Blog

  • THE OFFSPRING, PENNYWISE, CIRCLE JERKS, And ADOLESCENTS Perform November 7th At Garden Amphitheatre For MIKE ROCHE (T.S.O.L.) Benefit

    GUTTERMOUTH, CHANGE TODAY, MAINLINERS, DEATH BY STEREO, LOVE CANAL, AND DISSENSION ALSO FEATURE ON THE ALL-SOUTHERN CALIFORNIA LINEUP

    Sept. 16, 2026, GARDEN GROVE, Calif. – The Southern California punk community is rallying behind T.S.O.L.’s Mike Roche as his health continues to decline following dual Parkinson’s disease and dementia diagnoses. The Offspring, Pennywise, Circle Jerks, Adolescents, Guttermouth, Change Today, Mainliners, Death By Stereo, Love Canal, and Dissension perform at a Nov. 7 benefit at the Garden Amphitheatre in support of one of punk’s most beloved musicians.

    Tickets go on-sale this Friday, Sept. 18, at 9 a.m. pacific via Gardenamp.com. For those unable to attend, a GoFundMe is active: https://gofund.me/8e607380b.

    “Mike Roche is basically the reason I’m playing in a punk band,” Pennywise’s Fletcher Dragge shares. “T.S.O.L. was the first ‘real’ punk show I ever attended and after watching Roche and the band play, I decided there and then I was going to be in a band. He’s been a huge part of the punk scene for more than 40 years, and he’s influenced countless musicians, and more than that, he’s a great person and friend.

    When we heard what he’s been going through, and how much he needs right now, everybody decided we needed to do something. The Offspring were the first to step up and offer their help. This lineup is a bunch of bands and friends from the punk rock community coming together to help one of our own. It’s gonna be a great night for a great human. Special thanks to the Garden Amphitheatre for offering their venue up, 100% free of charge to accommodate everyone and help the cause.”

    Noodles from The Offspring adds: “Without T.S.O.L. there would be no Offspring. Mike Roche’s bass playing is a huge part of the reason why. His style is just so badass and cool. Over the years, we went from fans of his to friends. So when we heard he needed our help, we jumped at the chance to pitch in. A lot of people from the punk scene felt the same way, and this benefit concert was put together. It’s gonna be an amazing show, with a bunch of incredible bands, and it’s gonna help out an old friend. Let’s f#ckin’ go!”

    As the founding bassist of T.S.O.L., Roche has been an integral part of punk since the band formed in 1978. Known for his distinctive playing style and his Rickenbacker, which is now featured at The Punk Rock Museum, Roche has remained a constant presence throughout T.S.O.L.’s history.

    Shepard Fairey has designed a commemorative print for the event, available exclusively at the show.

    “T.S.O.L. had every ingredient a 16-year-old skate punk could want… attitude, speed, irreverence, melody, and even some thought-provoking lyrics,” Fairey said. “Mike Roche contributed one of those lyrics: ‘wake up silent majority,’ and it has been one of my rallying cries ever since. Mike started as an inspiration, became a friend, and now is a friend in need who I want to support.”

    Roche’s longtime partner, Tracy Vaughn, revealed his Parkinson’s disease and dementia diagnoses in 2024. Since then, his condition has continued to progress, and he now requires round-the-clock care that far exceeds what insurance will cover. Friends and family say the need has become urgent.

  • AN NCS VIDEO PREMIERE: WYRDSTÆF — “PRIMORDIAL BLOODLINES”

    (written by Islander) On September 4th of this year the Apocalyptic Witchcraft label released Primordial Bloodlines, the debut album from UK-based Wyrdstæf, a band whose music is described as “atmospheric blackened tribal metal band”, and what we have for you today is the premiere of an evocative lyric video for the album’s title song. The […]

    The post AN NCS VIDEO PREMIERE: WYRDSTÆF — “PRIMORDIAL BLOODLINES” appeared first on NO CLEAN SINGING.

  • WITCH RIPPER Share KEXP Session + Join FRIENDSHIP COMMANDERS On US Tour

    WITCH RIPPER share a newly released KEXP live performance and join FRIENDSHIP COMMANDERS on the 2026 Ursa Major US co-headlining tour.

    […]

    The post WITCH RIPPER Share KEXP Session + Join FRIENDSHIP COMMANDERS On US Tour appeared first on INFRARED MAGAZINE.

  • Wednesday Address Concerns Over Houston Show At Venue That Hosted Ken Paxton

    Last month, the Houston venue White Oak Music Hall hosted an event from Ken Paxton, the far right extremist who is currently running for Senate in a much-watched Texas race. The same night that Paxton spoke at White Oak Music Hall, Meet Me @ The Altar and Leisure Hour had a show in a different room of the same venue, and they were not happy to learn that they’d be sharing that space. In response, Sweet Pill moved their Houston show to another venue. Later this year, Mannequin Pussy and Wednesday’s Bitch Cabal tour is scheduled to stop at White Oak Music Hall, and Wednesday have something to say about the venue.

    The post Wednesday Address Concerns Over Houston Show At Venue That Hosted Ken Paxton appeared first on Stereogum.

  • Porridge Radio’s Dana Margolin Shares Debut Solo Single “Big Beautiful Sound”

    Brighton’s Porridge Radio were one of the greatest, most reliably cathartic indie rock bands going. So it was a shame when they broke up shortly after 2024’s Clouds In The Sky They Will Always Be There For Me, and it’s correspondingly exciting to learn frontperson Dana Margolin is launching a solo career.

    The post Porridge Radio’s Dana Margolin Shares Debut Solo Single “Big Beautiful Sound” appeared first on Stereogum.

  • MIDNIGHT To Release ‘Satanic Attack Live!’ November 6

    MIDNIGHT will release Satanic Attack Live! November 6 through Metal Blade Records. The campaign includes the “You Can’t Stop Steel” video/single.

    […]

    The post MIDNIGHT To Release ‘Satanic Attack Live!’ November 6 appeared first on INFRARED MAGAZINE.

  • The Noctambulant – Revival Review

    Did you know that black metal could be fun? Southern Florida’s The Noctambulant believe so, and on their third EP, Revival, they mix black metal, rockabilly, and southern gothic to create a potent mix that takes black metal and turns it into something more digestible but not too accessible. Searing speed, catchy choruses, and inspired solos bring to life a record that is as much black metal worship as it is an ode to the band’s southern roots. This mix seems like oil and water, so does The Noctambulant stick the landing or fall flat on their faces?

    The Noctambulant come from the depths of what may be the most metal place in the world: Florida. Sweaty swamps, sticky shorts, and an endless stream of prehistoric beasts prowl the ancient subtropical forests. If 102 degrees and 100 percent humidity isn’t metal, I don’t know what is. Even as someone who makes a point of avoiding the southern parts of the US, I can’t help but respect their dedication to living in a perpetual hell. Now take all of that and start a black metal band that works to take down the biggest institutions in the South: organized religion. Despite the anachronistic intro, featuring samples and trap drumming, the rest of the record is a blazing-fast, straightforward piece of what can only be described as blackened-billy. E. Helvete’s vocals are perfectly pitched, from their raspy highs to the roaring lows, and the dual guitar dance of Helvete and Rev. Beaumont leads the record like a two-headed, twisted preacher. Lars G. offers a hellishly thick low end, and in a surprising turn for something so black metal-adjacent, the album is chock full of bass wankery and ripping guitar solos.

    Revival bucks trends in other surprising ways, especially with its production. Eschewing the typically raw, borderline unlistenable nature of many smaller blackened acts, The Noctambulant sits somewhere in between. While the production is generally a step above their peers, the treble is too high at times, making the vocals sound ear-splitting in the mix, while the guitars fall by the wayside. Oddly enough, the low end thrums brightly throughout the record, establishing itself as a real highlight across the album. Thanks to a focus on southern roots and rockabilly inspiration, Revival is catchy and bouncing. “Skeleton Key,” “Killing Tree,” and “San Martino” are great examples of The Noctambulant at their best.

    The Noctambulant describe their music as inspired by rockabilly, blues, goth rock, and American country. The final product says otherwise to my (albeit amateur) ears. Most of the album plays out as blackened thrash with some slight rockabilly elements; maybe those with a sharper sense for the genre can pick out rhythm and riffs that are truly inspired, but it wasn’t nearly the genre-mashup I was hoping for. As it stands, Revival is fun, if a bit samey, but for those who don’t typically enjoy black metal, The Noctambulant might be the solution. The finale, a cover of Nick Cave & The Bad Seeds’ “Red Right Hand,” feels like the best representation of Revival’s mission statement, although it immediately reminded me of the soundtrack to 1994’s Dumb & Dumber.

    Revival might be a crossover killer for those left wanting by typical black metal, but for us looking for something truly inspired, The Noctambulant keep it surprisingly safe. In a genre so open to experimentation and wild left turns, Revival could have been a real standout record in a crowded year of incredible music. The Noctambulant still bring the southern heat, but they fail to burn the world down. Hopefully their next record will cross that threshold into something truly special; for now, I will definitely be keeping an eye out for what comes next from this interesting, if a little safe, group of blackened-billy adherents.


    Rating: Good
    DR: 6 | Format Reviewed: 320 kb/s mp3
    Label: Terminus Hate City
    Websites: Bandcamp | Instagram
    Releases Worldwide: September 18th, 2026

    The post The Noctambulant – Revival Review appeared first on Angry Metal Guy.

  • VESSELES Reclaim Their Own Voice on “Eternally Within Us”

    Some re-recordings are designed to improve production or tighten performances. For VESSELES, revisiting Home is an act of ownership—an opportunity for creator Valira Nyvran to inhabit the music completely and tell its story through their own voice. That process can now be heard on “Eternally Within Us (Reclaimed),” the first advance offering from Home (Reclaimed). […]

    Source