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  • Interview – Magnus Rosén (Ex HammerFall)

     

    Magnus Rosén, worldwide known for his years with the legendary Swedish Power Metal
    band HammerFall, officially joins the roster of Wanikiya Record/Promotion for the international
    promotion of his latest solo album, “It’s Time To Rock The World Again.” Magnus Rosén has built an extraordinary career spanning decades, performing on stages all over the world and collaborating with some of the biggest names in Rock and Heavy Metal history. His unmistakable bass playing, endless energy and artistic vision have made him one of the most appreciated and recognized musicians in the international scene.

    1. Hi and welcome to this interview. Tell us about your latest release.
    My album “It’s Time to Rock the World Again” is a musical journey. For many years, I have wanted to capture the different bands, artists and styles that have inspired me throughout my life.
    The album contains influences and fragments from many different musical styles, which can be heard throughout the songs. It is a journey through rock music from the 1960s until today, featuring both new interpretations and newly written material. I have had the privilege of working with some fantastic guest artists. For example, Tony Martin, known for his work with Black Sabbath, performs an interpretation of the classic Bill Withers song “Ain’t No Sunshine.” The song also features guitarist Janne Schaffer, who has recorded more than 50 songs with the legendary band ABBA. Add to that my own bass playing, shaped by years of touring around the world with the heavy metal band HammerFall.
    This is just one example of a wonderful meeting between musicians from different musical backgrounds and styles. The song “The Sign” is about opening our eyes to the illusions that power can create around us. It is about encouraging people on Mother Earth to look beyond those illusions and think for themselves.
    So, as I said, this is a small introduction to the new album from the Magnus Rosén Band.

    2. How would you describe your sound?

    My sound is an expression of my spirit through my playing.
    It comes from my thoughts and reflections, combined with my energy and my love for people, animals and nature. The sound itself comes from the attack of my fingers and the interaction between both hands on the bass. That is where the magic happens. I use different basses depending on the style of music, including Factor, Kubicki and Manne basses.My favourite amplifier is the Eden World Tour 800W, which gives me all the power and clarity I need. Of course, my sound also depends on the style of music I am playing. For example, yesterday in the studio, while recording the new album with Bleckhorn, I used a distorted bass sound that was aggressive, raw and heavy.
    However, when I play my own solo material, I prefer the sound to be crystal clear and distinct.
    With the glam rock band Bai Bang, I play with a clean sound but with more weight and depth in the lower frequencies. So, it varies depending on the music, but I believe that my personality comes through more in the way I play than in the equipment or sound itself.

    3. What do you write about?
    I mostly write about the magic of life from a philosophical perspective.
    I also write about society and the struggle between good and evil — between people who have lost their way and those who try to bring something beautiful and positive into the world.
    I think it is important to recognise and understand destructive behaviour so that we can consciously choose a brighter and more developed path. Somethings that I also find important to write about is positive choices and positive spirals in life, while trying to counteract the hatred that can grow within people. My belief is that we need to focus more on solutions and constructive visions rather than living in fear and hatred. These are subjects that I find very inspiring to write about.

    4. What do you listen to when you are at home?

    Mostly, I listen to silence. Because I play music almost every day, I sometimes need to recharge and gather my thoughts without listening to music. When I was younger, I listened to a lot of rock music — everything from Led Zeppelin and Deep Purple to Queen, Sweet and many others.
    Today, I find it especially exciting when you can hear the soul of the people and their culture through their music — when the culture, history and roots can be heard in the melodies and tones.
    And when I do listen to music, I enjoy it deeply, but it has to create passion!

    5. What has been your favourite live performance so far?
    I love playing live. It is very close to my heart.
    I have performed in both the biggest and the smallest venues all around the world. I have played in La Paz, Bolivia, at an altitude of 4,200 metres, and in jute factories in Bangladesh for the workers. I have also performed in China as part of Swedish government delegations, at Sultan Qaboos University in Oman, and in Erbil, Kurdistan, at a medical fair. I have performed many times in South America for fantastic rock audiences, but I have also played in the Amazon rainforest. I have appeared at festivals such as Wacken Open Air, Monsters of Rock and the Sweden Rock Festival, as well as many others. I have also performed in hospitals and nursing homes, and for vulnerable and disadvantaged people. I cannot choose one specific performance or place. Diversity has become part of my path. For me, the most important thing is passion and always giving my very best, whether I am performing for thousands of people or for a small audience.

    6. Tell us a funny story that happened in the studio or on stage.
    When I toured South America with my solo bass concerts, I collected food for people living in poverty. It was a very meaningful and inspiring experience.
    I paid for my own flights and hotels so that 100% of the donations could go where they were needed. The entrance fee for the concerts was two kilograms of food, which I later distributed together with aid organisations to people in need. It is probably not very common for rock musicians to go on adventures like that! I have also performed with the Swedish National Symphony Orchestra and the Royal Philharmonic Orchestra. I have probably played around 30 concerts where the bass was the solo instrument. One slightly uncomfortable incident happened when I was performing with the Gothenburg Symphony Orchestra in front of an audience of 100,000 people, with approximately 150 million television viewers. Suddenly, I could not get any sound from my bass. I had maybe 15 seconds to find the problem before my part was due to begin. Finally, I discovered that a small cable connected to my pedals had slipped out by about half a centimetre. I managed to fix it just in time and started only about a second late. It was a rather stressful moment, however, later a funny story to remember and to tell! After 49 years of playing bass, a lot of things have happened, of course. I have also written a book called “The Bass in My Heart,” which contains many stories and anecdotes for anyone who is interested.

    7. What are your favourite albums?
    There are many favourite albums.
    I love “Rising Force” by Yngwie Malmsteen, “News of the World” by Queen and “Made in Japan” by Deep Purple. I could make a very long list! Today, I probably listen to a little more folk and traditional music from different countries, even though rock will always be my musical foundation.

    8. Which musician would you like to meet for a beer?
    That is a difficult question because there are so many people I would like to meet.
    I have already met many wonderful musicians, but I think it would be very interesting to meet Brian May from Queen. He seems like a genuinely kind person and, of course, he is an incredible musician.
    For me, it also matters what a person stands for. Freedom is very important to me, as is trying to understand our world without spreading hatred or constantly condemning others.

    9. What would you ask for backstage if you were the most important band on Earth?
    The best, cleanest food and excellent cooking! That would be a real pleasure before or after a concert. I try to buy food directly from farmers who avoid using unnecessary chemicals and toxins. I would also love to have a huge container filled with band T-shirts so that everyone who came to our concerts could receive one as a thank-you for supporting us. That would be my dream!

    10. What are your plans for the near future?

    I have many dreams and plans. Yesterday, I recorded the final bass track for Blackhorn’s new album, “Viking Rock.” We have also recorded a new album with Bai Bang, and there is a new album with Autumn’s Child planned for recording in September this year. So, there are already three albums with exciting possibilities and plans ahead. I have also put together a different project called Voice of the North. We premiered at an old fortress in Sweden, combining Swedish folk music, oil drums, choirs, rock musicians, smoke and lasers in a mysterious and atmospheric setting. At the same time, I continue working with the Magnus Rosén Band, which I would love to take out on the road.
    I also perform my one-man-band solo bass concerts, which I hope to continue doing — preferably in connection with charity projects that can inspire and support a brighter, more beautiful, peaceful and friendly world.

  • Norwegian Metal Pioneers EXTOL Announce First New Album In Over A Decade “Aura Of Decay”

    Legendary Norwegian extreme metal innovators Extol have officially announced their return. On November 6, the band will release its sixth full-length album, Aura of Decay, via Solid State Records, marking its first album since the critically acclaimed 2013 self-titled release. The release features the classic lineup, with Christer Espevoll rejoining the fold.

    Crafted over an extensive writing and recording period, the upcoming album represents a deeply considered and, at times, painful labor of love. The meticulous production spanned multiple creative hubs, with tracking taking place across Hawk Studios, Little Cave Studio, and Hrada Creative. To bring the sonic scenery to life, the record was handed over to master engineer Jens Bogren at Fascination Street Studios, who handled mixing and mastering duties.

    Adding a striking visual dimension to the release, renowned artist Hugh Syme created the album artwork.

    Musically, Extol continues their fearless tradition of charting unknown waters while retaining the distinct signature that has defined the band for decades. The songwriting, complex arrangements, and unmistakable sonic language remain firmly anchored in the adventurous spirit fans have come to expect. Furthermore, in a nod that will delight longtime supporters, echoes of the raw, black-metal-tinged atmospheres reminiscent of their seminal album Burial surface throughout the album.

    The track offers a labyrinthine sonic journey into the heart of modern tribalism. The song views the highly polarized ideological landscape through a veil of ancient philosophy, challenging listeners to question the mechanisms driving our current global divide. The single is now streaming worldwide.

    Musically, “The One and The Many” relies on erratic, unconventional structures and jarring shifts to evoke a sense of psychological collapse. Lyrically, the band explores the intersection of modern tribalism and relativization of postmodernism in light of the ancient philosophical puzzle the one and the many. How does a collective society shatter into fiercely hostile tribes in today’s post-modern fog? The lyrics leave clues for the listener to decode the tensions between individual identity and systemic erosion.

    “We are living in an era where truth feels relative, yet tribal dogmas seem to be strengthening,” says guitarist Espevoll. “We wanted the song to mirror that confusion. It is an invitation to look beneath the surface noise of the internet and reflect on how sanctimonious religious and political practices are fed and kept alive by ideology.”

    Pre-order Aura of Decay here.

    Extol are:

    Peter Espevoll / Vocals
    Ole Børud / Guitars, Vocals and Bass
    David Husvik / Drums and Vocals
    Christer Espevoll / Guitars

    The post Norwegian Metal Pioneers EXTOL Announce First New Album In Over A Decade “Aura Of Decay” appeared first on Sonic Perspectives.

  • Today: Anime NYC 2026 Begins @ Javits Center (8/20/2026)

    Greetings and Felicitations to all of the Anime and Manga fans out there in the readership. Today is the start of the always awesome Anime NYC Convention at the Javits … Continue reading Today: Anime NYC 2026 Begins @ Javits Center (8/20/2026)
  • Frankie Rose – “Return To Dust”

    Frankie Rose cut her teeth as a member of indie bands like Dum Dum Girls, Vivian Girls, and Crystal Stilts. On her own, she makes gauzy, gothy ’80s-style synthpop. She has toured as an opener for bands like the Jesus And Mary Chain and Swervedriver, and she’ll open for the Charlatans on their North American run next month. Around the same time, she’ll also release her new LP Hila.

    The post Frankie Rose – “Return To Dust” appeared first on Stereogum.

  • Foo Fighters To Open For AC/DC In St. Louis, MO As Dave Grohl Heaps Praise On The Australian Hard Rock Legends

    “All I have ever wanted was to someday live up to the awe inspiring fury of AC/DC, live onstage (an impossible task, by the way.)”

    The post Foo Fighters To Open For AC/DC In St. Louis, MO As Dave Grohl Heaps Praise On The Australian Hard Rock Legends appeared first on Theprp.com.

  • Wolves In The Throne Room Announce New Album Estuary: Hear “Ghosts In The Obelisks”

    Pacific Northwest black metal veterans Wolves In The Throne Room are established masters of heavy, mystical evil shit, and they’ve just announced plans for an ambitious new concept album. Estuary, their 10th LP, follows the 2023 EP Crypt Of Ancestral Knowledge and takes place in an apocalyptic future. Here’s how frontman Nathan Weaver describes it:

    The post Wolves In The Throne Room Announce New Album <em>Estuary</em>: Hear “Ghosts In The Obelisks” appeared first on Stereogum.

  • AN NCS PREMIERE: BOÖTES VOID — “PANTA RHEI”

    (written by Islander) On September 4th Vendetta Records will release a new album named Panta Rhei by the German black metal band Boötes Void. It follows a demo (The Alder’s Sleep), an EP (Alders Heresy) and two previous albums (C.O.L.D. and Singularity). As disclosed on Metal-Archives (and probably elsewhere), the band took their name from […]

    The post AN NCS PREMIERE: BOÖTES VOID — “PANTA RHEI” appeared first on NO CLEAN SINGING.

  • RODRIGO Y GABRIELA Share “Akatsuki”, A Sweeping New Collaboration With Japanese Jazz Virtuoso HIROMI From Upcoming Album “OurHome”

    GRAMMY-winning guitar duo Rodrigo y Gabriela have shared “Akatsuki,” a sweeping new single featuring Japanese jazz virtuoso Hiromi, alongside an accompanying video. The track appears on the duo’s forthcoming album, OurHome, due September 18th via ATO Records.

    Named for the secret organization of mercenary ninjas in the seminal manga series Naruto, “Akatsuki” reflects Rodrigo y Gabriela‘s long-standing love of anime and the profound influence Japanese culture has had on their creative relationship with Japan. The idea emerged while Quintero was watching the series during late nights in the studio as the duo worked on early demos in Los Angeles. Drawn to the emotional depth of the Akatsuki storyline and the character Pain, she suggested the title to Sánchez. Months later, after watching the series himself, he agreed it perfectly captured the spirit of the composition. Expansive, searching, and charged with moody grandeur, the instrumental piece draws from Naruto’s exploration of Buddhist cosmology, rebirth, compassion, and the shifting boundaries between hero and villain.

    Across the track, Rodrigo Sánchez and Gabriela Quintero weave shadowy guitar lines and tempestuous rhythms around Hiromi’s gorgeously mercurial piano work. The result brings together three musicians whose highly physical approaches to their instruments blur the boundaries between melody, rhythm, and percussion.

    “It’s so amazing to watch Hiromi play,” says Sánchez. “She was a child prodigy, but she has this incredible energy and adds a lot of percussive sounds – almost like us, but on piano instead of guitar.”

    For Hiromi, the collaboration also carried a special connection to place and the ideas that inspired the composition.

    “It was so nice to have them in my home country, and playing the beautiful piece inspired by Japanese manga,” says Hiromi. “I hope we can play the piece for the audience one day! Would be so much fun!”

    The collaboration also reflects one of the album’s central ideas: bringing together artists whose shared admiration for Japanese culture created an unusually organic musical conversation.

    The release also arrives alongside the announcement of new January 2027 headline dates across Australia and Japan. Rodrigo y Gabriela will perform in Brisbane, Sydney, Melbourne, Hobart, Adelaide, and Perth before returning to Japan for shows in Tokyo, Nagoya, and Osaka. The Japanese dates carry particular meaning within the OurHome cycle, bringing the duo back to the country where the album was recorded and where their long-standing connection to Japanese music, art, and culture found its fullest expression.

    Tickets for the newly announced dates will be available through a series of pre-sales beginning August 19th. Fan club pre-sales for both Australia and Japan begin Wednesday, August 19th at 5 pm local time, followed by artist pre-sales on Thursday, August 20th at 9 am local time. General on-sale begins Friday, August 28th at 9 am local time in Australia and Saturday, September 12th at 10:00 am JST in Japan. For more information and to purchase tickets, please visit here.

    Recorded in Japan and self-produced by Sánchez and Quintero at NK Sound Tokyo, OurHome is the culmination of Rodrigo y Gabriela‘s decades-long artistic relationship with Japan. After a period of creative frustration and uncertainty, Rodrigo y Gabriela found renewed inspiration in a country they have returned to throughout their two-decade-plus career, rediscovering the expressive acoustic interplay that first defined their sound while forging new creative connections with Japanese musicians and artists.

    “We’ve always felt drawn to Japan because of the art and aesthetics and attention to beauty,” says Quintero. “There’s also something about being there that invites you to look inward, to reconnect with who you really are and what gives you meaning.”

    In a profound shift from the electric-guitar-heavy sound of 2023’s In Between Thoughts…A New World, OurHome returns to the textural fluidity of acoustic instrumentation, a natural counterpart to the album’s spacious and often strikingly delicate arrangements. Alongside Hiromi, the album features former Megadeth guitarist Marty Friedman, cellist Hiyori Okuda, and Kyoto-based guitarist and composer Yukihiro Atsumi.

    Mixed by five-time GRAMMY winner Dave Sardy, whose credits include The Who, Oasis, and Red Hot Chili Peppers, and mastered by Stephen Marcussen, whose credits include Nirvana, R.E.M., and The Rolling Stones, OurHome draws from manga, mythology, migration, philosophy, nature, and personal transformation while remaining rooted in the kinetic musical dialogue that has defined Rodrigo y Gabriela’s career.

    “Akatsuki” follows the release of the album’s title track, “OurHome,” a sublimely tender composition written by Sánchez following the passing of the duo’s beloved studio cat, Pelusa. Her death came after months of creative stagnation and unexpectedly helped unlock the direction of the album.

    “Before her passing, we were searching for ideas in a way that felt very pressured and forced,” says Quintero. “Then the day after she died, Rod wrote a song for Pelusa and suddenly everything started to flow. It was like she was telling us, ‘Stop fucking around and just do what you do best’ – which meant playing from our hearts with no agenda.”

    The title OurHome emerged later during a walk through Melbourne following a Japan and Australia tour. As Rodrigo and Gabriela discussed the meaning of belonging, they passed a public housing tower bearing a large sign that read “OUR HOME.” A photograph Sánchez took in that moment ultimately became the album cover.

    “At the end of the tour we were walking around Melbourne and talking about the idea of home,” says Quintero. “It’s easy to get caught up in trying to please others so that you’ll feel like you belong, but to us home means finding peace within yourself instead of seeking external approval. As we were walking, we passed by a public housing tower, and there was a huge sign out front saying ‘OUR HOME.’ It felt like a message from the universe, telling us we were on the right path.”

    “Akatsuki” is one of several songs on OurHome inspired by Japanese storytelling. The album’s first single, “Monster,” grew from Rodrigo y Gabriela‘s fascination with Naoki Urasawa‘s landmark psychological thriller of the same name. The darkly cinematic composition arrived alongside an official video created by Urasawa after he learned the duo had written a song inspired by his work.

    One of Japan’s most celebrated manga artists, Urasawa is the acclaimed creator of Monster, 20th Century Boys, Pluto, and Master Keaton, with over 140 million copies of his work sold worldwide.

    “Monster is such a deep, philosophical story – it’s about a psychopathic killer, but it’s so uplifting and leaves you with a real sense of hope,” says Quintero. “We’d written that track without knowing that Urasawa was a fan of ours, and now he’s making the video for us.”

    Together, “Akatsuki,” “Monster,” and the title track reveal the range of the dreamlike world Rodrigo y Gabriela have created on OurHome: an album populated by rogue monsters, celestial birds, stardust, ancient philosophy, and the idea that peace can be found wherever we learn to reconnect with ourselves.

    “Japan is a magical place for us, and every time we go there we love it more,” says Sánchez. “But we also realize the way we feel there isn’t only because of Japan itself – it’s a state of being we could really access anywhere.”

    As they prepare to bring OurHome to audiences around the world, Rodrigo y Gabriela hope the album offers listeners a similar sense of grounding amid the chaos of modern life.

    “Every day we face so many challenges, whether it’s economic crisis or ecological crisis or political crisis, so we need to protect what makes us feel safe and connected to our true essence,” says Quintero. “We made this album to celebrate what helps us to find that home within ourselves, and we hope it inspires everyone to figure out what home means to them. It’s a very powerful thing, because nobody can ever take it away from you.”

    OurHome arrives September 18 via ATO Records and is available now for pre-order and pre-save here.

    The post RODRIGO Y GABRIELA Share “Akatsuki”, A Sweeping New Collaboration With Japanese Jazz Virtuoso HIROMI From Upcoming Album “OurHome” appeared first on Sonic Perspectives.