Australian country superstar Wade Forster has today released the second taste of his forthcoming new album with the single ‘Anytime, Anywhere, Antoinette’, out now.

This track comes hot on the heels of the announce of his much-anticipated third record The Aftermath, scheduled for August 14 via Community Music – (Preorder/presave HERE) and the accompanying national headline tour dates scheduled for this October and November.

The 2x Golden Guitar winner’s Metro Theatre, Sydney show scheduled for October 30 sold out in 15 minutes with a second show quickly added for Thursday October 29 to meet demand. Special guests The Wet Whistles and Piper Butcher will be joining Wade for shows at Perth’s Astor Theatre, Brisbane’s Fortitude Music Hall, Adelaide’s Hindley St. Music Hall and the Forum in Melbourne. Tickets for all dates are on sale now via livenation.com.au

In further news, Wade been nominated in the Best Independent Country Album or EP category for his sophomore release Gooseneck Party at the 20^th AIR Awards to be held at the Adelaide Town Hall on Thursday 30^th July.

Additionally, Texas quintet Treaty Oak Revival have invited Wade to return as their special guest for further arena dates this September in Virginia and North Carolina. This follows a run of successful run of headline shows in regional Texas in April, including major festival appearances and a standout performance at Nashville’s Ryman Auditorium earlier this year.

Still entirely independent, Wade continues to build a global audience on his own terms – now surpassing 60 million streams worldwide and reaching new career highs across streaming and social platforms.

From a cattle station in outback Queensland to sold-out shows across America, Wade Forster isn’t following a blueprint – he’s carving his own path.

WADE FORSTER – THE AFTERMATH TOUR 2026
With The Wet Whistles and Piper Butcher

For tickets and further information head to livenation.com.au

Astor Theatre, Perth
Thursday 22 October

Metro Theatre, Sydney
Thursday 29 October – NEW DATE
Friday 30 October  – SOLD OUT

Fortitude Music Hall, Brisbane
Friday 13 November

Hindley St. Music Hall, Adelaide
Friday 20 November

Forum, Melbourne
Saturday 21 November

WADE FORSTER – TREATY OAK REVIVAL  – US TOUR DATES 

Veterans United Home Loans Amphitheatre – Virginia Beach, VA
Thursday 17 September

Jiffy Lube Live – Bristow, VA
Friday 18 September

Truliant Amphitheater – Charlotte, NC
Saturday 19 September

WADE FORSTER FESTIVAL DATES 

Country Calling 2026 – Ocean City, MD, USA
Friday 2 October

Savannah In The Round, Mareeba, QLD
Friday 9 October

CONNECT WITH WADE FORSTER
WEBSITE | FACEBOOK | INSTAGRAM | TIKTOK |  YOUTUBE | SPOTIFY

The post WADE FORSTER Drops New Track ‘Anytime, Anywhere, Antoinette’ appeared first on The Rockpit.

Anthony Casuccio Love Song for No One Review

The song opens with an immediately catchy progression, reminiscent of the music from the 1980s and 1990s. The arpeggio evokes similarities to the work of R.E.M., setting a tone that blends simplicity and intensity.

This is a love song that resonates deeply when one encounters their beloved; everything shifts in color and beauty. The pads introduce the chorus, allowing it to blossom like a significant romantic narrative. This organic sound stands in stark contrast to current trends where artificial intelligence dominates music production.

A striking guitar solo arrives around the two-minute-and-thirty-second mark. This solo intertwines melodic elements with rapid passages, showcasing exquisite technical skill on the instrument. The composition invites listeners to sing along, creating an urge to join in the musical experience.

Love Song for No One – Sound and Atmosphere

“Love Song for No One” leaves an indelible mark on the heart. It is a beautifully crafted alternative ballad. I recommend this song to everyone. It carries the essence of relatable love, emphasizing the transformative power of genuine emotion.

With its nostalgic vibes and powerful messages, the song draws listeners into a familiar warmth. The balance of upbeat melodies with emotional depth makes for an exhilarating journey. Casuccio expertly navigates the realms of joy and longing, drawing inspiration from past eras while maintaining a modern sensibility.

The simple yet profound lyrics allow listeners to reflect on their own experiences of love. The infectious chorus invites everyone to join, breaking down barriers and creating a shared moment of joy. The hallmark of great music is its ability to resonate with diverse audiences, and this track accomplishes just that.

Love Song for No One – Performance and Production

Throughout the song, Casuccio’s voice possesses clarity and warmth. Each note conveys sincerity, blending with the instrumentals. The production prioritizes authenticity, steering clear of synthetic enhancements, allowing the raw emotion to shine through.

Electric guitars, synth pads, and rhythmic drums work in harmony, creating a rich tapestry of sound that feels fresh and reminiscent. The arrangement reflects thoughtfulness and a deep understanding of the music’s emotional core.

Moreover, the lyrics are relatable and heartfelt, evoking universal themes of love and longing. These lyrical elements elevate the song beyond mere entertainment, inviting listeners to connect on a deeper emotional level. As the narrative unfolds, it paints vivid pictures of love and transformation, capturing moments that everyone can understand.

“Love Song for No One” is an expressive journey through love’s complexities. The track’s ability to remain catchy while also allowing for introspection showcases Casuccio’s talent. There’s a unique charm in how this song brings together elements of various influences while carving its own path.

Listeners will likely find themselves returning to this track.

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The post Anthony Casuccio Love Song for No One Review appeared first on Edgar Allan Poets – Noir Rock Band.

On Danish screamo group Dermersal‘s new song, “Som Sendt Fra Himlen,” they hold pop musicianship close to the heart. It starts cemented in metal; shrill guitars blaring like an alarm clock lead into a dense chugging section, screams of pain and passion wail, blast beats catapult everything upwards. Then it stops. A frail piano melody introduces Emil Vammen, the frontman of Zar Paulo, softly singing atop a string ensemble. As the heartbreaking piece continues, metal and pop combine into a beast of sentimentality. Intertwined through group chants, Demersal and Vammen portray an emboldened anarchist unafraid to cry into cupped hands, asking: should the toughest of people not also hurt? Listen to the track below.

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“Som Sendt Fra Himlen” is available now.

Turning the page on what promises to be a bold creative chapter, Hunnu Rock pioneers THE HU proudly announce their forthcoming third full-length album, HUN, out July 24 via BETTER NOISE MUSIC. 

Pre-order/Pre-save HUN here
https://thehu.lnk.to/hun

Alongside the album news, the band has unleashed a hypnotic new single entitled “Lost Soul” (Feat. Jonny Hawkins of NOTHING MORE). It marks the first collaboration between the Gold-certified global phenomenon and Hawkins.

Listen to “Lost Soul” (Feat. Jonny Hawkins of NOTHING MORE)
https://thehu.lnk.to/lostsoul 

Across the song, the percussive groove-laden soundscape resembles the extremes of Mongolia’s fickle and unforgiving climate. A head-nodding riff tosses and turns beneath propulsive verses, giving way to a melodic refrain from Hawkins who croons the infectious chorus, “Born to be a lost soul.” These English-sung affirmations lock into a seamless volley with traditional Mongolian chanting, uniting styles and cultures in one burst of boundary-breaking energy.

Resounding beyond all borders, the song trumpets a message of resiliency, fortitude, and strength that translates positively into any language and anywhere in the world.

Regarding the song, Galaa comments “We have been unpacking our surprises one by one. Hunnu Rock transcends through culture and in that respect, we have made ‘Lost Soul’ with Jonny Hawkins. To be not lost on your life journey, not losing your values, and go through life and having a courage to face the life obstacles are messages we are sending our fans through this song ‘Lost Soul’ and in our next album, HUN. “

Hawkins adds, “I am so excited to team up with a band as committed to their craft as The Hu. It’s unlike anything I’ve done before.”

HUN finds The Hu, who were first tipped by NPR back in 2019, at the peak of their powers thus far. They expand the scope of their signature Hunnu Rock with 11 tracks steeped in the lore and legend of Mongolia, yet uplifted with universal ambition. It’s as epic, enthralling, and enigmatic and it opens the gateway into their world.

“We took our time to do this right, and we’re so glad that we’re almost ready to release what we have worked on these past few years,” the band says. “Now, we are also focusing on the performances and working out a brand-new setlist. We want to play bigger venues so we can do extensive production, and bring in some amazing elements of our culture, and play these ideas to our fans. And, as well as our third album, we have some amazing ideas for another album already!”

HUN TRACK LISTING:
“Warrior Chant”
“Lost Soul”*
“The Men”
“Echoes of My Father”
“Shadow”
“Horsemen”
“Greed”
“The Real You”
“Grey Hun”
“Universe”
“Second Face”

*Version of “Lost Soul” (Featuring Jonny Hawkins of NOTHING MORE) will only appear on the digital version of HUN

The post THE HU Announce New Album ‘Hun’ Out July 24 appeared first on The Rockpit.

adequate go Review

The song begins with a beautiful guitar riff that is gritty and intense. This intriguing sound creates a syncopated rhythm that establishes a slightly unstable atmosphere, effectively holding the audience’s attention before the song erupts into full energy. By the time the track reaches the 30-second mark, it transforms into pure entertainment with strong rock vibes that feel unrestricted. The vocalist showcases an incredible range, bringing a slight raspiness to his performance. At times, during the extended notes of the chorus, his voice evokes memories of Eddie Vedder, adding depth to the overall performance.

This song maintains a driving intensity that resonates with the energetic spirit of the 90s. One of the standout elements is how the lead vocals alternate with backing screamo vocals during the chorus, creating a punchy dynamic. The combination enhances the overall energy of the track, providing listeners with a thrilling auditory experience.

The band’s overall sound incorporates notable influences, particularly reminiscent of Pearl Jam and Alice in Chains. However, they have successfully modernized these influences, creating a sound that is intense yet distinctively their own. Their skill as musicians is evident, suggesting they have invested significant time rehearsing together to develop this remarkable synergy.

go – Sound and Atmosphere

The story behind “go” encapsulates themes of serendipity and destiny, encapsulating a sense of being in the right place at the right time. It feels like all roads have led to this moment, enriching the listening experience with a sense of purpose.

The song stands as a testament to the musicianship and creativity of the band. “Go” invites listeners into a shared moment of connection and energy. The composition, lyrics, and performance merge to create a powerful narrative.

In a music landscape filled with a myriad of expressions, “go” stands out as a celebration of rock energy.  The band clearly excels in their craft, offering a sound that resonates with authenticity and passion.

go – Performance and Production

“go” delivers an invigorating experience that entertains the listener from the first note to the last. It has the capacity to evoke emotions, drawing listeners into a shared space of energy and excitement.

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For fans of:

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Bluesy alt rockers When Rivers Meet are ramping up the expectation ahead of new album Rhythm Rust & Static’s June 19th release after dropping heart versus head anthem Caught In The Middle.

Due to unforeseen vinyl manufacturing delays, the release date for Rhythm Rust & Static has moved slightly and will now be released on 19th June 2026. As a fully independent band, it’s incredibly important to Grace and Aaron that everything arrives exactly as it should and that the people who support them get the experience they deserve. Rather than rush things at the last minute, they made the decision to hold the release back briefly to make sure everything is right. “We’re sorry for the delay and truly appreciate everyone’s patience and support, we promise it’ll be worth the wait.”

The third single hewn from the award-winning duo’s latest long player tackles the emotional push and pull that plays with the mind and defies all rationale.

And it’s another thought-provoking track from genre-busting husband-and-wife duo Grace and Aaron Bond as the game changing couple continue to defy convention and stretch the creative boundaries.

“Caught In The Middle is about being pulled between knowing you should walk away from something and still feeling drawn back to it,” explains Grace. “It sits right in that tension between your head and your heart. Part of you knows the danger but another part keeps moving towards it anyway. The song leans into that restless feeling of being stuck between two choices and not quite knowing which way you’re going to fall. Caught In The Middle asks the uncomfortable questions and debates unsound judgement, against the backdrop of another biting, barbed wire riff.”

“This one is really about that feeling of being pulled in two directions,” adds Aaron. “You tell yourself you’re going to walk away but somehow you end up back there again. I think everyone has experienced that moment when what you know is good for you and what you feel are completely different things. We wanted the music to mirror that tension. The groove keeps pulling you back in, almost like you can’t quite escape it. It feels dark and hypnotic at the same time.”

Caught In The Middle builds on the momentum gained from previously released tracks The Script and The Tide Is Turning.

The Script won Classic Rock Magazine’s Track of the Week with the music bible revealing ‘it finds Grace and Aaron Bond continuing to do more than most with the blues rock template, with overclocked guitar, a backing vocal that’s as righteous as it is rowdy, and a lead vocal from Grace that powers the song along until it disintegrates at the climax.’

Tastemaker Rushonrock, meanwhile, pitched The Tide Is Turning as its Red Hot Track of the Week and said, ‘the band’s bullish new single echoes those early days when power and passion trumped polished production’.

“With our previous album, Addicted To You, we leaned into a much bigger, more produced sound,” explains Grace. “When we started thinking about the next album, though, we felt drawn to something a little more raw and intimate.”

Early reviews of Rhythm Rust & Static have picked up on the bold new direction with Music-News awarding the album 5/5 before admitting ‘it will polarise listeners and this is not easy listening. But it is magnificent. Ragged and glorious. Absolutely essential.”

When Rivers Meet usher in a brave new era on the back of three successive Band Of The Year wins at the UK Blues Awards and multiple tours across the UK, US and Europe.

Grace and Aaron continue to build on the striking potential that landed the duo Planet Rock Radio’s Best New Band award in 2021.

And on the back of 2025’s top four UK album Addicted To You, the Bonds are determined to break down more barriers and broaden their reach within a constantly evolving music industry.

“When Rivers Meet has never followed the music industry rulebook,” adds Aaron. “We’re proud to go our own way and our new album is a manifesto for doing just that.”

Caught In The Middle is OUT NOW on all digital platforms http://tunelink.to/T5PPY

Tickets www.whenriversmeet.co.uk/tour

The post WHEN RIVERS MEET Premiere Video For New Single ‘Caught In The Middle’ appeared first on The Rockpit.

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