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Listen to & Watch INGESTED’s “Watch You Fold” (Feat. John Gallagher of Dying Fetus) HERE.

“Watch You Fold” is the latest single from UK technical death metal practitioners INGESTED. The track features guest vocals from John Gallagher of Dying Fetus and comes by way of the band’s Denigration full-length, set for release on May 8th, via Metal Blade Records.

For nearly two decades, Manchester’s INGESTED have stood as one of the UK’s most uncompromising forces in extreme metal. Champions of a sound that fuses precision brutality with increasingly dynamic songwriting, they’ve evolved from underground slam pioneers into a globally recognized, forward-driving powerhouse.

With Denigration, the band begins a bold new chapter, one defined by reinvention, sharpened purpose and the arrival of new voices at the helm.

At the core of this evolution remains founding members Sean Hynes (guitars, co-vocals) and Lyn Jeffs (drums), the creative backbone whose vision, chemistry, and relentless drive have powered INGESTED since day one. They are joined by guitarist Andrew Virrueta, who also contributes vocals to the album and bassist Thomas O’Malley completing a lineup that delivers the band’s most dynamic and commanding work to date.

In addition to John Gallagher of Dying Fetus, Denigration includes guest appearances by Damonteal Harris of PeelingFlesh on “Merciless Reflection,” Skyler Conder of Cell on “Dragged Apart,” and Kyle Medina of Bodysnatcher on “Dredge The Dark,” further amplifying the record’s scope and intensity.

Comments the band on the new single, “‘Watch You Fold’ is a character assassination in slow motion. Lyrically, it’s aimed at the kind of smug, greedy parasite who hides behind legacy and respectability while everyone around them suffocates. It’s about institutions and individuals who turned a once-respected space into a ‘fifty-year mockery,’ treating people like expendable fuel while they count the cash. The song is us standing in that claustrophobic room, calling out the lies, and promising that if you come for us, you’re actually coming for every single person we stand with.

Listen to INGESTED’s “Watch You Fold” (Feat. John Gallagher of Dying Fetus) HERE.

“The music is a deliberate nod to that mid-2000s Unique Leader school of blasting brutal death metal, fused with Sean’s melodic, brooding sense of atmosphere. It’s technical without showboating, relentless without losing groove, and built around riffs that feel like concrete.”

“Having John Gallagher from Dying Fetus on the track was about closing a circle, his gutturals are instantly recognizable and tie the whole thing back to the era that shaped our sense of heaviness. This is the sound of a once-revered statue being dragged off its plinth and smashed to dust.”

Produced by Nico Beninato at The Arch Studios in Southport, UK, Denigration captures INGESTED at their sharpest and most forward-thinking. The album’s visual identity is equally striking, featuring artwork by Giannis Nakos of Remedy Art Design, whose detailed, eerie imagery reflects the record’s thematic depth and ferocious tone. 

Denigration will be released digitally, on CD, and on vinyl in the following color variants:

Monopile Electric Blue Smoke (US)
Hot Pink + Purple Smoke (US)
Red Marbled (EU – Ltd. 500)
Purple w/ Red + White Highlights (EU – Ltd. 300)
Clear Turquoise Blue w/ Red + Neonpink Splatter (EU – Ltd. 300)
Hot Pink w/ Purple Amoeba (Band UK Exclusive – Ltd. 300)

Find preorders at metalblade.com/ingested and the INGESTED webpage at ingested.co.uk.

Denigration Track Listing:

1. Dragged Apart (Feat. Skyler Conder of Cell)

2. Merciless Reflection (Feat. Damonteal Harris of PeelingFlesh)

3. Watch You Fold (Feat. John Gallagher of Dying Fetus)

4. Stitch By Stitch

5. We Are All Inherently Evil

6. Dredge The Dark (Feat. Kyle Medina or Bodysnatcher)

7. Oaths Betrayed

8. Beaten Beyond the Veil

9. Steel Toe Truth

10. Cold Sun

In conjunction with the release of Denigration, INGESTED will return to the US as part of the Chaos & Carnage Tour alongside Thy Art Is Murder, Bodysnatcher, Carnifex, 200 Stab Wounds, Gates To Hell, and Bodybox. Tickets are on sale now. See all confirmed dates below.

INGESTED: Chaos & Carnage Tour w/ Thy Art Is Murder, Bodysnatcher, Carnifex, 200 Stab Wounds, Gates To Hell, Bodybox:

5/02/2026 The Van Buren – Phoenix, AZ
5/03/2026 El Rey Theater – Albuquerque, NM
5/05/2026 Vibes Event Center – San Antonio, TX
5/06/2026 House Of Blues – Houston, TX
5/08/2026 Brooklyn Bowl – Nashville, TN
5/12/2026 The Fillmore – Charlotte, NC
5/13/2026 Nevermore Hall – Baltimore, MD
5/15/2026 Reverb – Reading, PA
5/17/2026 The Brooklyn Monarch – Brooklyn, NY
5/19/2026 Ramova Theatre – Chicago, IL
5/20/2026 Val Air Ballroom – Des Moines, IA
5/22/2026 Ogden Theatre – Denver, CO
5/23/2026 The Rockwell – Salt Lake City, UT
5/24/2026 Treefort Music Hall – Boise, ID
5/26/2026 Showbox SoDo – Seattle, WA
5/27/2026 Roseland Theater – Portland, OR
5/29/2026 UC Theatre – Berkeley, CA
5/30/2026 The Wiltern – Los Angeles, CA
5/31/2026 House Of Blues – Las Vegas, NV

INGESTED:
Sean Hynes – vocals, guitars
Andrew Virrueta – vocals, guitars
Thomas O’Malley – bass
Lyn Jeffs – drums

https://www.ingested.co.uk

https://www.facebook.com/ingesteduk

https://www.youtube.com/user/IngestedTV

https://www.metalblade.com

Source: EARSPLIT PR

UConn Huskies head coach Dan Hurley is responding to backlash he’s getting ahead of the team’s Final Four game.

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Valero Texas Open weather delay: The Open keeps changing the start time after hazardous weather. Here’s the latest.

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Slipknot never made the same album twice, and that’s exactly why ranking them gets messy fast.

Every Slipknot record comes from a different kind of chaos — different lineup, different headspace, different outcome.

This isn’t a band with eras you can neatly line up — each album rewrites what they are.

Slipknot’s discography doesn’t evolve in a straight line — it lurches, resets, and fractures depending on where the band was at the time.

What Is The Best Slipknot Album?

Iowa — because it captures the band at their most unstable, aggressive, and uncompromising, with an intensity they’ve never fully matched again.

TL;DR:

All seven Slipknot albums ranked from worst to best based on impact, longevity, and how they actually hold up now. Iowa still sits at #1, but the gap between early chaos and modern evolution is tighter than most fans admit.

Slipknot feels like it’s shifting again in 2026. New blood behind the kit, a fully independent future, and a fanbase split between wanting the past and pushing toward something new. That tension is exactly why this ranking still matters.

How This Ranking Was Built

This isn’t about nostalgia or chart success.

Each album is ranked based on:

• how much it changed the band’s identity
• how it hits today, not just when it dropped
• how it translates live in 2026
• whether it still feels dangerous or diluted

If it lost its edge over time, it drops.

The Full Ranking (Worst To Best)

7. All Hope Is Gone (2008)
6. The End, So Far (2022)
5. .5: The Gray Chapter (2014)
4. We Are Not Your Kind (2019)
3. Vol. 3: (The Subliminal Verses) (2004)
2. Slipknot (1999)
1. Iowa (2001)

Loaded Radio Recommends: Slipknot Members 2026: Current Lineup And Who’s In The Band Now

7. All Hope Is Gone (2008)

This is the only record that feels like it’s holding tension back instead of letting it spill.

The songs are big and undeniably effective — “Psychosocial,” “Dead Memories,” “Snuff” — but the unpredictability that defines Slipknot isn’t as present. There’s a sense of separation in how the album comes together, like multiple directions never fully locking into one.

It works. It just doesn’t feel unstable enough to rank higher.

6. The End, So Far (2022)

This is where expectations start getting challenged.

It leans into atmosphere and pacing rather than constant impact. Some moments hit hard, others take time to unfold, and that unevenness is exactly what divides listeners.

If you’re expecting a return to early chaos, it won’t land. If you’re tracking where the band is heading, it becomes more interesting with time.

5. .5: The Gray Chapter (2014)

This album carries weight for reasons that go beyond sound.

After the loss of Paul Gray and the departure of Joey Jordison, there was uncertainty about whether the band could even continue. Instead, they returned with something heavy in a different way.

The aggression is there, but it’s focused. Tracks like “Custer” bring back that bite, while the overall tone reflects a band trying to stabilize itself rather than implode.

4. We Are Not Your Kind (2019)

This is where the modern era fully takes shape.

Everything feels more deliberate — structure, atmosphere, pacing. It’s less about overwhelming speed and more about control and tension. “Unsainted” pulls listeners in, but “Solway Firth” shows they can still hit with full force when they choose to.

It doesn’t try to recreate the past. It builds something darker instead.

If you’re placing this outside the top four, you’re probably still measuring everything against 2001.

3. Vol. 3: (The Subliminal Verses) (2004)

This is the turning point that could have gone wrong.

Instead of doubling down on chaos, the band expanded its sound — acoustic elements, layered vocals, more structure. It added range without stripping away identity.

“Duality” pushed them into a different level of visibility. “Before I Forget” confirmed it wasn’t a one-off.

Without this album, the band risks burning out early. With it, they extended their lifespan.

2. Slipknot (1999)

This didn’t introduce the band — it disrupted everything around it.

The density alone separates it. Multiple percussion layers, raw aggression, and a sound that felt overwhelming instead of controlled. “Wait and Bleed” made it accessible, but the rest of the album made it unavoidable.

It still doesn’t sound safe. That’s why it holds this position.

1. Iowa (2001)

There’s no balance here.

No attempt to make anything easier to absorb. Just a band pushing itself into something that feels unstable from start to finish.

“Disasterpiece” and “People = S**t” don’t just hit — they feel like they’re barely holding together. That lack of restraint is exactly what defines the album.

If you’re putting anything above Iowa, you’re choosing control over chaos. That’s where the entire debate splits.

Check This Out: The 13 Most Brutal Slipknot Songs Ever Recorded (Ranked)

Where Mate. Feed. Kill. Repeat. Fits

It matters historically, but it doesn’t belong in this ranking.

The sound, structure, and identity are completely different. It functions more as a starting point than part of the core discography most fans are actually comparing.

Summary of Slipknot Album Rankings

Check This Out: Unmasked & Unleashed – The Definitive Breakdown of Slipknot Guitarists Jim Root and Mick Thomson

FAQ

Q: What is Slipknot’s heaviest album? A: Without a doubt, Iowa (2001) is universally considered Slipknot‘s heaviest album. It is relentlessly brutal, dark, and sonically punishing from start to finish.

Q: What is considered Slipknot’s worst album? A: While it’s subjective, All Hope Is Gone (2008) is often cited by fans and critics as their weakest studio effort due to its more polished and commercial sound, which some felt strayed from the band’s raw core.

Q: Did Slipknot get a Grammy for Vol. 3? A: Yes, Slipknot won their first and only Grammy Award for the song “Before I Forget” from Vol. 3: (The Subliminal Verses) for Best Metal Performance in 2006.

Q: Why is Iowa ranked number one? A: In our ranking, Iowa is number one because it represents Slipknot at their most artistically pure, raw, and uncompromising. It is the most intense and authentic expression of the band’s rage and is considered a landmark album in the history of heavy metal.

We Also Recommend – Why Slipknot Changes Members So Often Is More Complicated Than Fans Think

Slipknot: Band Bio

Formed in Des Moines, Iowa, in 1995, Slipknot is one of the most iconic and influential heavy metal bands of the modern era. Known for their nine-member lineup, aggressive and genre-blending sound, and shocking visual aesthetic featuring unique masks for each member, the band shattered the mainstream with their 1999 self-titled debut on Roadrunner Records.

The core classic lineup consisted of Sid Wilson, Joey Jordison, Paul Gray, Chris Fehn, Jim Root, Mick Thomson, Craig Jones, Shawn “Clown” Crahan, and Corey Taylor. Over their career, they have sold more than 30 million records worldwide, earning a Grammy Award and a reputation for their chaotic, high-energy live performances. Despite lineup changes and the tragic death of founding bassist Paul Gray, Slipknot continues to be a dominant force in global music, pushing the boundaries of heavy metal with each release.

The post Slipknot Albums Ranked: Every Masked Masterpiece From Worst to Best appeared first on Loaded Radio.

Arsonists Get All The Girls. Worship and more will open.

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Foreigner never sounded tougher than they did on 1979’s Head Games – but not everyone was happy

Ex Megadeth man says Arch Enemy stole his melody for their single To The Last Breath – but they uncover ‘proof’ that they didn’t

Two ex-members of (hed)p.e. also took part in that set.

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