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New York-born and Florida-raised Dana Fuchs is set to release a brand new album on March 27, and it will be a live recording of her appearance in Kolding, Denmark, in October 2025. The title of this new release is Live in Denmark. What makes this recording really special is that it is completely natural, meaning there are no overdubs or post-production fixes. You get 100% of what Fuchs and the band sound like live, which is a three-piece, plus vocals, powerhouse.
Joining Fuchs are longtime musical partner (and guitarist/vocalist) John Diamond, bassist Kevin Mackall (also Fuchs’s husband), and Piero Perelli on drums. The musicians here create a huge sound for a three-piece band, and they sound great. They are the perfect accompaniment to the smoking hot vocals of Fuchs. I could write another whole piece on where Dana Fuchs has risen from and who she has become.
There’s an old cliché that goes something like this: “tough times don’t last, tough people do.” Based on Dana Fuchs’s experiences, I would say that those words are very true for her. You can almost hear the pain of those past trials and triumphs in her voice. Like most people who overcome obstacles in life, who she was is not who she is. She has racked up a long list of professional and personal successes so far, and Live in Denmark is sure to become another.
Live in Denmark is ten tracks of Dana Fuchs, the way she should be heard: live and loud. If the volume on your stereo system maxes out at ten, go ahead and try to make it go to eleven. “Hard Road” has a great groove and is a real rocker. The intro has a very cool 1970s sound to it. “I hold my tongue so I don’t lie. It’s a hard road. I’m better off by myself.” The third track, “Blue Mist Road,” slows things down a bit, but it still rocks. It has an eerie vibe, as Fuchs sings, “Never go alone down Blue Mist Road. The price of a soul is still what’s owed, so never go alone down Blue Mist Road.” John Diamond provides some really great guitar work on this one that complements Fuchs’s powerful vocal performance perfectly. “Home Is Where the Hatred Is” conveys what seems to be a very personal message. “I left three days ago, but nobody even knows I’m gone. It may not be such a bad idea if I never went home again. Home is where the hatred is. Home is filled with pain.” Heartfelt vocals and a great John Diamond guitar solo that sounds like his guitar is crying make this a really special track. What better way is there to end a live recording than with a great cover of a classic?
Live in Denmark concludes with a masterful take on The Rolling Stones’ “Sympathy for the Devil.” I would bet that Mick Jagger and Keith Richards would love what Dana Fuchs and her band have done with their timeless masterpiece. This album is no doubt meant to be played at high volume, as if you were in the front row experiencing the concert for yourself.
Dana Fuchs continues to deliver great music, and I’m inclined to believe that it is created on her own terms and reflects what she truly enjoys performing. Live in Denmark is sure to please longtime fans and win new appreciation from those less familiar with her music. Based on this live recording, it will likely entice listeners to go out and catch her and the band in a live setting. She is currently touring Europe during March and April, and her schedule shows a couple of dates in the U.S. in May and June before heading back to Europe for some July performances. There are also many clips on YouTube if you want a taste of what a live Dana Fuchs concert experience looks and sounds like. I would encourage you to catch her live if possible, and if not, do the next best thing and get your hands and ears on Live in Denmark.
The Review: 8/10
Can’t Miss Tracks
– Hard Road
– Blue Mist Road
– Home Is Where The Hatred Is
– Sympathy For The Devil
The Big Hit
– Home Is Where The Hatred Is
The post Dana Fuchs: Live In Denmark Review appeared first on Blues Rock Review.
(written by Islander) The U.S. black metal band Sicarius has a storied history, one that includes two albums released in 2017 and 2020 by M-Theory Audio, extensive touring, and stage performances with such bands as 1349, Goatwhore, Vader, Marduk, Disgorge, and Incantation. But in the next few years following release of their second album, the […]
The post AN NCS VIDEO PREMIERE: SICARIUS — “NEX” appeared first on NO CLEAN SINGING.
Omaha indie rock fixture Tim Kasher (now based in LA) is already known for leading Cursive and the Good Life, as well as his youthful tenure in influential bands like Commander Venus and Slowdown Virginia. He’s been kicking out solo albums intermittently for a decade and a half. So why not throw in one more…
The post Tim Kasher’s home phone Announces New Album <em>Sponges Of Experience</em>: Hear Two Tracks appeared first on Stereogum.
Rapper Afroman, whose real name is Joseph Foreman, secured a legal victory after being sued by several Ohio sheriff’s deputies.
The case focused on his decision to use actual footage of a police raid inside music videos that later gained massive online attention.
The situation quickly turned into a major example of how free speech, satire, and artistic expression can be tested in court when law enforcement is involved.
A police raid took place in 2022 at Afroman’s home in Adams County, Ohio.
The event began after authorities obtained a warrant tied to serious criminal allegations, including suspected drug trafficking.
Officers with the Adams County Sheriff’s Office entered the property and carried out a detailed search. Multiple rooms were examined, including areas considered highly private.
The entire operation was captured through Afroman’s home surveillance system, which recorded movements, conversations, and actions of deputies throughout the house.
Search results did not support the claims listed in the warrant. No evidence tied to drug trafficking or kidnapping was discovered, and no charges followed.
Even with that outcome, physical damage occurred during the process, most notably a broken door that required repair.
Afroman later stated that cash kept inside the home was missing after deputies completed the search. The allegation added another layer of tension to an already stressful situation.
The incident left a lasting effect on daily life, creating financial strain tied to property damage and emotional stress linked to the invasion of privacy.
Afroman later turned recorded footage into creative work, using material captured by his own surveillance system.
Visual content in those videos showed deputies moving through the home, opening cabinets, and inspecting belongings.
Edits added humor through zoom-ins, repeated clips, and exaggerated focus on certain moments.
Some sequences implied misconduct, including suggestions that money had been taken during the raid.
Tone stayed satirical and critical, using comedy to question actions seen in the footage. Humor did not remove the underlying message, which pointed toward concerns about authority and accountability.
Public reaction spread quickly after the release. Videos gained millions of views across platforms in a short time.
Seven deputies involved in the raid responded by filing a lawsuit against Afroman.
Legal action included several claims that addressed both personal and professional harm.
Deputies argued that edited footage created a misleading image that painted them as corrupt or incompetent.
Public exposure led to negative attention, including ridicule and online harassment.
Statements provided during the case described damage to personal reputations and strain on professional standing.
Financial demand tied to the lawsuit reached approximately four million dollars, reflecting claims of emotional and reputational harm.
Afroman grounded his defense in First Amendment protections, stating that his work fell under free speech and artistic expression.
The argument focused on the idea that creative interpretation of real events is allowed, especially when tied to personal experience.
Music videos were also presented as a response to what he experienced during the raid.
Personal harm included property damage, stress, and unresolved concerns after no charges were filed.
Creative output functioned as a way to process and express that experience.
The trial took place in March 2026 in Ohio, bringing both sides into a courtroom setting where testimony and evidence were examined in detail.
Afroman described the impact of the raid on his life, focusing on both emotional strain and financial cost.
He explained that humor played a central role in his creative response and that the intention was expression rather than harm.
Deputies provided their own accounts, describing feelings of humiliation and concern after videos spread online.
Public reaction, including comments and messages, contributed to stress and fear.
A unanimous decision was delivered by the jury in favor of Afroman after deliberation concluded.
Jurors agreed that the material presented in court did not meet the legal standards required to support the deputies’ claims.
The ruling made it clear that his videos qualified as protected speech under the First Amendment.
Content was recognized as artistic expression that used satire and commentary tied to a real incident involving his own property.
Court findings addressed each major claim raised in the lawsuit.
After reviewing testimony, video evidence, and legal arguments, jurors rejected accusations tied to harm and misrepresentation.
The decision reinforced the idea that public officials, including law enforcement officers, can be subject to criticism and satire when actions are documented and shared in a creative format.
Afroman responded publicly after the verdict and framed the decision as a win for free speech rights.
He pointed to the importance of allowing artists to respond to personal experiences, especially when those experiences involve government authority and public interest.
Reaction to the verdict also carried broader implications. Outcome signaled that creative works based on real events can remain protected, even when they portray officials in an unflattering or controversial way.
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The case shows how satire and commentary connected to real events can receive strong legal protection.
Individuals have the ability to document and critique actions of law enforcement, especially when recordings come from their own property.
Broader impact points to the growing influence of viral content in shaping both public opinion and legal outcomes.
Also Read: What could’ve happened to Afroman, already did to many celebrities before him. Read more about celebrities who lost everything here!
2000trees have added another band to their stacked line-up, and it’s a really special one, to say the least.
It’s post-hardcore legends Thursday, who will be playing on the, well, Thursday of the weekend, alongside the likes of Alkaline Trio, The Bronx, PUP and Superheaven.
According to the festival, they are one of the most requested bands of the last few years, so you can imagine how it feels to finally be able to make it a reality.
A bit of this in the July sunshine? It doesn’t get much better than that.
2000trees will take place between July 8-11 at Upcote Farm, Cheltenham. The likes of Neck Deep, Funeral For A Friend, Arcane Roots, Cancer Bats, Glasjaw, High Vis, As Everything Unfolds, Sunny Day Real Estate, Mouth Culture, Mallory Knox, The Xcerts and so many more incredible bands will also be playing.
Tickets are available, for now, at 2000trees.co.uk.
The post Thursday Added To 2000trees Festival Line-Up appeared first on Rock Sound.
The post MORDEO: Everything Is Noise Premieres Debut Full-Length From California Sludge/Crust Metal Outfit Feat. Members Of Amarok, Aberrance, And Level; Record To Drop This Friday! appeared first on INFRARED MAGAZINE.
“No, it doesn’t bother me, ’cause I’m still gonna buy the record from The Eagles.”
The post ZAKK WYLDE Explains Why He's Not Really Afraid Of A.I. Music appeared first on Metal Injection.
For over a decade, NMB has stood as one of progressive rock’s most enduring and unified collectives. With their latest studio album L.I.F.T., Neal Morse, Mike Portnoy, Eric Gillette, Bill Hubauer, and Randy George triumphantly returned with a work that embodied the vision, passion and inspiration they have become known for. Written and recorded during a period of major transition, L.I.F.T. captures the band’s creative chemistry at its most instinctive and inspired.
Now, NMB are excited to announce a short run of shows in support of the new album. The tour consists of 5 shows in the U.S. including a performance at Morsefest USA., Nashville, TN. The band then heads to Europe for Morsefest Netherlands, followed by a final performance at Morsefest UK. The shows will feature the full lineup of Neal Morse, Mike Portnoy, Eric Gillette, Bill Hubauer, and Randy George.
Aug 11 Glenside, PA – Keswick Theater
Aug 12 St Charles, IL – Arcada Theater.
Aug 14 Anaheim, CA – House of Blues.
Aug 16 Seattle, WA -The Triple Door.
Aug 21-22 Nashville, TN – Morsefest USA – SOLD OUT!
Aug 28-29 Zoetermeer, NL – Morsefest NETHERLANDS.
Sept 4-5 Brentwood, UK – Morsefest UK.
Details and tickets can be found here:
https://nealmorse.com/tour-dates/
With artwork created by longtime collaborator Thomas Ewerhard, the ‘L.I.F.T.’ is available as a Limited 2CD Digipak (incl. instrumental versions), Standard CD Jewelcase, Gatefold 2LP & as Digital Download.
Order now here: https://nmb.lnk.to/L.I.F.T.-Album
The full track-listing is as follows:
1.Beginning 06:48
2.Fully Alive 05:02
3.I Still Belong 03:32
4.Gravity’s Grip 02:03
5.Hurt People 08:05
6.The Great Withdrawal 05:08
7.Contemplation 02:20
8.Shame About My Shame 05:50
9.Reaching 07:32
10.Carry You Again 05:02
11.Shattered Barricade 01:25
12.Fully Alive Part 2 06:18
13.Love All Along 11:18
The post NMB reveal tour dates in support of new album ‘L.I.F.T.’ appeared first on The Prog Report.
Karen Dió has unleashed a lively new single, Bexy.
The Brazilian punk’s first new music of 2026, the track came about in a cool and incredibly Karen way: by hanging out with fans online and getting inventive.
“A few years ago, me and my husband [Dinosaur Pile-Up’s Matt Bigland] had a Patreon page,” she explains. “We used to share about our lives and hang with our Patrons in live video calls quite often. In one of these live calls, we decided to grab the guitar and improvise a song live, to everyone that joined the call.
“Bex, one of our OG beloved supporters joined the live call, so we immediately began writing Bex a song. Matt started to play the chord progression that you hear in the final song and I also started to sing basically the final version of the vocals, the words beginning to form as we messed around. We wrote the song right there, live, on the call.
“Instead of singing ‘Bex’, I sang ‘Bexy’, a sort linguistic change that happens as my primary language is Brazilian Portuguese. In Portuguese you add an ‘ee’ sound to every word that finishes with consonant! So for instance ‘Facebook’ becomes ‘Faceybooky’, ‘Hot Dog’ turns into ‘Hotchy Doggy’… So ‘Bex’ ended up turning into ‘Bexy’. And that was it, the song was almost completed right there on the call.”
Listen to Bexy below:
Catch her live at the following:
Karen Dió 2026 summer tour dates
July
7 Bristol The Croft
8 Cheltenham 2000trees Festival
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Posted on March 26th 2026, 2:35p.m.