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  • Void of Light – Asymmetries (Review)

    This is the debut album from Scottish post-metal band Void of Light. Featuring the vocal talent behind Ageless Summoning and Of Spire and Throne, (and more), Void of Light have arrived to bring us 48 minutes of post-metal in the form of the gargantuan Asymmetries. The reference points for an album like this are as you … Continue reading “Void of Light – Asymmetries (Review)”
  • Reviews: Tyketto, Chez Kane, Ignescent, Venus 5 (Matt Bladen)

    Tyketto – Closer To The Sun (Silver Lining Music)

    Danny Vaughan wrangles Tyketto back on the horse New York rock veterans returning for their sixth album Closer To The Sun. Joined by Harry Scott Elliott on guitar, Ged Rylands on keyboards, Chris Childs of Thunder on bass and Johnny Dee of Doro on drums, this is a record that bursts with optimism and those massive arena anthems.

    However Tyketto are not a nostalgia act, they’re a band who have their eyes set on who they are today and they also look to the future by revisiting their roots with all the experience of a band who will be celebrating 40th anniversary next year. Recorded across multiple studios, including Rockfield Studios, Closer To The Sun opens with the anthemic Higher Than High, a big rocker where Danny’s brilliant vocals sing those powerful choruses.

    Vaughan is for my money, one of the best singers in the melodic rock sphere, though sadly I feel he, and Tyketto, are underrated, but any notion of that is blown away with Closer To The Sun, from the Beatles-meets-country of Starts With A Feeling, then there’s some big balladry on the title track and The Picture.

    Closer To The Sun also has some shimmering organ/synth rocking of We Rise, rollicking blues on Donnowhuddidis, Deep Purple grooves on Hit Me Where It Hurts and an homage classic motorbikes on Harleys & Indians (Riders In The Sky), which has Vaughn honkin’ on bobo while Far And Away brings some Celtic feeling with violin.

    With their sixth album Tyketto prove that anyone who who have overlooked them until now should be ashamed of themselves as Tyketto should be standing shoulder to shoulder with Aerosmith and Whitesnake in the classic rock league table. Come and get Closer To The Sun with Tyketto, I promise you won’t get burned. 9/10

    Chez Kane – Reckless (Frontiers Music Srl)

    Much like Bonnie Tyler is the pride of Skewen, Chez Kane is rapidly becoming the biggest thing from Glynneath since Max Boyce (though Max never had an album cover like this one!). Reckless see her following up her retro rocking previous two albums that goes deeper into the 80’s rock influences, and I’m mean really deep.

    A record that brings plenty of choppy Lukather riffs, explosive EVH solos, Jim Steinman bombast, 808 drum loops and of course the gritty, powerhouse vocals of Chez. Once again, written and produced by Danny Rexon of Crazy Lixx, Chez herself collaborated on the writing this time to make the third album her biggest and in her own words “sexy as hell.”

    That latter point is hard to argue with as song titles range from Night Of Passion, Bad Girl, Strip Me Down and *coughs* Tongue Of Love *coughs*, reclaiming the sexually explicit lyrical content of those 80’s bands such as Ratt, Poison and more, but while they were often misogynistic in tone, here it’s all about empowerment.

    Reckless is an album that shamelessly takes influence from the anthemic music of the 80’s, but the modern production and the attitude filled vocals of Kane make for a record of songs that are arena ready. 8/10

    Ignescent – Eternal (Frontiers Music Srl)

    Ignescent are a modern heavy rock band from Chicago who are influenced by the likes of Flyleaf, Evanescence, and Skillet, cranking out radio and arena friendly heavy rock that has a very contemporary sound to it.

    The anthemic, emotive vocals of Jennifer Benson are joined by a record of massive riffs, industrial atmospherics and emotive lyrics that hallmarks of the bands I mention and will get them plenty of airplay on US rock radio, previous singles having hit the top part of the Billboard chart.

    Eternal is their newest album to hit Frontiers Music Srl and it highlights real life struggles such as anxiety and depression and puts them through a lens of hope, that has given them a faithful fanbase who can find catharsis in their music, as the mechanised heaviness is carved through with Jennifer’s passionate delivery.

    Eternal features songs that have co-writes from Sameer Bhattacharya of Flyleaf on Joker and Fearless and Clint Lowery for Sevendust on Chariot Of Fire, and musically they are a fusion of these bands, even adding some rap.

    How much you enjoy this album relies on how much you like the bands I have mentioned. It’s a slick modern metallic rock record, that does have a Christian theme to it so if that’s your thing then you’ll want to pick up Eternal. 6/10

    Venus 5 – March Of Venus 5 (Frontiers Music Srl)

    Frontiers music has always been a label that love a project. Putting together a group of vocalists and giving them songs that suits their vocals individually and together. Venus 5 is the newest one on Frontiers and it’s basically the idea of a pop girl group of talented singers from the metal spectrum.

    The singers are Karmen Klinc, Jelena Milovanovic, Tezzi Persson (Hell In The Club), Herma (Sick N’ Beautiful), and Erina Seitllari, whether they go by names like Ginger, Sporty, Scary etc is unknown but it’s exactly the same idea as those manufactured groups but the music is heavier (marginally).

    March Of The Venus 5
    is their second album again produced by Aldo Lonobile (Secret Sphere), with a Italian house band it also features some songwring from Chyra’s Jake E and runs across the spectrum of melodic rock sphere from ballads to arena rockers with a slightly heavy edge.

    The vocalists all work really well together across the album and the music is slick pop metal so if that’s your thing then March Of Venus 5 should be on your radar. 6/10
  • Uprising 9: InMe and Survivalist Join The Uprising

    Uprising 9: InMe and Survivalist Join The Uprising

    Celebrating a decade, Uprising returns to Leicester’s O2 Academy for a huge milestone event, featuring returning favourites and heavy hitters making their debut.

    Joining the UPRISING 9 line-up are…

    InMe, taking the main support slot on the main stage. The post-grunge powerhouse made their debut in the early 2000s with their incredible debut album, “Overgrown Eden”, which received huge media acclaim and skyrocketed the band to slots at some of the heavyweight festivals, including Download Festival, Sonisphere, Reading and Leeds, and 2000 Trees, to name but a few. Since then, the band has built up a huge discography, which they will be showcasing this year. Uprising veterans may remember that singer Dave McPherson performed at Uprising 2 in 2017.

    Replacing MANORS are CROWLEY, Hailing from Newcastle upon Tyne, CROWLEY are an occult rock powerhouse, blending heavy rock riffs with dark, gothic atmospheres to create their own unmistakable sound. With a reputation for intense, electrifying live performances, they’ve already earned support from Bloodstock Festival, Planet Rock, BBC Introducing, Primordial Radio and more.

    Belfast heavyweight SURVIVALIST make their Uprising debut. Armed with their brand new album, “A Place for Those to Suffer Alone”, the band has aligned themselves with Seek & Strike and has secured toured and supported the likes of Thy Art Is Murder, Heriot, Suffocation, Polaris, Kublai Khan as well as performances at prestigious events such as Boomtown, Siege of Limerick, and several successful UK headline tours. Expect high energy, intense gutturals, and huge choruses.

    Making a triumphant return will be those insane inmates in Ward XVI. We last saw them in 2019; since then, they have completed their critically acclaimed Psychoberrie trilogy with their latest album, IDENTITY. The band has racked up the miles touring the UK on the album tour and has gone from strength to strength with a full UK tour alongside Tragedy and performances at Maid of Stone, Bloodstock, and NWOCR Live Fest. Expect a vibrant stage show and a good time.

    Returning to Uprising, with their only show in 2026, is the one-man death metal band FOUL BODY AUTOPSY, armed with a drum machine and a whole heap of riffs and death metal growls. Get down to the front, fists in the air. Always great fun at a FOUL BODY AUTOPSY party.

    There’s still plenty more to come for the tenth anniversary of the Uprising Festival — and this is just the beginning.

    Line-Up so far:

    PITCHSHIFTER, INME, STAMPIN’ GROUND, LAWNMOWER DETH, BREED 77, VIKING SKULL, CROWLEY, SURVIVALIST, TRIBE OF GHOSTS, MAYFIRE, PRYMA, WARD XVI, FOUL BODY AUTOPSY, MAGE, FRACTIONS, GURT, HAWXX, MAATKARE & BREAK THEM

    Tickets on sale NOW for £35 (plus fees) | Under 12’s – FREE | 12-16’s £20

    Tickets are available from here

    Uprising 9: InMe and Survivalist Join The Uprising

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Uprising 9: InMe and Survivalist Join The Uprising appeared first on The Razor's Edge.

  • “I freely admit to doing disgraceful things in the past. What I did to certain band members was appalling. I hope that’s all behind me”: When Robert John Godfrey rebooted The Enid

    In 2011 the symphonic prog rock progenitors staged a comeback bid, with their leader expressing a new drive to reclaim a leading position – while retaining all his eccentricity
  • “I freely admit to doing disgraceful things in the past. What I did to certain band members was appalling. I hope that’s all behind me”: When Robert John Godfrey rebooted The Enid

    In 2011 the symphonic prog rock progenitors staged a comeback bid, with their leader expressing a new drive to reclaim a leading position – while retaining all his eccentricity
  • Ice of Neptune – Shots and Dollars (2026)


    Shots and Dollars is the second full-length release by Ice of Neptune, an independent alternative/progressive rock band formed between Italy and Greece.

    Shots and Dollars is a concept album set in Chicago in 1929 and the years immediately following the Great Depression. The story opens with a boy shaped by poverty, defined by hunger, silence, and the cold that hardens his earliest ambitions. Over time, that ambition intensifies: first into determination, then into fixation.

    We follow him into adulthood as he climbs through the criminal underworld, commits an impulsive murder during a robbery, and begins an unraveling that ultimately leads him back to prison, closing the tale in a tense, cyclical ending.

    The album comprises 9 songs for 43 minutes of music. A dark and cinematic start (and fantastic drumming) with the opener Interrogation, a very versatile track in between many genres and perfect for a Broadway musical thanks to a great arrangement and versatile vocals. 1929, the following track, slows down the pace a bit with wind instruments in evidence but without losing the cinematic experience, with super catchy vocal lines. Another change in scenario for New Bright Star (almost a dance, I love the bass lines), and at this point in the album it’s very clear that the performance/arrangement follows the mood of the story and we are going to be surprised song after song.

    Electro pop vibes for The Script and Run (great backing vocals and arrangement on the first one). Despite not being my genre, I find them extremely interesting for the different solutions used. Another pleasant change of scenario with the title track, Shots and Dollars (almost western and with fantastic prog bits), probably my favourite song on the full-length, if I have to choose one. Dramatic and cinematic is Sins of Vanity, (fantastic vocals and drumming), while Fading light is a pure symphonic metal song (great riffs, solo and vocal “exchange”), while the last The curtain falls is melodic and with a captivating piano track, evolving in a uplifting tune full of lots of tasty details, change of atmospheres and the usual great vocal lines and quality arrangement. A fantastic closure for a quality album.

    Shots and Dollars is a super eclectic album, amazingly written, performed and produced. It’s not easy to switch between many genres while keeping the same identity. A quality work from every point of view, everything is in the right place. 

    Give it a go by clicking on the Spotify player below and follow Ice of Neptune as well.

    Social media links
    Instagram
    Youtube


  • Ice of Neptune – Shots and Dollars (2026)


    Shots and Dollars is the second full-length release by Ice of Neptune, an independent alternative/progressive rock band formed between Italy and Greece.

    Shots and Dollars is a concept album set in Chicago in 1929 and the years immediately following the Great Depression. The story opens with a boy shaped by poverty, defined by hunger, silence, and the cold that hardens his earliest ambitions. Over time, that ambition intensifies: first into determination, then into fixation.

    We follow him into adulthood as he climbs through the criminal underworld, commits an impulsive murder during a robbery, and begins an unraveling that ultimately leads him back to prison, closing the tale in a tense, cyclical ending.

    The album comprises 9 songs for 43 minutes of music. A dark and cinematic start (and fantastic drumming) with the opener Interrogation, a very versatile track in between many genres and perfect for a Broadway musical thanks to a great arrangement and versatile vocals. 1929, the following track, slows down the pace a bit with wind instruments in evidence but without losing the cinematic experience, with super catchy vocal lines. Another change in scenario for New Bright Star (almost a dance, I love the bass lines), and at this point in the album it’s very clear that the performance/arrangement follows the mood of the story and we are going to be surprised song after song.

    Electro pop vibes for The Script and Run (great backing vocals and arrangement on the first one). Despite not being my genre, I find them extremely interesting for the different solutions used. Another pleasant change of scenario with the title track, Shots and Dollars (almost western and with fantastic prog bits), probably my favourite song on the full-length, if I have to choose one. Dramatic and cinematic is Sins of Vanity, (fantastic vocals and drumming), while Fading light is a pure symphonic metal song (great riffs, solo and vocal “exchange”), while the last The curtain falls is melodic and with a captivating piano track, evolving in a uplifting tune full of lots of tasty details, change of atmospheres and the usual great vocal lines and quality arrangement. A fantastic closure for a quality album.

    Shots and Dollars is a super eclectic album, amazingly written, performed and produced. It’s not easy to switch between many genres while keeping the same identity. A quality work from every point of view, everything is in the right place. 

    Give it a go by clicking on the Spotify player below and follow Ice of Neptune as well.

    Social media links
    Instagram
    Youtube


  • Arnel Pineda Tried to Pull Out of Journey’s Farewell Tour

    Here's why the singer was "really not happy" with how the band planned their long goodbye. Continue reading…
  • Degreed – Curtain Calls (Album Review)

    My love for Swedish melodic rockers Degreed should be well established by now. Such is their consistency across 7 previous studio albums, there was never any doubt they would deliver again on ‘Curtain Calls’, their 8th all-new full album.   This album is packed with another 10 cracking tracks in their usual modern meets classic meets Swedish melodic hard rock sound.   Opening with a flurry with ‘One Helluva Ride’ and ‘Holding On To Yesterday’, the band then slide into one of their very best pure melodic bliss anthems ‘Believe’. It really should be on radio everywhere. For the rest of the album it is the band’s usual mix of swirling keyboards meshed with big guitars and a pulsating rhythms driving some classic melodic rock and slightly heavier moments.   After all these years the lads aren’t beyond throwing in a couple of curve balls. The haunting and largely acoustic driven ‘The Rambler’ is just brilliant. As is the lush AOR of ‘Matter Of The Heart’.   Degreed are one of melodic rock’s finest portrayers of Swedish melody and while I might rate a few of the earlier albums slightly above this; there really isn’t much in it.  Just another great Degreed album.
    Categories: 
    Reviews
  • Degreed – Curtain Calls (Album Review)

    My love for Swedish melodic rockers Degreed should be well established by now. Such is their consistency across 7 previous studio albums, there was never any doubt they would deliver again on ‘Curtain Calls’, their 8th all-new full album.   This album is packed with another 10 cracking tracks in their usual modern meets classic meets Swedish melodic hard rock sound.   Opening with a flurry with ‘One Helluva Ride’ and ‘Holding On To Yesterday’, the band then slide into one of their very best pure melodic bliss anthems ‘Believe’. It really should be on radio everywhere. For the rest of the album it is the band’s usual mix of swirling keyboards meshed with big guitars and a pulsating rhythms driving some classic melodic rock and slightly heavier moments.   After all these years the lads aren’t beyond throwing in a couple of curve balls. The haunting and largely acoustic driven ‘The Rambler’ is just brilliant. As is the lush AOR of ‘Matter Of The Heart’.   Degreed are one of melodic rock’s finest portrayers of Swedish melody and while I might rate a few of the earlier albums slightly above this; there really isn’t much in it.  Just another great Degreed album.
    Categories: 
    Reviews