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  • SatchVai Band | April 7, 2026 | Long Beach Terrace Theater | Long Beach, CA – Concert Review & Photos

    Review by Jordan West
    Photos by Ron Lyon

    Superhero guitarists Joe Satriani and Steve Vai and their “Surfing with the Hydra” tour made waves in Long Beach at the downtown Terrace Theater recently and added new dimensions to their large catalog of music to please their loyal fan base. A very loud and passionate crowd greeted the SatchVai Band as they are billing themselves, like the welcoming of a beloved relative during the holidays. Plenty of shouts around the room of “We love you” were heard from my vantage point throughout the nearly two-hour set, which featured the two long-time friends sharing the stage for most of the evening.

    After an introductory showing of a video, directed by Satriani’s son ZZ, for their latest single together entitled “Dancing” in which Satriani and Vai are sitting at a boardroom table, being lectured on ideas from an “artist manager” played by Brendon Small (Dethklok, Metalocalypse) who essentially tells the duo that they need dancers to spice up their act. Satriani and Vai, along with their outstanding band — guitarist Pete Thorn, bassist Marco Mendoza, and drummer Kenny Aronoff — then hit the stage and broke into their latest single, a version of Paolo Conte’s “Dancing” as the video kept playing in the background. It featured a variety of street and hip-hop style dancers and fit in well with the songs quasi-Latin style.

    Joe Satriani and Steve Vai

    Immediately, the crowd reacted, and the energy in the room was infectious, as the band continued with their 2025 song “I Wanna Play My Guitar” that featured Mendoza on vocals, which were originally recorded by Glenn Hughes. Mendoza did a fine job, and his bass playing was rock solid all evening. Continuing with their latest release, Satriani and Vai traded licks on the fabulous “The Sea Of Emotion Pt 1” as the hilarious video of the two dressed in retro wigs and clothes playing in a retro house’s kitchen played on the video screen behind the band.

    Vai, all six feet plus of him, stood center stage as Satriani and Thorn flanked him at first, before Satriani joined Vai center stage and the two virtuosos ripped power chord after power chord to the delight of the crowd. Vai then brought out a gorgeous semi hollow body “purple-swirl” colored Ibanez guitar and dipped into the 2022 “G3 Live” material with the performance of “Zeus in Chains” as well as the very progressive “Little Pretty” which showed off so many of his guitar solo skills. The awestruck audience gasped at what they were witnessing.

    Joe Satriani

    Joe Satriani then re-appeared onstage and introduced the band members before cranking up “Ice Machine,” a play on the combination of Satriani’s  “Ice 9” that melded with Vai’s “The Crying Machine.” It was incredible to see these two fabulous guitarists, friends from high school, adding harmony guitar to their individual compositions. It was like re-writing a masterpiece, and it continued almost the entire set. The smiles of joy from both guitarists were infectious, and spread to the audience, who were loving every bit of output from the huge stage.

    Satriani’s driving “Flying In A Blue Dream” as well as the shred of “Surfing With The Alien” were not only spotlighting the guitars, but the rhythm section of bassist Mendoza and the rock-solid drumming of Aronoff especially, kept the tempos on cue. Satriani’s fingers literally blazed across the fingerboard of his Red Ibanez guitar, with the skill of a pro surfer cutting across a wave. The crowd rose to their feet in approval.

    Steve Vai

    Vai rejoined the band onstage to duet on Satriani’s dreamy “Sahara” then took over to perform his bluesy, “Tender Surrender,” a track from his 1995 Alien Love Secrets release that spotlighted plenty of his many incredible techniques, from finger picking to a host of others in his arsenal of tools, as well as ending the number with a liberal use of his tremolo bar.

    “Teeth of the Hydra” had Vai unveiling his multi-necked elaborate “Hydra” guitar, which was anchored to a stand onstage. Vai’s hands effortlessly flew between the necks with the skill of a surgeon, and again, the crowd roared at songs end. Joe Satriani then returned and stormed the stage with his excellent “Satch Boogie” and even finished the song by playing his guitar with his teeth. From “Teeth of the Hydra” to “Teeth of the Satch.” All the more reason to love these guys!

    Marco Mendoza and Pete Thorn

    Satriani’s “If I Could Fly” is always such a joy to hear performed. It has a wonderful melody and has been used for many action videos that I have seen online. You may remember that this song was also completely ripped off by the band Coldplay a number of years ago and they had a hit with it. Steve Vai joined in on it tonight and again, brought the song to another level. To see these two play off each other as they improvise on each other’s material is really what this night was about for me and many others in the audience.

    Vai then dipped into a track from his 1990 Passion And Warfare LP with “For The Love Of God.” The songs soaring guitar runs were absolutely hypnotizing. His fingers effortlessly caressed the neck of his guitar that unleashed incredibly smooth sounds that had the “air guitarists” in the crowd who were trying to keep up, completely exhausted by songs end.

    SatchVai Band

    Joe Satriani and Steve Vai finished up their set with a duet on Satch’s lovely ballad “Always With You, Always With Me.” To hear Vai add harmony to this beautiful song was definitely “worth the price of admission” as they say, and the part when they were both using the “hammer-on” technique was, again, enough to  make anyone stop what they were doing and bear witness to the talent of these two gentlemen.

    They thanked the crowd and songs end and the band slowly left the stage to yet another huge applause, and a standing ovation. They soon returned and encored with Satriani’s “Crowd Chant” from his 2006 Super Colossal collection of songs and the crowd reacted by clapping along, stomping their feet and mimicking Joe’s guitar sounds, just like on the record. Satriani stood there with his mouth agape, clearly pleased with what he had created.

    Kenny Aronoff

    Kenny Aronoff’s familiar intro led the band in a rave-up cover of Led Zeppelin’s classic “Rock And Roll” with Marco Mendoza again taking the vocal. They then ended the evening with a rousing version of Steppenwolf’s biker anthem “Born to Be Wild” that had everyone in attendance singing the chorus along with vocalist Mendoza, as well as Joe Satriani, Steve Vai, Kenny Aronoff, and Pete Thorn. It was indeed a fun way to end an incredible night of music featuring the cream of the crop of masterful musicians onstage.

    Opening act Animals As Leaders played a very interesting nine-song set that featured guitarists Tosin Abasi and Javier Reyes trading multiple notes on eight-string guitars. So many in fact, that combined with drummer Matt Garstka being in a constant state of syncopation and keeping an almost impossible pace, it was almost making me dizzy.

    Animals As Leaders

    The song “Ectogenesis” seemed to me like all three band members were laying down a separate solo that magically met up in places, before exploding into yet another direction. “Physical Education” had much more of a groove, and, although the drum patterns had a number of stops and starts, it had many in the crowd bouncing their heads in unison, obviously getting prepared for the guitar pyrotechnics that would be happening soon with SatchVai Band.

    As you can imagine, it was quite an evening of supreme musicianship on display from some of the masters of their respective instruments. To add to that, again, seeing Steve Vai and Joe Satriani playing in the same band, for the entire show was something that this fan will not forget. Their love of what they do, shone through the many notes played onstage, and the joy they expressed translated into a very happy and pleased audience. Thank you gentlemen for an outstanding evening.

  • Mexican Post-Punk Outfit The Shelter Dissolve into Desire With Video for “Flesh”

    There is a photo I can’t stop looking at

    A photo of the recent past

    A photograph is supposed to preserve a moment, but it can just as easily poison one. People look at an image and begin stuffing it with private meaning, projecting hunger, fantasy, grievance, or need until the person inside the frame is no longer seen as a person at all, but rather a portal. Anyone can become prey that way. It happens in bedrooms, on phones, across city blocks, inside social feeds, and in the mind’s own locked theatre, where admiration curdles into fixation and distance breeds delusion. A picture may be worth a thousand words, but plenty of those words are dangerous, and The Shelter’s Flesh shows exactly how fast they can turn feral.

    Flesh comes at you like a lipstick smear on a broken mirror: glamorous, sick at heart, and fully aware that desire can slip from devotion into delirium before anybody in the room has time to call a doctor. This Mexican band has already built a name on dark romance and high-stakes emotional drama, but here they hit a sweetly poisoned peak, turning obsession into theater and giving it enough muscle to stomp around the stage in high boots.

    Written by Elías Gameros and produced by Gus Oberg and Johnny T, “Flesh” has the kind of reach that makes you think of Peter Murphy, Bauhaus, Interpol, Koudlam, Trisomie 21, Iron Maiden, and David Bowie; the song lives where glam excess, gothic pageantry, and post-punk severity collide in one beautiful traffic accident. The guitars slash and gleam with a cold edge that keeps the song moving with real menace, while the rhythm section drives everything forward like a bad impulse dressed for a coronation.

    And then there’s the voice. Gameros leans into a croon that swells into something feverish and nearly feral, a performance big enough to fill a theatre and strange enough to make the back row uneasy. So when the lyrics move into that dangerous territory, where wanting somebody curdles into wanting to vanish inside them, he sells it with enough conviction that you might overlook its sinister undertones.

    The lyrics revolve around the instant when attraction stops asking for closeness and starts fantasizing about total merger, body to body, nerve to nerve, self to self, until love becomes invasion. A photograph sparks the fixation, then the fixation grows teeth. The song circles voyeurism, fragility, devotion, and bodily ruin without sounding coy about any of it. It stares straight at that psychic split where tenderness and danger start sharing the same bed.

    Watch the lyric video for “Flesh” below:

    Listen to Flesh via Spotify below:

    The Shelter have already played with heavy hitters, toured hard, and worked festival crowds from Tecate Pa’l Norte to New York’s New Colossus Festival, but Flesh feels like a statement of deeper intent for the band. It is an intriguing single, leaving us wanting more.

    Follow The Shelter:

    The post Mexican Post-Punk Outfit The Shelter Dissolve into Desire With Video for “Flesh” appeared first on Post-Punk.com.

  • PIERCE THE VEIL, JACK KAYS, MOVEMENTS: Riverstage, Brisbane, 08/04/2026

    Photos by: Maxine Thomas Words by: Cory Stevenson The air was thick with excitement this Wednesday as fresh faced fans, elder-emos and their children unite in line for the highly anticipated first show of Pierce The Veil’s I Cant Hear You Australian tour. If the traffic jams and mobs of people walking in hordes of […]
  • Enter Shikari Surprise Release New Album “Lose Your Self”

    The band opted for secrecy to present the album as a “cohesive whole.”

    The post Enter Shikari Surprise Release New Album “Lose Your Self” appeared first on Theprp.com.

  • Kansas City Thrash Crew HELLEVATE to Return With Killicon Valley

    Kansas City thrash masters HELLEVATE will unleash their sixth assault this spring!

    Killicon Valley is relentless in execution. Eleven tracks of the bullshit-free, ‘thrash-or-be-thrashed’ attitude the band has cultivated over their nearly 20 years of existence. Today, that fury has escalated beyond the breaking point. The result is an album that true fans of old-school thrash can blast with pride.

    Guitarist Dan Whitmer comments on Killicon Valley, “We couldn’t be more excited about this release! It’s the result of the last few years of a concentrated effort to expand our songwriting capabilities and deliver something for every kind of metal fan there is. Sonically, we’re going to places we haven’t been to before, and we’re trying out a lot of different approaches, sounds, and songwriting angles in our mission to make heads bang worldwide! Everyone involved has pushed themselves physically and mentally in their performances, and it’s all come together in a unique blend of melody and aggression, tackling every subject from our anger at the injustices in the world, to velociraptor attacks and Japanese spider demons. Grab a brace, because this album will make you wreck your neck!”

    Get your first taste of Killicon Valley with the album’s lead single, “In the Long Grass.” Check out the official video at: youtu.be/4pvJtJcOrvo.

    Killicon Valley is set for release on May 22. Pre-order the album at: hellevate.bandcamp.com/album/killicon-valley

    HELLEVATE will mark the release of Killicon Valley with an album release show at Warehouse on Broadway in Kansas City, MO. Support will come from Jackson Country 5, Meat Shank, and Bloodscent. Check the event page for details.

    Stream more from HELLEVATE on SpotifyApple Music, and Amazon Music.

    Track-list:

    1) D.T.C.

    2) In the Long Grass

    3) Invoke Apocalypse

    4) Demagogue

    5) The Rampart

    6) Holy Man

    7) Jorogumo

    8) Part of the Tribe

    9) Killicon Valley (Silicon Dust)

    10) The Lost Pages

    11) Thou Shalt Kill

    12) Curse God and Die

    HELLEVATE is a thrash metal band from Kansas City, MO, known for their unique blend of melodic thrash, extreme metal, and power metal influences. Formed in the late 2000s by guitarist Dan Whitmer, HELLEVATE maintains a commitment to writing unforgettable music that hits hard and leaves a lasting impression.

    Lyrically, the band continues to deliver powerful messages with directness and intensity. Together, they have crafted a sound that is both expansive and undeniably thrash, incorporating influences from speed metal, power metal, death metal, and hardcore to create something truly unique.

    Photo credit: Kaitlyn Waggoner

    Line-Up:

    Robert Browne – Vocals
    Dan Whitmer – Guitar
    Joshua Cole – Guitar
    Zack Burke – Bass
    Ruben Lopez – Drums

    HELLEVATE‘s discography includes their debut self-titled album (2012), Kill Confirmed (2014), Weapons Against Their Will (2016), The Purpose Is Cruelty (2023) and their newest album Killicon Valley (2026).

    Since their debut in 2012, HELLEVATE has built a reputation for delivering electrifying live performances, sharing the stage with some of the biggest names in metal, including EXODUS, KREATOR, ACCEPT, OVERKILL, DESTRUCTION, HAMMERFALL, UNLEASH THE ARCHERS, GHOUL, VENOM INC., and DANZIG, among others.

    hellevate.bandcamp.com

    www.facebook.com/hellevate

    www.instagram.com/hellevatekills

    www.tiktok.com/@hellevatekills

    Source: ClawHammer PR

  • Tasha – “Summer”

    It’s not yet summer, but it’s always time for a wistful ballad about the hot, decadent season. Tasha is supplying us with that today with her new All This And So Much More single “Summer.” “‘Summer’ was written in June of 2024 in the middle of my Broadway run with Illinoise,” the singer-songwriter explains, referring…

    The post Tasha – “Summer” appeared first on Stereogum.

  • Album review: Enter Shikari – Lose Your Self

    Posted on April 10th 2026, 12:01a.m.

  • Lowsunday Blast Into the Bleak Beyond With New Single “This Is Not Heaven”

    I’ve waited for you
    So lonely
    Then you insist I stay behind
    This is not Heaven

    Hot on the heels of their unexpected, yet triumphant return to recording in 2025, Pittsburgh-based post-punk/shoegaze duo Lowsunday are back with a brand new track and video. Serving as the lead single from their upcoming Black EP (the natural shadowy follow up to last-year’s White EP), “This Is Not Heaven” is a scintillatingly dark and dreamy rave-up, featuring pummeling drum machine rhythms, buzzsaw synths, blistering guitar textures, and evocative vocals, with a chorus that lifts the track into oblivion, like an trans-dimensional jet engine. The track careens through those empty spaces where dreams and reality mix a little too closely for comfort, and the results are as alluring as they are haunting.

    For the uninitiated, Lowsunday first began their tenure in the mid-1990s and were among the first bands to blend the current shoegaze movement with ’80s darkwave sounds. After self-releasing their eponymous debut LP in 1996, the band was quickly signed to Projekt Records, which released the band’s sophomore record, 2001’s wonderful Elesgiem. As trailblazers in their time, they left a huge mark on the scene, influencing countless modern bands to follow, all of which owe a great deal of debt to Lowsunday’s compositions. Remixes and remastered reissues of the band’s discography appeared in 2024 and 2025, respectively, bringing these records back into focus for a new generation. As such, the band, stripped down to core members Shane Sahene and Bobby Spell, came back in full force to reclaim their rightful throne. Last year’s interview with the duo captures the story so far and touches heavily on the band’s current output, which truly sounds as if they haven’t skipped a beat.

    Meanwhile, both Sahene and Spell have shared a few words with us about the creation of “This Is Not Heaven.”

    Sahene:

    “This song captured a feeling that we’ve been trying to express but never as clearly as it became in this song. It’s a song that touches on loneliness and the view love from the outside – but also clearing your head enough to be expressive and cutting. It’s a song meant to be loud, at times dreamy and chaotic, but then finds its power in the heavy synth chorus- it almost reminds me of the racing engine of the Mammoth Car in old Speed Racer episodes, where it has scary power, but in this case, running from the hell of loneliness.”

    Spell:

    “For me. “This Is Not Heaven” is very melancholy musically and lyrically, but the choruses add enough light musically that the song leaves you with a feeling of hope. Writing and recording this song seemed to have a lot of mystery until a few key parts came along that completely changed the tone and clarified what the song would be. So far, it’s one of my favorite tracks we’ve written.”

    The video for “This Is Not Heaven” is a perfect shadowy compliment to the single’s alluring cacophony. Directed by frequent collaborator Jer Herring, the video takes the duo through a monochromatic, gritty journey through city streets, dense forests, and dark basements;  those places where otherworldly beauty and sheer terror can exist in harmony.

    The Black EP will be released on vinyl and digital formats on May 15th via Projekt Records. Check out the video below.

    Follow Lowsunday: 

    Header photo by Christina Sahene. 

    The post Lowsunday Blast Into the Bleak Beyond With New Single “This Is Not Heaven” appeared first on Post-Punk.com.