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  • YES announce 24thstudio album ‘Aurora’; launch video for title track

    10th April 2026: YES, who is Steve Howe, Geoff Downes, Jon Davison, Billy Sherwood & Jay Schellen,

    are proud to announce their 24th studio album ‘Aurora’ will be released on the 12th June 2026 via

    InsideOutMusic/Sony Music.  As Howe explains: “Making this record was joyful, a chance to play, explore

    and give everything to the music. It’s always been about collaboration, somebody can write a song,

    but until everybody puts their contribution in it isn’t really a Yes song. We’re not trying to echo the past;

    we’re carrying the spirit of Yes forward and turning it into something new”.

    The band are also launching the first single from the album, and you can watch the beautiful

    animated video for the title track, created by Matt Hutchings (Greg Lake, Oasis, Iron Maiden),

    here: https://youtu.be/ETEGJTM6plw

    ‘Aurora’ will be available as a Limited Deluxe 180g Light Green 2LP+2CD+Blu-ray Artbook & Poster, as well

    as a Ltd Deluxe 2CD+Blu-ray Artbook, both featuring the stunning artwork of Roger Dean and Freya Dean,

    as well as a bonus disc of instrumentals, and a blu-ray featuring Dolby Atmos, 5.1 Surround Sound & 24bit

    stereo mixes (by Curtis Schwartz). The album is also available as a Gatefold

    The track listing is as follows:

    1. Aurora 07:27
    2. Turnaround Situation 05:50
    3. Love Lies Dreaming 06:24
    4. Countermovement 13:48
    5. Ariadne 06:18
    6. All Hands on Deck 03:04
    7. Outside the Box 04:20
    8. Emotional Intelligence 03:30
    9. Jambustin’ (Bonus Track) 04:24
    10. Watching the River Roll (Bonus Track) 04:42

    180g 2LP + LP-booklet, Special Edition CD Digipak & as Digital Album.

    Pre-order now here: https://yes-band.lnk.to/Aurora

    When Yes first began sketching out ideas for what would become ‘Aurora’, the process was loose and
    exploratory. There was no preconceived concept at the start, just a collection of musical fragments
    that gradually began to find one another and take form. Among these early sketches was a piece
    titled “Aurora,” and it quickly became clear that the name carried certain gravity. It suggested light,
    emergence, and a sense of vastness, qualities that resonated deeply with the band. Jon Davison
    remembers how “the title immediately resonated with Steve Howe and sparked visual inspiration
    for artist Roger Dean, setting a conceptual tone that would guide the project.”

    Work on ‘Aurora’ began almost as soon as the ‘Classic Tales of Yes’ tour ended in 2024. The idea
    of a new album surfaced quickly and with the label’s encouragement, the band had the time to
    develop material organically. Rather than gathering in a single studio for months, they embraced a
    modern workflow; ideas were born in home studios, shaped independently, and then woven
    together through constant collaboration. Downes and Howe often acted as the central creative axis,
    with Howe, as producer, serving as the point through which all ideas eventually flowed.

    Across ‘Aurora’, each track carries its own character. Some echo the classic Yes approach,
    others push into new territory, but together they form a cohesive whole that honours the band’s
    heritage while embracing forward motion. With their 24th studio album, Yes demonstrate not just
    longevity, but a sustained curiosity, a desire to keep exploring, keep refining and keep discovering their
    capacity to create.

    YES is:
    Steve Howe
    Geoff Downe
    Jon Davison
    Billy Sherwood
    Jay Schellen

    YES ONLINE:
    www.yesworld.com
    www.facebook.com/yestheband
    www.x.com/yesofficial
    www.youtube.com/user/yesofficial
    www.instagram.com/yesofficial

    INSIDEOUTMUSIC ONLINE:

    www.insideoutmusic.com
    www.youtube.com/InsideOutMusicTV
    www.facebook.com/InsideOutMusic
    www.instagram.com/insideoutmusic/
    https://insideoutmusic.bandcamp.com

  • Jack White Adds New Dates to 2026 Headline Tour

    NORTH AMERICAN LEG BEGINS JULY 10 IN WASHINGTON, DC;

    HIGHLIGHTS INCLUDE TWO-NIGHT RUNS IN BROOKLYN, CHICAGO,

    LOS ANGELES, CHARLOTTE, MIAMI BEACH, AND ATLANTA

    GENERAL ON-SALES BEGIN FRIDAY, APRIL 17, AT 10 AM LOCAL

     

     

    Jack White has announced plans for a wide-ranging 2026 headline tour. North American dates begin July 10 at Washington, DC’s The Anthem and continue through a two-night stand at Atlanta, GA’s Coca-Cola Roxy on November 20-21. Highlights include two-night runs in several cities, including Brooklyn, Chicago, Los Angeles, Charlotte, and Miami Beach. Support at Toronto, ON’s RBC Amphitheatre on July 14 comes from microtonal space-time voyagers Angine de Poitrine. Additional special guests will be announced soon.

    White and his band will also cross the Atlantic for a series of shows in the United Kingdom and Ireland, including two-night stands at London’s Hammersmith Apollo (August 25-26) and Dublin’s 3Olympia (September 1-2). Vault presales and Artist presales for all newly announced North American, UK, and Ireland dates begin Monday, April 13, at 10 am and 12 pm local time, respectively. General on-sales follow on Friday, April 17, at 10 am Local.

    For complete details, pre-sale registration, and ticket information, please visit:

    https://laylo.com/jackwhite/m/JackWhiteLive

    The upcoming tour schedule follows last week’s premiere of two fiery new songs, “Derecho Demonico” and “G.O.D. and the Broken Ribs,” available now via Third Man Records on all DSPs and streaming services. Black 7” vinyl is on sale at thirdmanrecords.com and Third Man shops in Nashville, Detroit, and London. Black 7” vinyl arrives at independent record stores worldwide later this week.

    Produced by White, “G.O.D. and the Broken Ribs” and “Derecho Demonico” mark the recent Rock & Roll Hall of Fame inductee’s first new music since 2024, a year highlighted by the release of his critically lauded sixth studio album, No Name. The acclaimed collection was honored with a 2025 GRAMMY® Award nomination for “Best Rock Album” – White’s 34th solo-career nomination and 46th overall, along with 16 total GRAMMY® Award wins. No Name includes the consecutive #1 U.S. radio hit singles, “That’s How I’m Feeling” and “Archbishop Harold Holmes,” the latter of which is joined by an electrically charged official music video starring legendary actor and renaissance man John C. Reilly as the ecstatic, impassioned titular character, now boasting over 3.2M worldwide views via YouTube alone.

    JACK WHITE – LIVE 2026

    APRIL

    11 – Indio, CA – Coachella Valley Music & Arts Festival †

    MAY

    30 – Sigulda, Latvia – Sigulda Castle

    JUNE

    4-6 – Aarhus, Denmark – Northside Festival †

    12-14 – Hilvarenbeek, Netherlands – Best Kept Secret Festival †

    18 – Lyon, France – Les Nuits de Fourvière

    19 – Camaiore, Italy – La Prima Estate †

    21 – Lignano Sabbiadoro, Italy – Arena Alpe Adria

    22-24 – Zagreb, Croatia – INMusic Festival †

    JULY

    10 – Washington, DC – The Anthem

    11 – Brooklyn, NY – Brooklyn Paramount

    12 – Brooklyn, NY – Brooklyn Paramount

    14 – Toronto, ON – RBC Amphitheatre (w/ support from Angine de Poitrine)

    15 – Essex Junction, VT – Champlain Valley Exposition

    17 – Boston, MA – MGM Music Hall at Fenway

    21 – Indianapolis, IN – Everwise Amphitheater at White River State Park

    23 – Chicago, IL – Radius

    24 – Chicago, IL – The Salt Shed (Outdoors)

    25 – Clarkston, MI – Pine Knob Music Theatre

    AUGUST

    21 – Almaty, Kazakhstan – Park Live Almaty †

    22-23 – İstanbul, Turkey – Babylon Soundgarden †

    25 – London, UK – Eventim Apollo

    26 – London, UK – Eventim Apollo

    28 – Bristol, UK – The Prospect Building

    29 – Newcastle, UK – 02 City Hall

    31 – Belfast, UK – The Telegraph Building

    SEPTEMBER

    1 – Dublin, Ireland – 3Olympia Theatre

    2 – Dublin, Ireland – 3Olympia Theatre

    18 – Cincinnati, OH – MegaCorp Pavilion

    19 – East Aurora, NY – Borderland Festival †

    20 – Richmond, VA – TBA †

    24 – San Francisco, CA – Bill Graham Civic Auditorium

    25 – Pomona, CA – Fox Theater

    28 – Los Angeles, CA – Hollywood Palladium

     29 — Los Angeles, CA – Hollywood Palladium

    30 – Del Mar, CA – The Sound

    OCTOBER

    2 – Las Vegas, NV – Fontainebleau Las Vegas

    3 – Phoenix, AZ – Arizona Financial Theatre

    4 – Albuquerque, NM – Revel

    6 – Austin, TX – Moody Amphitheater

    7 – Dallas, TX – The Bomb Factory

    9 – Nashville, TN – The Truth

    NOVEMBER

    8 – Minneapolis, MN – The Armory

    9 – Madison, WI – The Sylvee

    10 – Milwaukee, WI – Landmark Credit Union Live

    12 – Pittsburgh, PA – Citizens Live at The Wylie

    13 – Charlotte, NC – The Fillmore Charlotte

    14 – Charlotte, NC – The Fillmore Charlotte

    16 – Orlando, FL – Hard Rock Live Orlando

    17 – Miami Beach, FL – The Fillmore

    18 – Miami Beach, FL – The Fillmore

    20 – Atlanta, GA – Coca-Cola Roxy

    21 – Atlanta, GA – Coca-Cola Roxy

    The post Jack White Adds New Dates to 2026 Headline Tour appeared first on Mayhem Music Magazine.

  • GRIM PROPHECY Release New Single + Intense Music Video ‘Licantropia’ about Darkness, Identity And Primordial Fury!

    GRIM PROPHECY release today their new single “Licantropia”, now available on all digital platforms via Volcano Records & Promotion. Hailing from Sardinia, an ancient and mysterious land that seems to echo through the depths of their sound, Grim Prophecy deliver a track that embodies the most visceral essence of thrash/death metal. “Licantropia” is an explosion […]

    Source

  • Live in Colors Peace Dies First Review

    A Journey Through Tension, Power, and Melodic Redemption

    Live in Colors open their album Peace Dies First with Pieces of Fairytales, a track that begins with an atmospheric introduction before being shattered by powerful riffs that immediately raise the tension. The guitars soon take control, pushing forward with determination while atmospheric solos expand the sonic space. As an instrumental piece, it balances energetic passages with more melodic moments, setting a strong foundation for what follows.

    Live in Colors Peace Dies First Album cover artwork
    Live in Colors – Peace Dies First

    With Fools Parade, the band makes a bold statement. The opening riff hits like an avalanche, showcasing their technical ability right away. Their sound blends metal with progressive elements, and the rhythmic shifts feel precise yet unpredictable. Here, the vocals finally emerge, appearing at key moments with epic and almost ancestral melodies that add depth without overpowering the instrumentation.

    Solitary Sword carries a distinct ‘80s metal influence, wrapped in a slightly dystopian atmosphere. The vocal line feels nostalgic, giving the track an emotional weight that contrasts well with its heavier sections. This balance between past and present becomes one of the album’s defining traits.

    A standout instrumental moment arrives with Funeral, Pt. 2. This track leans heavily into atmosphere, guiding the listener through a delicate yet intense melodic journey. The inclusion of strings elevates the composition, creating a sense of elevation and distance, almost as if the music is drifting somewhere beyond reach.

    The energy returns in full force with Echoes of the Broken. Fast rhythms and dynamic changes push the intensity to its peak. The band demonstrates a high level of technical skill, weaving intricate harmonies together with precision. Each section flows naturally into the next, maintaining cohesion despite the complexity.

    Closing the album, Song for Freedom delivers a melodic guitar solo that feels like a final breath of hope. The track stands as an emotional resolution, offering a sense of release after the tension built throughout the record. Its expressive lead work leaves a lasting impression.

    Peace Dies First is a powerful and cohesive album that highlights the strength and versatility of Live in Colors. Their ability to merge technical precision with emotional depth makes this record an engaging listen from start to finish.



    Transcendent!

    🔥 If you love dark music like this:

    Discover More Bands Here


    Find Live in Colors here:

    Spotify
    Instagram


    The post Live in Colors Peace Dies First Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • The 12 best new metal songs you need to hear right now

    Evanescence release their first new song of 2026, underground doom heroes Warning make a comeback and beleagured nuns Dogma offer a defiant new sound in this week’s best new metal songs
  • IMMOLATION Releases Music Video For “Bend Towards The Dark” From Latest Album “Descent”

    New York death metal icons Immolation have unleashed their twelfth studio album, Descent. This monumental release arrives on the eve of the band’s North American takeover.

    To commemorate their new release, the band has unleashed their latest single, “Bend Towards The Dark”. The track is a sonic assault, fusing the band’s trademark sound with menacing leads and a barrage of merciless blasts.

    Immolation comments: “We are excited to get one more single out as our new album Descent is finally released! “Bend Towards The Dark” is definitely one of the more ambitious tracks of the record. It has just about every element you would expect from Immolation, but takes things a bit further. It’s intense and heavy, yet becomes very epic and almost orchestral at times, really embodying a lot of feeling and emotion throughout. We really look forward to having “Bend Towards The Dark” out there to ignite the release of Descent! We hope everyone enjoys it!”

    Descent was captured across two locations: Justin Passamonte tracked guitars, bass, and vocals at Jpass Music, while drums were recorded at Mercinary Studios with Noah Buchanan. The production was a collaborative effort between the band and long-time engineer Zack Ohren, who also handled the mixing and mastering. The result is a muscular, high-fidelity production that captures the band’s most fiery and brooding moments with equal clarity. To call Descent “heavy” or “brutal” is an understatement; this is death metal with a unique, elevated voice that stands entirely alone.

    Visually, the band has once again tapped Eliran Kantor to craft a haunting cover masterpiece—a true hallmark of the Immolation aesthetic— complemented by Santiago Jaramillo’s (Triple Seis Design) internal booklet illustrations. With this release, Immolation reinforces their status as one of the most enduring and vital forces in the genre.

    Order Descent here.

    Immolation are currently trekking across North America for their Spring 2026 run. The tour features the band alongside Behemoth on the massive The Godless IV lineup, joined by Deicide and Rotting Christ, with several additional dates interspersed throughout the journey.

    The post IMMOLATION Releases Music Video For “Bend Towards The Dark” From Latest Album “Descent” appeared first on Sonic Perspectives.

  • phytö Like Poles Review

    phytö Like Poles Review

    From the very first note, “Like Poles” by phytö catapults listeners into a vibrant realm reminiscent of 80s arcade games. The opening sounds recall the blips and beeps of retro gaming, immersing the audience in a space that feels nostalgic and slightly delirious. This introduction sets the stage for a song that balances playfulness with an underlying emotional depth.

    phytö Like Poles

    As the song progresses, it transitions into a solid groove, driven by a funky bassline that invites movement. The rhythm is infectious, compelling listeners to sway along in time with the beat. This vigorous foundation showcases the band’s skill in effectively applying rhythmic changes. Each shift feels natural and enhances the song’s overall momentum, keeping the energy high and engaging throughout.

    Punk spunk intertwined with a funk foundation gives the track a lively swagger. The rhythmic intricacies evoke shades of the Beastie Boys, blending rap and catchy hooks in a way that feels refreshingly original while still embracing its influences. The bass dances through notes with precision, creating a compelling interplay between the instruments and the infectious beat.

    Like Poles by phytö – Sound and Atmosphere

    Phytö also excels in creating a colorful atmosphere through various sonic effects. The playful and sprightly use of sound retains that classic 80s vibe. There’s a childlike excitement in these moments, reminding listeners of an era when music was often about fun and experimentation. Yet, this is paired with a contemporary flair that showcases their artistry and originality.

    The structure of the song follows a distinct journey. Transitions between the energetic verses and choruses are seamless, making each section feel cohesive and intentional. This well-executed balance showcases how thematic content can intertwine with musicality.

    “Like Poles” by phytö stands out as an impressive single. The track navigates the nostalgia of the 80s through vibrant groove and chord progression.



    Energetic

    🔥 If you love dark music like this:

    Discover More Bands Here


    Find phytö here:

    Spotify
    Instagram

    For fans of:

    Beastie Boys • Red Hot Chili Peppers


    The post phytö Like Poles Review appeared first on Edgar Allan Poets – Noir Rock Band.