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  • Coal Chamber drummer Mikey Cox breaks femur, to miss upcoming shows

    Davier Perez will fill in for the band’s upcoming performances

    Source

  • Slaughter To Prevail’s Alex Terrible shares new views on masculinity, hopes to inspire others to face fears

    Slaughter To Prevail frontman Alex Terrible has shared how his attitude to masculinity has evolved, and says that he wants to inspire others to confront their weaknesses and fears.

    Terrible, who lists bear-wrestling and bareknuckle fighting among his hobbies, has previously espoused ideas about masculinity which have attracted controversy: a 2023 video from the singer titled ‘4 Rules Of Real Man’ drew complaints from the LGBTQIA+ community for statements such as “the real man eats woman pussy, he likes.”

    But in a new instagram post, Terrible declares, “FUCK ALL THIS MASCULINITY BULLSHIT!”

    “Let’s talk about masculinity,” the post begins. “When I was a kid, I absolutely loved action movies with guys who knew how to fight and looked intimidating. Muscles, fighting skills, physical strength. They inspired fear in others, but seemed to fear nothing themselves.

    “That image became deeply programmed into my mind, and I told myself: I want to become just like them!

    “So I started working on my body, pushing myself through challenges and overcoming obstacles. Because getting into great physical shape and developing real fighting skills requires character, discipline, and mental toughness. And all of that takes years to build.

    “But eventually, I realized something.

    “The entire masculinity industry wasn’t actually what I had been chasing from the beginning.

    “Today, I look at so many guys who have incredible physiques, impressive fighting skills, perfect discipline, and everything else.

    “But then I started thinking about fear.

    “And that’s when I finally understood what had truly inspired me as a child when I watched those action movies.

    “Those characters were fearless. Or rather, they weren’t fearless at all. They felt fear, but they overcame it.

    And then I started noticing people who were physically fragile, yet possessed an absolutely unbreakable spirit.

    “People who could look death straight in the eyes and say: ‘Come on then, motherfucker. You think I’m going down without a fight?’

    “And that’s when it hit me.

    “FUCK ALL THIS MASCULINITY BULLSHIT!

    “I WANT TO BE STRONG IN SPIRIT.”

    “I’m still going to train my body,” Terrible points out. “I’m still going to practice martial arts and develop my fighting skills.

    “But more importantly, I’m going to confront my own weaknesses and fears. That’s where my real battle begins.

    “And I want to become someone who inspires others to do the same.”

    Captioning his post, Terrible adds, “Nobody will ever witness the most important battle of your life. Because your greatest enemy exists only for you. He’s always inside your head.

    “I’m still afraid of death. I’m still afraid of the dark, of the unknown. But goddamn it, I will look those fears straight in the eyes!

    “And you know what? That’s more powerful than any physique, any fighting skills, fame, money, or even sex! 😬

    “When you overcome your deepest, darkest fears — the ones that literally make you shit your pants — THAT is true pleasure!”

    Slaughter To Prevail are set to round off their year with two shows in Mexico in December.

    The band will play the Teatro Estudio Cavaret in Guadalajara on December 18, and the Velodromo Olimpico in Mexico City on December 20.

  • Fvneral Fvkk – Indecent Idols (Review)

    This is the second album from German doom metal band Fvneral Fvkk. Fvneral Fvkk’s 2019’s debut Carnal Confessions was one of that year’s unexpected highlights. So, when Indecent Idols appeared on the horizon, all manner of alarms were triggered. Expectations, shall we say, are sky high. Fvneral Fvkk deliver 42 minutes of new material, and it’s as … Continue reading “Fvneral Fvkk – Indecent Idols (Review)”
  • Soliloquium – Upheaval Review

    And they’re back! The tiny one-man band (plus a few friends) I love, with the name I can never spell correctly. Soliloquium first darkened my iron doorstep with their 2018 sophomore outing Contemplations, impressing with a combination of early Katatonia-meets-Rapture that resulted in a nigh-irresistible melodoom sound. The brains behind the project is one Stefan Nordström, who handles vocals and guitars, and over the years he’s been aided and abetted by Jonas Bergkvist, who manned the bass. This is the first Soliloquium release without Bergkvist’s talents, and from what I can glean, Nordström brought in Henrik Ekholm (ex-Within the Fall) to play bass and Filipe Caeiro (ex-Steel Arctus) to man the kit. Staying true to the melodoom template heard on past albums, Upheaval finds Soliloquium expanding their sonic palette slightly, giving the material a deeper, more complex flavor. Soliloquium already released several gripping, mood-drenched albums that transport you to dark, melancholic headspaces, yet they still seem criminally underappreciated. Will their 6th full-length finally see them landing in more ears and on more wagging tongues?

    Things kick off bigly with the 7 minutes of “Tightrope,” which is the near-perfect fusion of vintage Ghost Brigade with Viva Emptiness-era Katatonia sprinkled with bits of the almighty Rapture. It’s edgy and depressive, and heavy as hell thanks to the jangled, discordant riffs and booming death roars that fill the gaps between the melancholic trilling and weepy leads. The forlorn clean vocals (courtesy of Toni Hatakka of Hanging Garden) cut deep in a song filled to the brim with emotions. It’s a strong candidate for Song o’ the Year. “Contrarians” is nearly as good, finding the ideal balance of black, death, and melodoom sadboi sounds that tickle your negative emotions while still making you want to commit acts of random wiolence. There’s more Rapture in the DNA of the guitar work here, and that’s always a win, and the clean vocals (I assume from Stefan Nordström) are frail and a touch twee, but convey a sense of vulnerability and pain. The title track has a similar vibe to Deathwhite, rocking an extra bleak, joyless atmosphere. It’s particularly beautiful in its crippling despair as the guitar work holds you in a chilly thrall. It’s a haunting tune that will stick with you.

    Unlike the last Soliloquium outing, Upheaval doesn’t lose steam on the back half. The album is consistent from start to finish with no tracks that feel like they could/should be cut. Later offering “Livsöden” is nearly 7 minutes and uses that time well to create a captivatingly atmospheric experience with plenty of twists and turns along the way. It’s one of those rare songs that gets better as it goes along, and by the end you’re left wanting MOAR. “Time Stands Still” captures the spirit and sound of Slumber’s highly underappreciated debut Fallout. It even has bits and pieces of the vintage Agalloch magic bubbling up at times. Perhaps some of that Slumber influence can be attributed to Jari Lindholm helming the mixing and mastering. As one of the folks behind Slumber as well as Enshine and Exgenesis, he knows his way around the melodoom sound better than most, and the production demonstrates that with a deep, satisfying mix. At a tight 44 minutes, there isn’t much bloat to Upheaval, even though 2 tracks exceed the 7-minute mark.

    I can’t give Stefan Nordström enough credit. His death roars and blackened shrieks are as good as ever, and his singing has improved quite a bit. His guitar work across the album is impressive and creates many emotive moments that resonate deeper with each spin. He utilizes every element of sadboi melodoom that I love and slathers everything in such a heavy coat of gloom that it almost feels like too much of a grim thing. Almost. Hired gun Filipe Caeiro does a fine job on drums, bringing enough pop and propulsion to keep the listener awake, especially on the heavy, abrasive bits.

    I had concerns after Famine that Soliloquium may have seen their best days, but Upheaval proves me dead wrong. This is a very good slice of melodoom that often borders on greatness. I may, in fact, come to realize that I underrated it in the fullness of time. That’s the joy of an album with real depth and layers. With winter just around the bend, Upheaval will make a spectacular companion on those snowbound days of frigid isolation. Learn to spell Soliloquium correctly and order this album.


    Rating: 3.5/5.0
    DR: 6 | Format Reviewed: 320 kbps mp3
    Label: Meuse Music
    Websites: deathdoom.com | soliloquium.bandcamp.com |facebook.com/soliloquiumband
    Releases Worldwide: October 23rd, 2026

    The post Soliloquium – Upheaval Review appeared first on Angry Metal Guy.

  • SCALDING – Hypaethral Records Reissues Exordium Debut From Canadian Black Metal Outfit, On Limited Edition CD/Vinyl

    Today, Hypaethral Records is pleased to unveil a special reissue of Exordium, the debut full-length from Canadian black metallers SCALDING, on limited edition CD and vinyl.

    Founded in 2021 in Vancouver, British Columbia, SCALDING emerged with a singular purpose: to push black metal’s second-wave tradition toward harsher, heavier, and more expansive territory. Rooted in classic Scandinavian black metal but drawing equally from death metal, crust, and traditional heavy metal, the band has quickly established itself as one of Western Canada’s most compelling extreme metal acts.

    SCALDING’s sound thrives in contrast: violent without becoming one-dimensional, atmospheric without sacrificing immediacy, and melodic without losing its bite. Furious passages of blackened aggression break open into moments of towering harmony and anthemic release, creating music that honors black metal’s foundations while refusing to remain bound by them.

    That approach has earned the band opportunities to share the stage with many acclaimed heavy acts including Uada, Rotting Christ, Antichrist Siege Machine, Abbath, and Pig Destroyer, steadily building a reputation for delivering the same intensity live that defines their recordings.

    Originally released in 2022 digitally, SCALDING’s debut full-length Exordium introduced the band’s vision in full: an uncompromising statement of intent that fused second-wave ferocity with a broader palette of aggression, atmosphere, and melody. Now returning on LP and CD through Hypaethral Records, Exordium stands as both the foundation of the band’s identity and the opening chapter of a rapidly evolving trajectory. The reissue also includes the band’s Skull Collapse EP.

    Comments guitarist/vocalist SM, “Re-releasing Exordium brings back a lot of memories for me. From writing these songs under lock down back in 2020, to playing our first shows in 2022, this was an incredibly exciting time for SCALDING. It felt like we truly created something special out of nothing, and people were taking notice right from the get-go. I’m honored to have Exordium released on vinyl for the first time, and with the Skull Collapse EP songs included on this release as well. This is the perfect encapsulation of SCALDING‘s first chapter.”

    SCALDING‘s Exordium reissue is out now on CD (Ltd. 200 pro-pressed, 4-panel digipak) and vinyl (Ltd. 200 Graphite Vinyl, ECO).

    Find physical orders at the Hypaethral webstore HERE and digital orders at Bandcamp HERE.

    Exordium – Track Listing: 

    1. Exordium

    2. As Darkness Descends To Chaos

    3. The Gate

    4. Baku’s Realm

    5. Exhaustion

    6. Asunder

    7. The Great Unknown

    8. Back To The Grave

    9. Skull Collapse

    10. Exordium (Acoustic)

    SCALDING:
    SM – guitar, vocals
    JD – drums
    JM – bass, vocals
    AS – lead guitar

    https://www.instagram.com/scaldingcvlt

    https://linktr.ee/hypaethralrecords

    ​​https://instagram.com/hypaethralrecords

    https://www.facebook.com/hypaethralrecords

    Source: EARSPLIT PR