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  • AS I LAY DYING Announces Self-Titled Album, Drops Lead Singles “Polarized” & “Retribution”

    Grammy-nominated metalcore mainstays As I Lay Dying are gearing up for a new chapter. The band’s new self-titled record, As I Lay Dying, arrives Feb. 5, 2027 via Napalm Records.

    Lead singles “Polarized” and “Retribution” give an early sense of just how wide a net the album casts. “Polarized” pushes toward a more melodic, hook-driven sound built around heavy riffs, while “Retribution” swings the other way entirely, leaning darker, faster and meaner to show off the band’s heavier instincts. Together, the two tracks bookend a record that mostly lives in the space between them. Both songs are also available together as a physical vinyl single, and the band plans to work new material into its upcoming North American dates.

    As I Lay Dying on the new singles: “‘Polarized’ and ‘Retribution’ show two very different sides of what we’ve been creating. One leans more melodic, while the other is darker, faster, and heavier, with much of the record living somewhere between the two. Despite how different they are, both still feel rooted in what As I Lay Dying is. We’re excited for people to hear them and to bring this new chapter of the band on the road in February.”

    On why the album carries the band’s own name, As I Lay Dying added: “Making this the first self-titled As I Lay Dying album felt significant because the record feels like both a continuation and a reset. We weren’t trying to recreate one era of the band or force the songs into a narrow definition of what As I Lay Dying should sound like. We wanted to bring together everything we naturally gravitate toward: melody, aggression, speed, heaviness, emotion, atmosphere, and big riffs, while making sure every song still felt unmistakably like As I Lay Dying.”

    As I Lay Dying plays like a natural next step for the band, folding melody, aggression, speed, heaviness and atmosphere into one record without leaning too hard on any single era of the band’s history.

    The album came together through a heavily collaborative writing and production process. Since forming around the turn of the millennium, As I Lay Dying has carved out a defining role in modern metalcore, moving more than a million albums worldwide, landing Top 10 chart positions on the German album charts and the U.S. Billboard 200, and shaping generations of bands with a mix of crushing heaviness, melodic songwriting, and technical chops.

    As I Lay Dying pairs the band’s trademark heaviness with melodic, modern touches, swinging through a wide range of dynamics across its 10 tracks. Lyrically, the record centers on transformation, letting go and personal growth. “If I Fall” mixes raw intensity with vulnerability, working through abandonment and judgment and the fight to rise back up, while “Echoes” builds a darker, emotionally heavy atmosphere around breaking away from destructive bonds.

    Chris Clancy and Tim Lambesis, bassist/vocalist and vocalist of As I Lay Dying respectively, produced the album, with Dusten Boles handling production on “No Way Out,” a track that bridges the band’s past and its next direction.

    Guest vocalist CJ McCreery of Immortal Disfigurement appears on “No Way Out.” The album’s artwork comes from Corey Meyers, who has handled the band’s visual identity since My Own Grave.

    As I Lay Dying returns to North America in November and December 2026 with support from The Curse Within, closing out the final dates of the “Shadows Are Security” run. Come February and March 2027, the band heads out on a full North American tour with Immortal Disfigurement in support, bringing the new album straight to fans across the U.S.

    Over the past eight years, As I Lay Dying has cycled through a series of lineup changes that have left Lambesis as the sole remaining founding member. In late 2024, four members left the band in quick succession: longtime guitarist Phil Sgrosso, drummer Nick Pierce, guitarist Ken Susi and bassist/vocalist Ryan Neff.

    As I Lay Dying 2026 lineup:

    Tim Lambesis / Vocals
    Chris Clancy / Bass and Vocals
    Don Vedda / Guitar and Vocals
    Bill Hudson / Guitar
    Tim Yeung / Drums

    The post AS I LAY DYING Announces Self-Titled Album, Drops Lead Singles “Polarized” & “Retribution” appeared first on Sonic Perspectives.

  • APOTHEUS Share New Track “Boundaries”

    Apotheus is a Portuguese progressive metal band blending heavy riffs, intricate rhythms and atmospheric melodies with ambitious science-fiction storytelling. Their conceptual albums The Far Star and Ergo Atlas established a narrative universe exploring humanity, artificial intelligence and the boundaries of existence. With The Complex Permutation, Apotheus bring this trilogy to its conclusion, pushing their sound […]
  • Fluisteraars – Jacht der Mysteriën (Review)

    This is the sixth album from black metal band Fluisteraars, who are from the Netherlands. Jacht der Mysteriën blesses us with three tracks equalling 42 minutes of music. Fluisteraars have a well-developed personality, and Jacht der Mysteriën is surely one of their more idiosyncratic releases. The music may ultimately be atmospheric black metal, but it’s an … Continue reading “Fluisteraars – Jacht der Mysteriën (Review)”
  • DAVID ELLEFSON To Play “Countdown To Extinction” In Full On December European Trek

    Former Megadeth bassist David Ellefson has locked in the December 2026 leg of his Bass Warrior European tour. The run will find Ellefson and his solo band digging into cuts from his catalog of Megadeth classics, including a full performance of Countdown to Extinction, alongside solo material and other hard rock and metal songs that shaped his four-decade career.

    Ellefson explained the move behind the tour: “We had such great fan requests for Countdown to Extinction from earlier this year that we are going to wrap up 2026 with some final shows across Europe, which also includes some new cities and countries to celebrate the music from one of my all-time favorite albums of my discography. The perfect holiday wrap-up for the year!”

    Ellefson kicked off Bass Warrior back in 2024 with musical director Andy Martongelli (Ellefson-Soto, Artemis), building the tour as a way to bring his 40-plus years of recorded music to fans across Europe.

    Bass Warrior 2026 European tour dates:

    12/03 – Kill Joy – Roma, Italy
    12/04 – Rock N Roll – Rho, Italy
    12/05 – Del Vino – Orchamps-Vennes, France
    12/07 – Music on the Hague – Den Haag, Netherlands
    12/08 – Metropool – Enschede, Netherlands
    12/09 – Iduna – Drachten, Netherlands
    12/10 – Burghof Huhnerstall – Frankfurt, Germany
    12/12 – Stary Dom – Domecko, Poland
    12/13 – The Barrel Venue – Drogheda, Ireland
    12/15 – JS Retro – Nitra, Slovakia
    12/18 – Fest Club – Belgrade, Serbia
    12/19 – Hard Place – Zagreb, Croatia

    For more information, visit here.

    Ellefson parted ways with Megadeth more than five years ago after sexually explicit messages and video involving the bassist surfaced on Twitter.

    The post DAVID ELLEFSON To Play “Countdown To Extinction” In Full On December European Trek appeared first on Sonic Perspectives.

  • “I Locked My Heart Inside a Box” — Barcelona Post-Punk Trio Low Blows Share Video for “SOS”

    You won’t come back for me
    calling was an SOS
    one more stop for me
    one more stop for more 

    There are songs about heartbreak that behave as though somebody ought to erect a marble statue afterward, and then there are songs like SOS, where Barcelona trio Low Blows seem more interested in the miserable logistics of having cared too much. You call. Nobody comes. You try again. Eventually affection begins to resemble a bad financial decision, and the sensible course of action appears to be locking your heart somewhere nobody can get at it, including yourself. That is a rotten way to live, of course, which is precisely why the song feels convincing.

    Carlos Vergara’s bass carries a lot of the burden here, moving with the blunt authority of somebody dragging furniture across an apartment at three in the morning. Rubén Carballo’s drumming keeps the floor firm beneath it, while Andrés Silgado’s guitar scratches at the perimeter, sometimes bright, sometimes abrasive, never hanging around merely to decorate the walls. The electronics slip through the gaps, giving SOS a slightly unreal temperature. The band’s industrial, darkwave, new wave, and shoegaze tendencies remain visible, though Low Blows sound increasingly comfortable letting those elements collide without stopping to announce which shelf each one came from.

    Vergara’s vocal delivery makes the emotional shutdown feel almost practical. Love has become excessive, softness carries consequences, and whatever emergency prompted the original cry for help has already curdled into weary acceptance. The final image of a heart shut inside a box sounds less like melodrama than somebody explaining the storage arrangements after the relationship has been cleared out.

    Carlos Vergara’s video gets considerably stranger. He takes public-domain footage from Stella Simon and Miklos Bandy’s 1927–28 film Hände: Das Leben und die Liebe eines Zärtlichen Geschlechts and drops its expressionist hands into Low Blows’ world. Fingers grasp, palms open, bodies overlap, and images of the trio pass beneath these enormous gestures from another era. Suddenly a nearly century-old experimental film has become an accomplice to a post-punk song made by three musicians scattered between Ibiza, Mataró, and Vitoria-Gasteiz.

    That accidental collaboration across ninety-nine years is wonderfully appropriate, as SOS revolves around reaching toward someone and discovering that the distance remains.

    Watch the video for SOS below:

    Since Cruel appeared in 2020, Low Blows have tightened their approach considerably. Go! brought producer Matteo Vallicelli of The Soft Moon into their orbit in 2024, followed by an OMBRA Festival appearance. Vallicelli returned for the trio’s new self-titled album, mastered by Maurizio Baggio at La Distilleria.

    Low Blows have found an ugly, elegant little groove in which emotional damage can dance without pretending it has recovered.

    Listen to SOS below and order the single here.

    Follow Low Blows:

    The post “I Locked My Heart Inside a Box” — Barcelona Post-Punk Trio Low Blows Share Video for “SOS” appeared first on Post-Punk.com.

  • Our Critic’s Picks of Albums Coming This Fall

    Hear our critic’s picks from Remi Wolf, Tinashe, Cameron Winter and more.
  • BABY AND THE BEATS Share “Lost”

    This metal band located in Liège (Belgium) writes and plays its own music. Present on the Liège scene since 5 years, Baby and the Beats is now targeting a larger international audience. Their songs thematics include contemporary topics as well as timeless emotions, in a positive and humanist approach. The band is centered on the […]
  • Bodywash Announce New Album Laughing At Noise: Hear “Lapsang”

    In 2023, Bodywash caught our attention with their alluring sophomore effort I Held The Shape While I Could. The Canadian dream-pop duo returned with “Come And Go” in July, and now they’re announcing their new record Laughing At Noise. They’re sharing the exquisite second single “Lapsang” today.

    The post Bodywash Announce New Album <em>Laughing At Noise</em>: Hear “Lapsang” appeared first on Stereogum.