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  • Ando San Signs To Sumerian, Releases Two New Tracks

    Ando San has taken a huge step forwards as they announce they have joined the Sumerian Records family.

    They join the likes of Holding Absence, Boundaries, Static Dress and more, and, as you would expect, they are very excited about it:

    “I am incredibly stoked to be a part of the Sumerian family. This is a huge moment for me, I have been a fan of this label since I was 15/16 years old and it’s honestly insane to say that I am now signed by them. It’s been a long time coming and this is only the beginning. I’m bringing the heat.”

    Ando has spent the last year building up to this point with a handful of singles including ‘Thick Neck’ and ‘iLL‘, as well as collaborating with PRESIDENT on their new track ‘Hate Figure’.

    Now he has shared two fresh tracks of his own as a double A-Side.

    The first track is ‘Hype Man’, a sporadic, savage, sensationally catchy track that pulls on elements of black metal and smashes them with a fat grime beat.

    Ando explains:

    “Honestly, when I was writing ‘Hype Man’ I was incredibly inspired by Darkthrone. Specifically the guitar riffs from their record “Ravishing Grimness”. Really dope album and one of my faves from Darkthrone” I thought it would be cool to start the song with a black metal vibe and then lead into a heavy beat. I named it “Hype Man” because at the time of recording the song I needed to hype myself up. I’m usually alone in my room making these songs and this one in particular needed that energy! I feel like you need to be your own personal “Hype Man” to get through things when you really don’t have anybody around to pump you up. It’s a super power!”

    And the second is Triggas’, which features an appearance from Mazbou Q and goes all in on the chaos and carnage.

    “This song is about my triggers. I have a lot of trauma. Been through many things in my life and one thing that has helped me get through those hard moments is recognising my triggers. I think triggers could be a hindrance to a person’s growth. I feel like it has stunted me for some time and I recognise that the things that do trigger me are personal traumas that I have experienced in my life. Coming to terms with that has taught me many things about myself. It has taught me to see when a trigger is coming, to know how to act when I’m triggered and to let the trigger pass. We all have our own personal triggers. It’s important to understand why it’s triggering you and to learn to work past those triggers. I think a lot of my music is just a molten pot of all my favourite genres. The song is synth heavy with a dope UK style drill hip-hop beat with metal guitars. Literally just doing whatever sounds sick. The most important thing for me is to be artistically authentic to myself. I have to be honest about who I am as a person to get to the originality I am constantly searching for.”


    If you like what you hear, you’ll be able to catch Ando San as they support Don Broco across the UK alongside Unpeople.

    SEPTEMBER

    27 – WATFORD Watford Colosseum
    28 – LINCOLN Engine Shed
    29 – SHEFFIELD Octagon

    OCTOBER

    01 – EDINBURGH Corn Exchange, Edinburgh
    02 – MANCHESTER Academy, Manchester
    03 – LIVERPOOL Guild of Students
    04 – NEWCASTLE City Hall
    06 – CAMBRIDGE Corn Exchange
    07 – BIRMINGHAM O2 Academy
    08 – PORTSMOUTH Guildhall
    10 – NORWICH UEA, Norwich
    11 – FOLKSTONE Leas Cliff Hall
    12 – LONDON Here At Outernet
    14 – BRISTOL The Prospect Building

    The post Ando San Signs To Sumerian, Releases Two New Tracks appeared first on Rock Sound.

  • June McDoom – “Get Out Of My Life”

    I don’t know what June McDoom is ridding herself of on her latest single “Get Out Of My Life,” but she makes the process sound delightful. On the second offering of her forthcoming debut album Follow The Light, McDoom washes herself clean of negative, draining energy with whimsical folk-pop.

    The post June McDoom – “Get Out Of My Life” appeared first on Stereogum.

  • Glasshouse Red Spider Mite – “Ride Or Die”

    A few months ago Brighton-based group Glasshouse Red Spider Mite shared their first new song of 2026: “Hell 1000.” Yesterday, they returned with its follow-up, titled “Ride Or Die.” The beautifully revving love song comes ahead of sold-out shows with Band To Watch Mary In The Junkyard taking place at the end of the month.

    The post Glasshouse Red Spider Mite – “Ride Or Die” appeared first on Stereogum.

  • New Order’s Stephen Morris Says He Likely Won’t Attend Rock Hall Induction Due To Illness, Doesn’t See The Point Anyway

    At long last, New Order are heading into the Rock And Roll Hall Of Fame. After two previous nominations and many years of eligibility, Hall Of Fame voters finally decided to induct New Order and Joy Division, considering them together as one unit, as part of this year’s class. It’s just not clear how many band members will be there.

    The post New Order’s Stephen Morris Says He Likely Won’t Attend Rock Hall Induction Due To Illness, Doesn’t See The Point Anyway appeared first on Stereogum.

  • Bruce Dickinson announces ‘Accident Of Birth’ – newly remixed version of his 1997 solo album

    BRUCE DICKINSON ACCIDENT OF BIRTH NEWLY REMIXED VERSION IN BOTH STEREO AND DOLBY ATMOS RELEASED VIA BMG ON 17TH OCTOBER FOR NATIONAL ALBUM DAY CD […]

    The post Bruce Dickinson announces ‘Accident Of Birth’ – newly remixed version of his 1997 solo album appeared first on Metal-Rules.com.

  • ANGELS ON THE BATTLEFIELD – Release Powerful New Single And Video “Beauty in a Body Bag”

    Watch “Beauty in a Body Bag HERE! https://youtu.be/EDzmYinMU2w

    ANGELS ON THE BATTLEFIELD battle stigma with new single and music video, “Beauty in a Body Bag.” Led by JD McGibney, the L.A. based instrumental symphonic progressive metal band present a heavy and melodic offering in this track.

    ANGELS ON THE BATTLEFIELD explain the concept behind “Beauty in a Body Bag”: “This song was written to capture the dark and tormenting struggle that is so strongly associated with Borderline Personality Disorder. People with BPD often describe it as feeling like having an endless black hole of emptiness living inside of them, leaving them with an unstable and shifting self identity. As a result, BPD can be chaotic and terrifying.

    ‘Beauty in a Body Bag’ was written to give this darkness form, and allow those who are struggling to face that darkness head on in order to learn how to overcome it.”

    “Beauty in a Body Bag” was a song that was originally written for JD McGibney’s old Long Island band and was subsequently rearranged for ANGELS ON THE BATTLEFIELD. Instrumentally, the arrangement is more straightforward by design in order to highlight the band’s melodic capabilities.

    “Beauty in a Body Bag” was produced by ANGELS ON THE BATTLEFIELD. The track was recorded at Counter Communications and engineered, mixed and mastered by Chris Wirsig. Produced by ANGELS ON THE BATTLEFIELD, the music video was directed and edited by Tom Flynn. 

    About ANGELS ON THE BATTLEFIELD:

    Based out of Los Angeles, CA, ANGELS ON THE BATTLEFIELD began as a side project for guitarist JD McGibney (ex-VOODOO KUNGFU) before augmenting to a full line-up in 2021. Alongside McGibney, the instrumental symphonic progressive metal band is now comprised of Jason Klein on bass (ex-BUTCHER BABIES), Eddie Trager on drums (ex-NEKROGOBLIKON) and Chris Wirsig on keyboards (award winning TV and film composer).

    The ethos of the band is to empower listeners through music, to assist individuals who are fighting on their own battlefields and to help them find courage. ANGELS ON THE BATTLEFIELD strive to improve awareness of and discourse around mental illness through the power of heavy metal. The band made their live debut at the 2022 “This Is My Brave” mental health fundraiser, where the band helped to raise around $30,000 to donate to local Los Angeles mental health charities.

    Connect with ANGELS ON THE BATTLEFIELD:

    Official Website: https://onthewingsofdragons.com/ 

    Facebook: https://www.facebook.com/AngelsOnTheBattlefieldBand/ 

    Instagram: https://www.instagram.com/angels_on_the_battlefield/ 

    YouTube: https://www.youtube.com/@angelsonthebattlefield 

    Spotify: https://open.spotify.com/artist/6vQV1dRMKNBHCRku2IsPMU?si=RoaUH-SuTCq5nRsPMrgpEg 

    Apple Music: https://music.apple.com/us/artist/angels-on-the-battlefield/1441558520 

    TikTok: https://www.tiktok.com/@aotbband

    Source: C Squared Music

  • EXCLUSIVE: Bryan Adams Breaks Down His New ‘How’s It Goin” Album

    The proud Canadian gets political on the "51st State" single: "If certain people can say what they want, so can I." Continue reading…
  • Twisted Teens Announce Third New Album This Year The Holy Cross Tigers: Hear “When We First Met”

    Not only are Twisted Teens one of the most energizing, charming, straight-up exciting new rock bands to break out this year, they’re also one of the most prolific. The New Orleans duo already dropped two great albums in 2026, February’s Blame The Clown and July’s Florida Water Blues. Lately they’ve been teasing a third, and now we know all about it.

    The post Twisted Teens Announce Third New Album This Year <em>The Holy Cross Tigers</em>: Hear “When We First Met” appeared first on Stereogum.

  • A View From The Back Of The Room: Soulfly & Nailbomb (Alex Tobias)

    Soulfly, Nailbomb & Dosed, O2 Institute, Birmingham, UK, 05.09.26


    I am Midlands-bound this evening for the UK tour of Soulfly, with support from Nailbomb and Dosed. Let’s get inside and check out how it all went down.

    I arrived early in Brum to get into the O2 Institute, as first up this evening we have Dosed (8), a band ironically from where I set off two-plus hours ago to get here, my home town, Newport, South Wales. A hardcore punk/thrash band that has been on a big rise since the band’s formation in 2024, from early local gigs to venturing out to much bigger venues and farther places, each step of the way adding Bloodstock Festival to their already impressive line-up of appearances so far.

    The band walk onto the stage with that air of confidence that shouts, “We are here to bring the noise.” We kick off with Chewing On The Entrails Of A Dying Dickhead from the band’s latest EP release, No Signal, a song that gets this sold-out crowd moving from riff one. Guttural vocals from Foz and circle-pit-inducing drums from drummer Chong set us off for the chaos that we are all now a part of.

    The band get huge applause and cheers after that opener. In four short minutes, they have turned the venue into a sweaty mess. We get another new song in the shape of A Pitiful Attempt At Life from the same latest EP, then onto Aquarius from the band’s first EP, Jawbreaker. By this time, the pit has opened up big. Aquarius really shows off the band’s punk side but still keeps that brutal hardcore riffage going; the circling of mosh goes hard in this one.

    The band take some time to say thank you to all and any support they have had playing this and the previous tour date in Southampton. Foz explains they commented on Gloria Cavalera’s social media post asking what bands want to open up on the tour, and then the next morning they had a message to ask them to open up on the Soulfly tour. A very surreal experience, but a very honoured one, explains Foz.

    A song that stood out for me was Self Doubt Is For The Weak from the band’s first EP, a more thrash-influenced song that gets your blood pumping for the first half, then lets you stomp it out for the remainder.

    The band end their set just as we started, with more circle-pit madness with the song Fucked With A Pickaxe from the latest EP. By this time, everyone is in a bliss of hardcore/punk/thrash metal sweatiness. A perfect opener and a band that pulls no punches in letting you know who and what they are about. Really enjoyed the set, and I wasn’t on my own in this opinion if you heard the roars and cheers at the end.

    I first heard the cult album Point Blank around 2005. My best friend invited me to try out for a band called Sick Cell at the time, and they were heavily influenced by the Nailbomb (8) album, and I loved it ever since. So many memorable songs; it has been an album that I go back to many times and always include my favourites on any playlists I make.

    I never would have thought I would be hearing those songs live, so I was so happy to be here to witness this tour. The band is mainly just Max Cavalera’s ensemble of talented musicians, including his son Igor Amadeus Cavalera, as since the band’s reunion in 2024, Alex Newport did not join back up with Max.

    The roars and cheers rang out as the band walked onto the stage while the intro to the first song on the album, Wasting Away, played, and just like that, we are at peak mosh adrenaline again. Barring a few songs, we kind of get the album tracks in order, with the band going straight into Vai Toma No Cu and then onto 24 Hour Bullshit.

    By this point, everyone here is packed in like a furious tin of sardines, layered in a thick helping of juice from the pit of the circle. Max and son Igor take a breather to thank the crazy crowd and everyone that has come out to see the tour so far.

    The sound of these songs is just perfect tonight in the Institute. Kudos to the sound guy. We get the next four songs in track order, before missing Cockroaches and For Fucks Sake and moving onto World Of Shit, a personal favourite.

    Coming to the end of the set, we get Shit Pinata, Religious Cancer, and we end with the last song on the album, Sick Life. A set that I won’t forget. Being able to hear these songs live was a real pleasure, and Max and the rest of the band did not disappoint at all. What a night so far.

    Having never seen Nailbomb and not even hearing the one and only album they made ten years later to a band that I own nearly all of their back catalogue of music, yet I have only seen Soulfly (8) once before, and that was in 2001, so this was going to be another memorable set for me.

    We get a small break before we are hit with the tribal sounds of an extended intro to Back To The Primitive from the band’s 2000 album, Primitive. Huge roars and cheers crank the volume up when the band walk onto the stage.

    Max, now sporting an Aston Villa home shirt, walks back to the stage to give his second performance of the night, and he did not miss a beat throughout. From there, we go straight into Seek’n’Strike from 2002’s album 3, and then we go all the way back to the first album with No Hope = No Fear.

    What a start to the set. Three songs that have everyone here bouncing around like they were given free pogo sticks on entry. A little break for Max to thank the crowd, but then we get the intro for Prophecy, and we are back at it.

    We then get our first song from the band’s latest album, 2025’s Chama, No Pain = No Power, a song that is that awesome blend of old-style Soulfly but has that newer edge of modern metal riffage in it without sacrificing any of those dreamy tribal parts.

    Max then entertains us with his berimbau, which leads to the intro of another classic song, Tribe from the band’s first album. A ripping performance so far. Everyone here is enjoying this a lot, me included, as we move onto I And I from the band’s 2005 album Dark Ages, and then we go back to 3 with Downstroy.

    To end the set, we get a mix of Jumpdafuckup from Primitive and Eye For An Eye from the first album. The noise coming from the crowd after this could write this review and tell you everything you needed to know about the set we just got from Soulfly.

    It has been so much fun seeing them again, and hearing songs I listen to often played live by legends is just pure bliss.

    A night I won’t forget any time soon. Enjoyed every single thing about it.
  • Royal Sorrow – Premiere ‘Covert’ Song And Video

    Royal Sorrow have recently put out a brand new single, “Cover”, available for streaming together with an official music video directed by Jaro Koho. The song was mixed and mastered by Rami Nykänen.
    Read more…