Blog

  • How Canada’s Casino Venues Have Quietly Become A Backbone Of The Heritage Rock Touring Circuit

    Canada has a strong affinity for rock and roll, and there are plenty of big venues in major cities like Toronto and Vancouver that host the modern era of guitar-wielding superstars.

    However, the old guard of rock are more frequently found strutting their stuff at the country’s string of land-based casinos, rather than rattling eardrums at urban stadia.

    There are a few reasons behind this slow and steady shift, so let’s look into what’s fueling the trend of heritage rockers wowing crowds at gambling venues.

    It’s Safe Money

    Casinos have traditionally hosted live events to provide customers with something to do when they’ve had their fill of gambling. That means the financial side of the shows is a little different from a typical gig.

    Selling every ticket to a heritage rock group’s tour show simply isn’t necessary, because the casino knows it’ll make money from the fans who show up in many more ways. They’ll see the show, splash out on dinner, spend time enjoying the casino’s table games in person, and play online slots like these while chilling in their rooms.

    Because of these multiple revenue streams, casino venues can afford to pay bands competitive fees, with little risk attached. The money’s safe for all parties.

    Fans are Affluent

    Another upside to casinos booking heritage rock tours for their on-site venues is that they tend to attract an older crowd with much more disposable income. And when people visit casinos with spare cash, they’re much more likely to spend some of it on the gaming floor, even if the main reason they’re at the property is for a show.

    This is an upside for casino revenues and reflects that the price of food and drink at these venues can be quite a bit higher than at an equivalent location on a standard city street. Affluent fans are less likely to recoil from a $10 beer than a teenager looking to watch the latest pop act.

    The Logistics Make Sense

    Canada is a big country, to put it mildly, so touring is a struggle on any scale. Casino venues take the sting out of this by creating a logical series of stopping points from west to east, or whichever direction suits the band best.

    Moreover, casino venues are generally smaller-scale than stadiums, so they’re not only easier to sell out and create a good atmosphere, but also don’t require the same level of complexity from a production standpoint. Lighting, sets, and effects needn’t be a burden on the budget, while in-house tech teams iron out any other kinks quickly.

    Comfort Sells

    Last of all, if you’re an aging heritage rock act, you’ll have had quite enough of staying in sleazy motels and cold tour buses. So the prospect of being put up in a five-star suite by a casino, and only having to get the lift down to the venue where you’re playing, will be tantalizing.

    So, from the Fallsview Casino in Niagara to the Hard Rock Live in Ottawa, Canada’s casino venues will continue to be a top pick for heritage rock tours.

    The post How Canada’s Casino Venues Have Quietly Become A Backbone Of The Heritage Rock Touring Circuit appeared first on Sonic Perspectives.

  • The Darkness Share He-Man Song, Justin Hawkins Responds To Political Deepfakes Of Himself

    Masters Of The Universe, the new motion picture adaptation of the fantastical ’80s cartoon, looks like fucking dogshit, a nightmare collision of psychedelic CGI spooge and self-aware quasi-comedy. Nicholas Galitzine plays He-Man. Jared Leto plays Skeletor. The trailer is rough. Nobody needs this shit. Masters Of The Universe was my motherfucking shit when I was…

    The post The Darkness Share <em>He-Man</em> Song, Justin Hawkins Responds To Political Deepfakes Of Himself appeared first on Stereogum.

  • J Mascis & Mike Watt Cover Each Other’s Bands On New Split

    Back in what I guess we’ll call the Our Band Could Be Your Life era, J Mascis and Mike Watt were SST Records labelmates. In the time before American underground rock became big business, Watt was one third of San Pedro, California heroes the Minutemen, while Mascis led (and still leads) the blazing power trio…

    The post J Mascis & Mike Watt Cover Each Other’s Bands On New Split appeared first on Stereogum.

  • IGORRR Announces North American Headlining Tour This Fall With Special Guests Secret Chiefs 3 And VMO; Tickets On Sale Now!

    Photo by Aurore Angelique Visuals IGORRR will return to North American stages this Fall and on a month-long headlining tour! The journey begins on September 18th in Worcester, Massachusetts and runs through October 20th in […]

    The post IGORRR Announces North American Headlining Tour This Fall With Special Guests Secret Chiefs 3 And VMO; Tickets On Sale Now! appeared first on INFRARED MAGAZINE.

  • Kaitlyn Aurelia Smith Announces New Album Ruin: It’s Not Just Music: Hear “Ruin”

    Kaitlyn Aurelia Smith is having an incredible prolific moment. Last year she released two albums — GUSH and Thoughts On The Future. Not even six months later and she’s come back in full fucking force. Smith has announced another album titled Ruin: It’s Not Just Music, which she described on social media as “a f#%* you album. Not to you — but for you.” I love this concept — exactly what I need for this world. She clarified: “This is not ambient. 174bpm .” The announcement comes with the single “Ruin,” which is stealthy and cool as hell.

    The post Kaitlyn Aurelia Smith Announces New Album <em>Ruin: It’s Not Just Music</em>: Hear “Ruin” appeared first on Stereogum.

  • Igorrr Announces North American Headlining Tour This Fall with Special Guests Secret Chiefs 3 and VMO

    – May 22nd, 2026 –

    Tickets On Sale Now!

    IGORRR will return to North American stages this Fall and on a month-long headlining tour! The journey begins on September 18th in Worcester, Massachusetts and runs through October 20th in Toronto, Ontario. Support will be provided by American experimentalists Secret Chiefs 3, led by guitarist/composer Trey Spruance (Mr. Bungle) and Osaka-based experimental electronic black metal group VMO (AKA Violent Magic Orchestra).

    Photo by Aurore Angelique Visuals

    Comments IGORRR mastermind Gautier Serre, “We’ve been waiting to come back to the US for a long time now. The last tour was so intense that we’ve been extremely impatient for the opportunity to play for the people there again. We’ll see you on the road – very excited for that!

    Tickets are on sale now at: igorrr.com. See all confirmed dates below.

    IGORRR w/ Secret Chiefs 3, VMO:
    9/18/2026 The Palladium – Worcester, MA
    9/19/2026 Wally’s – Hampton Beach, NH
    9/21/2026 Roxian Theatre Presented By Citizens – McKees Rocks, PA
    9/22/2026 The Vic Theatre – Chicago, IL
    9/23/2026 First Avenue – Minneapolis, MN
    9/25/2026 Gothic Theatre – Denver, CO
    9/27/2026 Treefort Music Hall – Boise, ID
    9/28/2026 Neptune Theatre – Seattle, WA
    9/29/2026 Vogue Theatre – Vancouver, BC
    9/30/2026 Roseland Theater – Portland, OR
    10/03/2026 Great American Music Hall – San Francisco, CA
    10/04/2026 The Novo – Los Angeles, CA
    10/05/2026 Nile Theater – Phoenix, AZ
    10/07/2026 Aztec Theatre – San Antonio, TX
    10/08/2026 The Studio At The Bomb Factory – Dallas, TX
    10/09/2026 Diamond Ballroom – Oklahoma City, OK
    10/10/2026 Warehouse Live – Houston, TX
    10/12/2026 The Masquerade – Atlanta, GA
    10/13/2026 The Underground – Charlotte, NC
    10/14/2026 Nevermore Hall – Baltimore, MD
    10/16/2026 Webster Hall – New York, NY
    10/17/2026 Reverb – Reading, PA
    10/18/2026 MTELUS – Montréal, QC * No VMO
    10/20/2026 The Concert Hall – Toronto, ON

    IGORRR will be touring in support of the outfit’s chart topping fifth album, Amen, released last Fall via Metal Blade Records.

    French multi-instrumentalist and producer Gautier Serre has been operating under the name IGORRR for 20 years now, yet each new record still resounds with a startling freshness and radical vitality. Gautier’s steadfastly unclassifiable and stunning Amen full-length maintains this impact, blindsiding the listener with a new set of exploratory curveballs and continuing to surprise and unnerve even the most attuned enthusiast. The record includes guest appearances by Scott Ian (Anthrax), Trey Spruance (Mr. Bungle), and Mike Leon (CKY, ex-Soulfly).

    Since signing to Metal Blade in 2017, the IGORRR name has expanded from one man’s pseudonym to become a full group identity, but Gautier remains the project’s guiding light and mastermind, so he’s the best man to ask to describe the indescribable. “This album is definitely darker than its predecessors, it has such a very weighty and solemn vibe that has never been reached before in IGORRR,” explains Gautier. “The fact that I recorded a real choir in a church helped this a lot, but above all there has been very long and meticulous work on the sound and the choice of instruments, and deep experimental research to create a unique sound design. Of course, because it’s an IGORRR album, there are some more colorful tracks, like ‘Blastbeat Falafel,’ ‘ADHD…’ They contrast very much with the ambient heaviness. I need tracks like these on an album, it helps to really get through it fully focused, like a shot of limoncello before the next meal.”

    With an urge to continually take IGORRR‘s multifaceted and challenging sound further forward with each release, Gautier has spent a lot of time cultivating multiple new modes and methods of working since 2020′s breathtaking, critically acclaimed opus Spirituality And Distortion – which even reached No. 12 on the official German album chart. Gautier has always made clear that IGORRR is as much about the influence of Bach and Chopin as it is about Cannibal Corpse, Aphex Twin, and Meshuggah, but the source of specific stimuli gets harder to ascertain as the process is refined. “It’s always difficult for me to know from where the inspiration comes,” he muses. “Music is an expression of life, and I would say everything, even what seems the most insignificant thing, can be a source of inspiration. I would say there hasn’t been one event or one experience that has led me on a creative process, it’s more like a cumulation of everything. I love making music, my brain processes music all the time. You cannot imagine the amount of albums and concertos I create during my sleep. The challenge is more how to sort these ideas to keep the ones with the best potential, the ones that I won’t get bored of, the ones that I really Love – with a big letter L.”

    Watch IGORRR‘s previously released videos for “Daemoni,” “Headbutt,” “Blastbeat Falafel,” “ADHD,” and “LimboHERE.

    Preview/purchase Amen at: metalblade.com/igorrr

    https://igorrr.com
    https://www.facebook.com/IgorrrBarrroque
    https://www.instagram.com/igorrr
    https://x.com/igorrrbarrroque
    https://www.tiktok.com/@igorrr_official

    Buy iTunes Artist Page Artist News

  • VENTHIAX: “RITES OF RA”

    (DGR continues to do the heavy lifting at our site while many of us (and him) are off at Maryland Deathfest, and today’s it’s a vivid write-up about a new EP from the Swedish old-school thrashers Venthiax, out now on Dying Victims Productions.) Every year inevitably sees a smorgasbord of EPs released throughout the year. […]

    The post VENTHIAX: “RITES OF RA” appeared first on NO CLEAN SINGING.