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Minneapolis, MN technical deathcore outfit Reaping Asmodeia premiere their new music video for their latest single "Terminal Lucidity", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com

Drumeo have introduced Electric Callboy/ex-Sum 41 drummer Frank Zummo to The Dillinger Escape Plan‘s “Milk Lizard” for the first time. Zummo was unfamiliar with the track beforehand and was given a version with the percussion removed, leaving him to create his own drum parts. Zummo proved quite knowledgeable about the various initial tracks … Read More/Discuss on Metal Underground.com

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Swedish black metallers Dark Funeral have released their new live album “A Beast To Praise”. The featured performance on the effort was recorded during a 2022 show the band played at Fållan in their hometown of Stockholm, Sweden. To coincide with the album’s release, the band have also issued a live video for “Nail Them To The Cross”, which you… Read More/Discuss on Metal Underground.com

Dutch slam/BDM outfit Korpse have included a cover of Lamb Of God‘s 2004 single “Now You’ve Got Something To Die For” on their newly released EP “Forbid“. The effort arrived via Unique Leader Records. You can hear their brutal take on that groove metal staple below. Meanwhile, Korpse commented on the three-song collection: Read More/Discuss on Metal Underground.com

Multi-platinum alternative rockers Puddle Of Mudd have just unveiled a music video for “Win Win Win“. The track originally appeared on the band’s 2025 album, “Kiss The Machine“. The group released the new video without comment, premiering it overnight. Read More/Discuss on Metal Underground.com

These songs feel like guys shouting at each other across a bar, each with a good idea, and the whole thing barely but strongly holding together, making a simple statement of both past and present.

While on the mainstay from the brutal death metal style, Hypatia blends together the long history of death metal and skips most of the postmodern era, giving the pummeling power of the past and the spacy ambiguity of the recent future.

Although songs use simple loop-layering structures and are powered by jazz-style offset beats, they incorporate a great deal of cadence and the thunderous majesty of death metal from the classic era, delivering a omniscient negativity that presents an escape from a gaslit dystopian mindset.

Words by Belinda Quick Photos by Missy Smiley Special thanks to Destroy All Lines “Do not feel lonely, the entire universe is inside you. Stop acting so small. You are the universe in ecstatic motion. Set your life on fire. Seek those who fan your flames” ― Rumi, In Your Light Let not any quantitative […]

Fernando Perdomo 2026 Entering transparency, the American composer commits his multi-instrumental soaring to minimalistic ambience. There are quite a few types of clouds: some of them are redolent of more material objects, others are spread across the skies like fine … Continue reading →

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