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VIEW HEAVY DIGIMAG #459 HERE Cover photo thanks to Derek Bremner This week HEAVY is proud to feature US punk/hard rock outfit Dead Pioneers on the cover, who stopped in to chat about their new album Wagon Burner, which comes out on June 26. We also spoke with Sublime, Luke Severeid, Car Bomb and more. […]

Denver, Colorado punk collective Dead Pioneers return with their fierce third studio album, Wagon Burner. Set for release on 26 June 2026 via Hassle Records, the project builds upon the momentum of their 2023 self-titled debut and 2025’s acclaimed PO$T AMERICAN. Fronted by Indigenous visual performance artist and activist Gregg Deal, Dead Pioneers‘ continue to […]

New York hardcore legends Madball have released a new single titled “Tethered”, the second preview from their upcoming 10th studio album “Not Your Kingdom”. The track arrives alongside a music video co-directed by frontman Freddy Cricien and Dave Causa. “Not Your Kingdom” is scheduled for release on July 24th via Nuclear Blast. Cr… Read More/Discuss on Metal Underground.com

Gippsland metalcore exponents are going from strength to strength with the release of their second album.

Peace When I’m Dead is released on August 21 through BMG/Rise, with the album’s second single and title track out now.

Following their current run of European dates, Ocean Sleeper will be out on the road around the country in September, ahead of international touring through until February.

SEPTEMBER 4: Liberty Hall, Sydney
SEPTEMBER 5: Princess Theatre, Brisbane
SEPTEMBER 10: Magnet House, Perth
SEPTEMBER 11: Hindley St Music Hall, Adelaide
SEPTEMBER 12: The Forum, Melbourne

As the visionary heart and soul of the Beach Boys, Brian Wilson created a mythic California soundtrack of sun-drenched, youthful innocence and some timeless classics, all while battling personal demons, addiction and mental illness

To Hell And Back is the third album from New Yorker Des Rocs, and the garage has been repurposed as a glitter-encrusted drag cave

All-killer, no-filler compilation that pairs bludgeon riffola with melody. Single-disc minimalism rules!

School’s Out: The delinquent sound of youth gone wild

“Temple Of The Absurd is alive. And it feels right,” the band announced in February 2026, marking their return. Shortly thereafter, singer Sabina Classen explained: “Some things just lie dormant, waiting for the right moment to wake up again. The songs, the friendship, the energy—it all feels amazingly familiar.” The band owes this comeback to… Continue Reading →

Alternative metal in the 2010s did not move in one clean direction. Instead, the decade rewarded bands that bent heavy music into stranger, wider, and more emotionally charged shapes. 

Some acts carried the genre into radio-friendly hard rock. 

Others pushed it toward progressive extremity, industrial chaos, theatrical spectacle, or atmosphere-heavy experimentation.

Genre borders mattered less as the decade went on. Metalcore, progressive metal, hard rock, ambient music, pop structure, industrial noise, groove metal, and older alternative traditions all fed into the sound. 

Across that period, these ten acts helped define what alternative metal could mean in the 2010s.

10. Sleep Token

Near the close of the decade, Sleep Token arrived like a signal of what alternative metal might become next. 

Mystery, emotional weight, genre fluidity, and heavy atmosphere all sat at the center of their identity. 

Sundowning appeared in 2019, placing the band at the tail end of the 2010s rather than across its full span.

Timing made their arrival meaningful. Sleep Token sounded like a bridge into the 2020s before that decade fully began. 

Their music pulled alternative metal, progressive metal, ambient texture, R&B-style vocal phrasing, pop sensitivity, and cinematic songwriting into one intense package.

Several details made their late-2010s arrival especially important:

• Sundowning gave the band its first full-length statement in 2019.
• “Higher” presented controlled heaviness with emotional restraint.
• “Blood Sport” placed heartbreak at the center of a heavy-metal identity.
• “The Offering” turned slow-building tension into a massive alternative-metal release.

Masked anonymity and ritualistic presentation also gave Sleep Token a visual identity that metal fans could recognize instantly. 

Vessel, often associated online with Leo Faulkner, helped make the project feel less like a standard band and more like a full heavy-music mythology.

Sleep Token did not dominate all ten years. Instead, they defined the decade’s endpoint: a future-facing version of alternative metal built on mystery, genre fusion, atmosphere, and emotional intensity.

9. Jinjer

By the end of the 2010s, Jinjer had turned Ukrainian metal into an international force. 

Their rise carried a rags-to-riches quality, beginning as a metalcore act in Ukraine before becoming one of the most visible modern heavy bands in the wider scene. 

Micro, Macro, and Alive in Melbourne helped secure their position near the decade’s close.

Tatiana Shmailyuk became one of the era’s most striking vocal forces. 

Her ability to shift between clean phrasing, harsh growls, and explosive stage control gave Jinjer a front-line presence that helped the band reach audiences far outside its early base.

Musical complexity became one of Jinjer’s greatest strengths because the technical parts never erased impact. 

Their sound connected several heavy and non-heavy traits in one place:

• Metalcore attack
• Progressive metal structure
• Groove metal force
• Djent-like rhythmic tightness
• Reggae and jazz touches
• Extreme-metal aggression

King of Everything, Micro, and Macro showed a band capable of sudden turns while still sounding cohesive. 

“Pisces” became a major entry point for many listeners, while “Teacher, Teacher!” captured the band’s sharp modern-metal identity.

Jinjer helped define the decade by proving that alternative metal could be technical, extreme, melodic, and globally visible at once.

8. Ghost

Few bands made image as important to 2010s alternative metal as Ghost. 

Although the group began in 2006, Opus Eponymous arrived in October 2010 and set the tone for their decade-long ascent. 

Tobias Forge and the Nameless Ghouls built a world of mystery, occult imagery, costume changes, and eccentric live performance that captured attention outside standard metal circles.

Spectacle became central to Ghost’s power. Stage personas, church-like visual language, and dark humor gave listeners more than riffs and choruses. Ghost turned heavy music into theater again, making image and lore feel as important as songwriting.

Musically, Ghost moved through hard rock, heavy metal, doom metal, psychedelic rock, and pop-hook craft. 

Opus Eponymous introduced the satanic-retro-metal side of the band. Meliora sharpened the formula with “Cirice” and “Square Hammer.” 

Prequelle, issued in 2018, brought dark hymns and elegies into a more polished, arena-ready form, with “Rats” becoming one of its defining tracks.

Ghost helped define the 2010s by making alternative metal catchy, dark, theatrical, and instantly recognizable. 

In a decade shaped by bands that bent style boundaries, Ghost proved that presentation could be as powerful as heaviness.

7. Halestorm

American hard rock still needed a modern heavy anchor in the 2010s, and Halestorm filled that role. Perseverance describes their path well. 

Although the band began in 1998, their self-titled debut in 2009 gave them wider momentum just as the new decade began.

In 2012, The Strange Case of… became their major breakthrough.

That record displayed the band’s range, with heavy hooks, hard-rock swagger, alternative-metal bite, and Lzzy Hale’s commanding vocals at the center. 

Into the Wild Life continued their climb in 2015, while Vicious in 2017 pushed Halestorm into household-name status in the American rock scene.

Lzzy Hale became one of the decade’s defining heavy-rock vocalists. 

Her power, grit, and control helped the band connect post-grunge, alternative metal, modern hard rock, and arena rock. 

Halestorm’s direct lyrics and attitude also made the music accessible without stripping away its heavy edge.

Their 2010s identity can be heard through songs tied to attitude, force, and radio-ready aggression:

• “I Miss the Misery”
• “Love Bites (So Do I)”
• “I Am the Fire”
• “Mayhem”
• “Black Vultures”
• “Vicious”
• “Uncomfortable”

Halestorm mattered because they showed that alternative metal could still thrive in big, radio-facing hard rock.

6. Deftones

Long before newer bands began chasing atmosphere, Deftones had already built the blueprint. 

They were not a new band in the 2010s, but few older alternative-metal acts shaped the decade more powerfully. 

Their influence reached across heavy, experimental, and metal-adjacent music at a time when alternative music could include grunge, industrial, funk-metal, nu-metal, art rock, and other heavy offshoots.

Diamond Eyes, Koi No Yokan, and Gore kept Deftones creatively vital during the decade. 

Those records carried weight, atmosphere, sensuality, melody, and experimentation in equal measure. 

“Diamond Eyes,” “Swerve City,” and “Tempest” showed how the band could sound massive without chasing standard metal aggression.

Younger bands learned several important lessons through Deftones’ 2010s work:

• Texture can hit as hard as speed.
• Melody can make heaviness feel more unsettling.
• Space inside a song can create tension.
• Atmosphere can carry as much identity as a riff.

Their impact became especially clear as shoegaze-metal, post-metal, and dreamy heavy music gained more attention. 

Deftones defined the 2010s by proving that an older alternative-metal act could still shape younger sounds through refinement, atmosphere, and lasting creative relevance.

5. Bring Me the Horizon

Bring Me the Horizon’s decade was a study in refusing to stay still. 

Their 2010s path moved past strict metalcore and toward alternative metal, electronic rock, pop structure, and arena-sized songwriting.

Sempiternal helped define modern metalcore and alternative-metal production. 

Massive synth layers, sharp breakdowns, and anthemic choruses made “Can You Feel My Heart” one of the decade’s key heavy songs. 

That record gave the band a larger identity without erasing their aggressive roots.

That’s the Spirit pushed them further into arena rock and alternative metal. “Drown” and “Throne” showed a band learning how to turn emotional heaviness into massive hooks. 

Later, amo moved even further into pop, electronic music, and experimental rock, proving that heavy bands could grow by becoming less predictable.

Their decade can be traced through three major releases:

• Sempiternal sharpened modern metalcore production.
• That’s the Spirit moved the band toward arena-ready alternative metal.

Bring Me the Horizon helped define the 2010s by making stylistic change the story itself. 

Heavy music did not have to stay fixed in one lane to get bigger.

4. Gojira

Not many bands made progressive heaviness feel as physically powerful and emotionally direct as Gojira. 

Their role in the decade fits a wide view of alternative heaviness, one that can include metal, industrial, grunge, funk-metal, experimental rock, and other heavy hybrids.

L’Enfant Sauvage and Magma moved Gojira out of respected extreme-metal status and into a larger modern-metal position. 

That combination made them one of the decade’s most serious heavy bands without making the music cold or distant.

“L’Enfant Sauvage,” “Stranded,” and “Silvera” captured different sides of their 2010s power. 

Precision, groove, and emotion worked together in a way that made technical playing feel human.

Magma especially changed how many listeners heard the band:

• Shorter arrangements made the emotion more immediate.
• Cleaner vocal moments widened the band’s expressive range.
• Repetition created weight without relying only on speed.
• Personal grief gave the music a rawer emotional center.

Gojira defined the 2010s by making progressive heaviness feel direct and emotionally accessible. 

They did not become conventional rock stars, but they expanded what a major modern metal band could sound like.

3. Architects

Across three major records, Architects turned modern metalcore into something grand, bleak, melodic, and emotionally devastating. 

Lost Forever // Lost Together, All Our Gods Have Abandoned Us, and Holy Hell became key records for the era’s modern heavy sound. 

Several songs became essential to their decade-long impact:

• “Naysayer” captured their sharpened political anger.
• “Gone With the Wind” carried one of the band’s most devastating emotional performances.
• “Doomsday” turned grief and force into a modern metalcore anthem.

Lyrically, Architects gave modern heavy music a darker and more existential edge. 

Their songs dealt with collapse, grief, anger, politics, and human failure without turning those themes into empty slogans. 

The tragedy surrounding the band also gave Holy Hell an emotional weight that listeners could feel immediately.

Architects mattered because they helped alternative metal absorb atmosphere and vulnerability without losing aggression.

2. Code Orange

Chaos, hardcore violence, industrial texture, and digital corruption all collided in Code Orange’s 2010s work. 

Their music pulled hardcore, industrial metal, noise rock, metallic hardcore, and digital production into a sound that felt violent, fractured, and modern.

I Am King made their intent clear, but Forever turned them into one of the 2010s’ most disruptive heavy acts. 

Harsh production, glitchy transitions, industrial textures, and sudden breakdowns made the record feel hostile in a way that matched the decade’s anxieties. 

“Forever” and “Bleeding in the Blur” captured both their aggression and their willingness to twist hardcore into strange new shapes.

Their disruptive power came through specific choices:

• Abrupt digital cuts broke normal song flow.
• Hardcore breakdowns landed with machine-like force.
• Noise-rock tension made the songs feel unstable.
• Industrial textures gave the music a corrupted edge.

Connections to industrial and heavy alternative history are clear, especially in the shadow of acts such as Nine Inch Nails and Ministry. 

Code Orange used that lineage without sounding like a throwback.

1. System of a Down

A decade without a new studio album did not weaken System of a Down’s grip on alternative metal. 

Their influence over 2010s heavy music stayed massive because their older catalog already contained so many ideas the decade would keep chasing.

Toxicity, Mezmerize, and Hypnotize created a model for alternative metal that refused easy categorization.

Thrash, punk, progressive rock, Armenian folk influence, nu-metal, art rock, and absurdist vocal dynamics all collided in their sound. 

Bands aiming to sound political, theatrical, chaotic, heavy, melodic, and strange still had to reckon with that example.

Across the 2010s, their influence stayed visible for several reasons:

• Festival appearances kept them central to heavy-music culture.
• “Chop Suey!” stayed one of alternative metal’s most recognizable songs.
• “B.Y.O.B.” continued to define political chaos in heavy music.
• “Aerials” showed how strange writing could still become massive.

Few bands could sit out a full decade of studio releases and still shape so much of its heavy-music identity. 

System of a Down defined the 2010s through influence and cultural weight. They were the standard for how weird, political, heavy, and genreless alternative metal could be.

Summary

Alternative metal in the 2010s was not defined by one sound. 

Taken together, these acts show a decade where alternative metal became less rigid, more emotional, more theatrical, more technical, and more open to outside sounds. 

Instead of one dominant formula, the 2010s gave the genre many possible futures.