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  • Old-School Metal for a World in Meltdown: ABSOLUTE POWER Reveal “Needs Must When the Devil Drives”

    The world may be going to hell in a handbasket, but Simon Efemey and Shane Embury would rather confront the collapse with amplifiers at full volume. Fifteen years after their self-titled debut, ABSOLUTE POWER are returning with their long-awaited second album, Needs Must When the Devil Drives. The record will be released on October 30, […]

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  • Chicago Cemetery Crematory Investigation Halts Concert Plans

    The show is now set for a different venue due to an ongoing investigation into a crematory's handling of remains. Continue reading…
  • A Carrion God Rises Again: LORD GRYPHUS Bring “Summoning the King of Death” to CD

    Death is more than an ending in the world of LORD GRYPHUS. It is a deity, an object of ritual devotion and a source of spiritual power. The anonymous masked trio from Austin, Texas build their entire mythology around this figure, drawing inspiration from the Andean condor and its historical associations with death and transcendence. […]

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  • Live Review: AFI – Birmingham

    Live Review: AFI – O2 Institute, Birmingham

    24th August 2026
    Support: TR/ST
    Words & Photos: Tim Finch

    There is something fitting about AFI bringing their dark, dramatic blend of punk, post-hardcore and gothic alternative rock to Birmingham’s O2 Institute. With a sell out crowd packed into the venue anticipation was high from the moment the lights went down.

    TR/ST opened the night with a unique performance that immediately established a darker, electronic mood. Fronted by Robert Alfons, the Canadian project brought an intense combination of industrial electronics, darkwave and dancefloor energy to the stage. The contrast with what was to follow worked well, with pulsing rhythms and dense electronic textures filling the Institute and giving the audience something considerably different from the guitar-driven attack of AFI.

    At times the synth driven tunes felt like the soundtrack from Stranger Things, at other times they were less harrowing, but they were always impactful. Bathed in little light, and with a stage presence which is anything but energetic, the duo let the music do the talking and the assumed masses stood enthralled by it all.

    AFI wasted no time making their presence felt. ‘Strength Through Wounding’ launched the set with a furious burst of intensity before ‘Girl’s Not Grey’ and ‘Love Like Winter’ brought two of the band’s biggest songs into the early stages of the performance. The combination was immediately effective the crowd bouncing and singng every word back. ‘Holy Visions’ and ‘Ever and a Day’ continued the momentum, while ‘End Transmission’ provided another huge singalong moment.

    The set then dug deeper into the band’s catalogue. ‘Behind the Clock’ led into ‘17 Crimes’ and ‘Bleed Black’, with the latter proving particularly powerful in a live setting. ‘Beautiful Thieves’ and ‘The Boy Who Destroyed the World’ pushed the intensity further, the latter receiving one of the night’s biggest reactions.

    As the main set progressed, the atmosphere inside the Institute became increasingly intense. ‘Nooneunderground’ and ‘Endlessly, She Said’ gave the performance a more atmospheric edge before ‘Blasphemy & Excess’ brought the aggression back to the forefront. ‘Silver and Cold’ closed the main set in suitably dramatic fashion, leaving the audience demanding more. The response was immediate, and AFI returned for an encore that delivered exactly what the crowd wanted.

    ‘The Days of the Phoenix’ opened the encore with another huge response, then came the inevitable closing statement, ‘Miss Murder’. One of AFI’s defining songs, it transformed the venue into a wall of voices as the crowd sang along to every word. After a set that moved confidently across the band’s history, it was a fitting way to bring the night to a close.

    Photo credits: Tim Finch

    For all the latest newsreviewsinterviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebooktwitter and instagram.

    The post Live Review: AFI – Birmingham appeared first on The Razor's Edge.

  • Live Gallery: AFI – Birmingham

    Live Gallery: AFI – O2 Institute, Birmingham

    24th August 2026
    Support: TR/ST
    Photos: Tim Finch

    We look back at the epic AFI show through the eyes of our photographer Tim Finch!

    AFI

    TR/ST

    Photo credits: Tim Finch

    For all the latest newsreviewsinterviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebooktwitter and instagram.

    The post Live Gallery: AFI – Birmingham appeared first on The Razor's Edge.

  • Eight Minutes Until the End: SPACE CHASER Start the Clock with “8 Minutes”

    If the world were ending in eight minutes, SPACE CHASER already know how they would spend the remaining time: grab a few beers and play their new thrash-punk anthem four times. That suitably uncomplicated plan drives “8 Minutes,” the latest preview of the Berlin band’s fourth studio album, Razorblade Bay. Drummer Matthias Scheuerer comments: “If […]

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  • Dolly Parton dead at 80

    Dolly Parton, the queen of country music, has died, aged 80, at her home in Nashville.

    A statement from the singer’s PR reads:

    “Global icon and humanitarian, Dolly Parton, known to the world as a beloved singer, songwriter, philanthropist, actress, playwright, and author died peacefully today in Nashville, Tennessee. She was 80 years old.

    “Dolly is preceded in death by her beloved husband of 59 years Carl Thomas Dean (1942 – 2025), her mother Avie Lee Caroline Owens (1923 – 2003), and father, Robert Lee Parton, Sr. (1921 – 2000).

    “A rhinestone life that shone bright enough for the world to see, Dolly will forever stand as an inspiration not only through her timeless music and prolific songwriting, but also her wit, warmth, and kindness that made us all feel like family. Dolly Parton’s legacy is one of love, compassion, and resilience. With a seven-decade career, she inspired multiple generations of artists and fans with her music and an unwavering commitment to making the world a better place.

    “Her songs will continue to resonate with people of all ages, and her philanthropic work will have a lasting impact.”

    The iconic singer’s death was announced by her nephew Brian Seaver.

    “I have imagined the heaviness of this moment but haven’t truly felt it until now,” he stated on Instagram. “It is an honour, an honour that is mixed with absolute pride and great sadness.”

    One of the world’s most recognised entertainers, Parton was one of the biggest and best-loved stars in country music. Born one of 12 children on January 19, 1946, the singer grew up “dirt poor” in the small town of Pittman Center, Tennessee. She was gifted her first guitar, aged seven, by an uncle, and made her debut at legendary country music mecca the Grand Ole Opry in 1959, aged 13, introduced onstage by Johnny Cash.

    An exceptional songwriter, Parton famously wrote the worldwide hits Jolene and I Will Always Love You in a single day. Over the course of a career spanning six decades, she released 50 albums, and sold more than 100 million records. Covered by Whitney Houston in 1992, I Will Always Love You remains the best-selling single of all time by a woman, with over 20 million sales.

    Parton was inducted into the Rock & Roll Hall of Fame in 2022, even though she initially declined her nomination.

    “I’ve been rockin’ since the day I was born,” she told Classic Rock magazine the following year, “listening to Elvis, Carl Perkins, Jerry Lee Lewis, Little Richard and all these people that I loved in my youth.”

    That same year, Parton surprised the music world by releasing her first ever rock album, Rockstar.

    The singer’s 49th solo studio album, Rockstar featured collaborations with a host of rock superstars, including Paul McCartney, Ringo Starr, Judas Priest’s Rob Halford, John Fogerty, Stevie Nicks, Steven Tyler, Steve Perry, Debbie Harry, Peter Frampton, Joan Jett, and Elton John. The album featured original songs plus Parton’s take on rock classics Stairway To Heaven, We Are The Champions, Free Bird, Let It Be and more.

    “My husband Carl is a big rock fan,” Parton explained to Classic Rock. “I’ve heard so many of the great rock songs over the years, because that’s the only thing he ever plays. We’ve been together for fifty-nine years now, so you can imagine how embedded that is. But of course, I had some personal favourites as well. I also had to pick songs that I thought I could sing well, that Ithought I could do justice to. Or at least to try to be as impressive as I could, because I wanted the rock field to be proud of me. I wanted them to say: ‘That’s pretty good! I didn’t know she had it in her!’”

    “Rock is not just a sound,” Parton wrote in her memoir Behind The Seams: My Life In Rhinestones. “It’s an attitude. Doing things your way, being a rebel. That’s why I think I’ve always had some rock’n’roll in my soul.”

    Former US President Bill Clinton is among those who have paid tribute to the iconic star.

    “Dolly Parton was one of a kind,” he posted on X, “a great songwriter and performer who told the stories of everyday Americans with honesty, humility, and heart. She rose high from her East Tennessee roots and never forgot where she came from. And she always believed in giving back, especially in her efforts to promote literacy. Hillary and I were big fans and first saw her in 1974, and will always be grateful for the music and the memories. Our thoughts and prayers are with her family, her legion of fans, and everyone who loved her.”

    Paul McCartney also expressed his sorrow at Parton’s passing.

    “The magnificent star Dolly Parton has died and it is so sad,” McCartney posted. “Her songwriting, her singing, and her philanthropy were unrivaled in the world of country music and it is hard to imagine living in a world without Dolly. She was a very clever business woman who understood the value of music and, most importantly, the effect that she had on the people of the world.

    “There was no greater honour for me than to have her sing my song Let It Be and, even though I only made a small contribution to it, I am so honoured that she did it. I am so proud to have known her and admire her unique talents.

    “Thanks Dolly for the beautiful music you gave me and the whole world. We will always love you, god bless and rest in peace. You were the best.”

  • Ancient Fury Goes Analog: SHINE Bring “Wrathcult” to Cassette

    Ancient beliefs, pre-Christian mythology and raw extreme metal take on a fittingly old-school physical form as Wrathcult, the debut album from Polish death/black metal act SHINE, receives its first cassette edition. Originally released through Dark Descent Records in January 2026, Wrathcult will arrive on tape on August 28, 2026, courtesy of Selfmadegod Records. The edition […]

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  • The Used Announce Fall West Coast U.S. Tour

    Booked around their festival appearances and their set opening for My Chemical Romance at the Hollywood Bowl.

    The post The Used Announce Fall West Coast U.S. Tour appeared first on Theprp.com.