Former Metallica bassist Jason Newsted has publicly revealed that he was diagnosed with throat cancer in May 2025 and has since been given a clean bill of health. Speaking on an upcoming episode of Dean Delray‘s “Let There Be Talk” podcast, the 63-year-old Newsted said (transcribed by Blabbermouth): “In one week, it’s gonna be a year. On May 8th of 2025, I underwent a procedure for throat cancer. And so they took a bunch of stuff out of there, and then they went in with lasers and took a bunch of stuff out. So the cavern inside my head is different from it was, but we got it early. And I got my ‘free and clear’ about three weeks ago. So I beat it.”

“I didn’t feel any different [before being diagnosed]. I had a little bit of an earache and a jawache. And my singing was being affected a bit,” Newsted recounted. “In February of last year, I was [hosting] my brother and his wife [at my home] here in Florida,” he continued. “They were visiting. And I felt [a lump on my neck], and then [my wife Nicole‘s] sitting next to me, and she goes, ‘What is that?’ And I go, ‘Um, hmm.’ So I went in next week, got everything checked out. The doctor calls and says — Instead of just telling you what’s up, he says, ‘You need to come in.’ That’s not good. And so I went in, and he dropped it. And I’m, like, ‘Who are you talking to? What, what, what? [I’m] Superman. Fuck you. There’s no way, man. Shit bounces off me. What are you talking about? That’s not how it is.’ I expected [something like that to happen] maybe 20 years from now or something.”

“But then I started thinking about it. And our accelerated lifestyle [when I was still in Metallica]. And what we were talking about before, with the big tours, you’re doing a couple of hundred 20 shows a year for a few years in a row, these types of things. Those touring years are dog years. Those are four or five into one, really, if you put the math down and the taxing on your cells and three flights a day and ‘expand, contract’ however many times. That kind of shit, it’ll get you. So I was trying to reason — of course you’re always trying to fucking reason, like, ‘What’s that [about]?’ And I go, ‘Wait a minute. What about my boy, my boy, my boy, my boy, my boy, my boy?’ — all across, all our comrades. No need to name-drop. All those [other musicians] that are [at the same level or higher], homie hit it way harder than I ever would’ve hit it. He’s still fucking smoking. What? Me? Wait a second, man. What the fuck?’ And then they told me what it was, and they’re very easy to define. And that’s my advantage in this,” he elaborated.

Newsted said the illness prompted the first real period of rest in his life — and a full sobriety he would never have chosen voluntarily: “I promised myself I was going to rest, and that was the first time I’ve done that in my life. There’s no way, with my arrogant, spoiled ass, that I would’ve stopped smoking weed, that I would’ve stopped drinking, that I would’ve stopped doing all the things. But the great spirit got my attention and said, ‘That’s not good right now, man.’ And so now I’m more clear-headed than I’ve been in my entire adult life. And so there are blessings within everything. The lemonade I’m making this summer, bro — sweet.”

Newsted simultaneously announced the first-ever North American headlining tour with Jason Newsted & The Chophouse Band — an 18-date run from July 1 through July 25, 2026. The tour opens at Iron Horse Music Hall in Northampton, Massachusetts, and closes with a two-night stand at the Ryman Auditorium in Nashville, Tennessee, on July 24-25. Ten of the dates are in support of Blackberry Smoke.

Stops include Albany, New York; Alexandria, Virginia; Grand Rapids, Michigan; Knoxville, Tennessee; and Columbus, Ohio, among others across the South, Midwest, and East Coast. The 2026 lineup features Jesse Farnsworth on guitar and vocals, Jimbo Hart on bass and vocals, Humberto Perez on guitar, and Robert John-Tucker on drums and vocals.

When the tour was announced in April, Newsted said, “I’ve realized that this is where I can place my energy effectively now. The Chophouse Band plays everything from bluegrass to fucking slabs of metal. We’re covering a lot of ground. There could be a country flavor to a song, but it’ll still have sharp teeth. We are looking forward to an exciting summer!”

Named after Newsted‘s four recording studios across the U.S., The Chophouse Band has existed since 1992, when Newsted founded The Chophouse Records Studio in San Francisco. The band has performed periodically at benefit shows supporting veterans’ relief, animal rehabilitation, and youth music education. Newsted has described the sound as rooted in bluegrass, folk, soul, rock, and metal.

Newsted left Metallica in 2001 and was inducted into the Rock and Roll Hall of Fame alongside Lars Ulrich, James Hetfield, Kirk Hammett, and bassist Robert Trujillo in 2009. He shelved his heavy metal solo project Newsted in 2014 after two years, saying it had cost him “hundreds of thousands of dollars.”

The post JASON NEWSTED Reveals He Battled Throat Cancer And Is Now Cancer-Free: “I Beat It — I Got My ‘Free And Clear’ About Three Weeks Ago” appeared first on Sonic Perspectives.

Road Movie Candyman / For the Night Review

The song presents a unique atmosphere right from the start. There are subtle influences reminiscent of Queens of the Stone Age. This creates a desert-inspired ambiance often found in a Quentin Tarantino film. The rhythm is sly and mysterious, contributing to the overall experience. The lead vocals guide the listener into a somewhat hazy environment. This mood shifts to something brighter during the chorus. An arpeggiator adds a psychedelic essence that takes you on a journey. The song hypnotizes the listener, with delicate dissonances providing a distinct character.

The layering of backing vocals and harmonies stands out beautifully at various moments. This aspect can evoke memories of Alice in Chains, enhancing the song’s depth. The artistic vision is intriguing, creating an atmospheric tapestry that invites multiple listens.

At around two minutes and fifty seconds into the track, there is a guitar solo that takes the listener on a new path. The elongated notes seem to scream, enhancing the journey further. The performance is powerful and emotional, drawing the audience deeper into the sound. The sonic layers enrich the narrative conveyed through the instrumentation.

Candyman / For the Night – Sound and Atmosphere

The use of diverse elements in the composition deserves acknowledgment. This flexibility shows the band’s creative spirit and willingness to explore different genres. The blend of various influences creates a unique identity. Listening to this single is enlightening and refreshing. It invites listeners to reflect on their experiences and emotions. The mystical tone encourages a deep connection with the music.

Listeners can be drawn into a trance-like state, thanks to the repetitive yet evolving structures. Every listen reveals new nuances, fostering appreciation for the band’s vision. The recording quality is superb, allowing each instrument to shine through clearly. The mix exhibits a balanced integration of the vocals and instruments. The dynamic shifts add excitement, making sure the audience remains engaged.

The song combines a moody ambiance with a lively chorus. This contrast amplifies the overall impact, creating a memorable listening experience. The musicianship displayed is commendable, indicating a high level of professionalism. The creativity behind the song makes it a standout piece. This duality of light and shadow adds depth to the lyrics.

Candyman / For the Night – Performance and Production

Overall, the artistry of this single demonstrates a high level of dedication. Music enthusiasts looking for something fresh should consider this offering. It is a remarkable discovery in the realm of contemporary music.

This song is not just an auditory experience but also an emotional journey. It provides listeners with ample reasons to revisit the single time and again. This is a release that deserves attention and appreciation in today’s music scene.

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The Ballad Of Judas Priest, the official documentary chronicling the 50-plus-year history of the metal legends, received its North American premiere at the Hot Docs Canadian International Documentary Film Festival in Toronto on April 26. Following the screening, co-director Sam Dunn spoke to Now Toronto about one of the film’s most fraught negotiations: securing the participation of former Judas Priest guitarist Kenneth “K.K.” Downing. Dunn said, “The big one for Tom [Morello] was getting K.K. Downing involved. It was tricky at first attempt, because, obviously, he’s not in the band [anymore]. There’s still some animosity there, and, genuinely, it took some work to get K.K. on board. Frankly, I don’t know if Morello, if he hadn’t been there, it might have been a much, much bigger challenge. Tom Morello‘s a massive fan of the band, a big fan of K.K.‘s playing, so he really connected with K.K. and got him over the line. So, that’s a whole other story that wasn’t in the film.”

Dunn explained the limits on what Downing could address on camera: “There are still outstanding legal issues with K.K. and the band. This is the honest answer. And, so there’s a lot of caution exercised on both sides around what got said. We had to move through it without digging into all the details because it’s still fresh, still raw.”

On the decision not to include former Judas Priest singer Tim “Ripper” Owens — who fronted the band between 1996 and 2003 while Rob Halford pursued a solo career — Dunn said: “No. Controversial response, Judas Priest fans. Again, so much story. We wanted to obviously reference Tim, but it’s tricky. Not to get in the weeds, but in a story of this scale, when you’re into the second, third, or third quarter of the story, it’s like what to [include] and what not to [include] become big questions.”

In February 2026, Halford told Germany’s Metal Hammer that including Downing in the documentary was essential: “I think that the love and respect that we still have for each other is still there. And the fact that he’s as important to Judas Priest now as he was then in telling the story, it had to be that way — because he was there at the very beginning, before I even personally joined the band. The fact that we still play a lot of songs that K.K. wrote with me and with Glenn [Tipton] — it’s really important and vital. And I think it sends a message out to the fans that even though there is a separation, that respect for each other is important.”

Pressed on the possibility of a reunion, Halford said: “When you go to work with music, you really have to wanna get on that stage. You can’t hold anything back. You have to be there for the right reasons. If you’re not up there for the right reasons, then you don’t really have the right to be on that stage — you can’t just be going through the motions. And if you’re not feeling that, then you do what K.K. did.”

The Ballad Of Judas Priest received its world premiere at the 76th Berlinale International Film Festival in February. The film is a Banger Films production co-directed by Dunn and Tom Morello (Rage Against The Machine, Audioslave, Prophets Of Rage), produced by Scot McFadyen and Dunn, and presented and distributed by Sony Music Vision.

Downing left Judas Priest in 2011 amid claims of internal conflict and was replaced by Richie Faulkner. In his 2018 autobiography Heavy Duty: Days And Nights In Judas Priest, Downing described sending two resignation letters — one measured, one furious — and later acknowledged the angrier letter as likely the reason he was never invited to return. He told Classic Rock magazine that the frustration behind it stemmed from guitarist Glenn Tipton‘s close relationship with manager Jayne Andrews, which he had resented since 1985.

Tipton was diagnosed with Parkinson’s disease more than 15 years ago and announced in early 2018 that he would sit out touring in support of Firepower. He has been replaced on the road by producer and guitarist Andy Sneap — also known for his work with NWOBHM revivalists Hell and cult thrashers Sabbat. Judas Priest‘s current touring lineup is Halford, bassist Ian Hill, Faulkner, Sneap, and drummer Scott Travis. The band received the Musical Excellence Award at the 2022 Rock and Roll Hall of Fame ceremony; the inductees included Downing, Hill, Halford, Tipton, Travis, and late drummers Les Binks and Dave Holland.

The post “The Ballad Of JUDAS PRIEST” Co-Director SAM DUNN On Getting K.K. DOWNING Involved: “It Was Tricky — There Are Still Outstanding Legal Issues” appeared first on Sonic Perspectives.

Rich Allen The Ghost We Keep Review

The album begins with “Shadows and Stones,” a track that evokes the essence of American folk music reminiscent of John Denver. This song serves as a gateway into emotions woven deeply into the listener’s psyche. Rich Allen’s songwriting reflects the influences of Bruce Springsteen and Bob Dylan, producing an engagingly nostalgic experience.

Following this, “The History Of Yesterday” unfolds with a pastoral elegance. The song commences with an arpeggio reminiscent of Cat Stevens, and Allen’s vocals deliver a narrative quality. The production quality stands out with its clear acoustic guitar sound, creating a rich auditory environment. The minimalist drumming adds a tactile feel, allowing listeners to almost sense the wooden sticks striking the drum. This track is delicate and sophisticated in its composition.

“Foolish Pride,” another exquisite piece. Here, Allen manages to craft harmonies and arrangements that inspire a sense of hope. Yet, the lyrics dive deeply into human nature and personal struggles. They expose our inner demons in a search for truth in a world often fixated on superficial matters. This duality in the song resonates, inviting listeners to contemplate hope and hardship.

The Ghost We Keep – Sound and Atmosphere

“Facing The Ghost” presents a darker melody, standing out as one of my personal favorites. This track creates an almost nocturnal atmosphere, drawing listeners in with its somber yet engaging mood. It blends beautifully with the ethereal qualities of “The Last Keepsake” and “A Little Bruised.” Each of these songs maintains an air of introspection, inviting reflection and emotional engagement.

The title track, “The Ghost We Keep,” showcases stunning vocal harmonies, some provided by female voices that intertwine seamlessly with Allen’s own. This song is rich in nostalgia, embodying depth and complexity. The influence of David Bowie can be sensed throughout, adding layers to Allen’s artistry.

Wrapping up the album is “A Proper Goodbye,” which begins with a reverberated guitar that fuels the imagination. This track possesses overwhelming intensity and deeply stirs the emotions. Its lyrical content feels poetic, while sliding guitar melodies excavate the depths of the listener’s soul. The emotional impact of this song resonates long after the album concludes.

The Ghost We Keep – Performance and Production

This is an outstanding album that deserves a broad audience. Rich Allen’s artistic expression is sublime and deeply intense, making “The Ghost We Keep” a vital addition to contemporary music. The production quality enhances the listening experience, inviting users to immerse themselves fully in each track. Music enthusiasts seeking depth and emotional engagement will find much to appreciate in this collection.

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After years of cryptic teasers and silence that left the scene guessing, Liverpool’s finest, Loathe, have finally broken their hiatus. The band has officially announced their highly anticipated third studio album, titled “A Stranger To You”, set for release later this year. This marks their first full-length effort since the 2020 masterpiece I Let It In and It Took Everything.

Accompanying the announcement is the blistering new single, “Revenant”. The track is a violent return to form, blending the band’s signature crushing industrial-metalcore riffs with the ethereal, shoegaze-infused melodies that have made them one of the most unique voices in modern heavy music. It’s a sonic assault that proves the six-year wait was more than worth it.

A New Chapter in Modern Metal

The announcement has already dominated social media trends within the metal community this week. “A Stranger To You” is described by the band as their most ambitious work to date, exploring deeper themes of isolation, transformation, and the fractured nature of identity in the modern age. The production on “Revenant” is noticeably more expansive, hinting at a record that will push the boundaries of what “heavy” can mean in 2026.

Alongside the album news, Loathe has also confirmed a massive North American and European headlining tour, starting this summer. With festival slots already locked in, the band is poised to reclaim their position at the forefront of the alternative metal movement.

“We’ve spent the last few years dissecting our sound and our souls. ‘A Stranger To You’ is the result of that excavation,” the band shared in their official statement this week.

What We Know So Far:

• Album Title: A Stranger To You
• Lead Single: “Revenant” (Available now on all streaming platforms)
• Tour Dates: World tour kicking off in June 2026

For fans of Deftones, Meshuggah, and the darker side of shoegaze, this is the release of the year. The return of Loathe isn’t just a comeback; it’s a restoration of one of the most vital creative forces in the genre.

Keep your eyes on MTVIEW for more updates, track-by-track breakdowns, and exclusive tour coverage as we head into the summer of metal.

The modern metal landscape has always been a battlefield of generic riffs and recycled themes, but every so once in a while, a force emerges that refuses to play by the rules. Enter Master Dy. With the release of their latest EP, “MlLF Queen”, the band hasn’t just released new music—they’ve dropped a sonic manifesto that solidifies their position at the vanguard of the Alternative Goth Modern Metal scene.

From the first crushing chord, it’s clear that MlLF Queen is an evolution. While maintaining the dark, atmospheric roots that fans have come to expect, the EP showcases a technical maturity and a raw, unapologetic energy that feels both fresh and dangerous. The production is massive, allowing the intricate guitar work and the powerhouse vocals to cut through with surgical precision.

Breaking Boundaries: The Sound of Immortality

What sets Master Dy apart in a crowded market is their ability to blend the visceral aggression of modern metal with a haunting, gothic sensibility. The tracks on MlLF Queen are more than just songs; they are chapters in a larger narrative of legacy and survival. 

The lyrical themes delve deep into identity, power, and the relentless pursuit of leaving a mark on this world. It’s this depth that resonates with a global audience, transcending borders and establishing the band as a multifaceted leader in the industry.

“Master Dy is not just a band; it’s a legacy in the making. ‘MlLF Queen’ is the sound of a name being etched into the history of metal,” says the latest industry analysis.

Why “MlLF Queen” is Essential Listening

• Sonic Innovation: A seamless blend of Modern Metal, Goth, and Alternative influences.
• Technical Mastery: High-level musicianship that demands attention from both fans and critics.
• Cultural Impact: A release that speaks to the struggles and triumphs of the modern era.

As Master Dy continues to build their empire from Portugal to the world, MlLF Queen stands as a testament to their resilience and creative fire. For those seeking metal that has both a brain and a backbone, the search ends here.

Stay tuned to MTVIEW for more deep dives into the bands that are shaping the future of metal. The era of Master Dy has only just begun.

The Pussycat Dolls’ comeback is not going as planned. First, there was drama about Jessica Sutta and Carmit Bachar’s exclusion from the new lineup, which consists only of Nicole Scherzinger, Kimberly Wyatt, and Ashley Roberts. Now, the group has canceled all but one North American tour dates following reports of weak ticket sales.

The post Pussycat Dolls Cancel Another Reunion Tour appeared first on Stereogum.