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  • Top 10 Tony Bennett Songs

    Tony Bennett Songs

    Our Top 10 Tony Bennett songs list looks back over the career and songs of one of the greatest and most loved singers of all time. Who doesn’t love Tony Bennett? The man was around forever, and he stayed relevant, connecting with young and old audiences through every decade he recorded. Even rock stars loved him as they all jumped at any chance to work with him. From Billy Joel to Lady Gaga, from the late Amy Winehouse to the wonderful Diana Krall, all these talents performed with Tony Bennett. Sadly, Tony Bennett passed away on July 21, 2023, in

    The post Top 10 Tony Bennett Songs appeared first on ClassicRockHistory.com.

  • Abbath Showed Up At Finland’s SaariHelvetti With No Corpse Paint, Then Stormed Off Stage After One Song

    abbath-2026

    Abbath’s set at SaariHelvetti Festival in Tampere, Finland ended almost before it started on Friday. The Norwegian black metal frontman took the stage without his corpse paint or costume while the rest of the band were in full stage attire, played one song — “To War” — and left. Drummer Ukri Suvilehto then addressed the crowd himself, apologizing and saying it probably wouldn’t come as a surprise to anyone that the band’s singer is struggling with health problems.

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    What happened at SaariHelvetti

    The first sign something was off came before a note was played.

    As reported by Inferno, Abbath — real name Olve Eikemo, 53 — walked out with no corpse paint and none of the stage gear he’s worn for the better part of thirty-five years. His bandmates were in full attire. For a man whose entire visual identity is that face, showing up without it is not a small detail. It’s the thing everyone in that field noticed first.

    The band got through “To War.” Then he left.

    Suvilehto stepped up and spoke to the crowd rather than leaving them to work it out for themselves. His message, in substance: it probably won’t surprise anyone that their lead singer is struggling with health problems, so he’s very sorry if the gig has been interrupted. They’re professionals and they’re prepared for anything, so they’ll see what happens. And thank you, and sorry — they’ve done everything they can.

    That’s a drummer doing a job nobody should have to do, and doing it with more grace than most bands manage in a press release.

    No cause has been given beyond that. Abbath himself has not commented, and neither has the band.

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    The history, and why we’re being careful with it

    Here’s the part that needs stating plainly, because a lot of coverage this weekend is going to skip straight past the nuance.

    This isn’t the first time an Abbath show has ended early. In 2019 the band cut a performance in Argentina after two songs and cancelled the remainder of a South American tour, attributed at the time to health issues. Those were later confirmed to relate to Abbath’s struggle with addiction.

    Later that year he entered a rehab program and spoke about it openly, saying it was no secret he’d been battling addiction and that it was time to pick a fight with it. In early 2020 he checked in publicly to report two months sober and said he was in good shape.

    That’s the public record, and it’s fair to include because he put it there himself.

    What is not on the record is any statement connecting Friday’s incident to that history. His drummer said health problems. That’s all anybody has. Anyone telling you more than that this weekend is guessing, and guessing about someone’s health in public is a rotten thing to do to a man who has already been honest with everyone about the hardest part of his life.

    We’ll report what he or the band says if and when they say it.

    abbath

    The man on the other side of it

    Worth remembering who this is, because “frontman walks offstage” flattens a genuinely enormous career.

    Abbath co-founded Immortal in Bergen in 1991 and spent two and a half decades making some of the most influential records the genre has — Pure Holocaust, Battles In The North, At The Heart Of Winter, Sons Of Northern Darkness. He played bass, guitar and, on two of those albums, all the drums. He is one of the reasons Immortal sit on our list of the most influential black metal bands ever made, and the icy, fantasy-driven strain of the genre he and Demonaz built out of Blashyrkh is still being copied by bands who weren’t born when they invented it.

    He left Immortal in 2015 and launched the Abbath band immediately, releasing the self-titled debut in 2016, Outstrider in 2019 and Dread Reaver in 2022 — a record that closed with a Metallica cover and earned him, not for the first time, the tag of black metal’s Lemmy.

    The current lineup has been through plenty of turbulence of its own, including bassist Mia Wallace’s exit and later return. And the band have kept working — they were out on the road alongside High On Fire and 1349 in recent cycles, still one of the bigger draws in extreme metal.

    That’s a thirty-five-year career built on being one of the most charismatic and instantly recognisable performers this music has produced. One bad night in Tampere doesn’t change that, and the response across the scene since Friday has been noticeably more protective than gleeful.

    Here’s hoping he’s alright.

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    TL;DR

    • What happened: Abbath left the stage roughly two minutes into his band’s set at SaariHelvetti Festival in Tampere, Finland on Friday, after performing one song, “To War.”
    • The visual detail: he appeared without his corpse paint or stage costume, while the rest of the band were in full attire.
    • What the drummer said: Ukri Suvilehto apologised to the crowd, saying it probably wouldn’t surprise anyone that the band’s singer is struggling with health problems, and that the band had done everything they could.
    • What we don’t know: no cause has been specified. Abbath and the band have not commented.
    • Prior incident: in 2019 the band ended an Argentina show after two songs and cancelled the rest of a South American tour; Abbath subsequently entered rehab and spoke publicly about battling addiction, reporting two months sober in early 2020.

    FAQ

    Why did Abbath walk off stage in Finland?

    No specific reason has been given. After the frontman left the stage roughly two minutes into the band’s SaariHelvetti Festival set on Friday, drummer Ukri Suvilehto told the crowd that the band’s singer is struggling with health problems and apologised for the interruption. Neither Abbath nor the band has issued a further statement.

    What did Abbath’s drummer say to the crowd?

    Ukri Suvilehto addressed the audience directly, saying it probably wouldn’t come as a surprise to anyone that their lead singer is struggling with health problems, that the band were sorry if the gig had been interrupted, and that as professionals they were prepared for anything. He closed by saying they had done everything they could.

    Has this happened to Abbath before?

    Yes. In 2019, the band ended a performance in Argentina after two songs and cancelled the remainder of their South American tour, citing health issues at the time. Those were later linked to Abbath’s battle with addiction, which he addressed publicly before entering a rehab program that year. In early 2020 he reported that he had been sober for two months.

    Who is Abbath?

    Olve Eikemo, 53, is a Norwegian musician who co-founded the black metal band Immortal in Bergen in 1991 and fronted them until 2015. He formed the band Abbath immediately after, releasing three albums — Abbath (2016), Outstrider (2019) and Dread Reaver (2022) — via Season Of Mist. He is widely regarded as one of the most influential figures in Norwegian black metal.

    What is SaariHelvetti Festival?

    SaariHelvetti is a metal festival held in Tampere, Finland. Abbath’s Friday performance there was cut short after roughly two minutes when the frontman left the stage.

    A rough night for one of black metal’s true originals, and a drummer who handled an impossible moment about as well as anyone could. Send some good energy his way in the comments, and keep it locked on the Loaded Radio stream — follow Loaded Radio for daily rock and metal news.

    The post Abbath Showed Up At Finland’s SaariHelvetti With No Corpse Paint, Then Stormed Off Stage After One Song appeared first on Loaded Radio.

  • Dying Scene Photos and Show Notes: Tomahawk, Melvins, and Ni Maîtres at 9:30 Club in Washington, DC (07/26/2026).

    On 26 July 2026, DC’s legendary 9:30 Club was packed as Tomahawk took the stage for a sold-out stop on their “A Huge Waste of Your Time and Money” tour, celebrating their 25th anniversary as a band, with support from Melvins and Ni Maîtres, Anticipation was high as fans lined up hours before doors opened, eager to witness the Tomahawk’s long-awaited return and an unforgettable night of explosive performances. This was Tomahawk’s sixth show of their 22-date tour and amongst their first live performances in 13 years.

    At approximately 7:10 PM, Melvins tour manager, Gareth Turner, took the stage as Ni Maîtres and opened the show with a roughly 15-minute set of dark, experimental, electronic noise with his programmed drums, synth, and theremin. Many in the crowd saw Turner wearing his black Rudimentary Peni t-shirt and Stooges ballcap as he was moving around the venue and setting up the stage. To obscure his identity, Turner donned a white mask, but it wasn’t enough to fool the crowd as they quickly figured out who he was. He wrapped up his set around 7:25 PM and set the tone for a wild night of sonically eclectic rock and roll.

    Melvins took the stage around 8:00 PM wearing their signature psychedelic eyeball motif uniforms – King Buzzo (vocals/guitar) with this wizard-like, eyeball tunic, Dale Crover and Coady Willis (drums) with their eyeball t-shirts, and Steven McDonald (bass) with his white eyeball suit. The band plowed through an hour of their signature blend of sludge and high-octane rock and roll. As their conductor, Buzzo set the tone and leaned into the heavy, rocking out near his amp and lunging forward to the audience. The powerhouse drum duo of Crover and Willis delivered an earthmoving percussive assault with well-choreographed playing. McDonald owned the stage rocking, running, and rampaging from one end to the other. Longtime friend, band member, and collaborator Trevor Dunn (bassist for Tomahawk) joined Melvins playing second bass on Night Goat to close out their set around 09:00 PM.

    Melvins Setlist

    • Working The Ditch
    • Never Say You’re Sorry
    • Sway (The Rolling Stones cover)
    • Evil New War God
    • Civilized Worm
    • It’s Shoved
    • A History of Bad Men
    • The Bit
    • Blood Witch
    • Hag Me
    • Honey Bucket
    • Night Goat (with Trevor Dunn)

    At around 09:30 PM, Tomahawk took the stage and began their nearly 90-minute set. Mike Patton (Faith No More, Mr. Bungle) on vocals, keys, programming, Duane Denison (The Jesus Lizard) on guitar, John Stanier (Helmet, Battles) on drums, and Trevor Dunn (Mr. Bungle, Fantômas, John Zorn) on bass delivered their blend of rock, punk, metal, country, and noise to a crowd eager to hear this band perform for the first time in DC since 2013. From the first note, the crowd was hooked, with Patton screaming, singing, and tearing around the stage. Denison, Stanier, and Dunn kept it funky, loud, and unpredictable, jumping from crushing riffs to weird noise. The band ended their set around 11:00 PM, giving their fans a healthy dose of their unique brand of rock. After 13 years away, Tomahawk’s return to DC was loud and long overdue.

    Tomahawk’s Setlist

    • Flashback
    • SHHH!
    • Predators and Scavengers
    • Business Casual
    • Doomsday Fatigue
    • Capt Midnight
    • Rape This Day
    • Eureka
    • Birdsong
    • Howlie
    • Recoil
    • South Paw
    • I.O.U.
    • Fatback
    • Point and Click
    • Just One More (George Jones cover)

    Encore

    • White Hats / Black Hats
    • God Hates a Coward
    • Stalkin’ (Duane Eddy cover)
    • Sidewinder
    • Totem
  • Slipknot’s Jim Root Says You Shouldn’t Have Believed Him Either On Sid Wilson

    sid-wilson-promo

    A comment attributed to Slipknot guitarist Jim Root has been circulating through the band’s fan communities since Friday, addressing the post he made two weeks ago telling people not to believe everything they read about Sid Wilson’s exit. In it, Root reportedly says that at the time he wrote it, he didn’t know what to believe — while standing by the sentiment and acknowledging the post didn’t age well. It follows Slipknot’s own confirmation on Friday that Wilson is out after 28 years, in a statement they deleted the same day.

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    What the comment says

    First, the sourcing, because it matters and most outlets are glossing over it.

    This is not a post from Root’s verified account. It’s a comment attributed to him that has spread widely through Slipknot fan communities — traced back to a Reddit thread — in the hours after the band’s announcement. It has not been independently confirmed.

    With that stated plainly, here’s the substance of it: you couldn’t even believe what he wrote. At the time he wrote it, he didn’t know what to believe. He stands by it anyway. He still doesn’t think anyone should believe everything they read. Time will tell — as it did for his post, which he concedes didn’t age well.

    If that’s genuinely Root, it’s a more honest position than most bands manage in this situation. He wasn’t lying to fans two weeks ago. He was a guy inside a mess that hadn’t resolved yet, telling people to wait, because he was waiting too.

    Worth remembering these two go back a long way beyond the day job. Root and Wilson were half of the four-man core — with Corey Taylor and Clown — behind Look Outside Your Window, the experimental 2008 side record that finally saw daylight this year after more than a decade of delays. Whatever this is, it isn’t a distant colleague reacting to a headline.

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    Rewind: what he actually posted

    On July 31, the day TMZ first reported Wilson’s removal, Root posted to Instagram Stories soundtracked by Slipknot’s “‘Til We Die.”

    The message: don’t believe everything you read. Stop. Think. Take a breath. Sit with it for a while. Maybe even wait until there’s more information.

    A large chunk of the fanbase read that as a flat denial — as Root telling everyone the TMZ report was wrong. Read again now, it says something narrower. It says wait. It never says it’s false.

    That distinction is the whole story of the last two weeks.

    It also fits the pattern of a band that has never handled member news cleanly. Wilson himself was the one teasing fans to say goodbye ahead of the 25th anniversary era, and the rollout of the new masks and the two unnamed members played out the same way — drip-fed, half-confirmed, and largely decoded by fans before the band said anything.

    Sid Wilson of Slipknot

    The Ferris Bueller detour

    The other piece of this involves Stacy Thomson, wife of Slipknot guitarist Mick Thomson, and unlike the Root comment, these posts are verifiable — they came from her own accounts.

    In the immediate aftermath of the TMZ report, she posted the famous rumour-mill monologue from Ferris Bueller’s Day Off — the one about a best friend’s sister’s boyfriend’s brother’s girlfriend hearing from a guy who knows a kid. Then she followed it with a note telling people not to believe everything they read on the internet, and a defence of the film’s quality.

    After Friday’s confirmation, she got called out for it. Her reply: it wasn’t true when TMZ posted it, and she assured the person that the guys always give chances.

    Which is its own kind of answer. The suggestion isn’t that the report was fabricated — it’s that at the moment it published, the outcome hadn’t been finalised. Read alongside the Root comment, a picture forms of a band that hadn’t landed on a decision when the story broke, and lost control of the timeline from that point forward.

    TMZ themselves reported that Slipknot had been planning to announce it in the first week of August and lost the rollout when the story landed first.

    We Also Recommend – Slipknot Members 2026: Current Lineup And Who’s In The Band Now

    The one voice still missing

    Sid Wilson hasn’t said anything.

    He brushed off questions when approached in person. He promoted a merch store. On Wednesday he stood at the World Scratch Invitational and introduced himself as Sid, DJ Starscream, number zero, from the world famous Slipknot — present tense, two days before the band said otherwise.

    Since Friday’s announcement, nothing.

    There’s also been a separate strand running through this involving pointed social media posts from his former fiancée Kelly Osbourne, which many have assumed were aimed at him. Neither has confirmed that, and it’s personal territory rather than band business, so we’ll leave it there.

    What’s left is a 28-year member removed with no public explanation, a guitarist walking back a post he says he never fully believed himself, a bandmate’s spouse arguing the report was premature rather than wrong, and the man at the centre of it saying nothing at all.

    Slipknot haven’t played live since Inkcarceration in July 2025. At some point somebody in that organisation is going to have to say more than one sentence.

    Wilson’s exit is the fourth departure since 2019 — after Chris Fehn, Craig Jones and Jay Weinberg — and it leaves only four members of the original numbered #0 to #8 lineup still in the band: Root, Clown, Mick Thomson and Corey Taylor. Our full breakdown of who’s actually in Slipknot right now has been updated to reflect Wilson’s removal, and if you want the longer arc, we’ve traced every lineup change in the band’s history from the Des Moines days forward.

    Check This Out – Slipknot Albums Ranked: Every Masked Masterpiece From Worst to Best

    TL;DR

    • What’s new: a comment attributed to Jim Root, circulating in Slipknot fan communities, addresses his July 31 “don’t believe everything you read” post — saying he didn’t know what to believe when he wrote it and that it didn’t age well.
    • Sourcing caution: the comment has not been confirmed by Root or any verified account. It surfaced via fan communities and Reddit.
    • What his original post said: don’t believe everything you read; stop, think, wait for more information. It never stated the TMZ report was false.
    • Stacy Thomson’s role: the wife of guitarist Mick Thomson posted a Ferris Bueller rumour-mill quote after the initial report, and later said it wasn’t true when TMZ posted it, adding that the band always give chances.
    • Still silent: Sid Wilson has not publicly addressed his removal.
    • Unchanged: Slipknot’s own statement gave no reason, and was deleted the same day it went up.

    Also – The 13 Most Brutal Slipknot Songs Ever Recorded (Ranked)

    FAQ

    What did Jim Root say about Sid Wilson?

    On July 31, following TMZ’s initial report, Root posted to Instagram Stories telling fans not to believe everything they read, and to stop, think and wait for more information. After Slipknot confirmed Wilson’s departure on August 14, a comment attributed to Root began circulating in fan communities in which he says he didn’t know what to believe when he wrote the original post, stands by the sentiment regardless, and acknowledges it didn’t age well. That comment has not been confirmed by a verified account.

    Did Jim Root deny that Sid Wilson was fired?

    Not explicitly. His original post asked fans to withhold judgement and wait for more information rather than stating the report was untrue — a distinction that became significant once the band confirmed Wilson’s exit two weeks later.

    Why did Slipknot part ways with Sid Wilson?

    The band have not given a reason. Their statement, posted and then deleted on August 14, 2026, said only that they would no longer be associated with Wilson effective immediately and wished him well. TMZ reported that the decision followed the band’s dissatisfaction with how Wilson treated his bandmates, but that characterisation is TMZ’s and has not been confirmed by Slipknot.

    Has Sid Wilson responded?

    No. As of publication he has not publicly addressed his removal from the band. He declined to answer questions when approached in person earlier in August, and on August 12 introduced himself as a current member of Slipknot at the World Scratch Invitational — two days before the band’s announcement.

    Who is Stacy Thomson?

    She is the wife of Slipknot guitarist Mick Thomson. After TMZ’s initial report she posted a quote from Ferris Bueller’s Day Off about rumours spreading second-hand, followed by a note advising people not to believe everything they read online. After the band’s confirmation she responded to criticism by saying the report wasn’t true at the time TMZ published it.

    Two weeks of cryptic posts and one deleted statement, and the only person who hasn’t spoken is Sid. What do you think actually happened here? Tell us below, and keep it locked on the Loaded Radio stream — follow Loaded Radio for daily rock and metal news.

    The post Slipknot’s Jim Root Says You Shouldn’t Have Believed Him Either On Sid Wilson appeared first on Loaded Radio.

  • Now & Then: Silverada’s Living Proof and the reach of Against the Wind

    Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.Silverada’s Living Proof pushes the band farther from straight honky-tonk and closer to heartland rock without dropping its Texas country foundation. With keyboards taking a larger role and pedal steel no longer central to the arrangements, the record has a broader, more reflective sound. Bob Seger and the Silver Bullet Band’s Against the Wind makes a useful comparison because it also pairs a seasoned road band with songs about work, age, relationships and the consequences of staying in motion for years.
  • Watch Will Wilde jam with King King in special U.S. appearance

    Will Wilde made his United States debut at Playing With Fire in Omaha, Nebraska, on Thursday, August 14. Wilde was a featured artist prior to the headlining King King, which made its one-off United States appearance for the third straight year at Playing With Fire.

    Alan Nimmo asked Wilde to join King King towards the end of the set, and you can watch the performance below.

    Make sure to subscribe to Blues Rock Review on YouTube to catch full length performances from Playing With Fire coming soon.

    The post Watch Will Wilde jam with King King in special U.S. appearance appeared first on Blues Rock Review.

  • Listening Now : Treverse The World – GOD IN ME

    Treverse The World delivers GOD IN ME as an introspective piece of Christian rap built around self-examination, guilt, and the struggle to confront personal demons. Rather than avoiding uncomfortable subjects, the track turns inward, addressing destructive habits, doubt, rejection, and the consequences of poor decisions through a raw internal dialogue. Written during a period of personal turmoil, the song reflects the tension between recognizing a destructive path and finding the strength to change it. As part of No Rest for the Blessed, a concept album divided between spiritual and more secular perspectives, GOD IN ME represents the heavier side of its first half. Its direct writing and confessional approach give the track a deeply personal quality, framing faith as a process of confronting weakness, taking responsibility, and moving forward.

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  • Hollywood Vampires + The Jesus and Mary Chain @ The O2

    Hollywood Vampires + The Jesus and Mary Chain @ The O2 12 August 2026 Review by Pumpkin Chi Photography by Manu Volpina The O2 welcomed […]

    The post Hollywood Vampires + The Jesus and Mary Chain @ The O2 appeared first on Metal-Rules.com.

  • Unearthing the Metal Underground: Germany’s Godslave

    Yes, America’s “Big Four” and beyond are rightfully revered, but there is much more to thrash on the global scale. Germany is one of the true homes of thrash metal. Sodom, Destruction, Kreator and, to a lesser extent, Tankard have helped define the core essence of the sub-genre. Throughout the years, others have further cemented the legacy of that … Read More/Discuss on Metal Underground.com
  • Venomous Echoes – Drop New Track

    Venomous Echoes has launched a Ben Vanweelden-directed/edited music video for “Mater”, the latest new single from the upcoming long player Ŋvęŧş: Violator Of Mater.
    Read more…