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Crowds surging, stages erupting and a summer’s worth of live memories form the backbone of ORBIT CULTURE’s “Nuclear God” video. Edited from festival footage by Riivata, the film serves as a tribute to the community that has grown around the Swedish band. “Nuclear God” originally appeared as a bonus track on the Japanese edition of […]

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The heavy hardcore army grows stronger every day. The latest band to join the chugging, grunting horde is Scorched Earth Policy, an Upstate New York crew with a lineup that includes members of bands like Missing Link and Laid 2 Rest. Today, Scorched Earth Policy release their ridiculously solid self-titled debut EP, five songs and 10 minutes of merciless mosh music. The riffs on this thing are huge, and the breakdowns might cause you to throw strangers through walls. Below, check out the EP and the band’s upcoming shows.

The post Scorched Earth Policy Release Super-Heavy Self-Titled Debut EP appeared first on Stereogum.

For Simon Efemey and Shane Embury, heavy metal was once a way out of the industrial reality surrounding their working-class childhoods. Decades later, those memories drive “Needs Must When the Devil Drives,” the title track of ABSOLUTE POWER’s second album. The song features former Judas Priest and Iced Earth vocalist Tim “Ripper” Owens, whose unmistakreitbar? […]

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Sweet Electric were one of those bands that had completely escaped my radar until a few months ago. That changed when the guys landed the opening slot for the Hamburg show of Smith/Kotzen. I walked into the Gruenspan with zero expectations for the opener, simply curious to see what they had to offer. Thirty minutes… Continue Reading →

The next chapter of Christian Muenzner’s neoclassical metal project will unfold through Scarlet Records. ETERNITY’S END have signed a multi-album agreement with the label and are completing a new studio record scheduled for autumn 2026. Its title, release date and tracklist remain under wraps, but the band characterise the material as considerably more aggressive than […]

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They certainly didn't plan to release their music on the day of the biggest tragedy in U.S. history. Continue reading…

They certainly didn't plan to release their music on the day of the biggest tragedy in U.S. history. Continue reading…

Album Review: Nytt Land – Ritual of Stone Sun (Live 2026)

Reviewed by Emma Corbett

Live albums can often feel like little more than souvenirs for the faithful. Ritual of Stone Sunavoids that trap. Recorded during Nytt Land’s spring equinox performance in Moscow, this nine-track set brings together material from across the duo’s career and presents it as a performance with its own identity.

The real strength of the performance lies in the vocals. Captivating and hypnotic, they carry a soothing quality that becomes one of the album’s defining features. There’s an incredible control to the delivery, allowing the vocals to remain compelling without ever feeling overstated.

“The Fires of Ragnarok” is a particular highlight. There’s a sense of scale and impending destruction to the performance, but Nytt Land resist the temptation to turn it into something bombastic. Instead, the track builds through voice, percussion and repetition, giving it a weight that feels earned.

“U-Gra” takes things in another direction, leaning further into the ritualistic side of Nytt Land’s sound. The track has a hypnotic quality that makes the six-minute runtime feel completely justified, while the vocal work gives it an almost trance-like pull.

Then comes “Sotvorenie”, a shorter but no less effective piece that provides a welcome shift in pace. At just over three minutes, it doesn’t overstay its welcome, and its placement after “U-Gra” works particularly well, giving the set some breathing room before it moves onwards.

That sequencing is one of the album’s strengths. Ritual of Stone Sun doesn’t simply throw a collection of songs together and call it a live record. The nine tracks move through different aspects of Nytt Land’s musical identity, connecting their earlier Nordic-inspired material with their more recent exploration of Siberian ritual traditions.

But for those willing to give it time, the rewards are considerable. The combination of throat singing, percussion, traditional instrumentation and those captivating vocals gives the performance a character that is difficult to replicate outside the live setting. Ritual of Stone Sun succeeds because Nytt Land understand that power doesn’t always have to come from volume or aggression. Sometimes it comes from a voice, a rhythm and the confidence to let both hold the listener’s attention.

Dark, hypnotic and beautifully controlled, this is a live album that feels like a performance rather than a document of one brute force, allowing the vocals and percussion to carry the track towards something powerful without tipping into excess.

As a live album, Ritual of Stone Sun benefits from the breadth of its tracklist. The set moves between different eras of Nytt Land’s work, bringing together their earlier Nordic influences with the more recent focus on Siberian traditions. That could easily have resulted in a fragmented experience, but the performance holds together remarkably well.

If there is a criticism, it is that the deliberate pacing can occasionally blur the distinction between individual moments. This is not a record built around instant hooks or sharp stylistic turns, and listeners unfamiliar with Nytt Land may find themselves wishing for a little more variation across the set.

But that is a relatively minor complaint when the performances are this absorbing. Ritual of Stone Sun succeeds because it captures more than just a concert. It feels like a carefully constructed performance with its own momentum and identity, driven by compelling vocals and a sense of purpose that never feels manufactured.

For fans, this is more than a document of a live show. For newcomers, it offers a striking entry point into the world Nytt Land have built.

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The post Album Review: Nytt Land – Ritual of Stone Sun (Live 2026) appeared first on The Razor's Edge.

MEMORIAM have decided to end their recording career before repetition or fading momentum can make that choice for them. The British death metal veterans will release their sixth and final studio album, Endgame, on January 29, 2027, through Reaper Entertainment. This is not being presented as a collapse or an artificially dramatic farewell. Instead, the […]

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The hugely promising UK pop artist Rachel Chinouriri just played Olivia Rodrigo’s Daisy Chain Fields fest, and she’ll release her new album I think I spoke too soon next month. We already posted lead single “One song away from crying,” and now she’s following it with the new single “Make believe,” another portrait of romantic vulnerability.

The post Rachel Chinouriri – “Make believe” appeared first on Stereogum.