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  • “Cold Night, Middle of Winter” — Soft Vein Shares Intimate Tour Rehearsal Video for “Another Summer”

    Cold night, middle of winter
    Bodies in motion, flames burning high
    Now I wake up alone, the air doesn’t move
    No rain on the concrete, no god in the sky

    Soft Vein’s Another Summer walks into the long-held mythology of summer breeziness with a raised eyebrow and a very good synthesizer. Justin Chamberlain treats the season less as paradise than as evidence: proof that time keeps circling back while the people inside it become harder to recognize.

    The title carries its own little cruelty. Another chance, another repetition, another invitation to believe that whatever went wrong might somehow correct itself on the next pass. Chamberlain sounds far too experienced to buy the brochure. His interest lies in the distance between recurrence and recovery, and in the uncomfortable realization that repetition rarely restores what has already changed.

    Soft Vein has been pushing further into new wave and synthpop this year, and Another Summer may be Chamberlain’s sharpest turn in that direction yet. There is plenty of mid-’80s Peter Gabriel and Robert Palmer in its bloodstream, especially in the combination of clipped electronic percussion, broad keyboards, soulful vocal phrasing, and a hook built with enough confidence to survive outside the black-clad electronic underground. Chamberlain has found a sweet spot between pop polish and emotional frostbite.

    The bass is wonderfully round and physical, moving beneath the track with the lazy certainty of something expensive rolling down an empty boulevard. Keyboards spread outward in great glassy planes while Chamberlain’s emotive voice occupies the center with an appealing mixture of restraint, desire, and resignation. He sings like a man who has learned that romantic memory becomes increasingly unreliable the more often you consult it.

    Cameron Noel Dunbar filmed the video during a visit to Soft Vein’s rehearsal studio a couple of weeks ago, capturing Chamberlain and his live band preparing for their upcoming shows. The footage offers an intimate portrait of the musicians together before heading out on the road, preserving the shared concentration and easy familiarity of rehearsal.

    Dunbar layers the rehearsal footage with psychedelic superimpositions, letting faces double, equipment drift through bodies, and colors smear across gestures. The room gradually starts behaving like memory itself: imperfect, cumulative, prone to placing several moments on top of each other. That treatment suits a song preoccupied with desire and repetition, while the footage preserves something more immediate: the pleasure of being in a room together, preparing to bring these songs to an audience.

    Watch the video for Another Summer below:

    Mixed by Chamberlain and mastered by Jason Corbett of ACTORS at Jacknife Sound, Another Summer appears on Soft Vein’s album All We’ve Known of Heaven, out now through Artoffact Records. CD and vinyl preorders are available now through Bandcamp.
    Listen to Another Summer below and order All We’ve Known Of Heaven here.
    Catch Soft Vein this fall on the following dates:
    • September 30 — Dallas, TX — Dada Dallas — with ULTRA SUNN
    • October 1 — Austin, TX — Elysium — with ULTRA SUNN
    • October 2 — San Antonio, TX — Paper Tiger — with ULTRA SUNN
    • October 3 — Houston, TX — White Oak Music Hall — with ULTRA SUNN
    • October 6 — New Orleans, LA — The Crypt — with ULTRA SUNN
    • October 8 — Tampa, FL — New World Brewery — with ULTRA SUNN
    • October 9 — Miami, FL — Las Rosas — with ULTRA SUNN
    • October 10 — Orlando, FL — The Abbey — with ULTRA SUNN
    • October 12 — Atlanta, GA — The Drunken Unicorn — with ULTRA SUNN
    • October 14 — Durham, NC — Stanczyks — with ULTRA SUNN
    • October 15 — Richmond, VA — Richmond Music Hall — with ULTRA SUNN
    • October 16 — Philadelphia, PA — Johnny Brenda’s — with ULTRA SUNN
    • October 17 — New York, NY — Le Poisson Rouge — with ULTRA SUNN
    • November 3 — Salt Lake City, UT — Quarters Arcade Bar
    • November 4 — Denver, CO — The Crypt
    • November 6 — Seattle, WA — Funhouse
    • November 7 — Portland, OR — The Coffin Club
    • November 11 — Sacramento, CA — The Starlet Room
    • November 12 — Santa Ana, CA — La Santa Modern Cantina
    • November 13 — San Diego, CA — Kensington Club
    • November 15 — Las Vegas, NV — Bizarre Bar
    • November 17 — San Francisco, CA — DNA Lounge
    • November 18 — Fresno, CA — Fulton 55

    Follow Soft Vein:

    The post “Cold Night, Middle of Winter” — Soft Vein Shares Intimate Tour Rehearsal Video for “Another Summer” appeared first on Post-Punk.com.

  • Erasure Share New Single “Wings of Love” — New Album “Radio!! Radio!!” Announced!

    Erasure have spent forty years demonstrating how much emotional information can be smuggled into an immaculate pop song. Synth legend Vince Clarke builds structures with the discipline of an engineer; stratospheric vocalist Andy Bell enters them and immediately complicates their geometry with desire, humour, hurt, and theatrical generosity. On the glorious Wings Of Love, the first single from their twentieth album, Radio!! Radio!!, that familiar exchange sounds newly spacious. The surfaces remain polished, but age has altered what Bell and Clarke choose to place beneath them.

    Wings Of Love draws upon the glassy synthpop language Erasure helped perfect in the 80s, yet its appeal rests in the small frictions inside the arrangement. Clarke’s keyboards are clean without becoming antiseptic, and the rhythm maintains a light, spring-loaded movement beneath Bell’s vocal. The hook rises with classic Erasure efficiency, though Bell sings from a perspective shaped by gratitude as much as romantic appetite. Love, loneliness, and appreciation occupy the same few minutes without requiring grand declarations.

    The title also makes for an intriguing counterweight to Chains of Love, one of Erasure’s defining songs of emotional release. Where Chains of Love treated love as something that might be broken open, escaped into, or finally allowed to breathe, Wings Of Love approaches it from the vantage point of gratitude. The image has changed from bonds to flight, from release toward appreciation, and Bell sings as someone taking stock of the people who have carried him through loneliness and loss. Four decades apart, the two songs suggest different stages of the same emotional vocabulary.

    That balance may prove central to Radio!! Radio!!. Six years have passed since Erasure’s previous studio album, and Clarke describes the new material as having developed with relatively little discussion. “Some of the songs are quite reflective of stuff that’s been going on in my life, but not all of them,” he says. “We didn’t have to think about it or talk about it – it just happened that way.”

    More intriguing is Clarke’s decision to expand his instrumental vocabulary. Piano, prompted partly by Erik Satie, and acoustic guitar appear throughout the record, introducing irregularities of touch into music historically associated with sequencers and synthesizers. “I found techniques – ways to use piano that sounded really organic, and same with guitar.”

    For Clarke, whose greatest strength has often been the reduction of pop music to remarkably efficient components, these instruments offer another set of pressures: sustain, decay, fingers against keys and strings, small variations that resist perfect replication. They also give Bell different surroundings in which to sing. His voice has always carried far more physical force than Clarke’s arrangements strictly require, one reason the duo’s records can feel simultaneously intimate and enormous. On this material, that scale appears useful for songs involving grief, affection, injustice, and the strange emotional accounting that comes with getting older alongside someone.

    “When you’re a songwriting partnership for so long, it’s very deep, kind of like a soul connection,” Bell says. “You trust that person with your life, and because of the nature of songwriting, you just lay bare your soul. That becomes a sacred space.”

    The sentiment could sound extravagant from another duo. With Erasure, it describes a practical musical relationship. Clarke leaves openings; Bell fills them with personality. Bell pushes toward emotional excess; Clarke supplies form. Four decades of repetition have sharpened rather than erased that division of labour.

    Listen to Wings Of Love below:

    Radio!! Radio!! consequently carries an interesting question for a band entering its fifth decade: how much can a partnership change while its fundamental chemistry remains recognizable? “Wings Of Love” offers an encouraging answer. Erasure’s machinery is still precise, Bell’s heart remains gloriously oversized, and the space between those two qualities continues to produce excellent pop.

    Radio!! Radio!! will be released by Mute on vinyl, CD, and digitally on March 12th, 2027. Pre-order the album HERE.

    Their forthcoming tour even extends the principle. Clarke will serve as musical director from California while Bell performs onstage. “I’m so pleased that we were able to find a way for the tour to work for Vince. He’s always too modest but he’s so much more than the Musical Director, Vince is one of the great loves of my life and everything we do as Erasure we decide together.”

    General sale from 10am on Friday October 2nd –  Get tickets here!

    2027 Radio!! Radio!! Tour 

    • April 25 – Cardiff (UK), Utilita Arena*
    • April 26 – Bournemouth (UK), International Centre*
    • April 28 – Liverpool (UK), M&S Bank Arena*
    • April 30 – Birmingham (UK), Utilita Arena*
    • May 1 – Manchester (UK), AO Arena*
    • May 3 – Dublin (IE), 3Arena*
    • May 5 – Nottingham (UK), Motorpoint Arena*
    • May 6 – Hull (UK), Connexin Live*
    • May 8 – Leeds (UK). First Direct Bank Arena*
    • May 9 – Glasgow (UK), OVO Hydro*
    • May 11 – Brighton (UK), Brighton Centre*
    • May 12  – London (UK), The O2*
    • May 15 – Cologne (DE), Palladium
    • May 16 – Hamburg ( DE), Inselparkhalle
    • May 18 – Leipzig (DE), Haus Auensee
    • May 21 – Frankfurt (DE),  Jahrhunderthalle
    • May 22 – Hannover (DE),  Swiss Live Hall
    • May 24 – Berlin (DE), Uber Eats Music Hall
    • May 26 – Copenhagen (DK), Royal Arena
    • May 28 – Stockholm (SE),  Avicii Arena

    *with special guests Ladytron

    Follow Erasure:

    The post Erasure Share New Single “Wings of Love” — New Album “Radio!! Radio!!” Announced! appeared first on Post-Punk.com.

  • How Eddie Vedder came to the rescue when a young Irish band had all their equipment stolen on their US tour

    When, back in June, Florence Road announced dates for their first ever North American headline tour, it was something of a dream come for the young Irish quartet, who only graduated from school in County Wicklow three years ago. But that dream turned into a nightmare just two dates into the tour when, following their show at the legendary Troubador club in Los Angeles on September 23, the band had all their equipment stolen from their van, forcing them to cancel their scheduled appearance at Eddie Vedder’s Ohana Festival on Friday, September 25.

    “We’ve tried absolutely everything to make it happen,” the quartet posted on Instagram. “We really, really want to play for you.”

    In their darkest hour, however, the group were visited by a guardian angel. Hearing of their misfortune, Pearl Jam frontman Vedder not only carved out a new slot for Florence Road on the middle day of his weekend festival in Dana Point, California, but also gave the band’s vocalist/guitarist Lily Aron his own guitar so that the band could play their hastily rearranged set.

    “What an insane 48 hours!!!” the group posted on Instagram after their show. “We couldn’t be more grateful to @eddievedder and the whole team at @theohanafest ❤️ We were met with such kindness, and the second Eddie heard our guitars were stolen he insisted that I play his. A true gentleman.

    “We have the best team of people around us and this show would not have happened without them!! It does take a village!!!

    “Big love to @fender for the guitars too <3 And everyone who reached out 🥲 We are lucky girls

    “Sliver linings always!!!!!”

    Florence Road will continue their North American tour tonight, September 28, playing the Bowery Ballroom in New York.

    They will conclude their tour with shows in Boston (September 29, The Sinclair) and Toronto (October 1, Drake Underground).

    The band, who are signed to Warners, have yet to release their debut album.

  • Interview | “It’s about nostalgia, lost futures, forgotten architecture and the beauty that’s still hidden in places people have stopped noticing.” – Helle Bohdanova (IGNEA)

    We had a chat with Helle Bohdanova of Ukrainian metal band IGNEA to discuss their second album, Monumental, out this October, which was recorded during Kyiv’s wartime blackouts. Helle talks about making music during the war, the emotional state the record explores, and her advice for women in the music industry.

    Reuel

    Hello Helle! I’m very excited to be talking with you. How are you doing?

    Helle Bohdanova

    Hi! Thank you for having me. Honestly, I’m barely functioning after another night of drone and missile attacks in Kyiv. But there’s no time to complain, and I’m really excited to talk about our new record.

    Reuel

    This is awful! I hope this aggression against Ukraine will end soon.
    Your new album Monumental will be released next October. How are you feeling right now as you prepare to share this chapter with your fans?

    Helle Bohdanova

    Extremely excited and terrified at the same time. We’ve spent so long on this album, and now it’s almost out of our hands. It’s very diverse, and every song plays its own role and shows the theme from a different angle, so it’s a lot to put out there.
    What I hope for most is that people will listen to it from beginning to end. It’s a journey through different sides of nostalgia, and the songs make the most sense together. If listeners take the time to dive into the theme and go through the ups and downs with us, that would mean the world to me.

    Reuel

    Robert Hayden said, ‘All art is pain suffered and outlived.’ Considering everything you went through while making this album in Kyiv, do you see Monumental as a reflection of that pain, or a way of overcoming it?

    Helle Bohdanova

    It’s the fifth year of the full-scale war in Ukraine, and we’ve never romanticized it and don’t want to. I understand the idea behind the quote, but it’s hard for me when people suggest that we should turn our pain and suffering into art. Those who see the real war and its horrors don’t want to relive them through music. That’s our perspective, at least.
    It’s also hard to be creative when you have to fight for your survival every day. Blackouts, air raid alerts and constant uncertainty take a lot of energy, and that’s energy we’d rather put into music. I’m sure that when the war ends, we’ll be much more productive and have far more room to create.
    Of course, the war shaped how the album was made. We recorded most of it in the winter of 2025-2026, in extreme cold and during long power outages in Kyiv. But I wouldn’t call Monumental a reflection of that pain. It’s about nostalgia, lost futures, forgotten architecture and the beauty that’s still hidden in places people have stopped noticing.

    Reuel

    Between retrofuturism, urban decay, and nostalgia, Monumental explores some really unique concepts. What kind of emotional state do you hope those themes evoke in the listener?

    Helle Bohdanova

    All in all, this album is sort of a dreamscape.
    I’d like listeners to feel something bittersweet, the kind of gentle sadness that nostalgia brings. In Greek, nostalgia combines homecoming and pain, and I wanted the album to hold both. It can bring back beautiful memories, but they’re darkened by the awareness that those moments won’t happen again. That tension between memory and the present, loss and hope, is what I’m trying to capture.
    But I don’t want people to walk away feeling only melancholy. Nostalgia is something every human experiences, so I hope the album feels like a ride with ups and downs, including some anthemic, uplifting moments. The building on our cover is a good picture of it. Its circular shape feels closed and strict, but it leaves the sky open, so you can still look toward a brighter future.
    Ideally, people also come away seeing forgotten places differently. While working on this album, I discovered so many beautiful buildings, architects and monumental artists, and it made me appreciate things I used to overlook. If listeners start noticing the mosaics and modernist buildings in their own cities, I’ll be very happy.

    Reuel

    There are a lot of different musical styles on this record. What was the most fun, or most surprising, track for you to work on musically?

    Helle Bohdanova

    Prefab was probably the most fun to work on. It’s an industrial metal track, and it pulls the record furthest from what people may expect from us. Having Andy LaPlegua of Combichrist on it made it even more exciting, because he brings a completely different and yet, missing energy. The song is about prefabricated housing, uniform spaces where only the tenants change, so the harder, colder, more mechanical sound suits the theme.

    Reuel

    If all the tracks on Monumental came to life and became real people, which one of these songs would be your best friend?

    Helle Bohdanova

    I’d say What Buildings Dream Of. It’s the song that started the whole album. Yevhenii wrote the first demo, and it sent me searching for the concept that became Monumental, so in a way it’s the friend who introduced me to everyone else.
    It would be the friend you can have a deeply philosophical conversation with, the kind that starts with a quiet talk late at night and somehow ends up on the meaning of space, memory and time. But it wouldn’t be all deep thoughts. It would also be the one who pulls you into an adventure, like exploring an abandoned modernist building at sunrise. It can be thoughtful and adventurous, and I like that mix in a friend.

    Reuel

    With the album coming out in October, are there any plans for live shows or a tour soon?

    Helle Bohdanova

    Yes. This November, we’re hopping on an EU/UK tour as special guests to Evergrey. I’m extremely excited about bringing this album on stage.

    Reuel

    That’s great! We have readers from all around the world, including women who still face barriers, and even persecution, in the music industry. What message would you like to share with those who dream of pursuing a music career?

    Helle Bohdanova

    As a Ukrainian who faces challenges every single day, I’d say: find the strength you have inside you and pursue your career if that’s what you truly want. It’s a tough business and a tough world, and I won’t pretend otherwise. But we’re lucky to be alive, and we’re lucky to have other brave women who paved the way into this industry before us. They made it possible for us to be here, and you can be the one who makes it easier for the next generation.

    Reuel

    Thank you for your time, Helle! Is there anything else you’d like to add?

    Helle Bohdanova

    Thank you so much for having me! I invite everyone to pre-order our upcoming album Monumental and/or pre-save it on Spotify and other streaming platforms of your choice. We’ve also put a lot of effort and resources into the music videos for Monumental, and they complement the album, so please check them out too.
    And please keep supporting Ukraine and Ukrainian artists. It means more than you can imagine. All in all, I hope to see you on the road somewhere!

    The post Interview | “It’s about nostalgia, lost futures, forgotten architecture and the beauty that’s still hidden in places people have stopped noticing.” – Helle Bohdanova (IGNEA) first appeared on FemMetal – Goddesses of Metal.

  • Listening Now : Mey_Mel – Jeux d’enfant

    Mey_Mel’s Jeux d’enfant blends experimental synth pop with an Italo inspired electronic pulse, creating a playful and slightly surreal atmosphere around its satirical concept. The production feels colorful and synthetic, with rhythmic patterns and electronic textures giving the track a sense of movement that contrasts nicely with its innocent perspective. Mey_Mel uses that childlike viewpoint to explore the absurdities of the world, but the music keeps the experience energetic rather than overly serious. The Italo influence brings a danceable quality to the track, while the more experimental synth elements add unexpected turns and a slightly offbeat character. Sung in French, the performance adds another layer of personality, making the song feel theatrical without losing its electronic core. Jeux d’enfant turns innocence, satire and synthetic grooves into something quirky, atmospheric and distinctly playful.

    Childlike innocence meets experimental Italo synth magic.

    Connect:

    Instagram

  • Fiona Amaka Sometimes Forever Review

    Fiona Amaka Sometimes Forever Review

    From the very first guitar solo, “Sometimes Forever” unfolds as an intense journey, reminiscent of the energy embodied by Tina Turner. This track hooks you with its vibrant and engaging rhythm. As the unique voice of Fiona Amaka enters, it becomes clear why her singing style stands out in today’s music scene. Her distinct vocal timbre infuses the song with character and depth.

    Fiona Amaka Sometimes forever

    The chorus is undeniably exceptional, striking a balance between catchy and sophisticated. It features a melodic variation in the middle, which adds layers of richness to the overall composition. This finesse enhances the listening experience. The rhythm throughout the song is unyielding, propelling the listener forward with an ever-present momentum.

    The interplay of guitars welcomes the audience into a vivid auditory space. The arrangement effectively heightens the emotional impact, drawing listeners closer and resonating with their sentiments. There’s a touch of nostalgia woven into the lyrics, balancing the modernity of the sound with a familiar essence that many can relate to.

    Sometimes Forever – Sound and Atmosphere

    Fiona’s artistry shines brightly in this rock masterpiece. The song encapsulates a blend of energy, rhythm, and emotion. It evokes a profound sense of satisfaction, enveloping the audience in a vibrant atmosphere that is exhilarating and comforting. The music has an uplifting quality, leaving one with a delightful sensation in their soul.

    Throughout the composition, Amaka’s intensity remains palpable. Her vocal delivery injects a raw power into the music, while the instrumental backdrop has a solid presence that complements her singing. This synergy between her voice and the instruments creates a harmonious experience that speaks to the core.

    Moreover, Amaka’s ability to fuse nostalgia with modern rock elements makes this single stand out. It is a delightful reminder of the power of music to transcend time, allowing the past to resonate in contemporary forms. The emotional narrative behind the lyrics further establishes a connection with the audience, encouraging them to reflect on their own experiences.

    Sometimes Forever – Performance and Production

    The overall vibe of “Sometimes Forever” celebrates resilience and emotional depth. It prompts listeners to embrace their feelings, wrapping them in a comforting embrace. The single does not shy away from exploring complex emotions, showcasing Fiona’s lyrical abilities alongside her musical talents.

    Fiona Amaka’s “Sometimes Forever” is a remarkable single. From the infectious initial notes to the dynamic and intricate chorus, it is a song that resonates with many. The music invites deep reflection while simultaneously uplifting the spirit. It is an experience one would want to revisit, a delightful gift of artistry that Fiona has shared with the world.



    Solid

    🔥 If you love this music: Discover More


    Find Fiona Amaka here:
    Spotify | Instagram

    The post Fiona Amaka Sometimes Forever Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Jim Root Discusses Slipknot’s Next Album in Social Media Comments

    Jim Root has once again shed light on what Slipknot have in store on their next album in some comments to fans on social media. Continue reading…