Good Day Noir Family,
AYCE step forward with All You Can Eat, an EP that right away establishes identity and intent.

All You Can Eat is AYCE’s EP Out Now

What stands out immediately is the directness of their approach: no detours, no hesitation, just a sharp injection of modern rock energy driven by clear songwriting choices.

“Hardball” sets the tone with a tight rhythmic structure that pulls the listener in without friction. Sara Bunge’s vocal performance becomes the central force, carrying grit and control. Her delivery doesn’t rely on excess; it channels an instinct for rock phrasing that feels embedded rather than constructed. Her stage presence translates into the track, giving it a physical edge that extends beyond the studio.

“Sound Off” raises the intensity further. What defines it is not just speed or volume, but the character of the vocal delivery. There’s a raw quality that echoes the spirit of the ‘90s, without falling into imitation. Still, the band maintains a modern frame, allowing the track to feel current rather than nostalgic. The song hits with a sense of urgency that feels focused.

“Turn It Around” introduces a more circular melodic approach, especially in the chorus. Notably, the hook works through repetition that builds momentum rather than redundancy. The melody loops in a way that mirrors the title, reinforcing the concept through structure. The band shows control over dynamics, balancing drive with clarity. This track confirms that AYCE are not relying on energy alone; they understand how to shape it.

“Broken Past” closes the EP with a more hypnotic direction. While the verses stay tight and restrained, the chorus opens up with instinctive force. The contrast between these sections creates tension that keeps the listener engaged. Even so, the band never loses cohesion, maintaining a clear sonic identity throughout.

Beyond that, AYCE demonstrate a strong sense of direction. Their sound blends raw energy with a conscious nod to the past, yet always filtered through a contemporary lens. The songwriting remains accessible without becoming predictable, which is a crucial balance at this stage.

A band to watch closely, AYCE shows momentum and clarity in their artistic path.

All You Can Eat is AYCE’s EP Out Now!

Explosive!

AYCE is a high-energy rock band driven by the powerhouse vocals of Sara Bunge, the keyboard and production work of Jessica Heming, and the songwriting and drumming of Ramsey Ord. Their name, short for “All You Can Eat,” reflects both their debut EP and their bold, hook-driven sound. Blending strong melodies with anthemic intensity, AYCE delivers a punchy, modern rock experience designed to get crowds moving, led by Sara’s commanding stage presence and undeniable edge.

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The post All You Can Eat is AYCE’s EP Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Rebel (Яebel) released her new single, “Sanguis Vocat,” last week alongside a music video. The track is a beautiful, atmospheric piece of heavy music, steeped in darkness across its lyrics, tone, and performance. Rebel’s vocals carry the mood effortlessly, revealing striking talent and strong potential from the young artist.

Watch the music video for “Sanguis Vocat” below, and support Rebel by following her on her socials.

• Instagram
• TikTok
• YouTube
• Spotify

The post Rebel releases new single “Sanguis Vocat” first appeared on FemMetal – Goddesses of Metal.

Good Day Noir Family,
SPONSIAN approach “Party Song” with a sense of urgency that refuses to settle into predictable patterns.

Party Song is Sponsian’s Single Out Now

 The opening moment already signals something unusual, as an almost ancestral scream erupts like a rallying cry before battle.

The impact is immediate, pushing the listener straight into a chaotic mosh pit atmosphere.

The band quickly disrupts that intensity with a brief slowdown, creating a sharp contrast that keeps attention locked. The return of the aggressive section hits harder, driven by a primal energy that suggests controlled chaos rather than randomness. The track develops a physical presence that goes beyond standard alt-rock or metal structures.

At around the one-minute mark, the song shifts again in a surprising direction. Notably, the mood becomes darker and more dreamlike, almost ritualistic in tone. The vocal treatment expands with noticeable reverb, opening the space and allowing the voice to drift over the instrumentation. The guitar work stretches into elongated solos that seem to dissolve into time, while other faster phrases cut through with precision.

This section builds a hypnotic progression, where long vocal runs intertwine with increasingly rapid instrumental passages. Still, the band maintains control, guiding the listener through what feels like an evolving sonic ritual. The pacing gradually accelerates, and when the rhythm surges back, it lands with the force of a rising flood.

On the other hand, the chorus introduces a different layer of identity. The shouted delivery carries a clear influence from The Offspring, injecting a punk-driven edge into the track’s heavier core.

Beyond that, the track refuses to end on a single idea, shifting once more into a more atmospheric phase that adds depth to the overall structure. This constant transformation highlights a band willing to take risks without losing cohesion.

A bold and unpredictable composition, “Party Song” confirms that SPONSIAN thrive on experimentation while maintaining a strong sense of direction.

Party Song is Sponsian’s Single Out Now!

Ritualistic!

SPONSIAN are a UK-based alt rock/metal band driven by groove, intensity, and a clear sense of purpose. Alongside the debut EP, the band have released experimental singles “Happy” and “Questions,” showcasing their willingness to explore beyond genre boundaries.

On stage, SPONSIAN bring their sound to life with commanding energy, delivering sharp riffs, deep basslines, forceful drumming, layered synth textures, and expressive vocals that carry each story with impact.

Find Sponsian Here:

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Listen to more tunes on the Noir Playlist.

The post Party Song is Sponsian’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

heGood Day Noir Family,
David Alex-Barton returns with “Crush,” a single that leans confidently into warm Nashville tones and a rhythm that rolls with easy swagger.

Crush is David Alex-Barton’s Single Out Now

The groove settles quickly, and the track carries that unmistakable country-pop heat—smooth, slightly sultry, yet polished. It’s music designed for late-night drives and neon-lit bars.

The hook is what truly anchors the song. The chorus opens wide and lingers long after it ends. It’s undeniably catchy without sounding forced.

The verses reveal careful craftsmanship. The instrumentation pulls back just enough to allow the lyrics to step forward. During these moments, the guitar answers the vocal lines with subtle riffs, strengthening the call-and-response dynamic. This interplay heightens the emotional pull and adds texture to the arrangement.

Each section transitions smoothly into the next. The bridge introduces contrast, then strips the arrangement down before relaunching the final chorus with renewed energy. This dynamic control keeps the song engaging throughout.

The video enhances the mood effectively. Models move slowly across the screen, reinforcing the track’s sensual undertone. The visual aesthetic matches the song’s warm palette. It doesn’t overcomplicate the concept. It amplifies the atmosphere already present in the music.

Alex-Barton’s production style remains consistent. His tracks are constructed with clear intention, and “Crush” follows that pattern. The balance between rhythm, melody, and visual storytelling feels deliberate.

“Crush” thrives on confident pacing and strong hooks. It blends country influence with modern polish while maintaining accessibility. David Alex-Barton delivers another tightly crafted release that understands its audience and leans fully into its identity.

Crush is David Alex-Barton’s Single Out Now!

Sultry!

The post Crush is David Alex-Barton’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Good Day Noir Family,
The first strum of “Take My Heart (to Its Grave)” by Jonivan Jones drops you straight into a Coen Brothers film.

Take my heart (to its grave) is Jonivan Jones’ Single Out Now

 There’s a renegade atmosphere in the air, the kind that smells of dust roads and hidden stills producing moonshine deep in the American backcountry.

The guitar doesn’t hide behind studio gloss. It sounds real, unpolished, and honest.

That raw quality becomes the song’s backbone. Jones opts for directness rather than decoration. The acoustic tone rings out with clarity. The minimalism strengthens the narrative pull. Nothing distracts from the story he’s about to tell.

When his voice enters, it carries weight and history. It’s a lived-in voice, textured by experience, almost as if those vocal cords have soaked in years of whiskey and hard lessons. It communicates authenticity. The emotion comes through naturally, without theatrical exaggeration. The listener leans in closer.

The song builds intensity through restraint. The arrangement remains sparse, yet the atmosphere grows thicker with each verse. The imagery it evokes is vivid: southern swamps wrapped in fog, rattlesnakes coiled in the dust, forgotten towns under a burning sky. The track doesn’t rush; rather, it unfolds at its own pace, trusting the listener to follow.

The storytelling stands at the center of everything. Jones crafts a narrative that feels grounded in a real America, far from polished highways and bright city lights. Subtle melodic turns keep the ear engaged. The chord progression avoids complexity, yet it supports the emotional arc perfectly. That simplicity reinforces the sincerity he clearly aims for.

By the end, “Take My Heart (to Its Grave)” leaves behind a lingering sense of solitude and grit. It’s intense, stripped down, and unapologetically honest. Jonivan Jones proves that sometimes the strongest impact comes from saying more with less.

Take my heart (to its grave) is Jonivan Jones‘ Single Out Now!

Gritty!

Take my heart (to its grave) is Jonivan Jones’ Single Out Now

Jonivan Jones is a performing songwriter from Arkansas with some roots in South Texas whose music blends folk, Delta blues, early Western sounds, and a touch of psychedelia. Shaped by Ozark folk traditions, Sylamore Creek fire-circle sessions, and years of self-recording and touring under various projects, his style reflects a deep reverence for American roots music and its shared human stories.

Find Jonivan Jones Here:

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The post Take my heart (to its grave) is Jonivan Jones’ Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

There are some artists that define a moment in your life—and for me, Lorraine Lewis was one of them. Back when bedroom walls were sacred ground, she was one of only three posters that made the cut. Decades later, she’s still out there—still fearless, still unapologetic, and still rocking. Of course, that kind of staying power doesn’t happen by accident.

Lorraine first tore onto the scene fronting Femme Fatale in the late ‘80s, right as the Sunset Strip was exploding in a haze of hairspray, hooks, and hedonism. Their self-titled debut in 1988 was everything that era promised—big riffs, bigger choruses, and a frontwoman who could command a stage like few others. Tracks like “Waiting for the Big One” and “Falling In and Out of Love” weren’t just songs, they were statements—bold, brash, and impossible to ignore.

And at the centre of it all was Lorraine: equal parts rock siren and streetwise force of nature. While many of her contemporaries faded when the tides turned in the early ‘90s, Lorraine never really went away—she just evolved. There were projects, reinventions, and a refusal to be boxed in by nostalgia. Whether stepping back into the spotlight with new iterations of Femme Fatale or carving out her own path, she’s always carried that same fire that made her such a standout in the first place.

In recent years, she’s embraced a whole new chapter, bringing her voice to Vixen—one of the most enduring names in hard rock. It’s a role that felt almost preordained: a powerhouse vocalist stepping into a band built on hooks, harmony, and heart. And true to form, Lorraine didn’t just fill the space—she owned it, breathing new life into a catalogue that spans generations while stamping it with her own unmistakable attitude. But in true rock and roll fashion, the story took another unexpected turn when Lorraine was let go from Vixen—seemingly out of the blue.

For many, that might have been a moment to step back. For Lorraine Lewis, it’s just another pivot point. Because if rock history teaches us anything, it’s that resilience is everything—and Lorraine has that in spades. And as the saying goes, when one door closes… another one kicks wide open.

Next on the cards is an exciting new collaboration with Steve Brown of Trixter, with a brand new album slated for 2027. It’s the kind of pairing that makes perfect sense—melody, muscle, and a shared love of big, unapologetic rock and roll. Through it all, what’s remained constant is that connection—to the fans, to the music, and to the spirit of rock and roll itself. Lorraine Lewis isn’t just a survivor of an era; she’s a reminder of why that era mattered in the first place. And now, she’s bringing it all full circle… because Lorraine Lewis is on her way Downunder.

Get your tickets here:

Trixter, Femme Fatale & Stevie Rachelle – AUS 2026 | Silverback Touring

The post INTERVIEW: Lorraine Lewis – Femme Fatale appeared first on The Rockpit.

Silver Lining Music (Release Date 20.3.26)  For so long one of rock’s best kept secrets, Tyketto’s mainstream exposure the has grown over the past few years with well-received appearances at broader festivals outside their melodic rock genre and even a … Continue reading →

The post Album review: TYKETTO- Closer to the Sun appeared first on Get Ready to ROCK!.

The Dead Daisies are bringing their live show to your living room — for real this time. Live Plus Five arrives on CD on 05/01 and on vinyl on 05/15, both editions landing physically in the USA and Canada via limited runs of 2CD and 2LP.

The release is built around Live At Stonedead, their full set from the U.K.’s Stonedead festival on 08/23/2025, and expanded with five additional tracks pulled from headline dates across Europe and the States. Those bonus cuts come from La Rayonne in Lyon, Picturedrome and Rock City in the U.K., and the legendary Whisky A Go Go in Los Angeles — all captured during 2024 and 2025.

Guitarist Doug Aldrich didn’t hide his enthusiasm for how the project came together: “We had such a fantastic run during the last tour in the U.K.! Stonedead festival was one of the highlights featuring the latest setlist and songs from the history of the band, including our last album ‘Lookin’ For Trouble’. Now, we’ve gone next level and added five extra tracks from epic shows in the U.K., France, and L.A.! Hope you enjoy ‘Live Plus Five’!”

The physical editions go well beyond the previously released digital version. The CD comes with a full-color booklet, while the purple vinyl includes a dedicated insert — both loaded with setlists, show posters, and visual memorabilia from the road.

The band isn’t stopping there. The Dead Daisies are heading back into the studio later in 2026 to begin work on their next album, with an extensive European and U.S. tour pencilled in for 2027.

The Australian-American supergroup, founded by rhythm guitarist and businessman David Lowy, has spent over a decade building a reputation as one of rock’s hardest-working live acts. Seven studio albums in, they’ve toured alongside Kiss, Guns N’ Roses, Scorpions, Aerosmith, and Def Leppard, among others. Their most recent collection of originals, Light ‘Em Up, dropped in September 2024 through SPV and Japan’s Ward Records, produced by Marti Frederiksen — the man behind sessions with Aerosmith, Def Leppard, Jonny Lang, and Sheryl Crow. They also have Lookin’ For Trouble in their recent catalog — a full-length blues record tracked live at FAME Studios and released via Fame/Malaco Records, featuring covers of John Lee Hooker‘s “Boom Boom” and Robert Johnson‘s “Crossroads.”

The post THE DEAD DAISIES Announce CD And Vinyl Release Of “Live Plus Five”, Studio Album To Follow In 2026 appeared first on Sonic Perspectives.

The relentless and legendary EXODUS have released their 13th studio album today: Goliath. I’ve streamed it on Spotify and will definitely buy a physical copy now, due to the fact it blistered my metal infested brain! Plus, vocalist Rob Dukes has returned and he sounds more pissed off than ever before! Long live EXODUS!

The MEGADETH newsletter has announced that the newest memoir from the remarkable Dave Mustaine releases on September 8th, 2026. Dave opens up about his courageous battle with cancer in his upcoming book. Yes, I’m pre-ordering a copy!

The prodigious Lamb Of God released their 10th studio album on March 13th and it can arguably be considered their best output of their existence! Not. Joking. All the metal bearings are spinning and blazing on Into Oblivion and I strongly urge you to stream, buy and get annihilated by LOGs’ auditory assault! Damn, I relish this LOG album!

Thank you for stopping by, have a safe and enjoyable weekend. Metal be thy name. – Stone