. Ghost, Watain and Repugnant are on the stream this weekend.
The post Ghost’s Tobias Forge Resurrects Death Metal Band Repugnant After 20 Years—And Fans Can’t Believe Who’s on Vocals appeared first on Loaded Radio.
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Glenn Richards & The Venus Lakes: The Great Behind – Album Review
Big in his native land, less known everywhere else, Australian rocker Glenn Richards deserves wider acclaim for his intelligent, melodic songwriting. After securing domestic fame as frontman of well-established indie favourites Augie March, he’s now consolidating his career with solo album The Great Behind, bolstered by a UK tour. It’s the stuff of life, says […]
The post Glenn Richards & The Venus Lakes: The Great Behind – Album Review appeared first on Louder Than War.
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Mali Obomsawin: Automatic – Album Review
Automatic, the genre-busting second album by Mali Obomsawin, is a multi-textual record that weaves the past and the present together in a fusion of musical styles. It’s both a summoning and an exorcism, says Mark Ray. When the debut album by Mali Obomsawin, Sweet Tooth, was released in 2022, it received international critical acclaim from […]
The post Mali Obomsawin: Automatic – Album Review appeared first on Louder Than War.
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WITHERED LAND unveils “Judol Smutku” video from upcoming album Piesni Vietru
Belarusian atmospheric black metal project WITHERED LAND has unveiled the official music video for “Judol Smutku” (Vale of Sorrow), the first single from its forthcoming third full-length album, Piesni Vietru (Songs of the Wind). The six-track concept album will be released on 27 November 2026 through Immortal Frost Productions, exploring themes of death, nature, dark […] -
CORDYCEPS CORPSE brings supernatural horror to second album Perverse Craving for Rotting Corpses
Ohio-based one-woman brutal death metal project CORDYCEPS CORPSE has released its second full-length album, Perverse Craving for Rotting Corpses, through Gore House Productions. Released on 9 October 2026, the 11-track record sees multi-instrumentalist Nani Porter drawing on the brutal death metal sound of the 1990s and early 2000s while introducing more intricate songwriting, unpredictable rhythms […] -
Complete List Of Sarah Kinsley Songs From A to Z

Sarah Kinsley is a singer, songwriter, producer, and multi-instrumentalist born in Mountain View, California, and raised in Connecticut and Singapore. Classically trained on piano and violin, she later studied music at Columbia University in New York and began developing her own approach to pop production. Her music has consistently blended orchestral detail, synth-pop, indie pop, and intimate singer-songwriter writing. Kinsley’s earliest widely released material includes the 2019 singles “Wine Stained Lips” and “Open Your Eyes,” followed by the six-song The Fall EP in 2020. Her breakthrough came with The King in 2021, especially its title track, which reached a much
The post Complete List Of Sarah Kinsley Songs From A to Z appeared first on ClassicRockHistory.com.
