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Today, Spanish heavy metallers Whirlwind premiere the new track “Winds of Ash and Dust” at heavily trafficked web-portal Metal.de. The track is the second to be revealed from the band’s highly anticipated second album, 1640, set for international release on April 24th via Dying Victims Productions. Hear Whirlwind‘s “Winds of Ash and Dust” in its entirety exclusively HERE.   Whirlwind was originally conceived as a studio-project by Mark Wild, from Körgull The Exterminator […]

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Rooted in dystopian themes and extreme, yet melodic black metal ferocity, “Seed Corrupted” introduces listeners to the opening chapter of CELESTIAL DEATH’s larger conceptual narrative that explores corruption, power, and the cyclical nature of destruction and rebirth. Musically, “Seed Corrupted” merges modern melodic black metal with dark, post-metal atmosphere. A distorted lead melody establishes a […]

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Louisville thrash metal miscreants BELUSHI SPEED BALL have announced their fourth album, Toxic Waste Was Everywhere In The ’80s, arriving June 5, just in time for the band to celebrate by terrorizing audiences the following day at Milwaukee Metal Fest.

The band’s latest shameless cash grab features artwork by Andrei Bouzikov (known for his work with Municipal Waste, Toxic Holocaust, and High on Fire) and packs 12 ball-busting tracks guaranteed to leave your jaw broken while you claw your way out of the pit at some questionably ventilated basement show.

Commenting on the record, vocalist Vinny Castellano says:

“We are so excited to drop our strongest album to date! Toxic Waste Was Everywhere in the ‘80s is guaranteed to melt faces into a plutonium level pizza pit. For context: We will have to release a blank greatest hits album prior to this drop. We ain’t had a hit yet, and this entire album will be nothing but banger hits after banger hits. In addition, we are proud to announce Belushi’s newest additions: Bassist, Justin McClure and drummer, Ben Cotton (Rose Funeral, SIDS) will be joining the chaos for their recording debut. Making this LP a must have for any crossover thrash fan.”

First revealed at Lambgoat, BELUSHI SPEED BALL has also unleashed the album’s first single and video, “I Ought Not Know.” The song serves as a deeply philosophical dissertation examining one of modern music’s most pressing questions: how exactly did Dave Coulier respond to Alanis Morissette’s immortal breakup anthem “You Oughta Know”? The band may not have the answer, but they’re more than happy to thrash about it for three minutes anyway. 

Castellano adds about the song: 

“Allegedly, this is the song Dave Coulier would have wrote (if he liked Pizza, Thrash, and had musical talent). At least pretty sure this is the response to Alanis writing “You Oughta Know”. Which has been the highlight of Uncle Joey’s career up until this point. We also want to congratulate Dave Coulier on his recent cancer remission. Proudly, Belushi Speed Ball, presents a music video with stop motion clay chaos, thanks to artist Adam Laughlin. And before anyone asks, No AI has been used! Enjoy.”

Pre-order Toxic Waste Was Everywhere In The ’80s: 
https://belushispeedball.bandcamp.com/

“I Ought Not Know” Music Video: 
https://youtu.be/PTy4MAkyK8k?si=hmTrQAtHWQcOwyVT

Stream “I Ought Not Know“: 
Bandcamp | Spotify | Apple Music

Toxic Waste Was Everywhere In The 80’s – Track List: 

01. I Ought Not Know
02. How Tough Am I?
03. That’s a Mighty Fine Wayne Gretzky
04. What’s Funnier Than 24?
05. All Pete’s Exes
06. Kellaway’s Wife
07. D.E.N.N.I.S. System
08. It’s a Green Day (You Know… Still Like Stocks)
09. Terminator Lava Factory
10. I’m Not Your Buddy, Guy
11. Belushi Speed Ball
12. Captain Planet Still Can’t Stop Us

Fans can catch Belushi Speed Ball live this spring. Tickets available HERE.

BELUSHI SPEED BALL – Tour Dates:
April 17 – Dayton, OH @ Cosmo Joe’s Atomic Lounge
April 18 – Atlanta, GA @ 529
June 6 – Milwaukee, WI @ Milwaukee Metal Fest

Belushi Speed Ball Lineup:

Vinny Castellano – Vocals
Brian Desper – Additional Vocals
Jamison Land – Guitar
Derrek Tipton – Guitar
Justin McClure – Bass
Ben Cotton – Drums

About BELUSHI SPEED BALL:

Belushi Speed Ball is a Kentucky-based band founded in 2013 as a studio project amongst friends with a penchant for cliché crossover thrash. Their first live performances came soon after, enthralling a rapidly growing fanbase with a uniquely interactive brand of theatrics and unorthodox approach to releases and merch.

Dubbed “one of the funniest fucking things I have heard this year” by The Needle Drop’s Anthony Fantano, Belushi Speed Ball are inspired by bands from Toxic Holocaust and Anthrax to Gwar and Municipal Waste, to whom they simultaneously play homage and satirize a mean comment from a fan in their song “Ripping off Municipal Waste”, which was voted one of Leo Magazine’s top 20 songs of 2022. With a reputation for both trashing venues and meticulously cleaning them up after each individually themed performance, Belushi Speed Ball are masters of executing the unthinkable. 

From playing out of a Mad Max-esque moving van and starting Terminator-inspired 300-person Nerf gun fights to releasing entire albums in N64… or Furby… formats, nothing is sacred as they continue evolving as, in the words of Metalsucks, “a freakshow of blistering thrash dedicated to laughing its ass off at blistering thrash.” 

Follow BELUSHI SPEED BALL:
https://www.facebook.com/belushispeedballband/

https://www.instagram.com/belushispeedball/

https://www.tiktok.com/@belushispeedball

https://www.youtube.com/@BelushiSpeedBall

https://belushispeedball.bandcamp.com/

ATAVISTIA embrace an adventurous spirit in the magical new single “Seeker of Time“. Accompanied with a lyric video this is the latest offering to land ahead of the forthcoming album Old Gods Awaken, set for release on May 15th, 2026 via Blood Blast Distribution. Leaning further into folk metal realms, ATAVISTIA‘s new compositions delve into an array of folk […]

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Today, Costa Rican death metallers Candarian premiere the new track “Altars and Ancestors” at heavily trafficked web-portal NoCleanSinging.com. The track is the second to be revealed from the band’s highly anticipated debut album, Trepanación, set for international release on April 27th: Memento Mori will handle the CD version while Me Saco Un Ojo Records will handle the vinyl and cassette versions. Hear Candarian‘s “Altars and Ancestors” in its entirety […]

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Mystifier proved that Norway didn’t have the monopoly on blasphemous black metal in the early 1990s

Iconic Bay Area thrash band TESTAMENT has announced the upcoming remastered reissue of their coveted 1989 album, Practice What You Preach, on May 8th via Nuclear Blast Records.  The Practice What You Preach (2026 Remaster) reissue was remastered by Justin Shturtz at Sterling Sound. It will be available digitally and 180G vinyl on Yellow and Orange Swirl with Black Splatter (limited to 1250 worldwide) and is packaged with brand new artwork from […]

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MASTER’S ASHES unveil their new single “Divert The Conflict III”, a further glimpse into the sonic and conceptual landscape of their upcoming debut album “How The Mighty Have Fallen”, due out on April 17 via Time To Kill Records. An enveloping and intense composition, the track channels a dense fusion of metallic solidity and hardcore tension, shaped by the collective experience of […]

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Michael Romeo reveals the band hopes to record the long-delayed Underworld follow-up by the end of 2026 after sorting through “over a thousand ideas.”

The post SYMPHONY X Say Long-Awaited New Album Is Finally Taking Shape appeared first on Metal Injection.

A Positive Change by Meet Me For Reasons unfolds as a reflective indie-pop confession about identity, heartbreak, and self-realization. Centered on Evelynn’s perspective, the song explores the quiet moment when someone recognizes how a relationship has reshaped them — and decides that growth must happen for themselves, not for love. Gentle melodies and an emotionally direct vocal performance carry the narrative with sincerity. The arrangement remains intimate and thoughtful, allowing the lyrical theme of personal transformation to resonate deeply. A Positive Change stands as a vulnerable and honest reflection on rediscovering oneself after love fades.

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