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  • If Space Is Full of Life, Why Is It Silent? THE AEONS TORN Search the Darkspace

    German black/doom metal band THE AEONS TORN have released “Echoes of the Darkspace,” the second single from their forthcoming album, Void Artefakkts. Built around crushing doom metal riffs and a slow, oppressive atmosphere, the track turns one of science’s most unsettling questions into a journey through the apparent emptiness of the universe. Watch the official […]

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  • The Xenomorph Becomes the Hunted in BEAST IN BLACK’s “Fear The Beast”

    BEAST IN BLACK have returned with “Fear The Beast,” the first title-track preview of their forthcoming fourth studio album. Inspired by Ridley Scott’s Alien and the biomechanical artwork of H. R. Giger, the song introduces a new creature to the band’s universe: the Xenobeast. The single also marks the recording debut of recently recruited lead […]

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  • Niis Sign to Rise Records, Announce New EP

    Niis are the latest band to join the Rise Records family, and have celebrated by announcing the details of a new EP.

    The band’s new EP is set to be called ‘Play Niis’ and will be released on October 23.

    Vocalist Mimi Doe had this to say about what the EP means to them:

    “Picture this, you’ve just left the movies at the mall, your mom is calling you on your brand new flip phone. You ignore it and walk into the nearest hot topic. A song you haven’t heard before is playing on the speakers. They don’t have the cd you wanted and he hasn’t texted you back, so you go home, flip on the tube, Buffy’s on and she’s listening to that same song. That’s the vibe we’re going for here with Play Niis.”

    The artwork looks like this:


    Whilst the tracklisting is more like this:

    1. Bad Aim
    2. Big Fish Baby
    3. Earthquakes
    4. Take Your Mess
    5. No Flowers
    6. Westside

    And you can hear the first taste now in the form of ‘Earthquakes’, a song that feels like it has been pulled from the beginning of the century whilst still feeling fresh and modern.

    Mimi had this to say about the track, and what it means to be releasing it on Rise:

    “It’s a song about growing through pain and heartbreak. Coming to terms with lost love and the profound scars it can leave on your heart. In a way, it’s a love letter to heartbreak itself. Working with Rise has been a dream. They truly are a label who have cultivated such an amazing environment for us to thrive and experiment.”


    The band are due to hit the road with Movements, Balance & Composure and Midrift next month. Here are the dates they are playing:

    OCTOBER

    07 – SEATTLE Showbox SoDo
    08 – PORTLAND McMenamins Crystal Ballroom
    10 – SAN JOSE San Jose Civic
    12 – SALT LAKE CITY The Complex
    14 – DENVER Mission Ballroom
    15 – OMAHA Steelhouse Omaha
    17 – CLEVELAND Agora Theater & Ballroom
    18 – CHICAGO The Salt Shed
    20 – ROYL OAK Royal Oak Music Theatre
    21 – PITTSBURGH Stage AE
    23 – NEW YORK Terminal 5
    24 – PHILADELPHIA Franklin Music Hall
    25 – BOSTON Roadrunner
    28 – SILVER SPRING The Fillmore Silver Spring
    30 – RICHMOND The National
    31 – NORFOLK The NorVa

    NOVEMBER

    02 – RALEIGH The Ritz
    04 – ST PETERSBURG Jannus Live
    06 – ORLANDO Hard Rock Live Orlando
    07 – ATLANTA Tabernacle
    10 – SAN ANTONIO Boeing Center at Tech Port
    11 – DALLAS The Bomb Factory
    13 – MESA Mesa Amphitheatre
    14 – SANTA ANA Observatory OC

    The post Niis Sign to Rise Records, Announce New EP appeared first on Rock Sound.

  • Live Coverage: Kill-Town Death Fest – 2026

    Live Coverage: Kill-Town Death Fest – 2026

    Festival Preview

    We look ahead to what is in store at Kill-Town Death Fest 2026


    Reviews

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Coverage: Kill-Town Death Fest – 2026 appeared first on The Razor's Edge.

  • FROM FIRST TO LAST Announce ‘We Were Bleeding Anyway’ EP Out 10/2 + Share New Video — WATCH

    From First to Last announce the new EP We Were Bleeding Anyway, arriving October 2 via Fearless Records, and share the video for ‘They Said Your Ghost Was A Promise.’

    […]

    The post FROM FIRST TO LAST Announce ‘We Were Bleeding Anyway’ EP Out 10/2 + Share New Video — WATCH appeared first on INFRARED MAGAZINE.

  • DROPOCALYPSE FRIDAY: You’ll Take These Scraps And Enjoy Them

    DROPOCALYPSE

    It was quiet this week – too quiet. It makes my job all the more difficult, and doesn’t anyone ever consider my job, or me? I am Rigor Morrissey, afterall.

    With little to report on, there are few strings and connections to be drawn between releases, common threads that would make a more cohesive Dropocalypse… like, I could rip on the fact that only one of the four selected are plain black vinyl and we are yet again in another week of late-stage capitalistic hell, with more variants than we’d ever know what to truly do with.

    Or, I could rip on all of these being either rereleases or from bands old enough to have multiple rereleases under their belts.

    Or, I could just make fun of the fact that even dead and in the grave, you need to still worry about making money, hence why I’m writing this godforsaken column. And I might just be starting to sound a little too much like Dave Mustcomplain, yet again.

    Pleasantries aside, here is your capitalism slop, and you’re gonna like it.

    Mercyful Fate – Don’t Break The Oath

    DROPOCALYPSE FRIDAY: You’ll Take These Scraps And Enjoy Them

    Traditional heavy metallers from the 80s Mercyful Fate haven’t had a new release in almost thirty years, however, there is a brand new vinyl variant of their 1984 classic, Don’t Break the Oath. Originally remastered and reissued all the way back in 1997, at least there are more variants being pumped out a good 30 years later. However, props to the fact that the vinyl actually matches the album artwork.

    Pick up your yellow-orange-black splatter vinyl here.

    Motörhead – Bad Magic

    DROPOCALYPSE FRIDAY: You’ll Take These Scraps And Enjoy Them

    Now, Motörhead don’t get the same points for a matching album artwork and vinyl because the cover is black and so is the vinyl – so, no real creativity points there. However, it was the band’s final release of completely new material, so I guess there’s that. I guess this would be an newbie record for an oldie.

    Get your plain Jane record here.

    DROPOCALYPSE FRIDAY: You’ll Take These Scraps And Enjoy Them

    I’m pretty sure I’ve already mentioned blink-182‘s specifically for a variant before – however, just for emphasis on, you know, capitalism – here is another one, just a few short months after the release of the other one. I mean, I understand being in it for the payday, but these guys are supposed to be ‘punks.’ Alas, close proximity to billionaire empires might have that effect. But… it is Buddha.

    Line their pockets, and your ears, here.

    Within Temptation – Erase

    DROPOCALYPSE FRIDAY: You’ll Take These Scraps And Enjoy Them

    Actually a rather unique-looking vinyl variant, Within Temptation have reissued two of their albums this week, but Erase particularly caught my attention for the half-and-half coloring on the materiak. A turquoise and white LP matches the album’s artwork – hey! Another one for creativity points, but not you, Motörhead, still no points for you – and is kind of just visually striking. That’s enough of a criteria for me.

    Pick up your duo-toned vinyl from the band here.

    The post DROPOCALYPSE FRIDAY: You’ll Take These Scraps And Enjoy Them appeared first on MetalSucks.

  • “We almost ended up in a Prague prison.” I Prevail’s Eric Vanlerberghe on card games, working with Lzzy Hale and finding strength after losing his best friend

    When Eric Vanlerberghe isn’t screaming or growling as frontman of I Prevail, chances are he can be found backstage playing a round of Magic: The Gathering with a bunch of other band dudes.

    “It’s fun and crazy to think some death metal fan is probably like, ‘Oh, I Prevail suck. They’re just weak shit!’” he laughs. “Well, I’m actually good friends with your favourite bands and we’re playing trading card games!”

    Ahead of I Prevail’s Violent Nature tour hitting the UK this autumn, Eric tackles your toughest questions…

    A divider for Metal Hammer

    If you have one fully cooked lasagna, and then stack a second fully cooked lasagna on top of the first one, how many lasagnas do you have? The_Wurdalak, Instagram

    “I have an answer that is a question: Do you count a lasagna by how many layers? Is it like, after nine layers or six layers, that’s it? If you don’t, then if you put another lasagna on top of a lasagna and bake it together, I’d say it’s one lasagna. But, if you just take this precooked lasagna and this other cooked lasagna, you stack it on top, it’s two separate lasagnas. A lasagna sandwich.”

    What’s your favourite word to scream or growl? Mike O’Neill, Facebook

    “There’s a line in Bad Things where I scream ‘fun!’ And anything with the ‘e’ sound is a fun sound to scream… it’s the most metal of the syllables.”

    Hammer: When did you first try screaming or growling?

    “After I found Metallica in eighth grade. I went from a private school to a public school and, as I was making friends, someone gave me a Ride The Lightning CD. After that, I was searching for heavier bands and came across Slipknot. When I realised it was just one guy doing the singing, screaming and shouting, I was like, ‘How do they do that?’ Whenever I was riding with my friends to school or driving myself, I’d have that 10-minute drive to try to figure it out.”

    What’s the closest you’ve ever come to being arrested?
    Andy May, email

    “In Prague. I had a neck issue and had some medication. I usually have a backpack for tour and I left that bag sitting in my room with the medication for eight months or so. Right before I left for that tour, I dumped my bag and saw the pills, and I was like, ‘Oh, toss them. I don’t need them.’

    We’re in the Prague airport… Dylan [Bowman, guitarist/vocalist] and I are boarding, and the dogs sniff and paw our bags, so the cops pull us aside. We almost missed our flight and ended up in a Prague prison, but they let us go. I guess it turned out the dogs smelled the pills on the bag that had been in there. We were like, ‘Oh shit, we’re going to prison in Europe. This is not good!’”

    What’s your musical guilty pleasure? Thrashmemetal, Instagram

    “I don’t think any of my musical pleasures are guilty; I’ll own up to them all! I mean, it used to be cool to hate Nickelback, but I never stopped listening to Nickelback. There’s some Japanese pop artists that I really like and some K-pop I’ve come across. I’ll play it in my truck, coming out of Whitechapel and going into something pop or country.”

    Who’d be your dream collaboration, no limits?
    Mae Samson, email

    “I recently became acquainted with my new friend, Teddy Swims, and I think that would be an insane collaboration. I know he comes from the rock and not metal world, but man, he’s got such a unique and beautiful voice. I think that would be a really cool way to make an I Prevail song with some R’n’Bvibes to it… I know he can scream.”

    When are you gonna collab with Lzzy Hale again? JeremyWilliams81574, Instagram

    “I don’t know if we’ll do another original song together. It’s hard to catch lightning in a bottle twice, as they say. But it’d be cool next time if Halestorm come through Detroit and I’m home, or vice versa, or we’re on tour near them and Lzzy can come out. Maybe the stars will align and we can perform Can U See Me In The Dark? again.”

    What’s the greatest challenge you’ve prevailed over?
    James Vernon, email

    “We’ve had quite a few over the last decade in the band. One that we’re still trying to navigate is the death of our manager, Dave Shapiro; that was very difficult. We released our first song on the new record, Violent Nature, the day after we found out that Dave passed.

    Getting ready for the tours, the announcements and all the things that are involved in releasing a new record, we were just ghosts walking through that release because we didn’t have our best friend with us. He was huge in the rollout and the plans for world takeover. To go through everything, missing him, was one of the hardest things I’ve ever had to go through.”

    Hammer: How did it impact the band?

    “To come together through that loss and grief, and continue pushing forward and get back out on the road and tour… it really made our bond between the five of us stronger. The emotional walls came down, and we’re able to communicate more deeply and effectively with each other through this year-long grieving. Wherever he is, floating in the sky right now, whatever you believe in, he’s got his hands on things. He’s looking out for us.”

    What are your favourite albums of all time (metal and non-metal)?
    Niamh_Honor, Instagram

    “I’d have to say Slipknot’s Iowa is up there. The Artist In The Ambulanceby Thrice is one of my favourite records of all time. Some of the riffs, the vocals and the writing, I think, set the stage for the new age, MySpace metalcore era. Nothing But Thieves’ Dead Club City has been one of my favourite records since it came out.And I’ll give a shoutout to Citizen’s Youth. I absolutely love that record; it’s timeless.”

    Where would you take us if we came to visit Southfield, Michigan?
    Smileybones, email

    “I grew up in the St Clair Shores area, so I’d take you to Lake St Clair – but it’s not one of the Great Lakes, so I’d have to take you to one. I just opened a trading card shop, Black Vault Gaming, with some friends in St Clair Shore, so if you’re a nerd, I’d have to show you there. There’s a bunch of breweries and new restaurants too, and they’re all right off the water. It feels like a coastal town, but you’re in the Midwest.”

    Hammer: What was the idea behind opening Black Vault Gaming?

    “In lockdown, I’d invite friends over to hang out, listen to music and just have some connection. My buddy was like, ‘You want to learn how to play Magic: The Gathering?’ I was like, ‘Sure!’ I became obsessed with it: the whole aspect of building a deck, meeting new friends that played and having this new language to speak with them. Then, once we got to tour again, I started making friends with bands on the road, ‘Oh, you play Magic, too? Dude, I brought a deck. Do you want to play?’

    Like Fit For A King; I became really good friends with those guys through playing Magic after shows. We started a group chat and added Josh [Moore] from We Came As Romans, and now we have 40 people in that chat, all from different bands. We’d go to MagicCon, and, through that, I made friends with these guys that owned a card shop in my hometown, and they were going to start a new store. I said, ‘That sounds awesome. I’d love to be involved.’”

    Your birth name is Richard, but you go by Eric. Do you hate all Richards?
    Richard Dudfield, email

    “No, I don’t! I went to a small private school [as a kid] and my last name’s Vanlerberghe, so I was one of the last to get called on the first day of school. Every year it would be: ‘Richard Vanlerberghe?’ All the kids would laugh, make fun of me and call me ‘Dick’. I didn’t like it. I was like, ‘It’s actually Eric.’

    The story I got growing up was, my mom’s got 15 brothers and sisters, and the brothers were into sports and Air Jordan. My dad’s name is Richard; he goes by Rick, so they started calling me ‘Little Rick’ and ‘Ricky’, and I think there’s a baby card somewhere that they signed ‘Air-Rick’. The other story I heard is, my mom was like, ‘I was looking at a baby book and it said Eric and Richard were synonymous.’ So they just started calling me Eric. Sometimes I forget my real name’s Richard!”

    Violent Nature is out now via Fearless. I Prevail’s UK tour starts on September 19.

  • A Voice Rises from the Depths: SERVANT Summon Lethian on “De Profundis”

    German melodic black metal band SERVANT have released “De Profundis,” the third preview of their forthcoming fourth album, Lux Ex Inferis. The record will arrive internationally on October 2 through AOP Records. The new song features a guest appearance by Lethian of Nornír and is accompanied by an official music video. Watch “De Profundis”:https://www.youtube.com/watch?v=qyPKtfVdycY Melodic […]

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  • AN NCS PREMIERE: IN OBSCURITY REVEALED — “CONSECRATED BY ROT”

    (written by Islander) Musically, the Mexico City death metal band In Obscurity Revealed know themselves very well. They know what inspires them, they know what they do best, and they clearly will not be diverted from their maniacally barbarous mission by trends within “modern metal” that pull this way or that. They named their new […]

    The post AN NCS PREMIERE: IN OBSCURITY REVEALED — “CONSECRATED BY ROT” appeared first on NO CLEAN SINGING.

  • Live Review: Kill-Town Death Fest – Sunday

    Live Review: Kill-Town Death Fest – Sunday

    6th September 2026
    Words: Sam Jones

    Perishing kick off gloomy Sunday all the way from Costa Rica. Half One in the afternoon may not be the typical time to play death/doom but the Kill Town crowds are already abundant and hungry for metal, especially with the Metal Marjet indoors too hosting a slew of vinyl and cassettes. Have to hand it to Perishing, they really go out of their way to help you feel the dread weight their sound possesses. My neck aches and yet the riff compels me. There’s a sizeable crowd already which, following the last three days, speaks volumes regarding Kill Town’s band quality

    Dead Void are the first two-piece I’ve seen this year, just one guitarist and drummer, each sharing vocal responsibilities. On the backs of their latest record, Cranial Devastation, Dead Void have been rising in Denmark’s death metal scene and whilst Gloomy Sunday champions everything morose and filthy, Dead Void unveil a whirlwind of speed and ferocious riffs that pull everyone in with ease. How their drummer manages to perform vocals and drum at his tempo is beyond me.

    Rothadas take to the black stage and when we got in for their performance the room was absolutely jam packed, I don’t think you could be more in if you tried. People thronged the stairs too to get a better look; Rothadas were veiled in silver light and fire the crowd up with enough bass to shatter the floorboards. Fronted by Cryptworm’s founder Rothadas sees death/doom performed in that Cryptworm vein only the speed is heavily reduced whilst maintaining that signature crushing sound. They’re easily the angriest and most ruthless death/doom band of the day thus far:

    If Rothadas had some of the most crushing riffs today, Fossilization are certainly the most evil-sounding so far. With riffs penetrating the miasma and vocals bellowing from some primordial nether realm they launch into an assault yet unseen today. Gloomy Sunday may be Kill Town’s way of easing audiences out of the weekend but there’s scant evidence Fossilization got that memo since they’ve done nothing but tear our heads clean off.

    I did not ever think I’d ever get to see Cenotaph live but here we are in a rare European performance. You have to respect Cenotaph for diving right into their performance, no drawn out introduction, they got right into it. Like myself many here may never get the chance to see these guys again so we make the most of it, a pit breaks out immediately, the atmosphere is one of ecstatic joy, even for Kill Town’s calibre this is a real treat. This is the kind of performance you actively watch; sure, you’ll headbang and have a blast with Cenotaph but give what a rarity this moment is your eyes are thoroughly looking the band up and down, appreciating everything this performance entails. For a band as old as Cenotaph are now, it’s striking how well they can still nail the sheer speed their early material is renowned for, blast beats and double bass drums pepper the air with power and intensity hardly equalled at this year’s edition.

    Larvae are my final band of the festival and are amongst my most anticipated acts. The only band with a frontwoman I’ve seen at this year’s edition, Larvae make use of horror samples and a noxious soundscape to conjure imagery of vile horror. They’re easily one of my favourite up and coming bands and the chance to see them live is a joy. Cenotaph finished quite literally as Larvae are due to start so it’s a squeeze finding a good spot for them for practically everyone seems to be present. Larvae provide a more putrid outlet for Gloomy Sunday for their aesthetic reeks of putrefaction and rotting cadavers.

    This year’s Kill Town has been incredible, full of wonderful people from every corner of the globe, amazing bands you rarely ever get the chance to see, nestled in the heart of Copenhagen’s historic city centre. Plenty of places to sit down and drink and have great times with your friends, more than enough bars to keep you happy, the ability to go in and out whenever you wish for wider bars and eateries, there’s so much to Kill Town. It’s a wildly rewarding festival that seconds as a European holiday that, personally speaking, is worth it and then some. It’s been my favourite time of the whole year and it’ll likely be the same for yourself the day you decide Kill Town greets you too.

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Review: Kill-Town Death Fest – Sunday appeared first on The Razor's Edge.