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Mental Cruelty – Reveal ‘The Serpent Of Midgard’ Single
Deathcore formation from Germany, Mental Cruelty, are streaming a brand new single/video titled “The Serpent Of Midgard”. The latter was mixed and mastered by Jens Bogren.
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for EONS ECHOES OF THE PAST Review
for EONS ECHOES OF THE PAST Review
The song begins with an atmospheric guitar riff imbued with psychedelic and kaleidoscopic elements. This introduction creates an intense, suspended ambience that envelops the listener, reminiscent of an ancient fog that hypnotizes. The composition unfolds gradually, taking its time to build momentum. Instruments are layered one by one, with drums providing a syncopated rhythm while the guitar distorts into a richer texture. The bass complements the drums, enhancing the muffled and suspended atmosphere that propels this unique sonic journey.

Vocals enter only after the three-minute mark, shifting the track’s psychedelic delirium into a more relatable experience. The voice carries a strong echo, imparting an oracular quality that feels ancestral. One can envision a fusion between bands like The Doors and Radiohead, which offers an idea of the sound this group embodies, yet they maintain their unique vision.
This band doesnāt merely create music; they craft unique sonic experiences that leave listeners breathless. The seven-minute track is filled with pure psychedelic intensity, highly recommended for all who appreciate music that traverses beyond traditional boundaries.
ECHOES OF THE PAST ā Sound and Atmosphere
As the layers of sound build, the atmospheric quality becomes more pronounced. The mix of distorted guitars and syncopated drums forms a hypnotic rhythm, supporting the ethereal vocals that finally emerge. The vocal performance transforms the instrumental journey into a narrative, drawing listeners deeper into the experience. This gradual revelation of sound serves to enhance the thematic depth of the piece.
EONS captures a spirit that feels timeless and contemporary, invoking memories while encouraging exploration of new auditory spaces. The band showcases an ability to manipulate sound, creating an atmosphere that feels colossal yet intimate, evoking feelings of nostalgia and contemplation.
The use of instruments serves as more than mere accompaniment; they forge a cohesive body of sound. The layers of guitar invoke a dreamlike state, as if guiding the listener through a meditative trance. The bass and drums anchor the ethereal qualities, providing muscle to the sound. This interplay is reminiscent of experimental rock, showcasing a genre that thrives on innovation.
ECHOES OF THE PAST ā Performance and Production
EONS’ craftsmanship in songwriting shines through in this single. Every note feels intentional, contributing to a greater narrative arc. There exists a sense of anticipation as the sound continues to build, driving the listener forward.
The emotional intensity conveyed through the instrumentation and vocals offers an immersive experience. The track feels like a journey, invoking images and sensations that linger post-listening. The distinct tonal quality of the artwork reflects a maturity that can only come from a deep understanding of musical composition.
“ECHOES OF THE PAST” challenges listeners to embrace a new kind of music experience, one that demands attention and evokes reflection.
Listeners seeking depth in their musical experiences will find “ECHOES OF THE PAST” an essential addition to their playlists. The journey encapsulates a unique blend of nostalgia and fresh perspectives, found within that seven-minute duration they so skillfully orchestrate.
Be prepared to be immersed in a sonic adventure that expands the boundaries of modern music.
Enigmatic
If you love this music: Discover More
For fans of:
The Doors ⢠Radiohead
The post for EONS ECHOES OF THE PAST Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Firtan – Introduce New Guitarist
After performing one year with the band as live guitarist, Lukas Massinger has now become a permanent of the German black metal unit Firtan. This coming Monday, the sextet will also unveil fresh news on their new album.
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TAKE OFF TO NOVA Metopia Review
TAKE OFF TO NOVA Metopia Review
The song begins with a striking drum groove that instantly paves the way for a unique auditory experience. As the bass and guitars join in, I hear visionary influences from bands like Primus. This clearly shows that the group is not interested in following familiar patterns; instead, they aim to create something novel and distinctive. The composition exists in a metaphysical realm of its own, suspended between reality and illusion.

This progressive rock track features hues of funk and jazz, demonstrating that the band comprises highly skilled musicians who share a remarkable synergy. The frequent harmonic and rhythmic variations contribute to a sound that is truly one of a kind. It feels like an auditory journey capable of triggering neurons that conjure dreamlike visions.
The subject matter of the song delves into themes of escapism in a virtual world. The protagonist hides from their pain and failures until they unexpectedly fall in love within the metaverse. Ultimately, the choice is made to embrace reality over illusion, revealing a profound aspect of the human experience. While there are blends of sounds reminiscent of Naked City combined with elements from Cream and Rush, the vision of this band is so distinct that it doesn’t lend itself to direct comparison with others.
Metopia ā Sound and Atmosphere
The song promises an intense exploration of its themes, resulting in an immersive listening experience. Musically, it captivates the audience with intricate arrangements and bold experimentation. The rhythmic complexity acts as a foundation, establishing a dynamic backdrop for the melody.
Guitar solos are tightly woven into the fabric of the track, showcasing technical brilliance without overshadowing the lyrical narrative. This aspect enhances the engaging quality of their music.
The bass lines stand out, offering depth and texture to the overall arrangement. This foundation allows the drums to breathe and engage in complex patterns, inviting listeners to experience the rhythm on multiple levels. Each instrument serves its purpose while contributing to the collective sound.
Metopia ā Performance and Production
Vocally, the song also excels. The lead singer’s delivery conveys vulnerability and strength, perfectly aligning with the narrative presented within the lyrics. Their voice carries the weight of the protagonistās emotional journey, allowing listeners to connect deeply with the story.
The production quality of “Metopia” is of a high standard, ensuring that every detail shines through. Each instrument is balanced well within the mix, allowing for clarity in intricate sections while maintaining punch in the more powerful moments. This meticulous attention to detail elevates the overall listening experience.
The band excels in showcasing their musical abilities, intertwining various influences while remaining decidedly themselves.
This unique offering is not just a piece of music but a multidimensional exploration of sound and emotion. Itās a journey worth taking, as it offers fresh perspectives on love, escapism, and the choices we make in our lives.
This is a visionary interpretation that I recommend to everyone.
Visionary
If you love this music: Discover More
For fans of:
Primus ⢠Naked City ⢠Cream ⢠Rush
The post TAKE OFF TO NOVA Metopia Review appeared first on Edgar Allan Poets – Noir Rock Band.
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The Pixel Rain Last Review
The Pixel Rain Last Review
The song opens with a beautiful guitar riff that sets an intense and somewhat dark atmosphere. The tone is primarily crepuscular and dystopian. After about fifty seconds, the vocals enter, creating a vibe reminiscent of the 1980s. Synthesizers add flavor reminiscent of Depeche Mode, with the voice delivering a nearly oracular quality.

The song vacates its richness during the verses, allowing space for introspection. When it transitions into the chorus, the energy surges, producing an epic sound that showcases remarkable dynamics. The guitars add to the growing atmosphere with powerful chords and sustained notes that amplify the overall audio presence.
Overall, the sound design evokes imagery associated with films like Blade Runner. The listener is drawn into dystopian yet futuristic auditory landscapes. Following the two-and-a-half-minute mark, the song takes a breath, momentarily pulling back to create a lull. This provides a necessary pause before launching into an instrumental section that recalls the grand atmospheres typical of Rammstein.
Last ā Sound and Atmosphere
A sense of epic intensity permeates this track, making it a recommendation for all music lovers. The combination of musical elements feels nostalgic and forward-thinking. Each layer of the track contributes to an overarching experience that is immersive without overwhelming the listener.
The careful arrangement of instruments creates a balance between a darkened mood and an uplifting expanse.Ā This attention to detail enhances the listener’s engagement, ensuring they remain invested throughout the song.
Additionally, the vocals carry an emotive weight that resonates powerfully, elevating the instrumental backdrop. As the song escalates, it becomes more than just a piece of music; it evolves into an audio journey.
Last ā Performance and Production
The instrumental sections showcase a mastery of rhythm and melody, combining to create a thrilling listening experience. Unlike many contemporary tracks, which often rely on repetitive hooks, this piece builds and rewards the listener’s patience. The intricate layering of sound is rewarding, revealing new nuances with each listen.
Moreover, the production quality is high, allowing each note and beat to shine brilliantly. The mixture of electronic and traditional instrumentation creates a refreshing landscape. It invites comparisons to artistic movements from the past while firmly establishing its individuality in todayās music scene.
The song embodies an innovative spirit while drawing on influences from the past, making it relatable yet fresh. It does an excellent job of balancing nostalgia with modernity, offering something for everyone. Those who appreciate rich musical experiences will undoubtedly find this single a valuable addition to their playlist.
Intense
If you love this music: Discover More
For fans of:
Depeche Mode ⢠Rammstein
The post The Pixel Rain Last Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Panzerfaust – European Summer Shows Cancelled
After their drummer Alexander Kartashov suffered an injury due to bike accident, Panzerfaust were forced to cancel the upcoming shows in Europe.
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LACONIST RETURNS FROM A DECADE-LONG HIATUS WITH BRUTAL DEATH METAL EP “WHERE BEING ENDS, I BEGIN” – @thebeast
FOR IMMEDIATE RELEASE
LACONIST RETURNS FROM A DECADE-LONG HIATUS WITH BRUTAL DEATH METAL EP “WHERE BEING ENDS, I BEGIN”
Listen / Pre-Save
EP Link: https://ditto.fm/where-being-ends-i-begin
Brazilian Death Metal Veterans Unleash Three Tracks of Crushing Extremity on July 17, 2026
Genre: Brutal Death Metal
For Fans Of: Hate Eternal, Morbid Angel, Krisiun
After a ten-year absence from the scene, Brazilian brutal death metal force Laconist returns with their devastating new EP, Where Being Ends, I Begin , arriving July 17, 2026. The release marks a powerful new chapter for a band built on the foundation of uncompromising aggression, technical precision, and a deep respect for the extreme metal pioneers that shaped their sound.
Founded in 2007 by A. Neil, Laconist was created with the mission of honoring influential acts such as Angelcorpse, Centurian, and Hate Eternal while forging their own path within the brutal death metal underground. During their early years, the band released two full-length albums, one demo, and one EP before entering a decade-long hiatus in 2016.
Now, Laconist has returned with a renewed lineup and a sharpened vision. A. Neil remains the sole original member, joined by ZĆ© Misanthrope, who has helped redefine and expand the band’s legacy within the brutal death metal scene. To capture the intensity and power required for this comeback, the band enlisted Felipe Veiga as a session drummer to perform all drum parts on the new recording.
Recorded between October 2025 and April 2026, Where Being Ends, I Begin delivers three relentless tracks of savage riffs, crushing rhythms, and extreme vocal brutality. The EP was mixed by ZĆ© Misanthrope and mastered by CĆ”ssio Zambotto, ensuring a massive and punishing production that matches the band’s return after ten years away.
Adding even more firepower to the release, the track “Vermiforming” features a special guest vocal appearance by Kyle Ball of Lysergic and former member of Wake and Kataplexis, bringing another layer of intensity to an already devastating offering.
“After a 10-year hiatus, Laconist returns to the battlefield with a new chapter of Brazilian death metal brutality. Where Being Ends, I Begin represents the rebirth of the band and the continuation of a legacy built on extreme music.”
Currently unsigned, Laconist is also working on their next full-length album and is seeking a label partner interested in helping bring their next evolution of brutality to a wider audience.
Where Being Ends, I Begin will be available on all major digital platforms on July 17, 2026 .
Check out the video:Ā
Track Listing
1.Acerbus
2.Vermiforming
3.Nullfruition
Production Credits
Mixed by ZĆ© Misanthrope
Mastered by CƔssio Zambotto
Listen / Pre-Save
EP Link: https://ditto.fm/where-being-ends-i-begin
Laconist Online
Website: https://laconist.com
Instagram: https://instagram.com/laconist333
Bandcamp: https://laconist333.bandcamp.com
Spotify: https://open.spotify.com/intl-pt/artist/3z7Gld3kb2TYS96mnuB19I
Apple Music: https://music.apple.com/br/artist/laconist/436164221
Contact
A. Neil
laconicbrutaldeath@gmail.com -
Emptiness – Launch New Single
Belgium’s Emptiness have recently released “Nowhere Speaks”, the newest single and title-track off their oncoming full-length effort.
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Bahrainās ZVINDIYAR Release New Single āShadhavarā; Debut Release Six Rites Due September 3
After their debut single “Anqa” was voted Best New Metal Song of the Week by Metal Hammer readers, Bahraini atmospheric death metal project ZVINDIYAR return with “Shadhavar”, the third and final single from their upcoming debut release, Six Rites, due on September 3. Metal Hammer described “Anqa” as “a glorious showcase” of the band’s sound, praising its “big, dramatic riffs delivered with a furious, unrelenting force.” Inspired by the mythical Persian creature Shadhavar, […] -
Kisser ā āBad Boy Mountainā & āGhostgirlā
Big Thief’s Buck Meek has a new band. Earlier this year, Meek released his solo album The Mirror, and it included contributions from people like solo artist and former Here We Go Magic frontman Luke Temple, singer-songwriter Germaine Dunes, ambient composer Jesse Quebbeman-Turley, and guitarist Adam Brisbin. Since last year, Meek has also been in a band called Kisser with all four of those musicians. They’ve been quietly touring as Meek’s opening act for a little while, and now they’ve put out their first release, a two-song single.
The post Kisser – āBad Boy Mountainā & āGhostgirlā appeared first on Stereogum.