The North American ‘Reign Forever In Kingdom Of Blood’ tour launches in September.
The post Vader, Jungle Rot, Fleshcrawl & Trash Panda Fall North American Tour Booked appeared first on Theprp.com.
The North American ‘Reign Forever In Kingdom Of Blood’ tour launches in September.
The post Vader, Jungle Rot, Fleshcrawl & Trash Panda Fall North American Tour Booked appeared first on Theprp.com.

As some of you will have already seen, I have just released a new single comprising acoustic sketches recorded during my recent trip to Hydra, Greece.
Just a short walk from our apartment, Kamini Harbour gave the dual gifts of a gentle ocean sunset, followed immediately by the rising moon illuminating the hills. I’ve attempted to capture a little of this magic in the video for lead track Kamini…
Recorded using my daughter’s freshly restrung Yamaha F310, Kamini fell to me very quickly, the unfamiliar guitar suggesting new shapes and sounds.
Second track Whilst The Water Waves Goodbye is a composite of two separate acoustic sketches, held together by field recordings captured around the grounds and harbour of our Kamini base.
I originally envisioned this project stretching to an EP, but ultimately my gut was telling me that I’d captured all I needed to. The single is pay what you want on Bandcamp, or if streaming is your jam you can do so here. Much love.
Current listening:
Taste – Taste
The Orielles – Only You Left
Current and former members of The Red Chord have a new metallic hardcore band in the works.
The post Justifications (The Red Chord) Planning Fall Release For Their Debut EP appeared first on Theprp.com.
Danielle Nicole is excited to announce her Fireflies February 2027 UK Tour. Tickets go on sale at 10 am (UK) on Friday, July 10th, from The Gig Cartel.
The tour will showcase tracks from her new studio album Fireflies, released by 40 Below Records on Friday, August 28th, which is available to pre-save and pre-order here.
The upcoming Fireflies album features the singles “Gaslight” and “Tug of War,” the latter described as a soulful anthem about reclaiming strength in the face of imbalance and emotional exhaustion. “I wrote ‘Tug of War’ for anyone finding themself no longer willing to accept the terms of a one-way relationship,” says Danielle.
Long celebrated for her commanding voice, masterful bass playing, and emotionally fearless songwriting, Danielle Nicole traces the beginning of her musical journey back to a transformative moment in her teenage years: seeing Etta James perform live in Kansas City.
“We had a great blues festival in Kansas City,” Nicole recalls, “and I was able to see Etta James perform. She was fearless. My parents were musicians who played in cover bands, so music was always part of my family — but I didn’t realize I wanted to sing and perform, too, until I heard Etta.”
That reverence for the great soul singers, storytellers, and trailblazers who came before her has fueled a career spanning nearly 25 years, including 10 Blues Music Awards, a Grammy nomination, induction into the Kansas Music Hall of Fame, and the South Canada Blues Hall of Fame, as well as international acclaim as both a songwriter and performer. With Fireflies, Nicole delivers what may be her most personal and musically adventurous statement yet — a raw, deeply felt collection recorded live to analog tape that explores grief, resilience, empowerment, and transformation through a rich blend of blues, soul, R&B, and roots music.
“There’s a lot of soul-driven music here,” she says. “A lot of storytelling. It’s a major step forward in my songwriting.”
Produced by Tony Braunagel and recorded in Nicole’s hometown of Kansas City, Fireflies emerged during a profoundly emotional chapter in her life following the loss of her brother Kris — her lifelong friend, bandmate, and musical collaborator. Though grief initially made it difficult to complete the songs, Nicole found renewed inspiration through collaboration with guitarist Brandon Miller and legendary keyboardist Jim Pugh.
“Every album is an era of your life, where you write about whatever you’re going through,” Nicole explains. “When my brother passed away, I was still writing a lot, but my grief kept me from completing some of these songs. I had to push hard through the mental blocks.”
The resulting album balances vulnerability with strength. Songs like “Soulside” channel heartbreak into perseverance, while “Gaslight” and “Tug Of War” emerge as defiant, empowering declarations of self-worth. Elsewhere, “Take Me Back” reflects on Nicole’s Missouri upbringing and features Luther Dickinson of North Mississippi Allstars.
If previous albums like Cry No More and The Love You Bleed showcased the breadth of Nicole’s modern roots sound, Fireflies pushes the envelope even further into classic soul and R&B territory while remaining grounded in the blues tradition that launched her career. The album’s title track reflects on the quiet transition from innocence to adulthood — those fleeting moments when life changes before you even realize it.
Ultimately, Fireflies is both deeply personal and universally resonant: a record that honors loss while searching for light, connection, and what comes next.
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