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  • THE VIOLENT HOUR Shares Video For Latest Single “Already Dead” From Upcoming Album “Pretty Girls Do Ugly Things”

    Today, heavy rock group The Violent Hour announced their highly anticipated debut album, Pretty Girls Do Ugly Things. Set for release on January 22, 2027, the project is a culmination of frontwoman Carla Harvey’s journey thus far. Across 11 tracks that blend the grit of old-school rock ‘n’ roll, the soul of indie and alternative, and just the right dose of heavy metal, the album traces themes of survival, transformation, and the darker parts of being human. “Pretty Girls Do Ugly Things isn’t just about girl power women behaving badly,” Harvey says. “It’s almost the thesis for the whole record: good people can do ugly things, beautiful things can come from ugly places, and sometimes you have to get a little ugly to survive.”

    Alongside the announcement, The Violent Hour unleashed the single, “Already Dead,” an infectious alt-rock track that captures the darkness of hitting rock bottom and insisting the only direction left is up.

    First premiered via Ladygunn, “Already Dead” is about surviving the kind of pain that leaves you numb. When you’ve already been burned, betrayed, broken, and dragged through hell, there comes a point when you realize there isn’t much further you can fall. And that realization can be incredibly freeing. The song takes that darkness and turns it into something positive…a declaration that if you’ve already hit rock bottom, the only direction left is up. It’s about letting go of the things that broke you, finding your strength again, and realizing it’s never too late to start over. You can’t kill what’s already dead.

    Carla Harvey explains, “‘Already Dead’ is about reaching a point where someone has put you through so much that they can’t hurt you anymore. There’s nothing left for them to take, and that can become its own kind of power.”

    The accompanying music video directed by Vicente Cordero takes place in a morgue (fitting for Harvey, who is a former embalmer). What begins on an autopsy table quickly turns into a celebration of refusing to stay down. Death is just a minor complication…a tiny setback that results in a video that’s part horror movie, part dance party, and all rock ’n’ roll.

    There are easier ways to start a band than having an existential crisis, locking yourself in a room with legendary drummer and multi-instrumentalist Charlie Benante (Anthrax, Pantera), and writing the record you’ve been threatening to make your entire life. But Carla Harvey has never been particularly interested in doing things the easy way.

    She’s been a mortician, embalmer, grief specialist, comic book creator, author, actress, internationally touring musician, and professional collector of wonderfully questionable objects. So, naturally, her next move was The Violent Hour.

    Born and raised in Detroit, Harvey grew up with one foot in art and the other in music, playing in bands at night while working whatever jobs paid the bills and plotting an escape to Hollywood. It delivered exactly the kind of beautifully weird life she was looking for: acting gigs, bands, dive bars, heartbreak, bad decisions, great stories and eventually a 15-year run co-fronting Butcher Babies on stages around the world.

    But Carla has always had another life running parallel to rock & roll. Fascinated by death since childhood, she went back to school for Mortuary Science, graduated valedictorian, became a licensed funeral director and embalmer, worked in funeral service and hospice, and ultimately earned a Master of Science in Thanatology. She founded a grief-support initiative for musicians, artists and other people who might feel more comfortable discussing mortality in a backstage hallway than a beige therapist’s office. In other words, she can scream in your face and grief-coach you through the aftermath.

    After leaving Butcher Babies, Carla found herself staring down the question every artist eventually faces: What would I make if I had absolutely nothing left to prove? The answer was The Violent Hour. Carla began writing with her partner Charlie Benante, and something clicked immediately. The songs came quickly: big, dirty, vulnerable, melodic, pissed-off and alive. Instead of chasing what she had already done, Carla found herself reconnecting with the things that made her fall in love with music in the first place: the danger of rock & roll, the sneer of punk, the hooks of the records she grew up worshipping and the beautifully unhinged spirit of the ’90s Riot Grrrl movement.

    Then she built the band she wished she could have seen when she was a kid. The Violent Hour‘s live incarnation brings Carla together with lead guitarist Kiana De León, drummer Sasha De León, bassist Jewel Steele and rhythm guitarist Allie Kaye: five women making loud, feral rock music without sanding off the edges. The result lives somewhere between metal, punk, hard rock and the questionable part of Hollywood after midnight: crushing riffs, massive choruses, sex, humor, vulnerability, anger and enough swagger to make the whole thing dangerous.

    And underneath all of it is Carla. The blue-collar Detroit kid. The mortician. The comic-book nerd. The grief scholar who can talk about death anxiety in the afternoon and climb onto a festival stage that night. The rock lifer who has released six albums with a seventh on its way, written comic books and a novel, toured the world, started over, and somehow still gets excited by the possibility of making something she hasn’t made before.

    The Violent Hour isn’t Carla Harvey trying to recreate her past. It’s what happens when all of her strange lives finally end up in the same room.

    Pretty Girls Do Ugly Things is available to pre-order here.

    The post THE VIOLENT HOUR Shares Video For Latest Single “Already Dead” From Upcoming Album “Pretty Girls Do Ugly Things” appeared first on Sonic Perspectives.

  • Villagers of Ioannina City – Venceremos Review

    It’s been seven years since Villagers of Ioannina City released the incredible Age of Aquarius, and six since I first heard it. It hasn’t left my regular rotation since, helped by an absolutely crazy live show at 229 in London in 2022. But the world is a different place since 2019. Age of Aquarius was a fundamentally happy record, with some lyrical messages exhorting striving for better buried in a lot of psychedelia. Venceremos, meaning “we will overcome,” is far more grounded. The psychedelia is almost gone from the lyrics and toned down in the music. Though it remains a Greek folk/prog rock record, Venceremos is heavier, and lyrically a far more straightforward protest and call to action for life in the 2020s.

    Fortunately, this works out. Venceremos is still immediately identifiable as Villagers of Ioannina City. Greek folk melodies and heavy use of Greek traditional bagpipes and clarinet give the band a unique sound, to a foreign audience at least. Alex Karametis’ vocals are distinctive as well. The songs are long and evolve and shift organically—adopting protest music hasn’t turned them into a punk band. But there is a noticeable shift into prog metal. “Home” and “The Ruiner” have parts that remind me of Disillusion, both in composition and in sound, particularly a little vocal processing. There’s also a little more of a post-rock twist in places. “No Fear” in particular reminds me of the emotional post-rock sound of bands like Overhead, the Albatross.

    There are some absolute bangers on Venceremos. “Ghosts in the Sky” in particular is fantastic. Building a seven-minute song around fundamentally one melody is a brave choice, but it’s a great melody, and it’s handed off between instruments and vocalists as the song progresses. “Here and Now” is the closest to the more uniform sound of Age of Aquarius, as the longest and most overtly positive song on the record. “The Ruiner” is bleak, heavy, and discomforting, building up into a furious chant as the song ends. Opening track—other than the obligatory intro—”Home” opens with a clean guitar melody that reassured me that VIC still have it the moment I heard it. You know as the song iterates on it and drifts into an atmospheric section that it’ll be back in the climax, but that doesn’t make it any less effective when it does. There are no weak songs here. Were I to really scrabble around for complaints, the fadeout ending on “No Fear” is a bit cheap.

    There’s a female vocalist on nearly every track. Her appearances are mostly quite subtle, but on the hypnotic opening and bridge of “Ghosts in the Sky” and the duet near the end of “Venceremos,” she delivers some of the album’s best moments. She’s uncredited as far as I can tell, which is a bit of a shame. Similarly, Dimitris Brentas on wind instruments is credited in the promo materials but not on the Bandcamp page. I’m not really sure what that’s about, as the tightly integrated traditional instruments are such a big part of what makes Venceremos a success. The main trio are no slouches, of course. I particularly like Akis Zois’ bass work on “Venceremos.” Frontman Alex Karametis isn’t the most technical of vocalists, but he has a very pleasing tone that fits the music well. Likewise, his guitar work is intricate and interesting rather than flashy.

    I’d always rather a band evolve than try to recapture the magic of a particularly brilliant album. Venceremos is why. It’s still Villagers of Ioannina City and still excellent, but it does something different, and that means I want to listen to both it and its predecessor. Among many excellent songs, “Ghosts in the Sky” is my SotY candidate #1. The 2020s have proven difficult to engage with musically. Venceremos is cathartic, angry, grounded, but still ultimately offers positivity, and that’s exactly what I needed.


    Rating: Excellent
    DR: 7 | Format Reviewed: Stream/FLAC1
    Label: Napalm Records
    Websites: vicband.bandcamp.com | facebook.com/villagersofioanninacity
    Releases Worldwide: September 18th, 2026

    The post Villagers of Ioannina City – Venceremos Review appeared first on Angry Metal Guy.

  • DEF LEPPARD Announces 2027 North American Tour With Support From GOO GOO DOLLS & THE STRUTS

    Def Leppard has booked a 2027 North American tour, and it is bringing Goo Goo Dolls along as the main support, with The Struts also on the bill. The run covers 45 shows, starting in March and wrapping in July, with stops in the biggest markets in the U.S. and Canada.

    A dollar from every ticket sold goes to City of Hope, one of the largest cancer research and treatment centers in the country.

    Def Leppard has been busy lately. The band wrapped its third sold-out Las Vegas residency at Caesars Palace earlier this year, then played sold-out dates across Europe, South America and Mexico. This summer, the Greatest Hits compilation landed on four U.K. charts, with two of those debuting in the Top 10. Def Leppard also has around 11 million monthly Spotify listeners and has sold more than 110 million albums worldwide.

    Goo Goo Dolls is coming off a long summer of shows that included sets at the iHeartRadio Festival and Sea.Hear.Now Festival. “Iris” has been enjoying a viral resurgence, sitting at diamond certification for 10 million in sales and more than six billion streams worldwide, with over a billion of those coming in 2025 alone.

    The band has sold 15 million records, picked up four Grammy nominations and collected close to a dozen platinum and gold singles. It also logged 15 No. 1 and Top 10 hits, which gives Goo Goo Dolls the all-time radio record for “Most Top 10 Singles.”

    Fans get several ways in on tickets. An artist fan club presale starts Monday, Oct. 12, at 10 a.m. local time. A Citi and Verizon presale for U.S. dates follows the same day at noon local time, with more presales rolling out through the week. The general sale opens Friday, Oct. 16, at 10 a.m. local time here.

    Citi is the official card of the tour. Citi cardmembers can buy presale tickets through the Citi Entertainment program from Monday, Oct. 12, at noon local time until Thursday, Oct. 15, at 10 p.m. local time. That offer is for U.S. customers only, and full details can be found here.

    Verizon customers get their own presale through the Verizon Shine loyalty program, running for select shows from Monday, Oct. 12, at 10 a.m. local time to Thursday, Oct. 15, at 10 p.m. local time. Shine also hands out experiences, concert and sports tickets, merch, dining vouchers and gift cards. The offer is limited to U.S. customers and sold through Ticketmaster.

    Def Leppard and Goo Goo Dolls tour dates:

    03/02 – Allentown, Pa. @ PPL Center
    03/05 – Montreal @ Bell Centre
    03/07 – Detroit @ Little Caesars Arena
    03/09 – Toronto @ Scotiabank Arena
    03/11 – Quebec City @ Centre Vidéotron
    03/13 – Newark, N.J. @ Prudential Center
    03/17 – Boston @ TD Garden
    03/19 – Nashville @ Bridgestone Arena
    03/21 – Washington, D.C. @ Capital One Arena
    03/23 – Pittsburgh @ PPG Paints Arena
    03/25 – Chicago @ United Center
    03/27 – Minneapolis @ Target Center
    03/29 – Denver @ Ball Arena
    03/31 – Salt Lake City @ Delta Center
    04/13 – Austin @ Moody Center
    04/16 – North Little Rock, Ark. @ Simmons Bank Arena
    04/18 – Fort Worth, Texas @ Dickies Arena
    04/20 – Mobile, Ala. @ Regions Arena
    04/22 – Wichita, Kan. @ INTRUST Bank Arena
    04/24 – Lincoln, Neb. @ Pinnacle Bank Arena
    04/26 – Kansas City, Mo. @ T-Mobile Center
    04/29 – Glendale, Ariz. @ Desert Diamond Arena
    05/01 – Los Angeles @ Hollywood Bowl
    05/05 – San Francisco @ Chase Center
    05/07 – Sacramento, Calif. @ Golden 1 Center
    05/09 – Seattle @ Climate Pledge Arena
    05/11 – Spokane, Wash. @ Numerica Veterans Arena
    05/14 – Vancouver @ Rogers Arena
    05/16 – Edmonton @ Rogers Place
    05/29 – San Antonio @ Frost Bank Center
    06/01 – Houston @ Toyota Center
    06/03 – Oklahoma City @ Paycom Center
    06/05 – Milwaukee @ Fiserv Forum
    06/07 – St. Louis @ Enterprise Center
    06/09 – Louisville, Ky. @ KFC Yum! Center
    06/11 – Savannah, Ga. @ Enmarket Arena
    06/13 – Tampa, Fla. @ Benchmark International Arena
    06/17 – Atlanta @ State Farm Arena
    06/19 – Columbus, Ohio @ Schottenstein Center
    06/21 – Cleveland @ Rocket Arena
    06/23 – New York City @ Madison Square Garden
    06/25 – Uncasville, Conn. @ Mohegan Sun Arena
    06/27 – Philadelphia @ Xfinity Mobile Arena
    06/30 – Charlotte, N.C. @ Spectrum Center
    07/02 – Indianapolis @ Gainbridge Fieldhouse

    The post DEF LEPPARD Announces 2027 North American Tour With Support From GOO GOO DOLLS & THE STRUTS appeared first on Sonic Perspectives.

  • Tom Morello’s Power To The People Fest Brings Rock Nostalgia, Activism to DC

    Tom Morello’s Power To The People fest brought rockstars, activists, and a Gen X-heavy fanbase to the outskirts of Washington, D.C., on Saturday.

    The post Tom Morello’s Power To The People Fest Brings Rock Nostalgia, Activism to DC appeared first on Rockmommy.com.

  • ELEINE Releases New Single “Ich Sehe Dich” From Upcoming Fifth Studio Album “The Water Taste Of Blood”

    Today, Swedish metal powerhouse Eleine drops their new single and music video “Ich Sehe Dich,” taken from their highly anticipated fifth studio album, The Water Taste Of Blood, arriving December 4th via Algoth Records / Sound Pollution.

    Where previous singles painted the picture of falling empires of lies, betrayal, and the damage left in their wake, “Ich Sehe Dich” brings the reckoning face-to-face as the most direct statement from the upcoming album. The song thrives on the striking contrast of beautifully melodic verses that steadily build tension until heavy, static, chuggy riffs shatter the calm and a three-word German chorus lands like a verdict: “Ich Sehe Dich.” I see you.

    Standing shoulder to shoulder with the Eleine Legion’s favorite “Mein Herz Brennt,” the track is stern, heavy, and unapologetic. It unmasks manipulation and toxic shame, written for the exact moment you stop letting someone’s lies shape you and the people around you. Unflinching and brutal, it cuts straight through deceit, unveiling an intense, powerful new dimension in Eleine’s signature sound.

    In Eleine’s own words: “Have you ever wanted to say ‘I see you’ straight to the face of someone who tries to hurt you, or others, through spreading lies? ‘Ich Sehe Dich’ is about that exact moment. Yet again, another chorus of ours felt so natural to have in another language. The words fell perfectly into place and emphasizes the heaviness of the message within the song.”

    What began in southern Sweden has grown into a loyal global community united by music, perseverance, and the refusal to give up. Led by vocalist Madeleine Liljestam and guitarist/vocalist Rikard Ekberg, Eleine have spent recent years building one of metal’s most dedicated fan communities through acclaimed releases, including a #1 album on the Swedish sales charts, successful headline tours, and a direct connection with their audience that extends far beyond the stage.

    Along the way, the band has shared stages with Arch Enemy, Kamelot, PAIN, Sonata Arctica, and W.A.S.P., while steadily building a headline presence of their own. Their 2024 European headline tour sold out multiple dates and led directly to a second headline run in spring 2025.

    Today, Eleine connect with nearly 700,000 followers across their social and streaming platforms, while their music videos have surpassed 60 million views on YouTube. Now with Eleine’s new album Water Taste of Blood arriving December 4th, 2026, and their most extensive European and UK headline tour already underway, Eleine are ready to be heard on the biggest stage of their career and continue to expand the world they have built together with the Legion, their fans, who have grown alongside them and who have become the heart of the band.

    Water Taste of Blood is available to pre-order here.

    The post ELEINE Releases New Single “Ich Sehe Dich” From Upcoming Fifth Studio Album “The Water Taste Of Blood” appeared first on Sonic Perspectives.

  • New Trivium Album: Hear The Title Track From ‘Crown In The Grave’

    TRIVIUM-2026-Promo

    The new Trivium album is called Crown In The Grave, it’s out November 20 on Roadrunner Records, and its title track arrived today with a video set in a smoke-filled dojo. The band’s eleventh record was built on Akira Kurosawa’s Throne Of Blood, the 1957 film that moved Macbeth to feudal Japan, and on the Japanese ghost cinema of the fifties, sixties and seventies. It’s produced by Josh Wilbur, mixed by Jacob Hansen, and it’s the first Trivium album with Alex Rüdinger as a full member.

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    The Title Track

    ‘Crown In The Grave’ the song does what Trivium do when they’re confident: it builds from layered riffs into something heavy and melodic at once, with the three-tiered vocal attack (Matt Heafy’s clean, his scream and Corey Beaulieu’s backing) stacked on the chorus. It’s the second track on the album, right after the opener ‘Jorōgumo’, and it sounds like a band that stopped second-guessing itself.

    The video, directed by Pavel Trebukhin, is Noh theatre by way of the apocalypse: masked figures in a smoke-filled dojo preparing for a showdown, carrying the album’s artwork and its story into motion. It’s the clearest statement of the record’s world Trivium have put out, and it’s embedded at the bottom of this page.

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    What Crown In The Grave Is About

    Paolo Gregoletto brought Throne Of Blood to the band, and the album grew out of it: a feudal-Japan Macbeth, Japanese horror from the 1950s to the 1970s, and a darker, ghostlier atmosphere than anything on the ten Trivium records before it.

    ‘We also wanted the record to exist within its own world,’ Gregoletto said. The idea was to honour what Trivium have been without living in it, and push into new ground. For the songwriting references he named a different decade entirely: Metallica’s Black Album, Megadeth’s Countdown To Extinction and Soundgarden’s Superunknown, the nineties records that put the chorus first and made every song relatable.

    Corey Beaulieu’s line is the one the band will be quoting on tour: ‘We made the record we’d been dying to make.’ He also brought up something the late Soil guitarist Shaun Glass once told them, that Trivium ‘don’t cook the same meal’, meaning the same ingredients, never the same dish. For a band that has sat near the top of the metalcore conversation for twenty years, that’s the right brief.

    Matt Heafy ‘Cleared The Plate’

    Heafy says he stopped trying to be perfect at every show, started enjoying the experience, and credits therapy and a medication regimen with getting him there after a stretch of mental health struggles, injuries and anxiety.

    ‘I cleared the plate,’ he said. It’s unusual for a frontman to put that in an album announcement, and it changes how you hear the record: a band that spent years chasing precision deciding to chase feeling instead. The album was written and recorded at The Hangar, the band’s creative hub in Orlando, and it’s the first Trivium record written there from the ground up.

    Josh Wilbur produced, returning after his earlier work with the band, and he’s the same Josh Wilbur who shaped Lamb Of God’s modern catalogue. Jacob Hansen, the Danish mixer behind a decade of Volbeat and Amaranthe records, mixed it, his first time working with Trivium.

    Alex Rüdinger Is Finally Official

    Alex Rüdinger officially joined Trivium in the studio during the making of Crown In The Grave, eleven years after he nearly took the job in 2015 and turned it down.

    ‘It happened when it was meant to,’ Heafy said, praising Rüdinger’s writing as much as his drumming. Rüdinger, known as Rüdi, has been one of the most in-demand technical drummers in metal through Whitechapel, Good Tiger and Intronaut, and the band say his contributions go beyond the kit. The drum chair has been the one unsettled thing about Trivium for a decade; this is the band saying it isn’t anymore.

    Tracklist

    Twelve songs, in this order:

    1. Jorōgumo
    2. Crown In The Grave
    3. Dead Inside Of Me
    4. The Terror
    5. The Haunting Never Ends
    6. Lie Of It All
    7. Blackout The Dawn
    8. Paradise Of Sinners
    9. Death Throes
    10. The Agony
    11. Devour Your Dreams
    12. Serpent In The Flame

    A jorōgumo, for the curious, is a spider-woman of Japanese folklore who lures men to their deaths. As opening tracks go, it’s on theme.

    trivium-crown-in-the-grave

    The Tour

    Trivium’s North American headline run with In Flames starts November 5 in St. Petersburg, Florida and ends December 19 in Charlotte, North Carolina, with Orbit Culture, Fit For An Autopsy and Frozen Soul on the bill.

    That means the album comes out two weeks into the tour, so expect the new songs to appear in the set as the dates go on. The In Flames pairing is the strongest co-bill either band has had in years: In Flames have their own new record finished and a catalogue that built the Gothenburg sound, and Fit For An Autopsy are the heaviest thing on any arena bill this fall. Full routing is on the band’s site.

    Trivium’s last album was In The Court Of The Dragon in 2021, followed by the Struck Dead EP last fall, and ‘Betrayer’ earned the band a Grammy nomination for Best Metal Performance along the way. Five years between full-lengths is the longest gap of their career. If Crown In The Grave is the record they say it is, it’ll earn a place on any list of essential modern metalcore albums, and the title track suggests it might.

    TL;DR

    • The new Trivium album, Crown In The Grave, is out November 20 on Roadrunner Records; the title track and its Pavel Trebukhin video are out now.
    • It’s built on Kurosawa’s Throne Of Blood (Macbeth in feudal Japan) and 1950s–70s Japanese horror; produced by Josh Wilbur, mixed by Jacob Hansen, written and recorded at the band’s Hangar in Orlando.
    • Alex Rüdinger is now an official member, eleven years after nearly joining in 2015.
    • Twelve tracks, opening with ‘Jorōgumo’ and closing with ‘Serpent In The Flame’.
    • North American tour with In Flames, Orbit Culture, Fit For An Autopsy and Frozen Soul runs November 5 (St. Petersburg, FL) to December 19 (Charlotte, NC).

    FAQ

    When does the new Trivium album come out?

    Crown In The Grave is released on November 20, 2026, through Roadrunner Records. It’s Trivium’s eleventh studio album and their first full-length since In The Court Of The Dragon in 2021. The title track and its video are out now.

    What is Trivium’s Crown In The Grave about?

    The album draws on Akira Kurosawa’s Throne Of Blood, a feudal-Japan retelling of Macbeth that Paolo Gregoletto brought to the band, and on Japanese horror and ghost cinema from the 1950s to the 1970s. The band say they wanted the record to exist in its own world, with the darker atmosphere carrying through the music, lyrics and artwork.

    Who produced Crown In The Grave?

    Josh Wilbur produced the album, returning after earlier work with Trivium, and Jacob Hansen mixed it in his first collaboration with the band. It was written and recorded at The Hangar, Trivium’s creative base in Orlando, Florida.

    Is Alex Rüdinger officially in Trivium?

    Yes. Alex Rüdinger officially joined Trivium during the making of Crown In The Grave, and the band credit him with writing contributions as well as drums. He had nearly joined in 2015 but declined at the time.

    When is the Trivium and In Flames tour?

    Trivium’s North American headline tour with In Flames, Orbit Culture, Fit For An Autopsy and Frozen Soul runs from November 5, 2026 in St. Petersburg, Florida to December 19, 2026 in Charlotte, North Carolina.

    Watch the ‘Crown In The Grave’ video below, then tell us on the Loaded Radio app where it lands against Ascendancy and Shogun. Trivium are on the stream all week.

    The post New Trivium Album: Hear The Title Track From ‘Crown In The Grave’ appeared first on Loaded Radio.

  • Nikki Nair Announces New EP Majestic Animals: Hear “Groundhogs”

    Over the last few years, Atlanta-based dance producer Nikki Nair has collaborated with people like Hudson Mohawke and the Avalanches. A couple of months ago, he released an EP called The Sick Dimension on dh2, George Daniel’s dance-focused Dirty Hit imprint. Now, he’s getting ready to release another EP on a different label.

    The post Nikki Nair Announces New EP <em>Majestic Animals</em>: Hear “Groundhogs” appeared first on Stereogum.

  • THE REFUSERS Share New Track “Conspiracy Theory”

    Rock has always been at its best when it challenges authority, and The Refusers continue that tradition with the release of their explosive new single, Conspiracy Theory. Fueled by blistering guitars, thunderous Hammond B3 organ, and unapologetic lyrics, the track is a rallying cry for anyone who feels the system has been rigged against ordinary […]